Tag Archives: Punk

CROCODILES @ The Abbey, Manchester. 12th July 2026.

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I have seen Crocodiles live more times than I’ve probably seen some family members. Crocs are family anyway so it’s fair. However, on Sunday I went to see them at one of Manchester’s newest venues (but a pub from back in the day) The Abbey. As a pub, it’s a solid 10/10 and as a gig venue it’s still a 10/10 even though I am pretty sure I have never ever sweated that much at a gig before. Sweat was in my eyeballs, back of my leg, my back, my eyeballs again. Hotter than Satan’s bumhole, but my god the gig was incredible. It always is!

Crocodiles were supported by one of the best Manchester bands around- Gold Cup. I’m going to do a separate piece on them but let it be known that they are one of the best live bands around. They’re supporting the equally great GEE TEE at Yes on the 25th July so if you can- go! There’s also air con in Yes so if that doesn’t sway you, I don’t know what will. In short, Gold Cup are where it’s at. Incredible live. I missed them by SECONDS at the Low Four x Sour Grapes recording a few weeks ago. How foolish!

I’ve been a fan of Crocodiles since 2009, and I love telling the story of how I found their music. Have you got a sec? Alright so, 2009. I’ve moved back home after finishing uni and my first girlfriend had broken up with me. One day, I go to HMV (I also worked there and it was the best job ever) and I’m looking through the records, and I spot Cold Cave and Crocodiles. Cold Cave I was aware of, so I picked it up. Crocodiles I knew nothing of, but I grabbed it anyway because the cover got me. I took the records home, and that was it. The past 16 years or so they have been my solid. I just adore them and any chance I can get; I will tell someone to listen to them. Even my mum loves them!

Alright, story time done. They open the set with Love Beyond The Grave. I think? Sunday was nearly a week ago and my memory isn’t too great, but I know they played it! They played a strong mix of old and new songs, and I can confirm that I Dream Of Genet live is beautiful. It’s got that same feel as Sunday (Psychic Conversation #9) that real dreamy number that makes you feel like you’re floating away. That’s exactly what you get from a Crocs show. You always feel like you’re going off into another world. You can’t help but be in awe of them. It’s the way Charlie holds his guitar like it’s a weapon but at the same time you know you’re in safe hands. Is he the best guitarist around? I’ll always say yes. Diego beats the shit out the drums, Atef is the coolest bassist around and Brandon’s vocals have never sounded better. Put that altogether and you truly do have one of the best bands around.

Songs from the new record sound incredible live, and for me it was all about Time Is Wasting Me. It’s one of my favourites from the new record, and it’s great live. I can’t talk about their show without mentioning their cover of 1969. This has become a staple in their live set now, and it’s a joy to see live. What I love about the cover is that they really do make you feel like it’s THEIR song and you’re experiencing it for the first time. It’s one of my highlights of a Crocs show for sure.

It all ends with one of the finest songs ever, Mirrors. I’ll always have a soft spot for this one, and it never ever gets old seeing it live. It never gets old seeing my buddies live. They just know how to put on a show even if we are all frying in the venue!

I love that even though the band have been around for a while people are potentially only seeing the band live for the first time, and you can see how much they love the band and how much it means. All I can say is, welcome to the cult! Irrespective of my biased opinion, it was a great show as always and Gold Cup were also a real joy to watch to. I firmly believe you should end your Sundays by watching some great live, loud bands. Last week was no exception!

MAQUINA : Body Transmission.

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One of the coolest things about music, and bands and just EVERYTHING about music is release day for a record you are SO excited to hear.

I’ve loved MAQUINA for a couple of years, and today their second full length record, Body Transmission is out there. It’s fully out there for everyone to enjoy, play to death and dance to. Now, as it’s been released via Fuzz Club- you just know it’s going to be sensational, right? Right on.

The record starts exactly how you would expect; with one of their most recent releases (dança – featuring Dame Area) and from then on, it’s all go. Every song gets louder and louder. That urgency to move more gets you, and you can’t help but feel you are being sucked into a new world. This world that MAQUINA have already created with their sound is unlike anything else, we already know this. But with Body Transmission, every song feels like you are being ripped out of your body and into something else. That’s one of the many reasons as to why you know you are dealing with something really magical.

Any free time I’ve had today, I have played this record. I played it twice at the gym, and I can confirm that this is a record to lift weights to. There are some strong gym jams on this record, and I reckon it is going to become my most listened record of the year right next to the new Crocodiles record. Those are my solid top 2 records of the year. My mind will not be changed, or swayed. It’s already set. For me, my favourite song on the record is Bizzaro closely followed by Step On Me. I cannot wait to hear these two songs live in September. If you’ve seen MAQUINA live, you will know that their live shows are not to be fucked with. You feel like you’ve had the most intense work out of your life after you’ve been to their shows, and you find yourself unsure if life will ever make sense again. On stage and on record, that feeling remains. After you’ve played Body Transmission once, you go back to it over and over. There’s something in this record that leaves you wanting more, and you notice EVERY detail on it. When I tell you that this is one of the best produced records of the past few years- believe me. I don’t lie, and I know everything is down to taste- but this record is next level. But that’s MAQUINA all over.

Speaking about the record, the band have said: “We wanted it to feel heavy, focused, and relentless.” They have captured this effortlessly. It is a heavy record, and also really liberating. This is a record to play as loud as you can, wherever you can. If I went to a coffee shop at 8am and this record was blasting out, I would know I was about to have the best day ever. It’s a record that looks at music genre and says “NAH, NOT FOR ME!” It’s beyond any description. Sure, there are electro moments, there are heavy moments and there are more often than not- moments where you just have to move. All of this means that MAQUINA make music that appeals to everyone. They’re for everyone, and you really get that when you go to their shows. Sure, it’s a sweat fest, but it’s also the most liberating place you can imagine.

Body Transmission feels like a million frequencies going right through your body, and all you can do is give in to it. It’s a record that is made with care and must be heard with urgency. I challenge anyone to not fall in love with this band and this record. Everything they did with PRATA, they have done all over again with Body Transmission times a billion, and more. It’s a truly exceptional record.

The way that Halison can scream his lungs out and play the drums in this ferocious manner is just enthralling. João just RUINS the guitar on this record, and he does the same on stage. He’s incredible. The guitar is his weapon, and you can’t help but dig every note, every sound. Mendy again annihilates the bass on this record, and you feel it echo in your ears and starts to thump at your throat and before you know it- all these sounds crash around you, and you have a phenomenal record in your presence. It’s a masterpiece, and it’ll make you fall in love with music all over again.

If you’ve made it this far, and you want more- you can catch the band on tour over the summer and September. You’ve GOT to see them!

Body Transmission is out now via Fuzz Club Records.

CASUAL DRAG @ The Peer Hat, Manchester. 3rd July 2026

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After waiting years to finally see them and after writing about them loads, I got to see Casual Drag play possible THE hottest venue in Manchester- The Peer Hat. I’ve been to a fair few gigs there, and I don’t recall it ever being that hot. I think my eyeballs were sweating.

I also cannot hear out my right ear, so I’m assuming a good night was had!

As short as their set was, they played with all the passion and fury you would expect from a band as great as this. It was truly lovely to see so many people there to see them, and also bands from Scotland just play with slightly more bite.

What drew me to their sounds a few years ago is truly captured in their live shows. I knew it was going to be loud, but I didn’t expect to fully lose my hearing in my right ear (I’m going to see Bruise Control later so hopefully that’ll put everything back into place!) Man, they ripped right through their set last night. We got all the hits, all the jams! They played The Master, I Like It, The Talk, Out Of Sight and many more. They were just a joy to watch.

They played Johnny too which was INSANE! I think that may have been my favourite one, but it’s hard to choose with a band like this.

The energy they have is unreal, and I honestly have no idea how Matt (drummer) didn’t pass out. Richard’s vocals are as crisp as they are on record, and his guitar is a weapon you don’t want to cross. Dominic is effortlessly slick with the bass. And they just play in a way that makes you truly back them, and just love them more than you already do. The way all 3 of them play is just a delight to watch, and I’ve honestly not seen someone play the drums as intensely as Matt does. All 3 of them play as if their lives depend on it, and I guess when you’re in a band that make music as hard and as furious as this, you kind of have to. I’d say I’d watch this band play every night, but I doubt my ears would be grateful for damaging them. But hey, if you’re not a little damaged after a gig- have you had a nice time? Probably not!

I really love finally being able to see a band I’ve loved for son long play live, because everything you first loved about them just gets heightened in that moment. It doesn’t matter the size of the venue; it just matters that you finally get to experience it. I’d honestly urge anyone who gets the chance to see Casual Drag live to absolutely take it. Maybe wear some earplugs though or don’t stand so close to the front. Thinking about it, maybe this is my own fault….

What I love about their live show is that they sound exactly the same as they do on record. They’ve been doing this a while now, and they deserve way more than they get because they truly are something else live. It is an injustice that they aren’t massive, but it’ll happen. So many incredible bands have come from Glasgow, and Casual Drag are easily in the Top 5 for sure. Everything always seems louder when you witness it live, and that’s part of the charm. They have something to prove, and my god they did just that last night.

Casual Drag have that raw basement DIY Punk/Garage sound that does own my heart (and ears) and not only are bands like this vital for the scene in general, but they are so important to real grassroots venues like The Peer Hat. Live music is so important, and that importance was truly felt last night.

CROTEAU: Silent Sound.

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What do YOU know about the Isle of Man? Let’s be honest, not a lot. Not a lot happens there. Not a lot to do, nowhere to go. I grew up there, and I have a love/hate relationship with the place. There are some stunning beaches there but if you want to feel shit, then walk round Douglas town centre. HOWEVER, I will say that there have been and there are some brilliant bands that have come from the little rock in the middle of the Irish Sea, and I am SO happy to write about the debut record from the best band around from there- Croteau.

Croteau have been around for a few years and fun fact, and also a way to make me feel old- I went to high school with guitarist Ali’s mum. Croteau are everything you could want from a local band who are evidently going places. Their sound is pretty much unlike anything else around, and it’s that rage and level of ferociousness in their sound that makes them so appealing.

What I’ve really loved seeing the lead up to the release was the band sharing music and books that have inspired the record. A lot of it includes books and bands I was listening to from like 14/15 and still do. Knowing that writers like Camus, Bukowski, Burroughs and of course the greatest- Ginsberg are being shown to younger generations still gives me a lot of hope. Punk ain’t dead- it’s everywhere. Some bands that inspired the record are New York Dolls, TJAMC, Fugazi, The Stooges- come on now! You can hear it right in the record, and it is so fucking cool. I always thought my uncle was the coolest person on the Isle of Man and was in the best band from there (The 13th Pillar closely followed by The Bastinados with THEE coolest of ‘em all, Raz) but Croteau are definitely up there. They’re the best new band from the IOM for sure and absolutely the loudest. I really hope some UK promoters get hold of them and get them over to the UK because there are so many venues that their sound could beautifully destroy. YES Basement or The Castle in Manchester would be ideal for them. Alright, so praise aside for everything they do. I need to go into the record. Buckle up.

13 songs. 13 perfectly crafted Punk anthems. These are the songs that some kid in Year 7 or 8 on the Isle of Man is listening to as they walk the corridors waiting for the day to end because the walls at school trap you. I say this as someone who had the worst time in high school. Music was my escape. Some kid trying to find their way is going to be listening to this record as they go about their day and it’s going to grip ‘em, and by Year 9 they will have found their people and started their own band. It may not be this year; it could be in a few years. But they will find this record when the time is right for them, and they’ll have their mind blown and eardrums ripped wide open and ruined in the best way possible.

Every song needs to be played loud and maybe go louder than you think with this one. I absolutely love the song Mandy- it’s one I keep going back to, and what I love about this record is that I feel like I’m finding bands like the Ramones or The Stooges or MC5 for the first time, and I’m being sucked into this world where anything is possible but I’m also angry at how fucked the world is. Every song is an anthem just crying out to be screamed back at the band. Fragile Piece? Genius. Loaded Gun? Work of art. Manic? 34 seconds of angst-ridden BLISS. The whole record oozes rage in all the right forms, and the want for change but also knowing the world is corrupt. There are no tender moments here. There is nothing but beautiful loudness and urgency.

Play this record loud enough to disturb your neighbours, and your neighbour’s neighbour and beyond. Throw your body around to Get Nowhere. Get those frustrations out. They’re the most dangerous band on the Isle of Man, don’t you know! This is the kind of danger we need. That bite and that passion in the music.

If this is how they sound on their debut record, then there’s no telling what their future holds. They’ve got IT man. Whatever you want a band to have, Croteau have got IT.

The kids are gonna be alright. It’s adults that are the problem.

CROCODILES: Greetings From Hell.

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Tomorrow my buddies and also one of my all time favourite bands release their 9th record (that’s if we don’t count the three Shitty Times records.) What can they do on record number 9 that they haven’t already done?!

Well, EVERYTHING. What I love about Crocs is that even though they have a distinctive sound (it’s in Brandon’s voice, and it’s in Charlie and Brandon’s guitar style- always) but they also manage to give you something you’ve not heard before. I remember finding their music in 2008/9, and I hadn’t heard anything like it before. That feeling is there with every record they put out and they’ve truly excelled once again on Greetings From Hell. The title for the record makes me think of The Cramps, who are according to me and those with good taste, are one of the best bands of all time. I’m only two songs in but I can tell you this is my record of the year.

Let’s Be Strangers is going to be up there as one of my favourite songs of the years. It’s a got a fuck you/fuck off feel to it, I’m always down with that. There are so many things to adore about this record, and to make you truly fall all the way back in love with Crocodiles all over again. It’s only been 3 years since their last record, and in that time they’ve both continued to work on their equally great side projects (Crush of Souls and Psychic Pigs- both are different from each other, and just phenomenal.) I do have some fear inside that they’ll stop making records as Crocodiles one day, but I hope that day comes when Charlie and Brandon are like 90 years old, and need a rest. Let’s not think about it, ha! So back to the record.

I Dream Of Genet is a billion percent a title of a song that Patti Smith would love, right? It’s a real catchy number and I hope they do this on tour because it will be a joy to witness. That’s one of the things I truly love about Crocodiles- it’s their live shows. I saw them last year in Newcastle, and I can honestly say that out of the 20+ times I’ve seen them- THAT was their best show for me. There was something about the venue, the company, the setlist and everything in between- it was just an honour to be in that crowd that night. I obviously feel a huge sense of pride when I listen to Crocodiles, and that feeling is very much there for this record. Every record is them at their very best, and this is truly one of the best things they’ve ever done. I know my opinion is hugely biased but, in this case, I know I’m right.

Brandon and Charlie met nearly 30 years ago in San Diego at an antifascist gathering (always on the right side of history these two, and will ALWAYS speak up for what’s right) and you can really hear their bond on this record. They may live on opposite sides of the world (Paris and Los Angeles) but that doesn’t stop them from making the most perfect record every single time. I guess distance does make the heart grow fonder. The 10 songs on this record are a prime example of why Crocs are the best at what they do. If you’re someone who has never listened to them (firstly, where have you been?! My own mother loves this band!) Greetings From Hell is a great starting point and work your way backwards. There’s something really special about their music, and every record for me, is right there when I need it. Music is that best friend that’s always there with no condition or expectation. That’s why I really love this band- they’ve been there through the good and bad, and I couldn’t imagine a world without their sounds!

Every single song on this record has been crafted in the most delightful way you could imagine. Listening to a new Crocs record is like going home, or having your favourite meal or drink, or hanging with your favourite person and/or cat. It’s familiar and it feels like home. For me, the band are home. The ultimate safe space. The ultimate band. The record is Crocodiles at their very best and songs like Whips and Chains are MADE to be heard live. The record picks up from where Upside Down In Heaven left off, and that’s something I love about Crocodiles. Every record picks up from where the previous left off, but always ALWAYS gives you something new and a reason to keep on fallin’ back in love with them.

I don’t normally do this, but I want to dedicate what I’ve written to a very special and cool person who we sadly lost this week- Gregg Foreman. Gregg was such an important person to music and to those who love music. From his work with the Delta 72 to Cat Power to Gossip to L.A. Witch and to Crocodiles. Not forgetting Lydia Lunch too. There’s many, many more he worked with. Everyone loved him, and now- everyone will miss him. So much about Gregg reminds me of Raz, and that’s why this loss hits harder than it may have done. Every day Gregg would post his gratitude list on Instagram, and I’d look forward to it every day because you knew he meant every word and the world around him meant so much. I hope wherever he is now, he knows how loved he is and is at peace. And I hope he’s up there creating the best band in the world with Johnny Thunders, Rowland S. Howard and Lux. Imagine the noise. Forever our Moth.

Greetings From Hell by Crocodiles is out tomorrow via Invisible Hits, and like their last record is produced by the excellent Jonah Falco.

You can order the record here: https://crocodilesband.bandcamp.com/album/greetings-from-hell

Play the record loud. Hug your mates. Go see Crocodiles live.

BRUISE CONTROL: Record Release Shows 2026

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ALL ABOARD THE BRUISE CRUISE!!!!

Where do I even begin writing about the Bruise Control record release shows? Over the weekend they played Leeds, Liverpool, and Manchester. I went to two out of three. VERY Nearly did them all but didn’t.

The first show was at Crash Records in Leeds on Saturday just gone. About 15 of us (maybe less) were cramped in this excellent record shop. How on earth could a place so small contain the sound of Bruise Control? Well, to be fair it didn’t. Jim marched up and down the shop, he even opened the front door and sang to the good people of Leeds. When I say sing, he absolutely screamed at them, and it was beautiful. Maybe he scared someone at the bus stop with their shopping or maybe, they became their new favourite band. Let’s go with the latter because there is nowt scary about the Bruisers! There was a very slight incident where a beer was spilt on the floor and Jim nearly blew the place up (total exaggeration but go with it.) In the end, Jim did most of the set at the back of the shop whilst stood on the counter. He couldn’t cause any mischief up there (he absolutely could and he did, and this is why we LOVE Bruise Control.) At the end I told him it was like the NPR Tiny Desk Concerts gone wild. Hopefully, the owners at Crash Records have forgiven these angels. You don’t book a band like Bruise Control and expect nothing rowdy to happen. It was such a joy to see them play to such a small crowd, and it’ll definitely be the last time they play to such a small number of people because they deserve to be selling out every stage possible. A sound so big cannot be contained and neither can their energy. The way they are with each other is just gorgeous too. I’ve never seen a band with such a bond with each other and such love for everyone around them. Their stage presence is next level, and that’s the Manchester charm through and through.

Now we move onto Monday nights show. The band played the Basement at YES. It holds around 60 people give or take. I’ve never been to this part of YES before and it pretty much became my favourite venue. A real dive bar with such a stunning atmosphere. My favourite venue is the Shacklewell Arms, and I miss that place so much, and for the past 8 years of being in Manchester, I’ve been trying to find a venue that I hold that dearly. The Basement at YES does this and more. I could happily be there every night!

The band are on stage at 8 and are done by 8.45. We’re home by half 9. This is BLISS. There is no better way to spend a Monday night than seeing the band you absolutely adore rip apart a venue. The crowd were a dream too, and honestly, Bruise Control fans are pretty much the kindest and best people you’ll ever meet. What I love about Bruise Control shows is that, although they are beyond rowdy and loud- you will feel so safe there. The world outside doesn’t matter at all, and sometimes (most of the time) we need that. We need that safe space and to just let it all out. Jim sprinting into the crowd a couple of times was also a highlight! He cannot be contained- let him be free!

Niall’s dad was at the show, and I remember seeing the band support Amyl And The Sniffers at the Albert Hall in 2022- it felt like their show, and I remember Jim’s mum (I think) on the balcony a row in front of me singing along. It was so beautiful. You can’t help but be proud of this band. They are everything Punk should be. They are everything a community should be. Writing about them and getting to share how much I love them brings me so much joy. And I hope someone out there who may not have heard of them before, goes and listens to them and falls in love with them like I did back in 2022.

The new songs are INSANE live, and of all the times I’ve seen them- the show on Monday was IT. I thought their show at SOUP last year was it, and nothing could top it. But this was something else. 60 of us in a dark basement on Monday night- the ideal setting for the best band around.

They all truly shone at this show. Tommy is an INSANE drummer, Niall is an unreal guitarist, Jim is THE best frontman around and Ruby makes you wish you could be as cool as her; she makes playing bass look so effortlessly easy. They’re all exceptional at what they do, and they are easily one of the few bands I could watch play every night and just never ever get tired. My ears may hate me, but who cares!?

UP THE BRUISERS!

BRUISE CONTROL: Bruise Control EP.

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The best band from Manchester are BACK with a bloody delightful EP and let me tell you- it will make your day brighter, louder, and so much better. Last night I had a nice, gentle, and delicate time at NoSo’s incredible show and now it’s time for some balance. That delicious grit. That decadent loudness and effortlessly slick sounds of Bruise Control. Something to add some spice to my Friday afternoon. And also, will be my soundtrack to the gym later on. Even though right now, I’d LOVE to go have nap for 12 hours.

This EP is 6 songs and 16 minutes long. This weekend they are celebrating the release by doing some special shows in Leeds, Liverpool, and Manchester. I’ll be at 2 out of 3 of them, and I cannot wait. By Tuesday, I will be a shell of a person and probably unable to hear yet again. Last time I saw the Bruisers, I was stood RIGHT by the speaker and couldn’t hear properly until the following afternoon. Cannot wait!

Alright, so the EP is clearly a work of art. It’s brilliant and perfectly sums up why the Bruisers are the best around. The best at what they do. Nothing and no one comes remotely close to this band, and I just bloody love them. I feel that everything I could possibly write about this band has been done and I’d just be repeating myself but, sometimes you need to repeat yourself in order to be heard! So, for the (let’s exaggerate) MILLIONITH time, Bruise Control are excellent. They really are. That’s all there is to it to be honest. I just adore this band and all they stand for. I just love that you can tell how much they love what they do and how much they love each other. If you’ve ever been to a Bruise Control show, you will know how rowdy it can get but also how silly and full of love it is. It’s a beautiful environment to be in. Yeah, sure people are sweaty and slamming their bodies into each other, but it’s done with love and respect. Someone falls down, you pick ‘em up. Don’t be a dick.

The self-titled EP is a great into for those who may have never listened to the band before but it’s also a reminder for us obsessives that this band aren’t messing around. Bands like this are rare. They genuinely love what they do, and you truly sense that on this EP. The band sound so strong on this record, and that’s right from the jump on the opener Be Like You. That yell from Jim lets you know you are home. You’re right where you need to be. You’re listening to the band you should be listening to. Every single song has this beautiful snarl to it. My cat is currently sat next to me as I play the EP loud for the god knows how many times today. She’s not fussed. Little Mary is a Bruiser too! Be Like You is a solid way to start the record, and from there on in you are body slammed into some insane anthems. Left Behind will RIP live. There’s no way that anyone can stand still for this one!

On the EP are also the hits Spinners Mill and Gone To Ground (this live is unreal!) and these are moments again where the Bruisers truly shine. That’s all they ever do. Every song feels like you’re being thrown about and smacked upside the head, and you’re anything but angry about it. It’s like they are waking you up and making sure you truly feel alive. The EP was also co-produced by the band’s guitarist, Niall which makes it extra special.

In 16 minutes, they give you 6 very good reasons as to why they are the best band around. The EP is fast, loud, raw, and unapologetically in your face. Everything a solid record should be. It’ll wake you up for sure and it’ll make you feel alive. It’s the kind of record you stick on repeat and shout every single word to. They’ve outdone themselves once again, and it’s just further proof that these Bruisers get better every single time. The future is theirs to grab and do whatever they want to it. What a bloody band!

What I love about the band is their way to get across the pains of daily life. Those frustrations that are caused by corrupt scumbags in power, who are painfully out of touch with the world around them. Thank god we have bands like Bruise Control. Put them in power!

The band are doing some in-store shows this weekend and also headed out on a bigger tour. All dates can be found here: UPCOMING GIGS | Bruise Control – Punk/Garage/Indie from Manchester.

Go see ‘em and go have your mind fully blown (as well as your eardrums.)

VIVA BRUISE CONTROL! Free Palestine. Protect the Trans community. Be fucking nice to each other.

WAVVES @ YES, Manchester. 17th February 2026

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Last week over 20 years of waiting, I finally saw Deftones and last night after waiting since 2009 to see them live, I FINALLY saw Wavves. I had tickets for a show in 2015 (I think) but couldn’t make it in the end, I was beyond upset so after YEARS of waiting, it finally happened. Was it worth the wait? It absolutely was. Did I leave the gig unable to hear anything? Again, yes!

Yesterday I wrote about the support act WHTVRMNS, and even though they only have 2 songs up online- I just knew that their live set would be something magical. I wasn’t wrong- they were perfect and it felt like they were playing the headline set at YES. In time (soon), they probably will to be honest because a band like that are destined for it. A gorgeous set which was a real joy to see. The way they play together on stage is a thing of beauty too because you can not only tell they love making music, but they totally adore each other too, and that’s part of why you cannot help but love the band.

Wavves hit the stage and part of me feels I’ve made a daft decision by standing SO close to the speakers- it’s a future me problem. The set was a strong mix of old and very new songs, and every single song was pretty much yelled back at the band. Pints were thrown, cigarettes and glasses (not the drinking kind) ended up on the stage. A bunch of crowd surfing too happened- all of which made this Tuesday night pretty damn special. Now if I’d ever seen Wavves live before, I’d have declared this as the best I’d ever seen them but sadly, I cannot declare that. I can, however, say that this was one of the most exciting shows I’ve ever been to. I knew it’d be rowdy and pints would be thrown in the crowd, but you know what? People weren’t arseholes about it. Everyone here bloody loved the band and was there for THEM and to not be total idiots. I’ve seen it happen a lot, but thankfully people were pretty cool last night.

For me, it was always going to be Green Eyes that would own my heart BUT the band played So Bored which was one of the first ever songs I heard by Wavves and it’s the song that got me hooked. Of course, King Of The Beach got one of the biggest reactions of the night but even new songs like Bozo and Goner were screamed back. Afraid Of Heights was right up there as one of my highlights for sure- lyrically this song has always owned a piece of me, and to see it live was such a great experience. Post Acid was a riot too- and everyone went nuts to this. It’s one of the best Wavves songs but seeing it live makes it mean so much more. Fucking incredible. Demon To Lean On claimed and owned my heart too. Man, it was such a joyful night. I’d love to be at a Wavves show every night. I mean, my body may hate me for it but the energy on and off stage was just beautiful. Definitely one of my favourite shows of any band I’ve seen in Manchester.

Proper Mancunian (or just delightful Northern humour) shone through when Alex was doing soundcheck, a few yelled to him that his fly was undone on his jeans which led to chants of “take it off!” Nathan also commented during the set that the zipper had been causing issues. Fly up or down, Alex is one of the loudest guitarists I’ve heard and is probably responsible for me not being able to fully hear today. Always worth it.

Nathan, Stevie, Ross, and Alex play like a bunch of kids in school who are best friends and living out their dream- and that’s why they are a joy to watch and listen to. For years and years Wavves have been a comfort band for me. There have been shitty times where I’ve used music as a crutch and their music has made it all a little better. Getting to see the songs that got you out of a rut live is always worth it. Especially when you’re stood right by the speaker and can’t hear well the next day. That’s always the sign of a good night! I really hope they don’t leave it so long for the next tour because THAT was some bloody show!

KÜKEN : PALERMO EP.

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Part of me was wanting to sort of stop writing about music for a little while, but a couple of days ago a band I am utterly obsessed with released an EP. Now, whenever KÜKEN release anything, I HAVE to write about it, and this EP is definitely worth writing about.

The new EP, Palermo is around 6 minutes long and in those 6 minutes you can absolutely hear why KÜKEN are one of the best around. It was a lovely surprise on Wednesday to get a notification that a new EP had been released and I’m still holding out for a UK tour. Maybe I should start playing the lottery so I can fund my favourite bands to tour! Anyway, enough of the dreamin.’  This EP is wild and it’s a beautiful way to start 2026. Let’s hope it’s better than 2025 because last year as fucking awful.

The 4 songs on the EP are perfect for those who have yet to listen to the genius and wonder that is KÜKEN, and for those of us who are already obsessed with them- well, it’s just bloody great to have the best band from Germany back. The title track smacks you right in the face, and my god it feels GOOD. For me, KÜKEN are a band I just need to see live because not only does their music mean everything to me, but I just also adore the energy their music has. They just have this way of making you feel like you’re watching them record these songs for the first time and it’s just you and them. But you know that their live shows are probably the wildest you’ll ever see. I can only liken that a KÜKEN show is probably like a Bruise Control show. Carnage and a joy to witness.

I’ve played the EP countless of times since Wednesday and although it’s around 6 minutes, having it on repeat is good for the soul and ears. For me, it’s all about Grass Green. This could be up there as being one of my favourite songs by them. The whole record makes you feel like you’re on a road trip with the band. Neither of you know where you’re going or how long it’ll take to get there, but who cares! That element of freedom in their sound is what’s addictive. They have such a distinctive sound and it’s so obvious on this EP, and their sound is one to constantly fall in love with. Split Mind is the band at their loudest and makes you feel like you’re riding a motorbike exceptionally fast (but safe) without a care in the world.

The EP ends with the sensational Ocean Breeze; I love how the EP feels like a holiday with the band. Palermo is the start of the trip, Grass Green and Split Mind are the events in the middle of the trip and Ocean Breeze concludes the getaway. In just 6 minutes, KÜKEN have created a beast of an EP and one I will be having on repeat for some time- they’re a band I always listen to, and sometimes when I want to get that love for music and to write about it, they massively help. If the EP is an indication to a possible new full-length album, then it will definitely make this year truly special.

Some bands right from the jump become a massive part of your life and record collection, and KÜKEN are easily one of those bands. The Palmero EP is the band at their very best and of course, at their loudest. Play it loud, constantly.

Palermo is out now via Alien Snatch! Records.

GIRLTEETH: Paper Hearts.

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This is going to be short because I’m pretty much typing with one hand. I sliced my finger right open yesterday when cutting a bagel open, and you know- it could have been a day off work if I put more effort into my injury!

Manchester is home to some incredible bands; we already know the bands from the past but let’s stop looking back for a bit and focus on new bands such as GIRLTEETH. I think there are 4 of them in the band (obviously member amount isn’t important) and they are all exceptional musicians. They only have one song out at the moment, but it’s this one song that will demand your time and ears. It’s meant to be played loud, and to probably annoy your neighbours if you want.

Paper Hearts is delicate and heavy in all the right places (I sound like I’m describing myself) and has this beautiful euphoric build-up; it’s the kind of song you’d play walking home in the pissing rain after a really shit day. The only thing that would make the day better would be listening to music you love and going to sleep. So whilst awake, you should probably listen to GIRLTEETH. This is a dream introduction to what’s to come from them, and to basically become obsessed with them. It’s an actual crime to not love and adore them. I don’t make the rules. It’s truly a gorgeous song, and the perfect introduction to such a divine band. There’s a lot of longing and heartache in this song, but it’s done in a way that could probably break the happiest person around. You can tell they’ve put their all into this song, and that’s part of the reason why they are such a great band to listen to.

The band will be playing The Eagle Inn on the 10th December in Salford, and you can get tickets here: https://eagleinn.co.uk/event/earbleed-inn-vol-2-humongous-fungus-moss-valley-and-girlteeth/

They are also playing a huge gig at the Peer Hat on the 14th December as part of Just Do The Thing presents The Thing: a transfem-centred fundraiser for Trans Mutual Aid Manchester and Yulia Trot’s solidarity fund. The night will have some BIG names playing but if you’ve not got tickets, then you’ve probably missed out because I am fairly sure it is sold out!

Paper Hearts is the perfect introduction to GIRLTEETH and I cannot wait to hear more from Manchester’s finest new band!