Author Archives: Olivia

SELF ESTEEM: Albert Hall, Manchester. 22nd March 2023.

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I’ve had nearly 24 hours to process last night’s show but that doesn’t mean anything I write will make sense. However, if you’ve seen Self Esteem live then you’ll know how emotional, powerful and therapeutic the shows are.

As soon as Self Esteem took to the stage just after 9pm last night, I felt like I was going to cry. I’ve only experienced this when I first saw Nick Cave. Right before you is someone who has penned songs that are your life, your world and your thoughts. The honesty in Self Esteem’s lyrics will get you right in the heart and gut. You won’t be the same after you hear them. Experiencing it live? I won’t be the same after last night.

They performed a couple of new songs Mother and Love Second. Mother is a camp classic. It’s heavenly and euphoric. It’s one of those songs that after a few listens, you know the words by heart and you’ll be shouting them at anyone who will listen. Or won’t listen!

Everything about the show was perfect. From the sound to the dancing- if you want to know how it should be done- then go to a Self Esteem show. It will change you and it will stop you from being afraid to have feelings and feel them.

I knew I was going to cry and I knew the exact moment when I would. I Do This All The Time broke me. Fortunately, I took my mum to the show, and I just cried on her shoulder. I cried like a kid who had been told Santa wasn’t real. Like an adult whose world had been torn apart. Think of something dramatic- and that was me. I’ve never ever been able to listen to the song without crying and I can feel myself about to go again writing this! Sake! After I had my cry, I managed to record a minute or so of the song. Maybe I’ll play this when everything is shite and I feel alone. Every single song is shouted back by the crowd but my god seeing everyone in that room last night pour their heart out to this was just something else. You know when you experience something, and you know that words can’t explain it? That’s what a Self Esteem show is like.

The whole atmosphere of the show (including the two support acts Tom Rasmussen and Tom Aspaul) felt like a safe space for us Queers- I felt at home, safe and content. It was just a perfect show from start to end. Camp as tits!

The choreography is next level; they all make you wish you could move like them, and it just felt like art. The whole Self Esteem set felt like a work of art to be treasured, adored and marveled at. The honesty in Rebecca’s lyrics for me are what always has me hooked but when you see the songs that have saved you live, it all becomes something else. It gives you hope and reassurance. I looked out into the crowd from where I was sat and I could see everyone singing the words as if their lives depended on it and this was met by Self Esteem singing the songs with the same amount of raw emotion. Of all the gigs I’ve ever been to, this has meant the most for so many reasons and it is easily the one that has got to me the most emotionally.

The way EVERYONE screamed “My hunger times my impatience, makes me feel reckless” during Fucking Wizardry is incredible. It felt so cathartic. I think I need it as a tattoo just to remind myself that it’s all okay. I think this may have been the one where everyone sang the loudest, I’m not sure. But I can honestly say, and I’ve seen the Melvins and The Jesus And Mary Chain live, that this was the loudest show I’ve ever been to. The crowd were just gorgeous in every single way and beautifully loud. Just to show how powerful Rebecca’s vocals are- the crowd didn’t drown her out. She’s got some pipes on her! Everything from the effortless outfit changes to Rebecca gently playing John Elton on her own was done with such passion and dedication. I’ve never seen such a bunch of dedicated artists like this, and it was beyond inspiring. Seeing the look on Rebecca’s face when the words are sung back at her is priceless, and I don’t think I’ll ever see a band or singer respond like she does ever again.

The show ended with the band doing the conga off the stage to Shirley Bassey’s iconic This Is My Life was the campest way to end the best gig I’ve ever EVER been to. More bands need to end their shows like this. In fact, we should all leave work or any social situation doing the conga to this song.

Before I wrap this up I need to write about how you can tell just how much the band all love and adore each other. You can see the fun they have; you can see just how much they love each other. There are moments when Rebecca turns to mates on stage and asks if they are okay. The way they hold each other after certain songs. Then you have the gorgeous moment of where Rebecca hugs everyone bar Sophie and Mike and gives them formal handshakes was top tier Northern humour.

“Be very careful out there
Stop trying to have so many friends
Don’t be intimidated by all the babies they have
Don’t be embarrassed that all you’ve had is fun
Prioritise pleasure
Don’t send those long paragraph texts
Stop it, don’t
Getting married isn’t the biggest day of your life
All the days that you get to have are big
Be wary of the favours that they do for you.”

NoSo- YES, Manchester. The Pink Room. 10th March 2023

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I think NoSo’s show last night may have been one of the most, if not THE most welcoming, most safe and most full of love show I’ve ever been to. Being in a queer friendly environment, as I’ve got older, becomes more and more important to me. Being in these safe spaces makes me feel less conscious of myself- knowing that there are people around me who probably feel the same. Whether it’s the Non-Binary part of me or the Queer part of me; when these parts of me can exist like this in one place, together- it just makes me feel happy and safe. Given how shitty the world is right now, especially to the LGBTQ+ community- these safe spaces are much needed.

This was NoSo’s first ever time playing Manchester and with only other UK date of this little tour being in London- you could definitely feel how much this show meant to everyone in the crowd, and of course to NoSo. Every song off their debut record, Stay Proud Of Me is played. The night ends way too early. I think we’d all have welcomed hearing the record 5 times over. Every single song sounds just like the record- perfect, dreamy and soothing. This show made me feel at home. A feeling I’ve not had in a while at a gig, and it came back fully last night.

Songs like Everything I’ve Got, I’m Still Embarrassed I Think Of You and Man Who Loves You really hit you in the gut. There are several times during the show where I nearly start crying like a baby- Suburbia is the one that nearly breaks me (the chorus, my god that chorus.) When NoSo talks about their journey about being Trans; it is just the most vulnerable and beautiful moment of the show. To have someone be so open in front of a bunch of strangers is something truly powerful to witness. It spoke to so many in the crowd, and it was such a beautiful moment. The show felt quite spiritual and just so freeing- the whole set is made up of ethereal moments that you want to stay in forever.

For me, it was wonderful to see people at the show who see themselves in NoSo. Being able to connect like this with music is something I feel can be quite rare. Sure I love music that’s a bit rowdy, but being able to find something that gives you a sense of home or a community- that’s rare. Hearing songs that really speak to you. The songs that act like your crutch because nothing else cuts it like this is just something to truly treasure. The number of times I play Stay Proud Of Me a day, well, I’m pretty sure my cat knows all the words off by heart now.

After each song, NoSo gives this beaming smile and nod. This reassuring reaction makes you really connect and feel like this moment means as much to you as it does to them. You can’t put a price on that. This show was initially meant to be in the Basement at Yes but deservedly got moved up to the Pink Room. Who knows what venue they’ll play next here- Albert Hall would be stunning as would The Deaf Institute- hell even in a bus stop NoSo would sound heavenly. My point? If you weren’t there last night, you truly missed out on something truly special and life-changing.

Everyone went wild as soon as the intro to Honey Understand kicked in and of course, when NoSo said every song is about being homosexual  but in a different tempo, well, they weren’t lying. That’s why it felt home.

THE MEN: New York City.

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I completely forgot that this record came out very recently- I thought it was coming out in the Summer. I am a fool! Anyway.

The Men’s new record- New York City is their best work. Did I ever think I’d say something was better than their debut? Nope. Their debut owns a chunk of me that no other record ever could, but their new record is something else. It’s a Punk record that takes you back to NYC in the 70s. Aptly titled record, right?

Over the past few days this has been the record I’ve been listening to religiously. Every song feels like a time capsule of Punk. At times you feel like you’ve found an old Iggy Pop record that no one else has ever heard. Then you feel like you’ve listened to the New York Dolls for the first time. This is hugely prominent on the record opener Hard Livin’ which has Johnny Thunders style guitar and a real New York Dolls feel to it. Most of The Men’s records have been released via Sacred Bones but this one has been put out by the equally influential Fuzz Club. Both labels have backed so many exceptional bands and the cause of me rarely having any money!

New York City is the bands ninth record, and they’ve been going just over a decade or so. To me, they are one of the most important bands of my generation and they’ve just got this unique style that expands on every record. Sometimes when a band changes labels they can maybe lose who they were or badly flip their sound to fit the style of their new home- The Men don’t do this at all. If you listen to their records in chronological order, you will hear that this is the sound that was destined for record number nine- regardless of which label was to release it.

There are so many wild moments on this record and every song is just a delight to listen to. At the moment, Echo is the one I keep playing the most. I love the raw feel to it and how urgent it sounds. I love how the vocals are so gnarly and rough. There’s nothing delicate about this record- it’s unfiltered carnage and I can’t get enough of it! Every song flows perfectly into the next, and the production on this record is so tight- but they still maintain a strong DIY feel to it. The sound still feels brand new, and that’s one of the many reasons as to why I love this band. I love how they always go a step further and this record shows this in all its glory.

New York City is a record that you need to play in order for the first listen or so; but after that- go whichever way you want. Eye is the slickest song on the record- that’s the one that throws you off because musically it’s tamest on the record but vocally it’s probably the best. Honestly, the vocals on this are snarly as fuck and you can’t get enough of them. This record is the band at their best, and I’ve probably said that about their previous records but, with this one- there’s something truly magical about it. You feel like after being a fan of the band for so long, you’ve been on this journey with them and the journey has finally led to this record. The Punk record the band needed to make. The Punk record we all need. It’s a masterpiece and I could happily spend hours and hours listening to it. It’s a record that with every listen, you find something else to appreciate and fall in love with. Listening to this record, I feel like I’m listening to The Men for this first time but also reinforcing why I love them again and again. Every listen of this record is so precious.

I have no idea if the band will ever tour the UK with this record, but I hope with all my heart that they do because it just HAS to be heard live. And for purely selfish reasons, I’d like to finally be able to see a band I’ve loved for so long live! Every song on this record is full of this energy that you can’t get enough of. Songs like God Bless The USA, Anyway I Find You and Round The Corner are just so intense and honestly, this record will make you feel battered and bruised after hearing it. It’s a fistfight, it’s a riot and it’s so important. If you’ve never listened to The Men before, I’d normally tell you to play their debut, Leave Home first- but I think I’d now tell you to start with this one! It’s incredible, and I feel it just may be one of the best records we will hear this year.

MORON’S MORONS: High-Tension Situation.

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The finest Polish band are back! New record from Moron’s Morons is ridiculous- if you’re wanting a Halloween feel 24/7, regardless of the time of year- buy this record. High-Tension Situation is the name, and it pretty much lives up to its namesake. The songs will have you on edge, but in a good way. The songs are everything you’d want from an eerie Punk band and they are unafraid to be completely and utterly mental on every single song. The songs are live a deep dive into some kind of psychotic lapse of whatever, but don’t let that put you off. The songs would be perfect in some Horror B-Movie that is made very cheap and probably quite questionable too.

The 12 songs on this record were made to creep you out in the best way possible, and they were also made to be played exceptionally loud. They’ll sure wake you up! The record only came out on Friday (24th) but it’s one of those records that you feel you’ve had in your possession for years! There’s this effortlessly weird sound on this record that makes you feel like you’re trapped in Moron’s Morons world and you don’t want to even try escape- why would you want to when it sounds like this?!

The songs are rowdy and hella fast- songs like Nightvisions you can really imagine being played live and the whole place just erupting. They’ve got this energy that makes you wish you could witness every song in a live setting. I’ve written about this band before, and I can’t tell you enough just how exceptional they are. This energy is something else. The songs are all over the place- like mania is kicking in and the band have just thought “Fuck it! Play louder! Play faster!” and what we’ve ended up with is some of their most daring work to date. They’ve got the edge of Misfits and the charisma of The Cramps, and all in between. They’re a band that are known for their fast-paced and rowdy songs, and it works. See, some may try this approach and it sounds forced but with Moron’s Morons it sounds natural.

Psychosis Diagnosis is my favourite so far, and sure the lyrics are questionable but I love that scary feeling the song gives you. The whole record makes you feel like you’re being hunted down by something or someone, like a sea-creature that has no name yet because no one knows what the hell it is. But my god these songs are something else. Is it their best work to date? Completely. I know bands try to improve with every record, but what the band have done here is stay true to their sound but also corrupt the listener in a way that previous releases led to. This is the record they were always meant to make. It’s perfect. It’s odd and it’s loud. It is perfect in every way. I think the cover of the record also sums up what to expect from the record; strange, will burst your eardrums and will blow your mind.

It may only be their second full length record, but it sounds like something a band would make 10 years in. It’s timeless and every single song needs to be witnessed live. I hope someone books them a UK tour because you just feel like they would put on a fantastic show that sticks with you for all kinds of reasons. Fueled By Hate, Free-Time Crimes and Headless Eyes all have this snarly tone to it- wonderfully obnoxious and you can’t get enough of it. Honestly, this band know exactly what they are doing and I can’t wait to hear more and more from them.

Every song on this record needs to be heard as loud as you can stand- but also make you want to push yourself to go louder. It’s one of the most fascinating records of the year, but what else would you expect from Moron’s Morons?!

DIE VERLIERER

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Trying to find anything out about Die Verlierer is virtually impossible- but that’s fine! Most great bands have/had zero online presence- the music does all the talking.

The music is incredible- I feel like I’ve found a band from the past and brought them to 2023; but I haven’t. I’m not that good. They are just such a fascinating band. They have this really slick Post-Punk sound that so many try to copy but can’t grasp. This band do it their way- they sound like no one else. I think the band are from Berlin, and this record makes you want to move to Berlin and get lost in their music scene. I think I’ve carried that feeling around with me for some time if I’m honest!

Their sound is poetic, dark and hypnotising. The photo above looks like they’ve stepped out of the 80s but when you listen to songs like Intrige und Libido you feel like you’re listening to a Hardcore Punk band from the 90s. There’s a lot going on in their sound, but their sound is impeccable. I can’t think of any other band like this right now- there’s elements of Television (Plastic Life nails this) on this record. It came out last year, and it still feels utterly brand new.

Just because I don’t understand what they are singing about (I did a quick Google Translate so…) but from what i got off Google, this band write songs about the frustrations of daily life and also a song about a man in the moon who is spying on us. This one (Mann Im Mond) has that early sound of The Cure on this one. It’s the atmospheric sound that lures you in every single time. The record is about 40 minutes long, and the record ends with a euphoric number lasting around 11 minutes. The whole record is heavenly. Songs like Deadgirl have that perfect Punk sound- they’ve got the recipe nailed down, and honestly; they’ve got what it takes to be one of the greatest bands of all time. In my head, they’re already there. Deadgirl sounds a tiny bit like New York Dolls vocally, so it is pretty fair to say that Die Verlierer are the best. No debate there at all.

Sometimes you hear a record, and you just want to be completely wrapped up by it. You want it to consume every part of you- you want to hear it everywhere you go, and that’s exactly how Die Verlierer make me feel. I kind of feel like I’ve found a home of sorts in this record. On the journey to work this morning, I got a notification that they’re doing some UK shows so I immediately got myself a ticket for their Manchester show. You can just tell a band is going to be sensational live by how the record makes you feel- and this band completely back this up.

Again, this is another band who have a sound that I would aim for if I were musically talented/in a band. I feel like I gave up a bit on writing about music for a bit, but I hear bands like this, and the love comes back again. I just adore the raw sound they have and how raucous it is. This is the kind of noise that brings joy to my ears and makes me feel calm. I know most would settle for a cup of tea and some tranquil sounds- but give me something like Die Verlierer and I’m set.

Die Verlierer will be heading out on their first ever UK tour in May- grab a ticket. Grab all the tickets! The record is out now and was released via the always exceptional- Mangel Records.

PIGS PIGS PIGS PIGS PIGS PIGS PIGS: Land Of Sleeper.

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Are you looking for the loudest record of the year? Do you want something that’ll burst your eardrums in the most pleasant way possible? Pigsx7 have gone and done it with their new record, Land Of Sleeper. 8 songs that are sheer delight, absolute carnage and beautifully loud.

Writing about this band brings me so much joy. I just LOVE them. They combine everything I love about music, and everything I want from music and just make something that is effortlessly slick and charming. This morning on the way to work, I had a horrible pain in my chest. I knew what was coming- it was the start of a panic attack. I needed to somehow tame my mind to deter something from happening. I started to listen to some meditation for anxiety on Spotify. I found myself getting wound up over the persons voice and how it felt like they were being patronising. I hated it. I needed something but I didn’t know what. So, I went and found something to listen to. Again, I found myself turning to Pigsx7. I tuned into the new record once more. I don’t know what happened, but I felt almost calm. My brain was tame, the pain in my chest wasn’t as bad. I was alright. It probably seems strange to have something so loud be a calming force- but that’s just what they do. I don’t know if it’s the vocals or the heaviness of the sound. It just feels like a massive grip around me offering reassurance.

It is such an incredible record, and I know I say it every time I write about Newcastle’s finest- but there is something about this band that is so magical and so euphoric. There’s this aggression in the music and vocals that doesn’t make you feel threatened- it makes you feel quite safe. Every time they’ve toured something has gotten in the way of me seeing them but I’m determined to see them this year. I just need to. I have to. They’re the kind of band that you have to really focus on. You can’t just mindlessly play a song and be like, “oh this is nice.” You have to really soak it all in, and I think that’s why listening to them this morning when I felt awful truly helped. I wasn’t aware of anything or anyone around me- just this record. I think it was Big Rig that saved my brain this morning, but if I’m honest- every song on this record is a dream to listen to.

The vibrations in the songs, the way every song moves you in a psychedelic way allowing you to be free with your limbs and screaming the words back at Matt is just insane. You can hear how they poured their everything into this record, and it’s evident in their previous records. This band don’t make shit songs- ever. They don’t have one bad song. They are consistently excellent, and Land Of Sleeper massively shows this. Every song is a call to action and a bolt of reassurance for the soul. Most of the songs on the record last over 5 minutes, and I think for me that’s part of the attraction. I love how their songs feel like stories or a journey. I feel like I’m being taken into a sacred world and Pigsx7 are the leaders. I’ve said it before but when I listen to them- i feel like I’m listening to Melvins and Sleep for the first time. Those two bands are vital and shaped a lot of the music I listen to, and to hear a band like Pigsx7- they complete my holy trinity in a way! I honestly cannot praise this record enough. I’m going back to Big Rig again- the last 2 minutes of this songs turn into some obscure instrumental that will blow your mind. You can’t help but dig it- it’s incredible!

Land Of Sleeper is made up of anthems that need to be heard as loud as possible. There’s this raw energy on this record that has developed from each record they’ve put out- this is THEIR record, and I love how you can tell that they have and always will make music that is for THEM and no one else. It’s how THEY want to sound. Perfection is subjective, but come on now- this is another perfect record by the band. There’s a lot of pent up emotions and rage being released on this record.

For me, a lot of the songs have that same outpouring that’s on Release The Bats by The Birthday Party. I can’t explain it- I just know that there’s a similar link in how it’s poured out. I’m just in awe of this record and how yet again, Pigsx7 have gone and done it with another masterpiece.

SHAWNIS AND THE SHIMMERS.

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Every once in a while I find a band that makes me want to pack up everything I own (including my cat but she probably owns me) and move to the place where a band I’ve fallen in love with are. One listen of Shawnis And The Shimmers and I am hooked and mentally escaping to Richmond, Virginia to follow them around and become their biggest fan. However, I can’t do it so I’ll do it from afar and from my mind.

Shawnis And The Shimmers make the kind of DIY style music that makes you disregard everything you’ve ever heard. There’s this beautiful basement band feel to their sound- this infectious raw style that will just stay with you on a loop for hours on end. I’ve definitely fallen in love here. There’s also the side that makes me wish I had an ounce of musical talent so I could make songs like they do. Instead, I just write about what I love instead because I can just about do that! There’s this slight Rockabilly sound going on, but for me it’s the muffled vocals and that fuzzy sound of theirs that I just adore.

They’ve got a couple of releases up on their Bandcamp page, and of course they leave you wanting more. Every strong band does that. If I was someone who couldn’t get to sleep at night (for the most part I can) I’d be blasting their sounds out through my headphones every night around 2am until my body finally felt like all energy had been zapped out of me, and my brain had calmed down a bit. This band make the kind of music that you just want to have constantly playing- treat ’em like your own personal soundtrack to your daily life- even if you’re doing mundane tasks.

They released the Wasteland Demo a year ago and a few months later in October, they released the Shimmer Shake EP. I love both records, and they both sum up their sound perfectly. Unapologetically loud and the kind of Queer Punk band I can’t get enough of. They make you want to trash your room, trash someone else’s room even! Their sound is so liberating, and in a way reminds me of New York Dolls and how they weren’t afraid to really push themselves with their sound. But there’s also hints of Riot Grrrrl flowing through. In short, this band are where its at! Imagine growing up in a town in the middle of nowhere then all of a sudden you hear this band! It’d change your life wouldn’t it! You’d finally believe there was a way out.

Wasteland Demo record is ridiculous. It’s so good it should be a crime. It’s got a gnarly sound to it that makes you feel like you’re hearing the future of something that’s yet to be named yet. What I love about this record in particular is that they make you fee as if you’re watching them in a garage or basement rehearsing these songs but at the same time- having this unfiltered sound that is so raw that it is already perfect this way. A chaotic noise-fest which is just a delight to the ears. You’ve got songs like Beer Jacket and Don’t Wait Up are underground classics. You can easily imagine every single one of their songs being played in queer dive bars that exude freedom in all ways possible, and everyone just screaming the songs back at the band- covered in sweat and beer. Maybe not even your own but who cares!

There’s hints of bands like Dead Boys in some of their songs like Wasteland, and that’s all you could ever want from your new favourite Punk band, right?! I don’t know if Shawnis And The Shimmers may ever make it to the UK to tour, but in my mind when I listen to them- I am front row singing the songs right back at them. Their sound is pure magic and you just can’t get enough of it.

CROCODILES: Degeneration.

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It has finally happened! Crocodiles have FINALLY dropped some new material which means- a new record is coming! 7th April to be precise kids! It’ll be released via Lolipop records, and the first single from the record- Degeneration is a perfect introduction to their new record.

If you’ve ever read anything I’ve written, you’ll know just how much I love and adore this band. They are a band that have been there for all the good and bad. A band that just know how to constantly create masterpieces. Underrated and exceptional. I just love love them.

Degeneration picks up where 2019’s Love Is Here left off (not including the covers record they put out in 2021!) Their new record will be their 8th full length record (again, not including the covers record but you can if you want!) Even though it picks up from Love Is Here, I can hear some of their early sound in this song- that rugged and distorted sound; the sound that I fell in love with many, many years ago. They have such a distinctive sound and style, and that applies vocally too. They’re a band that just make everything alright. Their poetic lyrics are timeless and their sound is how you’d want your dream band to sound.

The video to Degeneration is simple but you’ll also see Brandon and Charlie’s faces melt. I reckon that’s a strong sign for how great the new record will be- it’ll melt our faces off. I cannot wait! It’s only 2 months to go, but in the meantime- I’ll be keeping Degeneration on repeat.

Check out the video below:

Upside Down In Heaven will be released on the 7th April via Lolipop Records.

WORMBOYS: Smalltime.

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The North of England is home to some wonderful bands and musicians. Too many to mention, but today I’m going to focus on Leeds based Wormboys.

How do you describe their sound? Can you pick up any influences? What makes them standout? There aren’t enough hours in the day to describe them, but I’m on my lunch break at work so I have limited time but I’ll do my best to make this make sense!

Smalltime only has 3 songs on it, but don’t let that small detail put you off. There are hints of 90s Grunge on this record (the song Worm reminds me a little bit of Something In The Way by Nirvana in some parts) but Wormboys are a band that are confident in their sound and know exactly how they want to sound. There are 4 of them in the band, and each of them are just remarkable at what they do. It may only be a 3 track EP but those 3 tracks show you exactly what this band are made of.

There also elements of the Riot Grrrl movement on this record, and I think it’s most apparent on the euphoric Tree, which closes the record. I don’t feel like I’m listening to a band from 2023 when I listen to this record. I feel like I’ve been thrown back to the early 90s in the midst of all the greats such as Garbage (best band of all time), Bikini Kill, Hole, Babes In Toyland. Wormboys have such a solid sound and with one listen of this record I can confirm that the chorus of Tree will be stuck in my head for the rest of the day.

Wormboys are the noisy Queer band I’ve been looking for; there’s no other band out there that sounds like them. Now, I know this contradicts what I’ve said above about the 90s sound but there’s no current band around that has this sound like this. I just love how care free the sound is and you really pick up on this on Something Pretty. They make the kind of music I wish I had when I was in college and secondary school- trying to find my way. I made to adulthood but god knows how! You’d definitely expect to hear their music in a Student Union bar that has a questionable sticky floor along with questionable drinks on offer. There’s a lot of fun in their sound and a lot of depth. You can’t help but be in awe of Jake and Ruth compliment each other on the drums and bass. You’ve got Sop and Harry on vocals/guitar, and their vocals together are nothing short of heavenly and again, you really feel this on the song Worm.

This is only their second EP but it sounds like a band who have been at this for decades. Everything about this EP is worthy of your time and attention- the songs are just effortlessly slick, and that lo-fi sound, and that DIY ethic attached to it really comes across. If this record moves you, then go back and listen to their other stuff- it’s as equally mind-blowing. When you play the songs through headphones, you can really hear the sound fully and truly appreciate the lyrics and songs in general. I highly recommend playing Tree as loud as your ears can stand through headphones; just so you can really pick everything that’s going on in this song. There’s a lot but by no means is it overwhelming. If anything, it’s comforting. The loudness and the tender moments on the record are exactly why I love this band, and why I’ll probably be obsessed with this EP. The shifts in moods on the songs and the way the band just compliment each other with their own styles and sounds is just an absolute joy to listen to.

The band are heading out on a small tour starting this Friday: (please come to Manchester!)

Jan 27 Wharf Chambers Cooperative Club, Leeds
Jan 29 The New Adelphi Club, Hull
Feb 06 Little Buildings, Newcastle Upon Tyne
Feb 07 The Hug and Pint, Glasgow
Feb 10 Rad Apples, Dundee
Feb 11 Wee Red Bar, Edinburgh

The EP also comes out this Friday, and I’ll end this with a gorgeous quite from Ruth about touring, which I think is so important: “It’s been life-affirming to headline shows around the country, consistently warmly received by crowds of queers and weirdos who are angry and upset about all the same shit as us.”

GHUM: The Deaf Institute, Manchester 17th January 2023.

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I’ve been lucky enough to see GHUM three times now, and I can 100% confirm and swear on my cat’s life that they just get better every single time. Their debut record is one I religiously play every single day. The atmosphere, the sound, the emotion- everything on this record is divine. So of course, they are going to channel this perfectly live, right? Of course!

On Tuesday night they supported Big Joanie at the Deaf Institute- a venue perfect for their sound. The first time they played Manchester was at the hottest venue in the history of venues- The Castle Hotel. How no one passed out from heat stroke that night I don’t understand. They played Fac251 last month and that too was exceptional. The Manchester show was something else. With it being a support slot, the setlist wasn’t as long as you’d hope for but what they gave us perfectly showed us why they are one of the best bands around- on record and live.

This was the last night of the tour and to make it even tougher- it was Vicki’s last show with the band. Whether you’ve seen them live or listened to the record- you will know just how an incredible drummer Vicki is. She is going to be missed a hell of a lot, but you’ve got to do what you’ve got to do. Whoever they have next on drums will be so lucky to play alongside such incredible musicians and I can’t wait to see what happens next.

As I’ve said many times before when writing about GHUM- they just have this sound that blows you away. For so many on Tuesday evening, this may have been their first time seeing the band and judging by how the crowd reacted to the songs- I think they have definitely got a new bunch of fans behind them. They are the kind of band that make you wish you were in a band but at the same time- you just want to spend your days constantly at their shows. They have this magical sound that truly comes alive when you’re at their show. The songs take on a more powerful meaning and start to mean more to you with every listen, and every performance. They put so much of themselves into their shows, and it’s just an honor to watch them and see them grow and grow.

Songs like Perro, Rivers and Some People are blasted out and are performed in a way that makes you feel like this is life or death- you feel on edge in the most wonderful way possible. GHUM have this way of taking you into this strange, dark and gorgeous world where no other band has ever dared to. You can’t help but let them suck you in. Over and over. The sheer intensity in every song is just divine. Laura has this gravelly tone in her voice and this strength (and it’s apparent in certain songs) and you feel that she belts out every single word the way she NEEDS you to hear them. Backed up by Vicki beating the shit out of the drums, MJ being the slickest bassist you’ll ever see and Jojo being the best guitarist in this country- it is obvious that GHUM are the most thrilling band around and you can see why a band like Big Joanie took them on for the ride during this tour. The power both bands have is insane and something that doesn’t happen all too often. These bands are rare. They are important and will take you off into their own world where whatever you see outside of your window doesn’t matter in those moments.

For me, GHUM have that Seventeen Seconds (The Cure) energy in every single song- the hypnotic sounds and eerie vocals, and the poetic lyrics. I honestly don’t think really small venues are going to be able to contain them for much longer and the show on Tuesday captured that perfectly. Nobody stood still and all was okay in the world during those 30/40 minutes.