Category Archives: New Music 2020

VAGUESS.

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With a new record by Vaguess coming out in April, it’s only right I talk about why they’re a bloody great band in order to sway you to buy the record when it comes out. I say this like Vaguess are a band, but it’s really just Vinny and if you know of his previous musical outlets then you’ll know he is nothing short of incredible. Vaguess is another outlet of his musical experiments and just shows us why he’s a remarkable guy. This is an appreciation piece on his music, and how much I love his writing, I just love him. A lot.

 If you’re looking for the ultimate sound to laze about to, or to make you want to start your own band or just enjoy some really great music then Vaguess are the band for you (it’s pronounced Vegas in case you needed to know.) They make energetic Garage Rock sounding music that just makes you want to have a good old time. I can’t count how much music Vinny has generously unleashed into the world but be assured that the guy is a machine when it comes to putting music out. He’s everything you want your favourite singer to be, and he’s got this way of creating down to earth lyrics that just hit you in the gut. Especially if you’re looking for something to just connect with; he then delivers this with a ferocious sound that cements a strong Punk influence.

 

 

There’s this beautiful venom and disdain on Two Hands which is about someone who was shitty to Vinny and let’s be honest, if you’re going to be shitty to anyone as precious as this guy- then you’re a proper doofus. The whole of Have A Good Summer is just a delight to listen to, even the songs that will break your heart like Two Hands and Everywhere Is Assholes (a pretty great and accurate name for a song.) But the way in which he breaks your heart just makes you want to delve into what makes you tick and write about it. He’s just got this way with words that leaves you in awe, and the way he delivers it vocally is so wonderful.

 As someone who is simply, obsessed with music, hearing someone like Vinny create music like this just makes me so happy. His lyrics are clever and to the bone; he’s not afraid at all to be vulnerable with his words but he’s also an absolute monster of a musician! There’s nothing he cannot do- he’s superman. I just adore everything he does, and I am SO excited for the new record next month. I can’t wait to really listen to it, and write about it like the obsessed fan I am.

One of my favourite records by him is his One Man’s Trash EP that came out back in 2017. It’s got a really raw sound to it and the lo-fi atmosphere on it is something that is really strong on this record. It’s always there, but this one it is more prominent. I just love how you can really tell that this is love and passion, and the way he gets it across just makes you wish more were like this and you kind of wish you could do it too. But hey, no one is as great as this guy. There is something so pure and innocent about his sound, but you can imagine live shows to be the complete opposite. There’s no denying that his passion for music is probably accelerated during his shows, and it’s something I really hope I get to see one day. His music means a hell of a lot to me, and his way with words are a huge part of this admiration I have for him.

 His 2013 release, Back Off Warchild became an instant classic and is still a prime example of the kind of musician he is- it’s got the reverb and fuzzy vocals that I just love so much. I can’t get enough of his music, and every so often I’ll go back to this record and it’s just like finding his music for the first time all over again. There’s no denying just how exceptional Vinny is, and like I’ve mentioned already, I’m just so excited to hear the new record. There’s isn’t too long to wait, and I just know it’s going to be one of the best things we get this year.

 

 

 

 

So, there you have it, this is just my appreciation and admiration of Vinny and the music he creates. Keep an eye out for his new record, I reckon it’ll blow all of our minds! Guest List To Heaven will be his 7th Vaguess record, and is set to come out on 4th April

KISS BOOM BAH: Out Of Our Tree.

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Right out of Philadelphia we have the effortlessly cool and slick Kiss Boom Bah. A remarkable Garage Rock band which features members from bands such as The Creamers and The GTVs and they have now created Kiss Boom Bah.

 Kiss Boom Bah’s debut EP, Out Of Our Tree came out the start of March and these two songs were made to just flip your world upside down, and back round again. Repeat! If you’re looking for something to make you feel like you’re deep in The Gruesomes’ Tyrants Of Teen Trash record, then you’re going to love Kiss Boom Bah (also, if you are a fan of anything Sam Steinig has done then obviously you’re going to love this band!)

 

 

With only two songs on the EP, it may be difficult to gauge an opinion on the band and if you can firmly work out what their style is. However, because of the unknown that’s what lures you in and keeps you there. The songs are like basement bar chants. You can definitely imagine what their live shows are like when you delve into this record, an absolute riot.

 I love the organ on the title track, it’s got this spooky feel to it and when you mix this with the vocals it just becomes an instant classic. This song definitely feels like it could have come out when The Vagrants first started and The Pretty Things too, it’s got that euphoric feel to it. When all this quarantining ends, play this at a house part or something. It’ll go down a treat! If it doesn’t, then reassess your friendship group. The EP is magical and in just two songs they give you perfect musical moments that’ll have you hooked for days and days. If snarly Garage Rock is your bag, then you’re going to dig Kiss Boom Bah for sure! There’s also this delicious Surf Rock feel to their sound that just makes you want to escape to the beach (but don’t leave your houses just yet!)

 Marilyn-A-Go-Go is just proper example of Garage Rock at its finest. Aside from the occasional chant, this song has no vocals- it’s just a straight up, no bullshit instrumental number showing us exactly why Kiss Boom Bah are bloody fantastic. Again, play this one at a house party for a solid reaction! The EP is just a swell listen, and although you want more and more, Kiss Boom Bah have given us a mighty fine taste of what’s to come.

 

 

 

The debut EP by Kiss Boom Bah is out now via Sweet Time.

BADASS MOTHER FUZZERS: On The Run.

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I have no idea what day it is anymore. I have no idea how long I’ve been ill for and my sleep pattern is every shade of messed up. It’s alright though, I guess it means I can spend more time writing about music. Then taking a nap. That lasts for about 5 hours.
Badass Mother Fuzzers are a band from Toulouse who are exceptional at what they, and what they do is give us exquisite Garage Rock music to lose our minds to. Although, I expect with us being indoors for long periods of times, we’re all going to get to that stage. I can hear my neighbours laugh, sneeze, cough and flush the toilet. Way too much. I wish the walls weren’t so thin, but I guess it means they can hear my music too, so it isn’t all bad! BAMF are a remarkable band who have this smutty Rock ‘n’ Roll sound that you just cannot get enough of. It’s got that Johnny Thunders feel flowing right through, but it’s also got something else. Something that goes beyond words but it’s something so passionately fast that you just cannot get enough of it.



Their latest release came out last September, and it was most certainly a record that deserved way more attention than it got. It’s got some real trippy numbers on there such as Love Ain’t No Crime and Breaking Down. They are just divine pieces of music, and you can’t help but wish you could see BAMF live because I’m fairly sure their shows are nothing but wild. You can just picture them all going nuts on stage, and at the end- the drumkit is smashed into pieces as chaos erupts on stage. I just love their frantic sound; I love how every song is delivered with such urgency, and if you’re looking for a top example of this you will find it on RUN RUN RUN. It’s such a great song, and although the whole record is brilliant, this song is the one where you can really hear exactly what every band member is made of. You can also hear why they are one of the best bands to come out of France.
I love that I can hear snippets of The Gun Club and Ramones in their music, and how they mix everything I love about music and make something that is just a sheer joy to listen to. The attitude that flows in the music is great too, it’s got that Dead Boys snarl to it- you wouldn’t dare mess with them. You get this from Don’t Feel Bad and Don’t You Try; they’ve got this way of making you wish you could make music as cool as this.



When you listen to BAMF you wouldn’t be wrong in thinking you were listening to something from the 60s; they’ve definitely got that feel. That hypnotic Garage Rock sound mixed with a Bluesy feel is just super addictive, and I love the riotous feel on Don’t Need You (for me, the vocals on this are my favourite on the record) and Fall For You reminds me a little bit of The Cramps, if you really listen to it hopefully you’ll understand what I mean. It could be the trembling vocals that remind me a little of Lux. Either way, it’s just wonderful. There’s just so much to love about BAMF and the fact that there’s only 3 of them making all this noise just makes it that touch better because they really do make you feel as if you’re listening to an orchestra of noise. I absolutely love this band, and I hope you do too!
On The Run is out now via 6Tone Records.

SIT DOWN.

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SITDOWN

 

Well, for the foreseeable we have no gigs to look forward to but that doesn’t mean we can’t get hyped up over new (and old) bands. It just means when everything is back to whatever “normal” will be, we will enjoy the shows much more. Music is so important. It keeps a lot of us going. It is the lifeline for so many of us, and those who make the music- well, it’s their lifeline too. Before I go into writing about Sit Down, I’d just like to mention as I’m sure you know, Bandcamp are waiving their revenue fees today so all the money will go directly to the band/singer. If you can afford to buy a song or two, please help out your favourites. But please, only if you can afford it.

 Right then.

 Sit Down are a duo from Brighton. You know how I feel about duos; from The Kills to JOHN; I just love them. I love how noisy they are, and how it’s just two people that are making killer noise. You can add Sit Down to the list of killer duos. They have this beautiful and intense sound; it goes beyond anything I’ve ever really heard before. You don’t know what to expect, but every song feels like a Glaswegian kiss- perfect!

 

 

Katie has the effortlessly cool task of drumming and singing. Anyone who can sing and drum at the same time, especially like this is like a superhero to me. It takes something that is beyond human to do it, and I think anyone who can do it is just exceptional. Katie is brutal and takes no prisoners. She’s got the same ferociousness to her sound like Fay from Savages (hands down one of the best drummers EVER!) and give it time, and people will be saying Katie is one of the best drummers of all time. Trust me on that. Then you have Greg who is an absolute monster on the guitar- if you’re into bands like Table Scraps, then you’re going to fawn over Sit Down. The heaviness they both have is just intoxicating, and it’s what we need right now and all the damn time.

 Sit Down have been going a few years now, and over the past 2 years they have truly built something that is getting stronger and bigger.  Their debut EP from 2018, Cheap Luxe is such a dirty and gritty Garage Rock record, and it makes you think there’s more than 2 of them making this noise. It’s nothing short of brilliant and is such a great way to make their sound known. It oozes power from start to finish, but what else would you expect from the self-confessed Hell’s House Band.

 At the moment, I’m really stuck on Take A Seat. It’s got this Trip-Hop feel to it mixed with some spooky shit. It sounds like it was made for a Horror film, a real gory Horror film at that! I love how they can create certain moods and atmospheres with their sound, and how they really take the listener off into a fantasy world. It’s like they are possessing you with their sound, and you cannot help but feel like you’re in a trance when you listen to them. I really get that feel when I listen to Take A Seat, and when it kicks in- that’s when you fall deeper into their world.

 They’ve also JUST released an aptly titled song, Quarantine which pretty much sums up how we are all feeling now. Katie sings and screams her heart out on this one, and it’s like she is unleashing the world’s furies on this. It perfectly captures how vulnerable and unsure we are all feeling right now. One of the only good things to come out of this is bands like Sit Down giving us these hard-hitting anthems that one day soon, hopefully, we can sing right back at them.

 

 

 

Sit Down have that excellent Trashy Rock ‘n’ Roll sound going on, and it’s apparent on songs like Teeth and Honeysucker. Both songs are perfect if you’re just getting into the band. That decadent sound is throughout both songs, and the louder you play them the better they sound. Look, if we have to self-isolate then we might as well introduce our neighbours to some new music too, right? Play Teeth super loud, have a party through the walls. Enjoy!

NADU: Survive *Single Premier*

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During all this madness, we can always count on music to make everything better. Whether it be an old band you love, or a band you’re finding for the first time. With that in mind, I am beyond happy to share with you the premier of NADU’s brand new song, Survive which is taken from his brand new EP, Determinator II which will be out in May.

 I’ve already listened to the EP, and I can promise you that this is going to be one of the most exciting records we are going to get this year. It’s a real fast-paced Garage Rock record, and the fact that it is all done by one person makes it that more special. You can hear every ounce of passion and creativity in this record, and it definitely shines through on the lead single and EP opener, Survive. His first EP was released in 2017, and since then he’s been playing shows across the West Coast and Midwest of America and unleashing this brutal sound that you just cannot get enough of. On record, it’s just him but catch his shows, and you’ll find Nadine Torres and Kenny Esparza right next time. Buy the EP so they can head over this way and do some shows!

 

 

Survive is the perfect lead for this release; the bold and brash DIY sound is insane, and Nader’s vocals have never sounded so good! The way it just smacks you in the face right from the start, and when the vocals kick in and the drums- you just know that it is over. It is such an exciting song, and sure it’s just over 2 minutes long, but in those 2 minutes you are subjected to some real gnarly sounds. If this song doesn’t make you want to start your own band, make your own noise or whatever then I really don’t know what will! As a kid, Nader immigrated to Texas from Bangladesh, and a couple years ago ended up in LA where NADU was born. This is a project that Nader created after leaving corporate jobs behind and fully dedicating himself to music, and it’s fair to say that he made the right decision.

 My only advice to you is, if you’re stuck indoors for the foreseeable then open your windows and blast Survive as loudly as you can. The same advice applies for when the EP comes out. I was going to write about the EP here, but I’m going to hold off until closer to the time. Lord knows we all need things to look forward to right now!

 You can stream Survive, and pre-order Determinator II here .

BIRTHMARKS: …And Then The Rain Stopped.

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I always thought I’d find it difficult to write about friends I have in bands, but it turns out it’s pretty easy- especially when you love and believe in what they do. Little Death Machine were a band that I absolutely adored and couldn’t get enough of. That band ended, and from it Daniel formed Birthmarks with his pals- Jason and Jonno. As I listen to their debut full length record, I can hear parts of LDM but also a sound of bands/singers I love. It’s a brilliant record, and the fact that Kerrang Magazine have written about them is also a huge deal. Again, another thing to be proud of.

…And Then The Rain Stopped is out next Friday, and with all this painful doom and gloom surrounding us right now, for me, I’m finding comfort in music more than ever. The record starts with How Do You Rule Me which gives me feelings of Bjork (Army Of Me flows right through this) early Placebo and hints of Nine Inch Nails. Basically, this song and the whole damn record sounds like heaven. Daniel’s voice has never sounded so good and so powerful, and when you marry this up with Jason’s drumming and Jonno’s bass playing; you just get something that feeds your soul and beautifully consumes every part of you.

The lyrics will get you right in the gut, and if the song Breathe doesn’t move you then I really don’t know what will. The record is full of songs that will break your heart, but you won’t mind because it will also give you comfort. That’s all you can ask for. If something breaks you, chances are it can comfort you also. The vocals are as raw and as exposed as the lyrics, and because you can truly hear the honesty and feel every single emotion on the songs- you cannot help but connect with them. There’s something so haunting about the whole record, and the darkness on this record really does get you right in the gut. For some it may be uncomfortable but for others, it’s a lifeline. The record is a work of art. I knew it was going to be something truly remarkable, but it goes above and beyond what I or anyone else could ever write about this record.

 

 

The songs touch on everything from love to loss, and all that goes with it.  Daniel’s mentioned that this record took 5 years to make, and you can absolutely hear the hardwork and dedication from them all on this record. I’m obsessed with the drums on this record, and how they heighten the emotions on this record. You have songs like Wax which is such a stripped back and vulnerable song, and it is one of the more tender moments on the record. Again, you can hear the raw emotion in the vocals on this but then it goes right into You Are One which could very well be the anthem for the band. You can imagine the crowd going nuts to this at their shows, it’s got such a grand feel to it and you cannot help but get immersed in it. The way the synths and guitar go together on this is just fantastic, and the way the guitar and drums get heavy at the same time just blows your mind. This one really homes in on the feeling of loss and a sense of betrayal, and it’s a brutal listen but it’s just another reason as to why you cannot help but love this band, and this record.

As far as debut records go, it’s fair to say that this is nothing short of incredible. The production is flawless, and the way the songs sound is just remarkable. It’s hard to believe that this is their debut full length record, and like I mentioned, you can really hear the hardwork in this record. Charcoal is a fierce song, it sounds like it should be in some disturbing thriller, and to be honest I really do see Birthmarks creating the soundtracks for films. This whole record sounds like it was made for a film; it’s a very theatrical record, and the atmosphere on the record will just send shivers right through you. It’s a very dark record, and I love how brutal some of the lyrics are and how fucking honest they are. Charcoal is like a cut to the soul, but you keep digging at it. The record is like an open wound that you cannot help but mess with. It’ll disturb you, you’ll wince, and it will be the best thing you’ve ever heard. I adore this record, and I just respect anyone who is this honest with their art.

The record touches so beautifully on human nature and how we fuck up, how others fuck us up and how it can be a vicious cycle at times. I love how experimental the record is, and how it doesn’t fall into any genre or any sub-genre. It feels like a film, a work of art. If this is what we get from a debut record, then there’s no telling what else they can do. It’s obvious it’s going to be mind-blowing, but I’m just massively in awe of this record and how they’ve all played their part in creating this gorgeous record. Pale and Midnight Blue are prime examples of how talented the band are, and I love that every song on this record gives them all their own moments to shine.

 

 

…And Then The Rain Stopped is mixture of every human emotion possible, it is the beauty of carrying feelings and it is the burden of being a human in one. It is a complex listen, and I can only advise that you listen to this record the first time round on your own, and in order. Just soak up the record. Once you’ve done this, listen however you want. We’re all looking for comfort and the like in isolation, and this record is everything we could possibly need and more. Birthmarks have made the record that makes me want to write about it constantly. Bands like this are why I write about music, and why I refuse to ever do this for money. It has to be for the love of it, and I will only ever write about what I love. Birthmarks have truly made something special here, and I sincerely hope that anyone who listens to this record feels the same because it NEEDS to be heard.

Allow yourself to feel vulnerable, and just open your mind up to this record. It’ll be alright.

Pre-order the record here and you’ll also find their cover of one of the most beautiful songs ever written, True Love Will Find You In The End by Daniel Johnston.

AXETONE.

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AXETONE

If I had the money to buy all the merch and records of bands that I love due to shows being cancelled, I really would. It breaks my heart to see them struggle because of the virus; their music is their life. It pays their bills; it keeps them going. Their music keeps me going. All I can do is write about them- all I can offer is words, and it just makes you feel helpless. Then you have absolute selfish fuckers buying everything in the shops that they clearly do not need, and other have to struggle. Not to mention the government vocalizing zero concerns for homeless people. But why would the fuckers start caring now? If it doesn’t make you angry, then you’re part of the problem. And with this anger, it brings me to the wonder Axetone from Miami.

 I don’t know anything about the music scene in Miami, but if the Punk scene sounds anything like what Axetone give us, then sign me up! There’s this gnarly sound that just oozes pent up aggression and I love it. They’ve got this wonderfully brutal sound- it reminds me of Bikini Kill slightly. There’s a nod to Riot Grrrl here, but at the same time Axetone just give us something so heavy and furious. You absolutely cannot help but play this so loud you’ll feel as if your ears are going to bleed.

 

 

 Axetone haven’t been going long, and with only a couple of releases up on their Bandcamp page (with one being demos that are incredible!)  you’d think it’d be tough to get something meaningful out about them. Thing is, when a band is this good, it’s an absolute honour to write about them. Their newest release came out at the start of March, and these handful of songs are so powerful and the sheer urgency in the songs just makes you want to trash shit and jump around in your room, and probably annoy neighbours with your stomping. Here For You Here For Me is such a great record, and it’s perfectly made up of angst filled songs that will get you right in the gut. This is not for the faint hearted or for those who want awful, sickly love songs. That shit isn’t welcome here; give us this beautiful and unpolished noise any day!

 Michi has such a distinctive voice, and the way the vocals are screamed out just make you want to scream them right back. There is so much power and determination here, you cannot help but let it consume you. Take the opener, Emotional Dishes; it touches on mental health in such an unfiltered way and it then goes right into Hot Pocket which exposes just how fucked society is. This is band that are hugely observant of what is around them and their community. A huge community feel is what you get from this band, and their unity with each other is what makes their sound. There’s this tightness but not in a polished way, but in a way that you know that the band totally get each other, and the bond goes deeper than music. For a band to get that feeling across so early one is something to really pay attention.

 

 

 With one listen, I just became obsessed. I love the Punk feel. I love the Riot Grrrl tones. I love the way that they are so brutally honest with the lyrics and how annihilating yet freeing the music is. I just love everything they give. The force on Toxic Womb and Wolf/Sick Head is vital, and just reinforces why we need bands like this, and thank fuck they exist.

 Here For You Here For Me is out RIGHT NOW!

SPECTRES: Nostalgia.

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Today I had the day off work, and I’ve done nothing. Absolutely nothing, so it’s only right I try do something with my time. There’s a new record out today by Canada’s finest Post-Punk heroes, SPECTRES. They create intense atmosphere again on their new record. I wrote about Utopia which came out in 2016. Either on here or for Heatwave- I can’t remember. Either way, I’m a HUGE fan of theirs and I’m super excited to write about this record.

 Nostalgia is a sublime record, and for me I hold it as highly and as dear as I did with Utopia. I adore this dark and eerie sound that is delicately flowing through the record, and there’s a load of devotion too which you pick up in the vocals, and its devotion that just melts your heart. It’s the perfect record to listen to if you’re wanting to escape the news, and such. Or if you just want something to fill your heart up with something really pure and honest.

 There’s something about this record that reminds me so much of early Bauhaus and Sisters of Mercy, which for me is nothing short of perfect. I love the moody sounds of the bass and the guitar. I love the urgency in the drums, and the vocals are delivered in a way that makes you realise that this band are not to be messed with. They are the best at what they do, and this record firmly shows us just how much they’ve grown and how bold they are in experimenting in their sound.

 

 

Songs like Pictures from Occupied Europe have this pace to it that make you really soak up the urgency and brutality in the songs. When a bad is this unafraid to show us what they are made of, you cannot help but adore it and respect it. This is my favourite song from the record so far, but like with Utopia, you cannot just pick one solid favourite. The whole damn record is divine.

 The 9 songs on this record were made to pause you in your tracks and to just make you really think about what you’re listening to. You cannot help but feel that the ideal setting for listening to this record is in the pitch black whilst the rain falls hard and taps at your window. The alternative is taking a walk on a grey, foggy day and just play the record over and over; clear your head and free your mind. Fate and Insurgence are the perfect songs to do this to. I mean, the whole record is but these 2 songs in particular just feel like they made for this. I just love the sheer strength in this record and how you can truly hear and feel the growth in this band. I love how they can channel Seventeen Seconds by The Cure (similar eerie atmosphere) and go spooky like early Bauhaus too. There are nods to Joy Division too I think- the rhythm section oozes it, and it sounds so wonderful.

 Nostalgia has songs that are made to be chanted back at the band with such passion and vigor. I love everything about this record, which I’m sure you can sense. The Call sounds like the song they’d end their set on, there’s something about it that feels like it could close the show in such a majestic fashion. Again, it’s another highlight on the record and it’s met with Along the Waterfront which closes the record. This has a finality to it that’s perfect to closing the record. When the record ends, you feel like you need to take a deep breath, and as you breathe out you start the record all over again.

 

 

 

If you’re looking for a sullen record, but also one that will be a source of comfort- Nostalgia is for you. From start to finish it is nothing short of exceptional, and so worthy of all of your love and attention.

 Nostalgia is out now via Artoffact Records.

DEAD MEAT.

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We have a super-group on our hands. Us filthy Punks/Punx have a band to really become obsessed with and to fawn over. That band is…. DEAD MEAT! They consist of members from the killer bands that are: The Speedways, Suicide Generation and The Cavemen and their first EP has been released by the always reliable and always great, No Front Teeth Records. This is gnarly London Punk at its finest. Strap in, kids! This is going to be loud.

The EP kicks out with I’m An Infection. Probably not something to yell given the state of the world right now but the song is great. It’s fast, loud and criminally short. That’s the EP in general though, but hey! Give it a listen and you’ll see that the solution is to play it constantly.

 

 

Leave Me To Die is their Ramones moment. As someone who is obsessed with the Ramones and will always worship Joey Ramone- this is a big deal. There’s a lot of Ramones flavour on this EP, but they also a huge dollop of Dead Boys. Basically, it sounds like my favourite bands in one. It doesn’t get much better than this! Also the intro to Leave Me To Die reminds me a little of The Stooges’ I Wanna Be Your Dog. It’s got that same filthy feel it, you can’t get enough of it.

Aside from the songs being incredible, it’s only right that I tell you how brilliant they are as musicians. Vince has this brilliant snarl in his voice that makes you feel like you’re watching a tiger attack its prey. Stalking it intensely and making it’s way to rip everything and anything apart. The energy he has is the kind that makes you just KNOW that their live shows are insane. Jake is a monster on the drums, he sort of eggs the band on to go faster and play louder. You can really sense this on the title track, Dead Meat. It’s just a joy to listen to and I honestly wouldn’t be surprised if he is someone younger Punks starting bands cite his drumming style as an influence. Fisher (bass) and Adrian (guitar) compliment each other so well. Adrian is an animal on guitar; no one plays like him at all. There’s something there that, and I know I keep saying it, but it really makes you feel like you’re hearing the Ramones for the first time. The aggression in the guitar is merged so well with Fisher, and how he adds this slick grooves and keeps up effortlessly. No one is leading anyone here, they all have this evident bond and it’s just another reason as to why it’s fair to call them a super group!

Dead Meat have released such a great debut record here, and it just makes you excited to hear more from them. Given the bands that they already play in, it’s pretty obvious that this band wasn’t going to be anything other than exceptional. I can’t count how many times I’ve played it whilst writing this. It’s an addictive record, and that’s something to really be in awe of.

 

 

Dead Meat’s debut EP is out now via the equally great No Front Teeth Records. Play it LOUD!

SIOUX.

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We all know that Manchester is home to some amazing places and bands. It’s an incredible place, and I’m happy to call it home. Part of what caused me to fall in love with the city was the music. It’s always the music. Some of my favourite venues are here (part of my heart still does belong to the Shacklewell Arms in Dalston though.) But Manchester has a scene that is so charismatic and evolving. Whatever you’re into, you’ll find it here and it’ll probably exceed your expectations.

 Tonight, I’m going to write about Sioux; one of Manchester’s finest bands, a band that are truly in their prime and are such a joy to listen to. With just three songs up on their Bandcamp page, you may think it’s a bit of a task to write about them, but it’s quite simple when you believe in what you’re hearing.

 

 

Sioux are a beautiful Psych band that make you feel like you’re listening to The West Coast Pop Art Experimental Band mixed with the Electric Prunes. It’s every part 60s Psychedelic with a modern and Mancunian twist. If you’re looking for something to cause your head to go into a spin, and for your body to twirl repeatedly to the slick grooves your ears are being caressed with- then Sioux are the band for you. They have this beautiful relaxing sound, and as someone who can struggle to switch off at times- they really do give you the notion that you can just let shit go and breathe. You can almost picture a young William Miller in Almost Famous being handed this record by his sister, and he becomes totally enamored by what he hears. They’ve got something about them that makes you feel so alive, and just honoured to hear their music.

 Their latest release, Fickle is a sure-fire example of why Sioux are great. If you want to compare it to their other two songs- then go for it, but what you’ll hear is a band that are not afraid to expand their sound and to be utter daredevils in what they do. They have achieved something to be proud of in their sound and having the likes of Sour Grape Records back them is another thing to be proud of too. Sioux aren’t afraid to create mind-bending sounds that totally mess with your head. It’s how I’d imagine an acid trip to be. 2020 is going to be such a great year for this band, I can feel it. I just love how they make you feel like you’ve gone back in time and you’re discovering the likes of the Electric Prunes and Strawberry Alarm Clocks for the first time. That feeling in your gut they give you just makes you feel giddy, and in awe of what you’re hearing.

 Aside from their latest single, Fickle, they have a couple more songs for your listening pleasure. I adore the song Half-Eaten Songbird. It’s a poetic number that just eases the soul and in the same league as this is Hypnosis. The band are pros at creating music to escape in- they take you on a beautiful voyage, and you don’t want to ever come down from it. With the weather currently being ever so shit, it’s bands like Sioux that make you feel like you’ve got the sunshine hitting your bones and making you feel alright.

 

 

 

Like I said, 2020 is going to be a great year for them and I cannot wait to hear more from the band.