I should be packing for my birthday trip to Paris tomorrow, but I feel I need to write about the new PINS single. The last thing I’ll write in my 30s. I know, I thankfully don’t look my age (it’s down to good genes and having a careful and thorough skincare routine. Top tip- ALWAYS wear SPF!) What way to say goodbye to my 30s than to write about a band that I love a hell of a lot, and who’s music has got me through most of my 30s and the latter part of my 20s.
The new single by PINS, No More Tears is beautiful. And if you want to truly feel the beauty of the song and soak up the vulnerability of the lyrics- then watch the music videos. PINS have always made stunning music videos, but the one for No More Tears has a real sense of community, love, friendship, some loss, healing, and honesty. No More Tears is a real tender moment, and it almost feels like a lullaby. Maybe it is. Maybe it’s a lullaby with added bite. Honestly, this is PINS at their very best. It’s such a dreamy, blissed-out song with their signature touch; how could you not become obsessed with this gem of a song! I will talk about this band (and many others) to anyone who will listen, and I think this could be my go to PINS song if someone hasn’t heard them before. Start with this, and prepare to have your mind blown and your heart stolen.
I say it every single time, but that’s because PINS are consistently great, however this again just shows how fantastic the band are. Lyrically, musically, vocally- everything. The video is dedicated to their friend Em, and adding something so precious to the end of the video makes you appreciate the song even more. Grief is a thief and we face it however and whatever way we can. Thank goodness we have music. Will I cry when they do this live? Of course. I cry too much, ha!
No More Tears has no resemblance to any thing PINS have done before but fits perfectly in with the songs they’ve released from the new record to date, and I think that’s pretty much setting us up for a strong contender for the best record of 2027. I cannot wait for the new record, and they are playing some special shows to coincide with the release. I’ve seen them nearing 20 odd times I think now, and this will be my first time seeing them in Manchester. I have no idea how it’s taken me so long, but I cannot wait.
They will be playing Glasgow, Brighton, and Manchester (Glasgow and Brighton will be seated so if you appreciate sitting down at a gig- they’re the shows for you!) Their new record, If I’m Alive Now, Then I Was Dead will be released on the 12th February. Buy it for yourself as an early little Valetine’s Treat!
Do you ever listen to a record or a band, and within seconds of listening you just feel, “I HAVE to tell someone about this?” I do. All the time, and it’s probably why I’ve been doing this for 18 years. Typing into the void. ANYWAY. I’ve been listening to the new Penelope Isles record a lot this past week, and something about it just will not leave my brain. Something about this record…something. I’m not sure what, but I think it may be due to the fact that I’m from the same place as Jack and Lily, and part of the record feels like home- even if I’ve spent the past 20 years or so escaping it, ha!
Now, for the most part the music I listen to is loud and probably unlistenable to most. That kind of music eases my brain but there are times where I need to listen to something calming. Balance. Those bands are usually the likes of Beach House, Warpaint. Along comes 3 by Penelope Isles and maybe my calming trilogy is complete. This may seem like an odd thing to write, but the record feels exactly how the front cover looks. Gentle, calm and like you are at the beach on a relatively cold day. As someone who grew up by the sea, I will always stand by that being on the beach during a cold day is a billion times better than being on the beach during the summer.
3 is a record that will stand the test of time, and if you want to compare it to Penny Isles’ previous releases- go ahead, that’s okay but regardless of if this was their first or tenth record; it is their finest work. I’ve listened to the record an obsessive amount over the past few weeks, and I’ve gone back and forth with what I’ve written so far to make sure I still feel the same about the record. I clearly do, and hand on heart- 3 is a masterpiece. Maybe it’s because they are siblings and you can hear the closeness on the record, and you can feel the purity of it. Or maybe it’s because separately and together- Lily and Jack are just incredible musicians. I know my opinion is biased based on the IOM connection but let’s allow it.
I go back to certain songs on the record but the one I adore has to be Birthdays. The lyrics to it are so observant and precious. The part where Lily gently sings, “Cat goes meow” is something I sing/say at my cat whenever I walk past her. She looks at me like I have 12 heads. What’s new! It’s such a gorgeous song, and I think Another Kind Of Love is the purest song around but with hints of heartache. Jack’s vocals on this are as exceptional, and again- another gentle moment on the record, and it’s such a beautiful way to open the record. The record is gentle and calming. Whatever you need from the record or just music in general- you will find it here. I think it’s partially why I feel quite emotional when I listen to it. It makes me miss home, but at the same time- it’s not home anymore, so you find that safety wherever you can. The record makes you feel like you are looking out to see with the wind wrapping itself around you, and you’re off into a spin. Where it takes you no longer matters, none of that matters anymore and that’s when you know you have found a jewel of a record.
Something I really love about the record is the honesty in the lyrics and how observant they are, and how easy it is to find yourself in these songs. It’s so simple, but the line on Thinking Seat, “Please don’t ask me how I am because I’ll burst out into tears” is beyond relatable. There is no one on this earth that cannot relate to that. I’m going to bloody cry when I see them next month in Paris aren’t I?! Fully resigned myself to it. The day before my birthday too!
There are many things that can make a record, and a band truly special. There’s no set “thing.” But you just know when you hear it, and that’s what you get from this record. There’s a lot of emotion on this record, and it’s the kind of feelings that give you comfort and reassurance. Everything about 3 is done so perfectly. From the production to the order of the songs- it all makes sense. Also, the album was recorded live so that adds another special layer to it.
3 is their first record with the band recording as a three-piece. The addition of Joe Taylor on drums adds another charming layer to this record, and it all comes together so perfectly. You can truly feel the sibling love on this record, and it’s another reason as to why you feel quite emotional listening to it. There have been some great records to have come out this year, but I don’t think any record has clicked more emotionally than this one. It’s next level, and it just oozes care, peace, questioning and love.
I started writing this the day the record came out, and because I’ve listened to it so much- I kept finding more things I wanted to say and wanted to get it right. I think this will be a record I go back to in 10, 20 years’ time and still feel like I do today about it. This is a record to treasure and to be utterly proud of- I’m in awe of it. Truly.
Tomorrow my buddies and also one of my all time favourite bands release their 9th record (that’s if we don’t count the three Shitty Times records.) What can they do on record number 9 that they haven’t already done?!
Well, EVERYTHING. What I love about Crocs is that even though they have a distinctive sound (it’s in Brandon’s voice, and it’s in Charlie and Brandon’s guitar style- always) but they also manage to give you something you’ve not heard before. I remember finding their music in 2008/9, and I hadn’t heard anything like it before. That feeling is there with every record they put out and they’ve truly excelled once again on Greetings From Hell. The title for the record makes me think of The Cramps, who are according to me and those with good taste, are one of the best bands of all time. I’m only two songs in but I can tell you this is my record of the year.
Let’s Be Strangers is going to be up there as one of my favourite songs of the years. It’s a got a fuck you/fuck off feel to it, I’m always down with that. There are so many things to adore about this record, and to make you truly fall all the way back in love with Crocodiles all over again. It’s only been 3 years since their last record, and in that time they’ve both continued to work on their equally great side projects (Crush of Souls and Psychic Pigs- both are different from each other, and just phenomenal.) I do have some fear inside that they’ll stop making records as Crocodiles one day, but I hope that day comes when Charlie and Brandon are like 90 years old, and need a rest. Let’s not think about it, ha! So back to the record.
I Dream Of Genet is a billion percent a title of a song that Patti Smith would love, right? It’s a real catchy number and I hope they do this on tour because it will be a joy to witness. That’s one of the things I truly love about Crocodiles- it’s their live shows. I saw them last year in Newcastle, and I can honestly say that out of the 20+ times I’ve seen them- THAT was their best show for me. There was something about the venue, the company, the setlist and everything in between- it was just an honour to be in that crowd that night. I obviously feel a huge sense of pride when I listen to Crocodiles, and that feeling is very much there for this record. Every record is them at their very best, and this is truly one of the best things they’ve ever done. I know my opinion is hugely biased but, in this case, I know I’m right.
Brandon and Charlie met nearly 30 years ago in San Diego at an antifascist gathering (always on the right side of history these two, and will ALWAYS speak up for what’s right) and you can really hear their bond on this record. They may live on opposite sides of the world (Paris and Los Angeles) but that doesn’t stop them from making the most perfect record every single time. I guess distance does make the heart grow fonder. The 10 songs on this record are a prime example of why Crocs are the best at what they do. If you’re someone who has never listened to them (firstly, where have you been?! My own mother loves this band!) Greetings From Hell is a great starting point and work your way backwards. There’s something really special about their music, and every record for me, is right there when I need it. Music is that best friend that’s always there with no condition or expectation. That’s why I really love this band- they’ve been there through the good and bad, and I couldn’t imagine a world without their sounds!
Every single song on this record has been crafted in the most delightful way you could imagine. Listening to a new Crocs record is like going home, or having your favourite meal or drink, or hanging with your favourite person and/or cat. It’s familiar and it feels like home. For me, the band are home. The ultimate safe space. The ultimate band. The record is Crocodiles at their very best and songs like Whips and Chains are MADE to be heard live. The record picks up from where Upside Down In Heaven left off, and that’s something I love about Crocodiles. Every record picks up from where the previous left off, but always ALWAYS gives you something new and a reason to keep on fallin’ back in love with them.
I don’t normally do this, but I want to dedicate what I’ve written to a very special and cool person who we sadly lost this week- Gregg Foreman. Gregg was such an important person to music and to those who love music. From his work with the Delta 72 to Cat Power to Gossip to L.A. Witch and to Crocodiles. Not forgetting Lydia Lunch too. There’s many, many more he worked with. Everyone loved him, and now- everyone will miss him. So much about Gregg reminds me of Raz, and that’s why this loss hits harder than it may have done. Every day Gregg would post his gratitude list on Instagram, and I’d look forward to it every day because you knew he meant every word and the world around him meant so much. I hope wherever he is now, he knows how loved he is and is at peace. And I hope he’s up there creating the best band in the world with Johnny Thunders, Rowland S. Howard and Lux. Imagine the noise. Forever our Moth.
Greetings From Hell by Crocodiles is out tomorrow via Invisible Hits, and like their last record is produced by the excellent Jonah Falco.
So, if I was to pin down my dream sound in a band it would be something along the lines of the smoothness of Sade, the energy and style of The Cramps and The Gun Club, the slickness of Ritchie Valens, the essence of the Ramones and the delightful strangeness of Screamin’ Jay Hawkins. Put that altogether and you’d have my ideal sound. I’ve found it in many bands I’ve written about (or not yet written about) and in bands I absolutely adore. In everything, I look for the same feeling I got when I heard Seventeen Seconds record by The Cure and Psychocandy by The Jesus And Mary Chain.
I only heard of Club Lex a couple of days ago where I saw they were playing a show with Divorce Finance (insane band!) and wanted to check them out. I am SO glad I did because I THINK I have found my new favourite band. The capture everything I love about music, everything I’d want my dream band to sound like. They are just perfect. I think the drummer is the lead singer so that’s another cool thing about them! They absolutely do sound a bit like The Cramps which is always a good thing. They have a sound that resembles the A Date With Elvis, which is fine by me! It’s up there as one of my favourite records. Club Lex have (I think) one release out, and it’s an EP from last year called Welcome To The Club.
Welcome To The Club is a perfect introduction to the band, and these 5 songs were made to fry your brain and hypnotise your mind and body. These 5 songs are bloody powerful, and they do make you feel like you urgently need more. We all have to be patient here. It’s such a strong record, and the whole thing feels like it could be the soundtrack to a really twisted film. Shirley definitely feels like it could be on the soundtrack to a questionable and creepy film. The best songs give off that feeling and Club Lex do it so, so well. Although they are a relatively new band, their sound does make you feel as if you’ve experienced this before. You feel like maybe in a past life, you heard this band. Bands like that are so special, and I really cannot wait to hear more from them.
Their music is like a glorious whirlwind. Like you’re in an old Western film and you’re trying to escape far far away from your surroundings. Every song is delivered with such urgency and passion that you want injecting into your soul. I love what I’ve heard so far, and I really cannot wait to hear more and more from them. A sound like this is hard to perfect and to just nail. They’ve made it sound so easy and if they sound like this on record, then I’m pretty sure their live shows will be equally as impressive and intense.
So, if you’re looking for something to throw you back and forth in time. Something that makes you feel like you’ve ended up somewhere you shouldn’t have or you just want something so beautifully weird to adore and listen to- then Club Lex are the band for you. I know nothing about this band and there’s nothing about them online, which is absolutely fine! It just means you’ll always be seeking this band out, waiting for them to appear in a town near you. And when they do, you must simply go see them because they are truly something else. I could write thousands of words on this band and why their sound just speaks to me, but the music does all the talkin’ here. I’m hooked; I’m all in.
They have this sound that I cannot quite describe but I know it’s just got that something I always look for in music. They’ll terrify you; they’ll make you buy whatever it is they are selling and you will thank them for it. Honestly, one of the most exciting bands we will hear all year. I’ve fallen in love. I am HOME!
This is going to be short because I’m pretty much typing with one hand. I sliced my finger right open yesterday when cutting a bagel open, and you know- it could have been a day off work if I put more effort into my injury!
Manchester is home to some incredible bands; we already know the bands from the past but let’s stop looking back for a bit and focus on new bands such as GIRLTEETH. I think there are 4 of them in the band (obviously member amount isn’t important) and they are all exceptional musicians. They only have one song out at the moment, but it’s this one song that will demand your time and ears. It’s meant to be played loud, and to probably annoy your neighbours if you want.
Paper Hearts is delicate and heavy in all the right places (I sound like I’m describing myself) and has this beautiful euphoric build-up; it’s the kind of song you’d play walking home in the pissing rain after a really shit day. The only thing that would make the day better would be listening to music you love and going to sleep. So whilst awake, you should probably listen to GIRLTEETH. This is a dream introduction to what’s to come from them, and to basically become obsessed with them. It’s an actual crime to not love and adore them. I don’t make the rules. It’s truly a gorgeous song, and the perfect introduction to such a divine band. There’s a lot of longing and heartache in this song, but it’s done in a way that could probably break the happiest person around. You can tell they’ve put their all into this song, and that’s part of the reason why they are such a great band to listen to.
They are also playing a huge gig at the Peer Hat on the 14th December as part of Just Do The Thing presents The Thing: a transfem-centred fundraiser for Trans Mutual Aid Manchester and Yulia Trot’s solidarity fund. The night will have some BIG names playing but if you’ve not got tickets, then you’ve probably missed out because I am fairly sure it is sold out!
Paper Hearts is the perfect introduction to GIRLTEETH and I cannot wait to hear more from Manchester’s finest new band!
Anything I write about jasmine.4.t I have definitely written before, but she deserves all the praise in the world, and if that means I repeat myself- so be it!
Her show at Gorilla on Sunday was the last as part of her Tranarchy World Tour, and it was only right it ended in her home city of Manchester. The last time she headlined Manchester was back in May at the Deaf Institute, and it was of course, an incredible show but there was something incredibly special about the show at Gorilla. There was something about the show that made you realise just how phenomenal Jasmine and her band truly are. The lineup was slightly different but that takes nothing away at all. Basically, every single time, her band have been the absolute best of the best. No matter where they play or who is in the band- you won’t find a better group of people.
One thing you take away from a Jasmine show is the importance of community and feeling completely safe at her shows. The front row was full of queer kids having the best time- safe away from how brutal the outside world is. This just shows the importance of Jasmine’s music and the importance of community. Society will try to erase trans and non-binary people and try make you believe they are the ones to fear and hate. But it’s those in power…always those in power that are to blame. Seeing so many young queer kids have the most carefree time on Sunday gave me some hope. Some much needed hope because the world is cruel and cold to us.
What I adore about Jasmine and her band is that you can really feel how much they love being on stage, and how it is important to unleash these songs on stage. They are songs that NEED to be heard- they carry such importance. I wish I had this kind of representation growing up. It may have made growing up slightly easier but knowing that queer kids have someone like Jasmine to look up to is just so beautiful. There were two kids at the front, and I knew at their age I wouldn’t have had the money to buy merch, so I grabbed a set list from the sound desk and gave it to them. I hope they go it signed by Jasmine because you cannot put a price on that. The kids will be alright.
You can really feel it was the last show of the tour, and I think this was pretty much summed up by Emily climbing up the stage and also lobbing her bass across the stage as the last song, Did U No ends (I think the person on the sound desk was questioning their life choices after that.) Emily doesn’t go quietly, and that’s why we love her. Asher and Maxie are two new additions, and they are an absolute joy to watch- you can’t tear your eyes away from the stage, and you cannot help but be in awe of these 4 incredible musicians on stage. They are all remarkable. Obsessed forever.
There are many loud and rowdy moments on stage, but for me, it’s always going to be the tenderness of Roan that gets me. Jasmine’s vocals on this are angelic, but when you witness it live, it is truly something else. It is the most gentle and soothing part of the show. It feels like we are all transcending into something and part of you feels like you are intruding in something so personal, but you cannot help but watch. It’s such a grounding song, and the way Jasmine performs it just makes it so ethereal. She does exactly the same with Kitchen too. Both songs are so powerful and vulnerable. Nobody does it like Jasmine; there is something about her words that just get you right in the gut.
Jasmine’s shows are loud, passionate, the definition of safety and community. If you’re ever searching for those things- listen to her music, go to her shows. I’m pretty sure her and her band are the hardest working musicians this year has seen. They are all such a joy to watch, and they all truly shine on stage. For me, it’ll always be Did U No as THE most important moment of the shows but songs like Elephant (this will never not make me cry) and Woman that show exactly why Jasmine and her band deserve the world and more. To see the crowd absolutely belt out every single word to Guy Fawkes Teso Dissociation (I sing this to my cat) and Breaking In Reverse will never get old. I just want to live at a Jasmine show to be honest. I don’t think I can fully put into words how much her shows and music mean, but I reckon anyone who listens to her or has been to her show gets it.
Jasmine and her band rip right through the bulk of her debut record, You Are The Morning and also play some tracks off the YBT Deluxe version. This version is named after Jasmine’s close friend Yulia Trot who is one of the Filton 24, who are being held as political prisoners in the UK. You can find more about Yulia here:www.freeyulia.com and you can learn about how to support Yulia and the Filton 24 on Instagram: @freethefilton24 and the trial started this week. Free Palestine, always. Free the Filton 24. Free Yulia.
I just also want to mention because it is VITAL. Yulia is being held at HMP Styal. If you’re able, please call the prison on 01625 553000 and demand that they reinstate Yulia’s rights. To find out more, please go on Instagram and find @s_tax and look for the post from 5 days ago, and you’ll have all the info you need there. If you cannot contact the prison, please share the post. Thank you x
On Friday, one of the most pure and honest records will be released. This is a record that holds so much weight in the most divine way possible. It is vulnerable and vital. It’s a record I wish I had growing up so I could navigate being queer better than I did. I think most of us wish for that and thank god this record exists because it gives so much hope. The hope is in the title of the record. The hope is in all the songs, even the sad songs. I hope anyone who is LGBTQ+ that listens to this record finds a home in it and feels safe and loved. Because you are. You absolutely fucking are- don’t let anyone ever make you feel different.
Passionate rant over. Well, maybe not.
A few months ago, I heard Elephant by jasmine.4.t and my god the way I cried when I heard it. I sobbed. I wasn’t an adult listening to the song. I was a little queer teen who didn’t know what was going on listening to it, and every emotion possible came flying at me. Now, I listen to it with a lot less tears. The tears are reserved for the rest of Jasmine’s debut record. I think if the songs don’t make you cry, then you’ve not given it the attention the record deserves. If the title track (You Are The Morning) doesn’t break you or if Breaking In Reverse don’t make you sob, then god knows what you’ve been listening to!
I’ve played You Are The Morning a number of times, and every listen just gives you so much reassurance and hope. There is so much love on this record, and it represents queer friendship in the most delicate way possible. Jasmine has dedicated the record to queer friendships, and they saved her life. There are moments of love, joy and hope on this record- and given how brutal the world is at the moment, our community need this record more than ever. There’s so much innocence but hints of hurt on the record. Best Friend’s House will ruin you. It defines finding safety and acceptance and just being able to be. That’s all we want- we just want us to be. It’s not even a minute and a half long, but the song is SO powerful. The whole record is powerful, and I hope Jasmine knows just how much of a powerful record she’s made here.
Before I touch on other songs, I want to highlight the importance of the closer, Woman. On this song, Jasmine is backed by the Trans Chorus of Los Angeles, and much like our Jasmine, they use their voice to elevate the trans community. The song defines knowing who you are and being secure, and happy in that. That’s all any of us can hope for. It’s what we all deserve. It’s the perfect way to close the record, and it’s the perfect ending to make you play the record all over again. And again.
I thought I could find words to sum up just how wonderful this record is, but honestly? I don’t think anything anyone writes about this record will do it justice. No words are good enough. You just need to sit and listen to it. I absolutely LOVE Jasmine’s vocals on Guy Fawkes Tesco Dissociation. Her vocals on this are raw. The whole record has a DIY/lo-fi feel to it. And sure, snobs out there will say “THIS ISN’T PUNK!” But they’re idiots. Punk is more than a Ramones record, and they probably would have said the same. It’s going against what’s expected. It’s about not being a sheep or being how everyone wants you to be. It’s about being secure in who you are and being unapologetically yourself amongst other things. At the heart of it, this is a Punk record for the queer community. We need it. My god we need it.
There are so many tender moments on the record, and it really comes alive on New Shoes, which is the oldest song on the record. The song was originally made for Jasmine’s ex-spouse. It touches on problems early on in a relationship but has optimism to it. It’s such a beautiful song, and when the guitar hits with the piano? My god. The goosebumps! Another tender moment is Roan. It’s such a gorgeous song. The whole record is beautiful in every single way.
I’d be utterly foolish to even try tell you what the best song on this record is, I couldn’t do it. I don’t see how anyone could. It’s just an open book, and it’s the purest record I’ve heard in a long time. I honestly don’t think we’ll get anything as fragile as this record again- it’s such a rare record. It’s the kind of honesty that stops you. I’ve tried to listen to the record whilst at work and do whatever I need to do, but my attention goes straight to every word that Jasmine sings. What I’m trying to say is- this isn’t a record you stick on and go about your day. For the first few listens, let the record just totally take over you. Don’t do anything. Just sit and listen to it. Play it to someone who means something to you. Make them listen, and maybe they’ll understand. I’ve got so many thoughts about the record, and I don’t want to be too personal because no one needs to hear my thoughts ha! Not even I want to hear my thoughts most of the time! Elephant and Breaking In Reverse are the ones that really hit me in the gut. They’re the ones I know I’ll lean into the most. God help my cat when the record arrives this week and I blast it out- she’s going to want to leave. Sorry little Mary, you’re getting You Are The Morning on repeat!
I love how the tone of the record is set with the soft opener, Kitchen and that softness stays throughout the whole record right up to the closer, Woman. I feel this is the type of record that, when I listen to it again in say, 6 months time, I’ll still feel this way about it but something new will hit me. I can only liken it to the record by NoSo (Stay Proud Of Me) with how sensitive and joyful it is. There are sad moment, there are joyful moments. It is a masterpiece. A tender masterpiece that gives you so much hope. Skin On Skin is up there with being the most paper-thin songs I’ve ever heard; it’s gorgeous. I love everything this song represents. And it goes right into the hauntingly sensitive Highfield- truly one of the most beautifully created songs we will ever hear.
When Jasmine came out as trans to those close to her, some accepted her. Some didn’t. I will never understand how you cannot accept someone for being who they are, but maybe that’s because I don’t believe in loving someone with conditions. And maybe it’s because I’m lucky to have a very accepting mum. But I’ll never understand how you can turn your back on someone just because they are being themselves. Anyway- it’s THEIR loss. Always.
The record may have stemmed from dark moments in Jasmine’s life, but my goodness she has created something so full of love, full of hope, full of joy and full of light.
I feel I have so much more to say about the record, but I think it’s best to wrap it and mention that Jasmine is a huge supporter of Trans Mutual Aid Manchester. They do amazing work here, and if you want to support them to, please go here. They do brilliant work in our community, and they are a joy to support. Thank you.
*(I think Breaking In Reverse may be song that owns my heart because I’m too sensitive for my own good!)
What is there to do on a boring Sunday evening but write about one of the most exciting bands from Australia- CHEAP-SKATE! I genuinely thought I’d written about them before, but turns out I’ve ignored the list on my phone of bands I want to write about for some time now, so I’ve deleted it. My notes app is a questionable place and the list of bands I had jotted down was probably the only coherent thing I had on there.
I’m very late with this, and this is a band I should have written about years ago it seems but, I do not like order or being organised. I don’t like it when it’s forced upon me, and it makes me want to do the opposite of what I’m told. Basically, I don’t like being told what to do. Even if I’m the one telling myself what to do. I’ve gone off track- sorry! By years ago, I mean in 2022 which is still pretty recent, right? Anyway, CHEAP-SKATE started in 2022 and over the past few years they’ve become a solid name in the Australian Garage Rock scene, and rightfully so.
What our boy Blaike Murphy has created as CHEAP-SKATE is something really beautiful. It makes you want to drink lukewarm beer in the sun and attempt to skate down the promenade. I cannot skate but I LOVE skateboarding as much as I love football, pizza, and music. Oh, and my cat. CHEAP-SKATE make the kind of music I wish I could; if I was in a band, I’d either want it to sound like this or The Jesus And Mary Chain. I remember listening to CHEAP-SKATE towards the end of 2022/start of 2023, and I remember getting this eternal summer feeling from the music. It felt like even on the coldest of December days, the sun was on my back when I was listening to them. That feeling hasn’t gone at all, and I know CHEAP-SKATE is Blaike’s side project, but I just hope he never stops making music as CHEAP-SKATE.
With a handful of singles and EPs already out there, there’s no denying just how bloody great CHEAP-SKATES is. I wish I could tell you their best songs or where to start, but I can’t. You just have to go in head first from the start and work your way to present day (or to a few weeks ago.) One of the last releases was SUN, which came out at the start of December if I remember correctly, and it’s made up of 5 songs and it doesn’t even hit the 15 minute mark. So, if you’ve got a really bad attention span- then it’s the record for you. CHEAP-SKATE are the band for you. There’s this divine sun-kissed sound going on, and it’s the fuzzy guitar, it’s the intense drums and blissed-out vocals that make CHEAP-SKATE the band that they are. However, there was a nice surprise drop 2 days ago and new EP GROM came out. It may only be 3 songs, but those 3 songs totally rip. They were written and recorded in a few hours, and if this is what CHEAP-SKATE can do in a few hours, then there’s no telling how great what comes next will be.
CHEAP-SKATE make the kind of music for those of us who are alone a fair amount of the time- stick our headphones on and go about our day with our favourite sounds in our ears. By no means is it a bad thing, if anything it brings a lot of inner peace and you know what? You, me, whoever- we deserve it. There’s no better feeling than being at peace with yourself, and listening to music that makes you feel good, you know? No better feeling. CHEAP-SKATE for me are just another band that I’d sell my kidneys to see live. You can just tell that the energy is right, and the show would be unreal. If I ever won the lottery (have to play it first, I know!) there’s a bunch of bands I’d be bringing over for tours, and CHEAP-SKATE would be high on my list.
I can’t pinpoint exactly what it is about the band that I love so much, but I think it’s the feeling I get from listening to them. Everything just feels alright, and given how cruel the world is- we all need that band in our corner. It all started in 2022 with the song I Don’t Wanna and now we’ve got to the GROM mini-EP; everything in between shows us why CHEAP-SKATE are such a great band, and one worth telling any and everyone about. I love that listening to the band makes you feel like you’re hanging out with someone who REALLY gets you. That’s a rare feeling- to find it in music and in a person, and Blaike does it in such a way that isn’t overwhelming, and the songs are delicate when they need to be and I think that’s part of why the band own a piece of my heart. I feel like I’m hanging out with my best mate when I listen to CHEAP-SKATE, and it’s such a pure feeling to gain from listening to music. We don’t get it enough, and I think that’s why bands like CHEAP-SKATE need to be treasured and appreciated. There’s a strong lo-fi DIY sound to the music, and its Surf-Punk at its finest (if we’re needing labels) and hand on heart, this band feel like home.
If you love bands like SKEGSS, WAVVES, Hockey Dad, Goblin Mode…all the good stuff! Then you’re going to fall in love with CHEAP-SKATE. I can’t wait to hear more from the band this year because the sheer joy they bring is just heavenly!
I’ll never get why chaotic sounds seems to calm my mind. The louder a band is, the more relaxed I feel. Don’t get me wrong, I love quiet moments but sometimes you need to listen to something that just messes with your head and throws you into another dimension. Finding a band like this is such a thing to treasure and appreciate with all you have, which is why I’m writing about a mighty fine band called Beige Banquet.
They’ve been around for a few years now, and they recently went out on tour with Die Verlierer around the UK. I was meant to be at the Manchester show but I forgot I was still visiting home. There will be other times, I’m sure. Beige Banquet have a solid Post-Punk sound- if you’re into genres. There’s a very slight nod to VERY early Joy Division here. There’s a charming darkness to their sound, and I think their S/T record is such an energising record. You get to know their sound, and you fall in love with it.
Songs like Control, Hotel Room and Welcome To Rock Music are essentials for any music fan. This sound is infectious, and it’s hard to believe that Beige Banquet initially started as a solo project by Tom. Band members were added, a pandemic happened, excellent music was released- that’s all you need to know. With 5 members now in the band, there’s a loudness to the band’s sounds that lures you in. That loudness mixed with how divine the sound is just has you hooked.
There’s a dark 80s feel to their sound, and the debut release Beta nails this. It’s such a strong record and it’ll leave you crawling for more. You’ll be comparing everything you hear to their sound- a mighty fine distinctive sound that will have you dancing like Ian Curtis rugby tackling Iggy Pop. Is there really any other way to move? I hate how I have blips of where I don’t write about music, but bands like Beige Banquet make you want to do something. Anything.
In some respects, you can easily say there is a heavy influence of The Fall on the band, and by that I mean the delivery of lyrics and how you can sense how carefully crafted every element of the songs are. It’s like Mark E Smith joined Kraftwerk- perfect! The Beta record is a dream of a debut release- the level they are at on this record is something else. It’s been nearly 2 years since it was released, but with every listen, you feel like you are hearing it for the time. I also have this feeling that when I listen to the record, I’m not listening to a band from current times. They’re out of this world and in their own league for sure.
There’s heavy Krautrock influences here, and everything in between. The build up on the songs (especially on Cold Yoghurt) have this tension that makes you feel like you’ve walked in on something you probably shouldn’t have done. A truly exceptional record from a band that deserve all the praise possible. You can’t help but get excited for what can potentially happen next for this band and when a band can do this in a short amount of time- that’s when you know you’ve found something to keep very close to you.
See this band live whenever and wherever you can. Buy their music and become obsessed with them- you won’t be the only one.
Ever heard a record and it immediately makes you so excited you just want to run around and tell everyone about it? Course you have! For me, that record is THE DEBUT by Manchester’s finest Punk band- Bruise Control.
Bruise Control blew my mind when I saw them support Amyl & The Sniffers at the Albert Hall. That gig was something else. The crowd went nuts and it felt like a joint headline show to be honest. Let’s bring it up to present day, and talk about why Useless For Something may just be the best Punk record of the year and to be honest, it dicks all over a lot of records and it is such a joy to listen to.
As someone who feels uncomfortable listening to music that is tame/quiet, Bruise Control speak to me on a level I feel I’ve been in search for for what seems like an eternity. I feel like I’ve heard Black Flag and The Birthday Party for the first time when listening to this record. The rage, the passion and the energy this record has it huge. You can’t just play this once and go about your day at all. You have to just keep on listening and by the second listen you’ve nailed down the lyrics and you’re screaming them right back.
What I adore about Bruise Control is that they make their songs so easy to relate to- songs like Taxman are just *chef’s kiss!* perfectly summing up how us working class are constantly being dicked over by scummy Tories and the like. They have such a big sound, and this being their debut is remarkable. It’s a record you’d expect from a band decades into it- they’ve perfected their sound. It was obvious from the jump that Bruise Control were going to be special and Useless For Something goes above and beyond what anyone could ever have expected.
Dead On Arrival may be my favourite at the moment, but the more I listen to this record (yes, it is daily) the more I find different parts to fall in love with and become obsessed with. There’s this really tight sound on the record, and Dead On Arrival smacks you with hints of Fugazi and Jerry’s Kids. Absolute monster of a record and I don’t say that lightly.
The record was produced by Niall (guitarist) and that truly keeps in with that effortless DIY Punk sound that Bruise Control have- every song is a beautiful smack in the kisser. HMRC is a prime example of that, as is Useless and Bottom Feeder. Every song is an anthem and by that I mean- every song is so important and NEEDS to be played as loud as you and your neighbours can stand. If you are looking for something to blow your mind, burst your eardrums- then this is the record you desperately need. You know it is going to be a riot of a record right from the start. Useless is the perfect way for the record to open- Jim’s vocals on this are so snarly and raw. A beautiful and brutal way to start the record. I was listening to it whilst on the tram to work this morning at 7am- it bloody woke me up!
Manchester will always be one of the best cities in the world for music- Bruise Control utterly back this up. Their energy, their message and their talent has an immediate grip on you- a bear hug, a chokehold. Whatever you want to call it. That grip they have is so rare and so enthralling. I just absolutely love them and this record. This band are the future. Our future. The world is theirs and all that’s left to do, is to play the record loud. Then louder. And maybe touch louder just to make sure.
