THE BATTERY FARM: A Working Class Lad.

I have made my love for one of the finest bands from Manchester known many times. But this time, The Battery Farm have completely and utterly outdone themselves. Everything they have done to date has been nothing short of vital, ferocious, and delivered with this passion that you wish most bands would. A Working Class Lad towers above everything they have done to date. This is the kind of song that makes you want to pin down tory scum and blast this song in their ears. Imagine if they would listen. Imagine…. But until then, we have got bands like The Battery Farm who are beautifully expressing how difficult life is and how shit it’s going to get until people listen to us. There’s beauty in it all, and that is what they express so wonderfully.

The hook where Ben screams his lungs out is such a pivotal moment in the song, and every time he unleashes that distinctive bellow of his, you cannot help but scream back and let his voice absolutely destroy your eardrums in the most perfect way. It is one of the best songs he’s written so far. The man is a poet. A proper storyteller. This is song for those who understand how tough everything is right now and how the majority of us are struggling. The comradery in this song makes me so proud to call Manchester my home.

The bassline on this, mixed with THAT drumming is out of this world. The guitar is electrifying, and it adds extra bite to the vocals, and drills home the importance of the lyrics. Bands like The Battery Farm are rare, and that’s why it is SO important that we treasure them. They tell our stories; they release our furies. They’ve got courage, heart, and passion. They’ve got the wisdom that you wish you had, but in time, you’ll get there. If you’re looking for a real Punk anthem- this is it. This is totally it. It’s the song that you play when the world gets a little too much, and as soon as this kicks in- you’re reminded that someone out there fucking understands. This band are way ahead of their time. Or maybe we are all behind and need to catch up. Whichever way you look at it, this band are the future.

What I adore about the band is how they can take painful daily life topics and make them beautiful. They make everything relatable, and you know they mean every single word that comes out of their mouths. Their words are so important, and I don’t say this lightly. There is so much power in this song and it is really is the best thing they’ve done to date. Their debut record Flies is out in November, and I cannot wait to hear it. Going by the previous 8 singles they’ve released and now this single- I think it is pretty safe to say that it is going to be one of the most thrilling records of the year. Nothing will touch it. Nothing will come close to the sheer importance of it.

There is so much heart in this song, and the way every ounce of this anthem hits your mind, body and soul leaves you wanting more. You cannot help but play this on repeat. You cannot help but scream along. Thank god we have bands like The Battery Farm around. They unleash every feeling surrounding identity and the shame we sometimes feel. Sometimes that shame is thrown onto us from others, so we turn that shame into something that means something- Art. That’s what The Battery Farm have done here, and will always do. It’s in their blood. We need them.

They’re playing the Dublin Castle in London on the 2nd September and will then be back home to tear the roof off Gullivers on the 10th September. Go see them. Buy the record in November and let this band get out everything you feel you cannot.

You can check out their upcoming gigs here: https://www.facebook.com/thebatteryfarm/events

AMYL AND THE SNIFFERS: Albert Hall, Manchester. 31st May 2022.

Of all the gigs I’ve ever been to at the Albert Hall, I can say with as much confidence as possible, that last night’s show courtesy of Bruise Control and Amyl and The Sniffers, was the best. From the atmosphere, to the sound to the bands, to the crowd. Everything about the bands last night and the crowd was just divine. I don’t think the Albert Hall will EVER see a show like this again.

This was the first time I’d ever seen Bruise Control live, and my god they made you feel like it was THEIR headline show. Give it time, and they’ll be playing venues like this all the time. The band had their family in the crowd and seeing the singer’s mum have the time of her life whilst singing and dancing her heart out to the phenomenal sounds her son’s band makes was just beautiful. Looking at the crowd and seeing so many people lose their shit to this band was everything we all needed and more. At one point Amy and Gus were stood behind me watching Bruise Control, and to see everyone in the room just lapping up this exceptional band was a sight to behold and treasure. You could see how much this meant to Bruise Control and those that adore them.

Around 9pm, Amyl and The Sniffers bounced onto the stage and immediately tore the roof off the Albert Hall. The energy from their set was an extension of what Bruise Control gave us. Punk music with a bold message and a sound loud enough to deafen you for days. As soon as they opened with GFY (Go Fuck Yourself) the crowd downstairs turned into a sea of bodies swaying, sweating and throwing themselves and each other around. In just 50 minutes, I can’t begin to tell you how many people were being pulled out of the crowd. One being Bruise Control’s singer- who I think was pulled out 5/6 times. To see everyone have this much fun and more importantly- being kind to each other when someone fell or wasn’t too steady was a true sentiment as to what Punk is.

The setlist was a healthy mix of old and new songs. So many songs were a highlight for me. Their performance of Maggot, Got You, Some Mutts and Security were INSANE. There were tamer moments, for instance the song Knifey, that showed a different side to Amy’s vocals. Yes, she belts those proper Punk anthems out, but on Knifey she tells the frustrations of just wanting to walk home peacefully without feeling threatened. She does it in a way that just simply explains the frustrations but delivers it in a way that breaks your heart.

The energy this band have is infectious. The crowd feed off them and vice versa. I saw Amyl and The Sniffers play their first Manchester show at the Deaf Institute a few years ago, and it blew my mind but last night’s show was something else. Maybe it’s because we’ve been waiting years for this or maybe it’s because seeing this band live is the most liberating feeling you’ll get. Amy bounces round the stage like the Duracell bunny who has had too many lemonades; at one point she takes a shirt thrown to her from the crowd and wraps it round her face, like a makeshift balaclava.  She also brings out the bodybuilder stance as well whilst Gus, Dec and Bryce deafen the crowd with their sound.

Every single song is screamed back at the band, and it is the most beautiful sound you’ll ever see. The band totally own the stage, and you can really feel the love they have for their fans, music and each other. The bond they have is just wonderful to watch and being able to see this is a real honour. Some songs are belted out louder than others- from the crowd; such as Guided by Angels, Hertz and Gacked on Anger. The whole set is perfect and I could have happily watched 12 hours of this. Bliss. Absolute bliss. You cannot help but want and need more.

You know how everyone claims to be at the Sex Pistols show at the Free Trade Hall, then went on to form bands? I’m pretty sure that the show at the Albert Hall will have the same impact. There is no way you could have attended the show last night and not been left with a fire in your tummy. Watching them last night, I felt like I did when I first Iggy Pop and The Stooges for the first time. Amy has the same effortlessly slick manners as Iggy on stage. Gus is one of those bassists that make you wish you were as cool as him. Bryce is up there as being one of the best drummers I’ve ever EVER seen live. Dec absolutely rips as a guitarist and controls the crowd effortlessly with his sound.

Two of the most exciting bands in the world ripped the Albert Hall a new one last night, and nothing and no one will ever be the same again.

Punk is not dead. It’ll never die.

BRUISE CONTROL

TONIGHT IS THE NIGHT! The finest Punk band from Manchester will play to a sold out crowd at Manchester Albert Hall supporting Amyl And The Sniffers. Those stain glass windows are in for a shaking tonight- trust me! Probably tomorrow I’ll write about the show once my hearing comes back (thank god I’m off work until Saturday!) but for now, I’m going to tell YOU exactly why Bruise Control are the best around.

Are you looking for a band that’ll unleash all the fury you hold within you? Or maybe you just want to listen to something loud, raw and beautifully Northern? Thought so. Bruise Control are the band you need. They’re the only band you’ll ever need. I’m so excited to see them play a venue like Albert Hall tonight. Punk in old church? Wonderful! It doesn’t get any better than 2 bands you absolutely love playing a venue you love. I’ll tame my excitement for now to focus on writing about Bruise Control. Stick with me. If you can/want to.

If you’re into bands like Ruts DC, Black Flag, The Speedways and Stiff Richards- then chances are that you’re probably already a fan of our beloved Bruise Control. They are everything you could possibly want from a band and more. The lyrics will smack you right in the gut. The drums, bass and guitar will feel like an exorcism of the soul. The vocals will rid you of anything eating you. Basically, they are quite frankly the most important band right now. They are the kind of band you’d probably see in your local boozer on an evening ripping up the tiny stage in the corner with locals feeling a bit wary of what’s going on, but everyone will know that what they’ve seen is probably life-changing.

The mundaneness of daily life is wiped away with this band. They just absolutely rip, and I cannot stress enough just how exciting they are. Bruise Control are the kind of band that become obsessed with. There’s no other way. Going to one show, two shows- not enough. You’ll want to go to every show that they do.

Their debut 4 track EP came out just under 2 years ago, and that EP is the perfect introduction to the band but what you need to pay attention to is their slick cover of Sabotage by The Beastie Boys. It should be a crime how good their cover is. This band are just exceptional. Sometimes you just hear something, and you just know that what you’re hearing will leave a lasting impression. I hope some 13 year old kid hears this band eventually and is inspired to create their own noise- that’s how brilliant Bruise Control are. The urgency in the songs, the ferociousness in their sound is just divine. I don’t think I’ve heard a band play this fast in a while, and sometimes you just need to listen to something that makes you feel like you’ve downed about 10 Pro Plus tablets with an espresso.

What a band. Viva Manchester!

L.A. WITCH: The Pink Room @ Yes, Manchester 18th May 2022.

It’s been a long time since I’ve been right at the very front at a gig. And it’s been a long time since a gig left me a little bit deaf. God bless L.A. Witch for being one of the loudest shows I’ve ever been to.

This show was meant to happen in 2020. We know what caused the delays, but last night the moment finally came.

I saw L.A. Witch play their first ever UK show when they played the Shacklewell Arms in London. It was ridiculous. I couldn’t believe that I was finally seeing them; I genuinely thought they would be one of those bands that I love that never find their way to the UK. I’ve been writing about the band since 2011, and they just blow my mind every single time. I adore their sound, and I love how they transport you into their world. A spooky but laid-back world. Sign me up! I never want to leave.

Last night, they played the Pink Room at Yes. The most important thing about this venue is that it has AIR CON. IT HAS AIR CON. You have no idea how important this is. The ultimate comfort. Let me be cold all of the time please, thank you.

L.A. Witch blast out all the hits. They tear the roof off with Untitled, Sexorexia, Dark Horse, Baby In Blue Jeans. They just kept the anthems coming. With a band like them, it’s difficult to work out who to focus on. Iritia is THE coolest bass player you’ll ever see. Ellie is up there with the greats on the drums- the sheer volume of the drumming was just incredible. Then you have their friend Lauren helping out on guitar who just looks and sounds effortlessly cool. Then Sade is front and center. The guitar is her machine gun. Her vocals are bullets the band look like they could probably knock you out, but we all know that they are just the loveliest and most beautiful humans around. I cannot compare their live shows to anything else in this world. It is like an outer body experience. I danced. My body hurt this morning when I woke up. The signs of a good night. There is so much passion and love in what they do, and how they play/their sound just makes you wish you were as cool as them. There’s no denying just how out of this world I Wanna Lose is live and you cannot help but just move your limbs and whatever else in ways that feel right to you.

L.A. Witch are most certainly one of the most dedicated and hard-working bands around. They seem to have been working and perfecting their sound for well over a decade, and in that time, they have played some amazing venues, toured with some excellent bands and won over plenty of new fans. The atmosphere in the room last night was gorgeous. This show was a long time coming, and let’s hope it won’t be too long for the next tour.

They ended on their enigmatic Get Lost, and the way this sounds like absolutely tops the recorded version. The distorted vocals, the reverb, the sheer loudness- everything.  It is just perfect and such a great way to end the set. They play the best modern day love song; Motorcycle Boy and you just feel like the band are taking you on a road trip on a dusty road into a world that only they know of. Kicking off the show, they played Kill My Baby Tonight which is such a great way to open the show. They could have opened with any song to be honest and it would have had us all hooked immediately. The heaviness in Kill My Baby Tonight stays through the whole set even on lighter songs like Baby In Blue Jeans. There’s this effortlessly slick feel to True Believers and Gen-Z. Your eyes don’t leave the stage at all, and sure they might be darting from one band member to another, but the admiration for them all is always there.

In an ideal world, I could afford to go to every single show they do wherever in the world. Even though they may not end up on this side of the world too often, you just treasure it even more so when it happens. There’s no denying that L.A. Witch will always be regarded as not only one of the best bands in the world ever, but most certainly one of the best bands you will ever see live.

WARPAINT: Albert Hall, Manchester 12/05/2022

If you’ve ever seen Warpaint live, then what I’m about to write will probably be old news to you. If you’ve ever read anything I’ve written about Warpaint, that too will also be old news. But it doesn’t matter. My point with this is to just tell anyone who reads this how amazing the band are. On record it is obvious they are brilliant, but live? Well, that’s a different level altogether.

My love for Warpaint started when I first heard the Exquisite Corpse many many moons ago. I felt like I had found the band that I needed my whole life. Warpaint just make eveyrything better. They fill you with joy, love and hope. Their laid-back sound is utterly transformed in a live setting and it’s pretty much life-changing.

They open with Stars; which is one of the most beautiful songs ever written. The song soothes the soul. It calms you and makes you feel like all is okay. I can’t describe how euphoric this song is live, but to be honest with you- the whole set is sheer euphoria. The way Stars goes gently into Champion is too much! It should be a crime to be this good. There are so many moments during the set that just leave you in awe. I had to stop myself from crying many times. I felt complete happiness at this show, and I’ve not felt that way in a hell of a long time. But let’s not get too personal now. I think part of the joy I felt was down to how long I’ve waited to see them live again. The set was divine. I mean of course I’d be happy if they sang the alphabet for 5 hours straight but this set was just all I wanted and more. There was a strong mix of old and new songs.

My absolute favourite moment of the show was New Song going into Disco//Very. Those two songs makes me SO stupidly happy and to get them back to back in this way was like winning the lottery but way better. I was sat at the top (it was the VIP section and I felt so awkward sitting there but being able to watch the crowd move and sing their hearts out was so beautiful. The most beautiful crowd I’d ever seen!) Those two songs are wat heaven must sound like. You cannot help but watch the stage with such love and admiration. I adore how much they love each other, and this comes across every single time. The moment that really shows this is when all four of them stand at the front of the stage and sing Melting together. I’m pretty sure that’s how angels sing you know. As much as I love rowdy Punk shows, the balance I get from bands like Warpaint ease the mind. They are such a gentle band and without sounding like a cliched fool- they have never sounded better! The confidence is stunning. Emily’s vocals sound stronger than ever- this is evident on Hard To Tell You. She hits the high notes (I’m getting goose bumps writing about it!) and my god it’s like nothing I’ve ever heard before. Pretty apt that they played an old church, right? This band have serious healing powers. Hard To Tell You is probably my favourite off the new record, and seeing it live was something else. I thought this would have been the one that made me proper bawl, but all I could do was soak up the moment and be in awe of Emily’s vocals.

At various parts of the show, you find yourself focusing on certain band members. Love Is To Die- you find yourself being in awe of Theresa’s vocals and presence. Like I mentioned already, Hard To Tell You leaves you fully engrossed with Emily’s voice. Jenny during Elephants and Beetles just blows your mind. Stella’s drumming on Disco//Very is just mind-blowing. These are just a couple of examples, but to be honest- the whole show just blew my mind. If I could live in a moment where I am constantly at a Warpaint show- I’d take it. I’m not sure how I’ve focused at work today because in my mind, body and soul- I’m at the show.

Something I’ve always admired about the band is how close they are. There’s this unity they have that makes you wish you were part of the band. I can’t really put into words what it’s like, but if you’ve seen them live- you’ll know exactly what I mean. Melting really summed this up. The way they stood round Emily as she played her iconic guitar, and they all created a different side to this song. I loved watching Jenny sway during every song. Her eyes closed as she sways to the music. There’s something about the sound like her bass makes that makes you instantly move just like her. Close your eyes and sway. The unbreakable bond they have is so beautiful to watch and you cannot help but smile like a total idiot whilst watching them.

Until next time, I’ll be keeping this show very close to my heart.

CROWS @YES Manchester 8th April 2022.

Friday night. The end of one of the most stressful and mentally challenging weeks of my life. Nothing bad, just a lot. A release of sorts was needed. I’m not a drinker, so that’s not my preferred route. Too exhausted to go to the gym. Too mentally alert to try go to sleep. My only option was to go see a band who I’ve dying to see for so long. A band that are just divine to watch, to listen to.

Crows played the Pink Room at YES on Friday night. An upgrade from last time, where they played the basement. I hear Wembley is next. Has to be. Anyway, I won’t get ahead of myself just yet. I want you to really imagine being at this gig because it was truly one of the most healing and ethereal experiences ever (live music wise.) Now, I’ve been obsessing over their new record Beware Believers over the past week or so, and their debut record Silver Tongues for me, was one of the best records of 2019. They’re just such a fantastic band and their live shows are like a religious experience/outer body experience. It definitely wasn’t from this planet at all!

I think like everyone else in the room, we could have happily watched Crows play for hours. The around an hour set wasn’t enough. It’s never enough! But my god that band give everything they have on more on stage. On record you can feel the urgency in James’ vocals, but put the band on stage and everything comes together and it is delivered with this ferociousness that just makes you questions everything around you. His vocals live are phenomenal. The words are screamed and sung with such passion; as if his life depends on it. As if YOUR life depends on it. The words hit harder when you see the band live, and the song for me that made me feel like I had been baptised or whatever was definitely Healing. That song has been on repeat since the record came out, and I’ve got not intention of changing that right now. The lyrics are heartbreaking because they are true, and when you witness this song live it just changes everything for you. Maybe that’s part of the healing?

When the band unleash the old gem that is The Itch (I’m not doing this in order of the setlist) I’m pretty sure I am just covered in goosebumps at this point. It’s out of this world. On the same level of this intensity, we’ve got Garden of England- which is sang back at the band in the most beautiful way. Then you’ve got the likes of Slowly Separate and Room 156 that just shatter your heart but they fix this part of you that you didn’t know you needed. I just think that Crows are the most intense and euphoric bands around and I cannot urge you enough to go see them live. We all end up finding a band that we just have to always see live whenever we can, and I can confirm that Crows are 100% one of those bands.

There’s just something about the atmosphere they create and the way it all just really hits you in the gut. Steve and Jith both have this way of using the guitar and bass to add this unearthly loudness to the show that makes you feel like you are being carried out into the deep unknown. Sam beats the shit out of the drums which fit perfectly with the way James delivers the poetic and intense lyrics/songs. For me, they just capture everything I love about music. Seeing them live has made me appreciate and love their music more than I already do, and I honestly didn’t think that was possible. An absolute joy and honour to see Crows live.

Also, something I want to mention was that Safe Gigs For Women were at the show. It’s a shame that we need them, but thank God they exist. The work they do is remarkable. If you’re able to donate or volunteer with them, please do: https://sgfw.org.uk/

And of course, if you have the chance to see Crows live- take it. Grab that chance; it’ll be the best thing you ever do.

METZ @ YES, Manchester 3rd April 2022.

Sunday. The perfect day to see one of the loudest bands around live. Even better when you have the Monday off to make sure you fully recover and can hear properly. I think the last time I saw METZ live was at YES, and it was such a great show. How was last nights show? Just as great- if not better.

The bands and fans have waited around 2 years for this tour, and it was absolutely worth the wait. METZ are a band that you listen to, and just let everything go to. I didn’t realise how badly I needed to see a band this loud, and when it happened- it was sheer euphoria. I wasn’t brave enough to get right into the crowd, but I had the time of my life on my lonesome at the back. The Pink Room at YES is probably one of the finest venues in this beautiful city. I’d put it up there with the likes of the Moth Club in London. It’s got this feel to it that just makes you feel like you are where you are supposed to be at that time. Anyway, profound shit aside- let’s talk the setlist.

METZ tear the roof off with Pulse- a proper smack in the face jam. A perfect way to open the set. Now, for some this 11 song set may have been too short (I mean I agree- I could happily watch them play for hours and still want more.) but the energy these 3 have on stage is insane. I just want to touch on how phenomenal a drummer Hayden is. On record, you know he’s great but bloody hell when you see METZ live, you truly get to witness how talented they are. Hayden’s drumming is unlike anything else I’ve seen- I can’t even give you a reference of who to liken him to but I promise you- he’s one of those drummers that will go on to influence so many. METZ are just a delight to watch, and the second their show starts you know it’s going to be something that stays with you. Alex’s vocals whilst annihilating the shit out the guitar are a sight to behold. He’s truly something else, and accompanying this you’ve got Chris making the bass sound like a lethal weapon. If you’ve never seen METZ live, then you’re missing out.

The setlist was perfect- cannot fault it. Not like I’d want to anyway! We were treated to Hail Taxi, The Swimmer, Eraser, new song Demolition Row, obviously Get Off (which was dedicated to the support Psychic Graveyard) and ended on A Boat To Drown In. There’s hardly any small talk here (and I’m all for that- bloody hate small talk) and they just keep the songs coming, and getting louder and louder with each song. YES is the perfect venue for a band like METZ. The sound there is great, and it’s a Pink room- what more could you want!

I think their show last night truly showed why METZ are not just one of the best band around full stop, but one of the most thrilling bands to see live. I know they aren’t to everyone’s taste and some may shy away from music as loud as this, but there’s no denying how talented METZ are. Canada’s finest for sure. Every record is a progression in sound, and is a masterpiece, and when you see them live you can’t help but wonder how the hell do only 3 people make this much noise? I’d put the show from last night as being one of the loudest shows I’ve ever been to. Top 3 with Melvins and The Jesus And Mary Chain. Easily.

The show last night was truly worth the wait, and everything you could possibly want from seeing a band that you adore. If annual leave and money wasn’t an issue- I’d happily follow METZ on tour. They are a joy to watch- lets hope we don;t have to wait so long for the next tour!

PINS: Hot Slick.

Pins: Hot Slick review - Manchester trio trade indie for anodyne ...

Everything I’ve ever written about PINS is probably going to come out again as I write about their gorgeous new record, Hot Slick. With all the rubbish going on in the world- we need something to make us feel better. You can find that in Hot Slick, and that’s a promise.

PINS have been a band that I’ve been in awe of since the start. I found them by accident, and never looked back since. I can’t count how many times I’ve seen them live and again, I promise you that their live shows are amazing. They were due to play an album launch show tomorrow night here in Manchester, but that will now (hopefully) happen in October. It’ll be my first time seeing them in the city I am proud to call home. I’d only ever seen them play in London, so this show will be extra special when it happens.

Something you really get from PINS is that their songs are made to be witnessed in a live setting. They are a band that really show you what they are made of when you go to their shows, and what they have done on Hot Slick is not only show us that this record will be incredible live, but they have laid it all out on record. Forget what you heard on Girls Like Us and Wild Nights- Hot Slick is a different level. I love both records a hell of a lot, but that new sound is so strong and a real joy to listen to.

The only downside is that the record lasts about half an hour, but we can get round that by playing it over and over! There is so much to love about this record, and one thing I love the most is that Jamie Hince from The Kills produced the titled track. If you’ve read anything I’ve ever written, you’ll know just how much I fucking LOVE The Kills so this is a pretty huge thing! PINS have worked with Iggy Pop and Jamie Hince- that’s pretty incredible. PINS don’t have a distinctive sound, and that’s really clear on this record.

They aren’t afraid to experiment with their sound and to push what they can do. They are truly one of the most hard-working bands around, and that dedication comes right through on all they do, and Hot Slick is a raw declaration of this. I love the title track so much; it’s got a strong mix of Punk mixed with Donna Summer. It’s the trashing guitar with electrifying Disco feel. It’s pure magic and is such a powerful start to the record.

Hot Slick consists of 10 songs that will stay in your head all day. These songs will play on your mind. You’ll want to live out Love You To Death (Mark from Leather Party/a bunch of other great bands, and is married to Faith, features on this) and Ponytail will just make you feel like you can take on the world. I started writing this yesterday but wanted to keep on listening to the record in order to try but something coherent together, and to obviously just keep on playing the record. Daisies is the ideal song to listen to if you’re looking to self-isolate in the park with the sun hitting your back. The whole record has a Summer feel to it, and although the world is strange and uncertain right now- we are still lucky to have bands like PINS give us music to keep on going. I adore how different Hot Slick is, and how they have made this destined leap into this sound. I love the sheer dedication and passion in this record. It’s a proper labour of love and hard-work, and that just makes you treasure it even more.

Well, now it’s the 30th May and it would have been their album release party at YES tonight here in Manchester. I’m not the only one who is just itching to go to a live show, and the uncertainty of not knowing when it will be is brutal. But we will get there. In the meantime, we can blast out songs like Read My Lips, which is the ultimate anthem on this record, and just ignore all that’s troubling us for a little while. This is such a fantastic record, and you cannot help but be massively proud of PINS for what they have created here. I know the whole point of a “review” is to be constructive, but by no means would I write about something I didn’t like or could find fault in. The world is already full of negativity, what’s the point in adding to it? If what I’ve written makes just one person listen to the band/record I’ve written about, then I’ve done what I wanted to do. It’s not a review, it’s a declaration of appreciation for a bloody brilliant record.

Set Me Off has an AMAZING Talking Heads (I’m getting a Burning Down The House feel from it) feel to it mixed with something I can’t really think of right now, but it’s easily one of my favourites on the record. I love how every song on this record feels like it could be in an off the wall indie film, that’s a bit decadent in places. It is such a bright and care-free record, and I probably wouldn’t trust anyone who sees any bad in it to be honest!

There are so many thing that make this record a sheer joy to listen to, and there are so many moments on this record that make you realise why you bloody love this band, and music in general. Love You To Death needs to be a single, just because I reckon the video could be wild. PINS are one of the best bands to ever have come from Manchester, and Hot Slick fully justifies that. If you’re looking for something to really get into your soul, take over your mind and make your record collection look cooler- pick up a copy of Hot Slick from your local record shop, and play it LOUD.

There are still some tickets left for their rescheduled tour, which you can grab here:

https://www.songkick.com/artists/410582-pins

They are also auctioning some really cool items right here too:

https://www.ebay.co.uk/usr/wearepins

SIOUX.

sioux

 

We all know that Manchester is home to some amazing places and bands. It’s an incredible place, and I’m happy to call it home. Part of what caused me to fall in love with the city was the music. It’s always the music. Some of my favourite venues are here (part of my heart still does belong to the Shacklewell Arms in Dalston though.) But Manchester has a scene that is so charismatic and evolving. Whatever you’re into, you’ll find it here and it’ll probably exceed your expectations.

 Tonight, I’m going to write about Sioux; one of Manchester’s finest bands, a band that are truly in their prime and are such a joy to listen to. With just three songs up on their Bandcamp page, you may think it’s a bit of a task to write about them, but it’s quite simple when you believe in what you’re hearing.

 

 

Sioux are a beautiful Psych band that make you feel like you’re listening to The West Coast Pop Art Experimental Band mixed with the Electric Prunes. It’s every part 60s Psychedelic with a modern and Mancunian twist. If you’re looking for something to cause your head to go into a spin, and for your body to twirl repeatedly to the slick grooves your ears are being caressed with- then Sioux are the band for you. They have this beautiful relaxing sound, and as someone who can struggle to switch off at times- they really do give you the notion that you can just let shit go and breathe. You can almost picture a young William Miller in Almost Famous being handed this record by his sister, and he becomes totally enamored by what he hears. They’ve got something about them that makes you feel so alive, and just honoured to hear their music.

 Their latest release, Fickle is a sure-fire example of why Sioux are great. If you want to compare it to their other two songs- then go for it, but what you’ll hear is a band that are not afraid to expand their sound and to be utter daredevils in what they do. They have achieved something to be proud of in their sound and having the likes of Sour Grape Records back them is another thing to be proud of too. Sioux aren’t afraid to create mind-bending sounds that totally mess with your head. It’s how I’d imagine an acid trip to be. 2020 is going to be such a great year for this band, I can feel it. I just love how they make you feel like you’ve gone back in time and you’re discovering the likes of the Electric Prunes and Strawberry Alarm Clocks for the first time. That feeling in your gut they give you just makes you feel giddy, and in awe of what you’re hearing.

 Aside from their latest single, Fickle, they have a couple more songs for your listening pleasure. I adore the song Half-Eaten Songbird. It’s a poetic number that just eases the soul and in the same league as this is Hypnosis. The band are pros at creating music to escape in- they take you on a beautiful voyage, and you don’t want to ever come down from it. With the weather currently being ever so shit, it’s bands like Sioux that make you feel like you’ve got the sunshine hitting your bones and making you feel alright.

 

 

 

Like I said, 2020 is going to be a great year for them and I cannot wait to hear more from the band.

IDLES: Manchester Academy. 4th December 2019.

idles

I apologise in advance for potentially how erratic and lengthy this will be. Last night’s show went beyond meaning the world to me, and although I may not be able to eloquently put into words what the show meant to me, I know that there is an incredible group of people who fully understand. That group of people are the AF Gang. Thank you.

Prior to the show last night Joe, Lee and Bobo walked past me. I stupidly (or sensibly) used my self-control to not go up to them and spurt out words of love and ask for a photo. I think part of me couldn’t believe it. Not that these real people walked past me, but because I was a couple of hours away from seeing them on stage. It hadn’t sunk in yet; the tickets were last minute (and I owe it to two complete strangers who have hearts of gold.)

Sadly, I didn’t make all the 45s set but what I could hear was truly wonderful and it sounded so energetic. But I did catch all METZ’s set. I think anyone who knows me, knows I love two bands a hell of a lot- METZ and IDLES. I saw METZ earlier this year when they played the Pink Room at YES (USA Nails supported, and again this was a dream line up.) I was blown away and I was left struggling to hear the day after. It was incredible. Second time around in a much bigger venue- they sounded the same. Full of this beautiful rowdiness that just makes you want to pick up a guitar and make a lot of noise. They are one of the best live bands around, and to see everyone else react the same was a beautiful thing too. Songs like Get Off and Acetate were sheer madness, and of course just made me fall in love with them all over again. If you ever get to see them, GO. In any capacity, just go. They’ll shake your bones and shatter your skull in the best way possible.

The main event. The bit where my heart beats faster in a good way, not from having a panic attack. The part where my life probably changes. Where it all kicks in.

IDLES take to the stage and open with Colossus. If you ever want to see a bunch of passionate, beautiful people rush to the front upon hearing the opening chords to an anthem- go to an IDLES show. This was the first time in a very long time where I was in the midst of the crowd. I normally stay back or near the side. I don’t do big venues usually. But I can safely say that I felt so fucking safe at this show. IDLES played 18 songs, and I’m pretty sure we would have begged them to stay longer and play them all again. They are a band that just make me feel so fucking happy and I honestly don’t know what I would do without them. They are a band that say the things I probably can’t, and just voice out my worries and emotions better than I ever could. They are my outlet and my safety net. I have never sung (well, shouted) like this at a show before. This morning my body hurts and my throat hurts in the best way possible. I wouldn’t have it any other way.

Every single song is a highlight (we got QUEENS for fucks sake!!!) and I wanted to stay in the moment forever. Is this how someone feels when they see their child for the first time? I think this is probably better. From the crowd chanting IDLES prior to them coming on stage, from Bobo ending up in the crowd to Joe ending up with someone’s shoe on stage- this was truly the best gig I’ve ever, ever been to. Sorry Nick Cave, I think you’ve bene overtaken! The crowd chanting “Oh Jeremy Corbyn” to the mass sing along of Wonderwall and All I Want For Christmas Is You. It was the most loving and precious atmosphere; I just wanted to be immersed in it forever.

This was my first IDLES show and it won’t be my last. There is something about seeing them for the first time that just gives you that kick up the arse that you need. Everything that this band and us fans stand for is something to treasure and to pass on. There were kids at the gigs with their parents, and if it was their first ever gig then everything else in life has a lot to live up to! I loved that during Rottweiler birthday girl, Catherine got on stage to play guitar with them. To see a fellow AF Ganger up on stage with the band and just ripping the stage apart was beautiful. That’s how you do a birthday and close a show.

Slow Savage broke my heart. This was the only moment I cried during the show. There is something about the way Joe shouts, “I’m the worst lover that you’ll ever have” that rips you apart. It’s the sheer openness and vulnerability in their songs that lures you in and wraps itself around your heart. This song is a prime example of it. But there is something else about their shows that will wrap itself around your heart- the strong feeling of unity.

Danny Nedelko is sang like a football chant on the terraces. This song means a hell of a lot to me and so many. It’s a perfect example of what makes this country great- the people who come here to better themselves. Our beautiful immigrants. We love you and you are welcome here. Always.

I feel I am missing key moments from the show, but I’ve had 5 hours sleep and a bit of a migraine brewing. I don’t care. I have never felt so alive as I did last night. The atmosphere was safe and full of love- just how it should be. We got Queens for fucks sake! I’m still delirious over that; incredible. Last night changed something in me. I’m not entirely sure what just yet, but something will emerge I’m sure. It has to. Since losing my Gran 3 months ago, I’ve not had hold of any emotion I have; everything has been a downward spiral in my head but last night I had a glimmer of stability. I have to go with that.

There is also nothing more satisfying and therapeutic than screaming along to their song Mother, and yelling “MOTHER! FUCKER!” with a few thousand people. Nothing can beat that.

Keep fucking going, and love yourself. LOVE.YOURSELF.