PINS @ Bootleg Social, Blackpool. 15th May 2026.

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I realised last night that after seeing PINS play a hell of a lot of times, I’ve never seen them play in our home city of Manchester. It’ll happen one day, and when it does it will be bloody beautiful. Instead, it was a trip last night to the seaside to see them play the Bootleg Social in Blackpool. This is a brilliant venue, and you can really tell it is such a vital part of Blackpool and it’s very easy to see why. You get a really community feel the second you step in, and you never want to leave. An incredible venue.

The band take to the stage at 9pm and start with Baby Bhangs. 10 years on, and it still feels like you’re hearing it for the first time. What I loved about this set is that we got a mix from every record. Baby Bhangs is the perfect way to open the set, and it sets the tone perfectly. Family of the band were in the crowd last night, and of course ended up on stage for Girls Like Us. Faith tried to get us up there, but I was way too shy. We compromised by me holding her mic until she got back onto the stage. I could have had my real moment there to belt out a number but 1- I cannot sing and 2- I cannot sing. When Faith said back to the band, “They don’t want to come up!” Lois replied with the wonderful, “We’ll take it to them!” And oh boy they did! I’ve seen PINS play many times with different members, but I can honestly say that this lineup of PINS is an absolute dream to watch. They play so well together, and you can really really feel the love on the stage, and it fall perfectly into the laps of the crowd.

I think I’ve said it every single time I’ve written about their shows, but you will not find anyone love being on stage as much as Lois. The way she bounces around on the stage and sings every word into the crowd even when it isn’t her part is adorable, and I think that is one of the many reasons as to why this band are so easy to love and quite clearly  go see every show you can wherever you can! I’ll be holding out for a Manchester show for now!

The setlist was a slice of heaven and then some! For me, it was the surprise of hearing All Hail live. I didn’t expect it to make an appearance and to finally see it live was insane! Trouble is ALWAYS a dream to see live as is Too Little, Too Late- which I think I may have hurt my throating singing along to! Dazed By You will ALWAYS own a piece of my heart, and getting to sing along to this with the person I love the most stood next to me meant a lot. It’s the most perfect, dreamy song.

On the drive home, I said it should be a crime how underrated and how underappreciated PINS are. They are one of the best bands to not only have come from Manchester, but in general. I just absolutely adore them. They’re one of those bands that you don’t get tired of listening to or seeing live. There’s a handful of bands I love that I would happily see play live every night, and PINS are easily in that list. Top 3 for sure! There’s something really special about seeing a band play who you can tell love each other and being on stage together, it’s truly inspiring stuff. I’ve probably said it before, but I really hope some young kid sees PINS play or hears their music and is inspired to make their own noise too. They have that about them, and that is something to be treasured.

Every song on the setlist deserved its place from Serve The Rich to Young Girls to If Only. I will say that If Only is a song that over time, I’ve felt more connected to. The lyrics are so pure and hit you right in the heart. Much like the delicate Got It Bad. The love in the songs and the observations are another reason as to why PINS will always own a piece of my heart. I just love them, and I am so happy that they are still out there touring. They deserve to sell out every venue they play and are a band that you’ve just GOT to see live.

I was in my own world last night as I watched them play. Nothing mattered outside of that room, and that’s how live music should be. PINS play with this effortlessly slick and cool energy, and even though I’m older than them- when I grow up, I want to be as cool as PINS.

PIGS PIGS PIGS PIGS PIGS PIGS PIGS + MERYL STREET @ The Crescent, York 14th May 2026.

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On Thursday night, I saw Pigsx7 play one of their finest shows in one of the best venues I’ve been to. There is no denying that The Crescent is one of the most important venues not just in York but in the country. It has everything you could want and enough space to move your body in a questionable fashion without hitting anyone by accident. Before I go into how amazing Pigsx7’s set was- I have to tell you about the support act; Meryl Streek. Meryl Streek is a crucial artist and is someone that HAS to be heard. He’s also proof that you must ALWAYS watch the support act if you are there on time.

A few weeks ago, Meryl Streek played on the Isle of Man and two of the most important (and best) bands from the IOM supported him- Half Naked Headline and Croteau. At the end of the night, I thanked him for playing there and for having those two bands support. Both bands are destined for greatness and deserve the world, and we spoke a little bit about how odd the Island is but also how important it is to have people like him play there. Not only was his set incredibly moving, but as a person, you can absolutely tell that he cares a hell of a lot about those around him, what he’s creating and being heard. He’s a credit to the music industry, and although the crowd seemed a bit reserved for his set- for some, the words truly hit home. Songs like Paddy (this broke me), Kelly and of course Death To The Landlord were so moving to hear and the way he puts his all into his performances is truly captivating. You leave feeling like a different person and also, angrier at the world. He’s a real inspiration and this definitely won’t be the last time I see him live. Music should always move you in any way, and I think if you see his performances and you don’t feel more rage at the world then you’re probably part of the problem.

Pigsx7 play 12 songs. No encores. No prisoners. No timewasting. No love for Download Festival. They limber up during the opener The Wyrm and you know you’re about to witness over an hour of chaos, magic, and the inability to hear for a few hours after. At their previous shows I’ve been to, I’ve always stood near the back but this time- the front (or a row behind from the front.) Not too close to the speakers but close enough to know that I would have a ringing in my ears for a few hours at the end. Bliss. I knew the show would be magical, but when you see a band, you love play in a venue that’s as special as this- it makes it something else. The setlist is perfect (although I still want to hear their cover of Hot Stuff live) and although 12 songs isn’t enough when it’s a band you adore with all you have- those 12 songs are delivered in a way that transcends how you hear them on record. Pigsx7 are my gym band, and their music has enabled me to lift heavier than I thought was possible but they’re a band that lyrically get me right in the gut. There is something so special about this band, and you know what? Fuck Download Festival for ignoring greatness for 16 years in a row. However, as the band did mention- playing venues like The Crescent means a lot more. It’ll always mean more.

As always, Matt introduces the band as 80s/90s Wrestlers but also mixes it up with 80s/90s Pop Stars too. We were joined by not only Rick Flair but also Rick Astley on a Thursday. In York. How lucky were we!? When you watch a band like Pigsx7 you have no idea where to look because every single one of them on stage is the best at what they do, each of them are the heartbeat of the band. Each of them plays with this urgency. The way Matt moves on stage is similar to how my cat psyches herself up to chase her little draft excluder toy. Focussing and moving in a way that shows she isn’t someone to be messed with. She then plays for 10 minutes and has a lie down. Matt doesn’t do this, none of them do. They all stay firmly focussed on stage and play as if their lives depend on it. Their sound is distinctive and vital. They aren’t just a great band on record, but live they take it to a different level- and they cannot be touched. They blitz through the set, and they play 4 songs in a row with no break (I cannot remember which 4 they were but at the end I did think they all needed a little rest because it was so intense in the best way.) Adam was able to go for a piss whilst Headbanger of the Evening was awarded so that’s always good!

The setlist was a dream, and the venue was perfect for them. I’ve seen them play the Ritz in Manchester and also New Century Hall but there is something really special about seeing them in a venue like this to really make you appreciate their sound even more. Stitches into GNT then into World Crust is just chef’s kiss. Collider into Toecurler? A DREAM! Was it the best I’ve seen them? Yes. Will this go down as one of my favourite gigs I’ve ever been to? Hell yes.

CROTEAU: Silent Sound.

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What do YOU know about the Isle of Man? Let’s be honest, not a lot. Not a lot happens there. Not a lot to do, nowhere to go. I grew up there, and I have a love/hate relationship with the place. There are some stunning beaches there but if you want to feel shit, then walk round Douglas town centre. HOWEVER, I will say that there have been and there are some brilliant bands that have come from the little rock in the middle of the Irish Sea, and I am SO happy to write about the debut record from the best band around from there- Croteau.

Croteau have been around for a few years and fun fact, and also a way to make me feel old- I went to high school with guitarist Ali’s mum. Croteau are everything you could want from a local band who are evidently going places. Their sound is pretty much unlike anything else around, and it’s that rage and level of ferociousness in their sound that makes them so appealing.

What I’ve really loved seeing the lead up to the release was the band sharing music and books that have inspired the record. A lot of it includes books and bands I was listening to from like 14/15 and still do. Knowing that writers like Camus, Bukowski, Burroughs and of course the greatest- Ginsberg are being shown to younger generations still gives me a lot of hope. Punk ain’t dead- it’s everywhere. Some bands that inspired the record are New York Dolls, TJAMC, Fugazi, The Stooges- come on now! You can hear it right in the record, and it is so fucking cool. I always thought my uncle was the coolest person on the Isle of Man and was in the best band from there (The 13th Pillar closely followed by The Bastinados with THEE coolest of ‘em all, Raz) but Croteau are definitely up there. They’re the best new band from the IOM for sure and absolutely the loudest. I really hope some UK promoters get hold of them and get them over to the UK because there are so many venues that their sound could beautifully destroy. YES Basement or The Castle in Manchester would be ideal for them. Alright, so praise aside for everything they do. I need to go into the record. Buckle up.

13 songs. 13 perfectly crafted Punk anthems. These are the songs that some kid in Year 7 or 8 on the Isle of Man is listening to as they walk the corridors waiting for the day to end because the walls at school trap you. I say this as someone who had the worst time in high school. Music was my escape. Some kid trying to find their way is going to be listening to this record as they go about their day and it’s going to grip ‘em, and by Year 9 they will have found their people and started their own band. It may not be this year; it could be in a few years. But they will find this record when the time is right for them, and they’ll have their mind blown and eardrums ripped wide open and ruined in the best way possible.

Every song needs to be played loud and maybe go louder than you think with this one. I absolutely love the song Mandy- it’s one I keep going back to, and what I love about this record is that I feel like I’m finding bands like the Ramones or The Stooges or MC5 for the first time, and I’m being sucked into this world where anything is possible but I’m also angry at how fucked the world is. Every song is an anthem just crying out to be screamed back at the band. Fragile Piece? Genius. Loaded Gun? Work of art. Manic? 34 seconds of angst-ridden BLISS. The whole record oozes rage in all the right forms, and the want for change but also knowing the world is corrupt. There are no tender moments here. There is nothing but beautiful loudness and urgency.

Play this record loud enough to disturb your neighbours, and your neighbour’s neighbour and beyond. Throw your body around to Get Nowhere. Get those frustrations out. They’re the most dangerous band on the Isle of Man, don’t you know! This is the kind of danger we need. That bite and that passion in the music.

If this is how they sound on their debut record, then there’s no telling what their future holds. They’ve got IT man. Whatever you want a band to have, Croteau have got IT.

The kids are gonna be alright. It’s adults that are the problem.

CROCODILES: Greetings From Hell.

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Tomorrow my buddies and also one of my all time favourite bands release their 9th record (that’s if we don’t count the three Shitty Times records.) What can they do on record number 9 that they haven’t already done?!

Well, EVERYTHING. What I love about Crocs is that even though they have a distinctive sound (it’s in Brandon’s voice, and it’s in Charlie and Brandon’s guitar style- always) but they also manage to give you something you’ve not heard before. I remember finding their music in 2008/9, and I hadn’t heard anything like it before. That feeling is there with every record they put out and they’ve truly excelled once again on Greetings From Hell. The title for the record makes me think of The Cramps, who are according to me and those with good taste, are one of the best bands of all time. I’m only two songs in but I can tell you this is my record of the year.

Let’s Be Strangers is going to be up there as one of my favourite songs of the years. It’s a got a fuck you/fuck off feel to it, I’m always down with that. There are so many things to adore about this record, and to make you truly fall all the way back in love with Crocodiles all over again. It’s only been 3 years since their last record, and in that time they’ve both continued to work on their equally great side projects (Crush of Souls and Psychic Pigs- both are different from each other, and just phenomenal.) I do have some fear inside that they’ll stop making records as Crocodiles one day, but I hope that day comes when Charlie and Brandon are like 90 years old, and need a rest. Let’s not think about it, ha! So back to the record.

I Dream Of Genet is a billion percent a title of a song that Patti Smith would love, right? It’s a real catchy number and I hope they do this on tour because it will be a joy to witness. That’s one of the things I truly love about Crocodiles- it’s their live shows. I saw them last year in Newcastle, and I can honestly say that out of the 20+ times I’ve seen them- THAT was their best show for me. There was something about the venue, the company, the setlist and everything in between- it was just an honour to be in that crowd that night. I obviously feel a huge sense of pride when I listen to Crocodiles, and that feeling is very much there for this record. Every record is them at their very best, and this is truly one of the best things they’ve ever done. I know my opinion is hugely biased but, in this case, I know I’m right.

Brandon and Charlie met nearly 30 years ago in San Diego at an antifascist gathering (always on the right side of history these two, and will ALWAYS speak up for what’s right) and you can really hear their bond on this record. They may live on opposite sides of the world (Paris and Los Angeles) but that doesn’t stop them from making the most perfect record every single time. I guess distance does make the heart grow fonder. The 10 songs on this record are a prime example of why Crocs are the best at what they do. If you’re someone who has never listened to them (firstly, where have you been?! My own mother loves this band!) Greetings From Hell is a great starting point and work your way backwards. There’s something really special about their music, and every record for me, is right there when I need it. Music is that best friend that’s always there with no condition or expectation. That’s why I really love this band- they’ve been there through the good and bad, and I couldn’t imagine a world without their sounds!

Every single song on this record has been crafted in the most delightful way you could imagine. Listening to a new Crocs record is like going home, or having your favourite meal or drink, or hanging with your favourite person and/or cat. It’s familiar and it feels like home. For me, the band are home. The ultimate safe space. The ultimate band. The record is Crocodiles at their very best and songs like Whips and Chains are MADE to be heard live. The record picks up from where Upside Down In Heaven left off, and that’s something I love about Crocodiles. Every record picks up from where the previous left off, but always ALWAYS gives you something new and a reason to keep on fallin’ back in love with them.

I don’t normally do this, but I want to dedicate what I’ve written to a very special and cool person who we sadly lost this week- Gregg Foreman. Gregg was such an important person to music and to those who love music. From his work with the Delta 72 to Cat Power to Gossip to L.A. Witch and to Crocodiles. Not forgetting Lydia Lunch too. There’s many, many more he worked with. Everyone loved him, and now- everyone will miss him. So much about Gregg reminds me of Raz, and that’s why this loss hits harder than it may have done. Every day Gregg would post his gratitude list on Instagram, and I’d look forward to it every day because you knew he meant every word and the world around him meant so much. I hope wherever he is now, he knows how loved he is and is at peace. And I hope he’s up there creating the best band in the world with Johnny Thunders, Rowland S. Howard and Lux. Imagine the noise. Forever our Moth.

Greetings From Hell by Crocodiles is out tomorrow via Invisible Hits, and like their last record is produced by the excellent Jonah Falco.

You can order the record here: https://crocodilesband.bandcamp.com/album/greetings-from-hell

Play the record loud. Hug your mates. Go see Crocodiles live.

MAQUINA.

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Okay, so by now you’ve probably got hip to MAQUINA and are aware of how great they are. I’ve loved them for about a year, but I am very unreliable with my writing so I’m choosing right now to write about why they are probably one of the most exciting bands around.

If you love your music dark but also gives you space to dance or just move your body around in the most freeing manner- then you are going to feel right at home with Lisbon’s finest, MAQUINA. There’s 3 of them in the band, and their sound makes it feel like there’s an orchestra of them. Symphony of a genre of music that goes beyond a name. How they make you feel transcends any description. They make you feel like you do anything- even something like running right through a wall or trying to save the world. They make you feel like you can do the impossible. Is it like a religious experience? Sure. Is it like an out of body experience? Hell yes. HELL YES. I’ve listened to a lot of music in my time, and I’ve written about bands I love a lot. My aim is to always find something that makes me feel like I am listening to Psychocandy or Seventeen Seconds for the very first time. If I get that feeling, I’m home. I am fully there. MAQUINA go beyond that- they’ve conveyed everything I love about music. There’s this brutal feel to it. It’s like The Vacant Lots meets Depeche Mode with Psychic TV coming in for the kill. It is pure heaven, and I wish I had some musical talent because this is the kind of noise I’d want to make.

Most of their songs last just under the 10 minute mark, and I’ve been listening to them a lot whilst at the gym. Turns out this kind of music will make you lift HEAVY. I feel like, their sound would work in a 70s New York police film, where the streets are dirty and the cops are corrupt. Like you’ve properly stepped into a world you have zero business being part of. There’s an eeriness to their sound and an addictive energy that just consumes you with every listen.

Of course I am besotted with the anthem that is Body Control, but I have to tell you one of the best things they’ve released HAS to be Dirty Tracks For Clubbing. 4 songs, just under an hour. 4 songs built on this exceptional passion, rage, fury, and lyrics that are screamed in the most euphoric way. You feel like you’re on the run, but no one can keep up with you. You won’t let them. It’s like running free down a highway far from home in the dark. The car lights blind you, but you avoid being thrown about. How so? Because MAQUINA’s sound makes you feel like nothing can touch you. In decades to come, we’ll be writing about the impact this band have had; I can already feel the impact they will have on young bands starting and trying to find their way.

Normally, I’d review a record and tell you why it needs your attention but with MAQUINA, all I can do is tell you how sensational they are. Is every song a masterpiece? A billion percent and more. Every song has purpose, and every song needs to be played loud. Sure, they deserve to play stadiums, but they are made for those sweaty small venues where you can feel every hit of the drum rip through your eardrums, and your skull starts to shake. That’s how big and how powerful their sound is.

MAQUINA don’t make music for people who value their hearing or want music played softly. Oh no! They make it for those of us who want the loud, we want the distortion, we want that fury. We want it to make it way through our eardrums, deep into our skull and swirl around our bodies, and for nothing to ever feel the same again. Bands like this do not come around often. Bands like this will, however, last a lifetime. Their influence will be felt for a long time. The three of them make the perfect soundtrack to life in general. There’s no bad time to listen to this band- so if you’ve never heard them before, do it right now.

MAQUINA (meaning machine in Portuguese) make music that deserves to be heard, to be treasured and to be seen live. Their sound is like worlds clashing and creating something truly beautiful. There’s a delicious lo-fi sound that is so chaotic, you can just tell they love making music together and do what they want. There’s nothing more musically inspiring than that.

BRUISE CONTROL: Record Release Shows 2026

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ALL ABOARD THE BRUISE CRUISE!!!!

Where do I even begin writing about the Bruise Control record release shows? Over the weekend they played Leeds, Liverpool, and Manchester. I went to two out of three. VERY Nearly did them all but didn’t.

The first show was at Crash Records in Leeds on Saturday just gone. About 15 of us (maybe less) were cramped in this excellent record shop. How on earth could a place so small contain the sound of Bruise Control? Well, to be fair it didn’t. Jim marched up and down the shop, he even opened the front door and sang to the good people of Leeds. When I say sing, he absolutely screamed at them, and it was beautiful. Maybe he scared someone at the bus stop with their shopping or maybe, they became their new favourite band. Let’s go with the latter because there is nowt scary about the Bruisers! There was a very slight incident where a beer was spilt on the floor and Jim nearly blew the place up (total exaggeration but go with it.) In the end, Jim did most of the set at the back of the shop whilst stood on the counter. He couldn’t cause any mischief up there (he absolutely could and he did, and this is why we LOVE Bruise Control.) At the end I told him it was like the NPR Tiny Desk Concerts gone wild. Hopefully, the owners at Crash Records have forgiven these angels. You don’t book a band like Bruise Control and expect nothing rowdy to happen. It was such a joy to see them play to such a small crowd, and it’ll definitely be the last time they play to such a small number of people because they deserve to be selling out every stage possible. A sound so big cannot be contained and neither can their energy. The way they are with each other is just gorgeous too. I’ve never seen a band with such a bond with each other and such love for everyone around them. Their stage presence is next level, and that’s the Manchester charm through and through.

Now we move onto Monday nights show. The band played the Basement at YES. It holds around 60 people give or take. I’ve never been to this part of YES before and it pretty much became my favourite venue. A real dive bar with such a stunning atmosphere. My favourite venue is the Shacklewell Arms, and I miss that place so much, and for the past 8 years of being in Manchester, I’ve been trying to find a venue that I hold that dearly. The Basement at YES does this and more. I could happily be there every night!

The band are on stage at 8 and are done by 8.45. We’re home by half 9. This is BLISS. There is no better way to spend a Monday night than seeing the band you absolutely adore rip apart a venue. The crowd were a dream too, and honestly, Bruise Control fans are pretty much the kindest and best people you’ll ever meet. What I love about Bruise Control shows is that, although they are beyond rowdy and loud- you will feel so safe there. The world outside doesn’t matter at all, and sometimes (most of the time) we need that. We need that safe space and to just let it all out. Jim sprinting into the crowd a couple of times was also a highlight! He cannot be contained- let him be free!

Niall’s dad was at the show, and I remember seeing the band support Amyl And The Sniffers at the Albert Hall in 2022- it felt like their show, and I remember Jim’s mum (I think) on the balcony a row in front of me singing along. It was so beautiful. You can’t help but be proud of this band. They are everything Punk should be. They are everything a community should be. Writing about them and getting to share how much I love them brings me so much joy. And I hope someone out there who may not have heard of them before, goes and listens to them and falls in love with them like I did back in 2022.

The new songs are INSANE live, and of all the times I’ve seen them- the show on Monday was IT. I thought their show at SOUP last year was it, and nothing could top it. But this was something else. 60 of us in a dark basement on Monday night- the ideal setting for the best band around.

They all truly shone at this show. Tommy is an INSANE drummer, Niall is an unreal guitarist, Jim is THE best frontman around and Ruby makes you wish you could be as cool as her; she makes playing bass look so effortlessly easy. They’re all exceptional at what they do, and they are easily one of the few bands I could watch play every night and just never ever get tired. My ears may hate me, but who cares!?

UP THE BRUISERS!

CLUB LEX.

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So, if I was to pin down my dream sound in a band it would be something along the lines of the smoothness of Sade, the energy and style of The Cramps and The Gun Club, the slickness of Ritchie Valens, the essence of the Ramones and the delightful strangeness of Screamin’ Jay Hawkins. Put that altogether and you’d have my ideal sound. I’ve found it in many bands I’ve written about (or not yet written about) and in bands I absolutely adore. In everything, I look for the same feeling I got when I heard Seventeen Seconds record by The Cure and Psychocandy by The Jesus And Mary Chain.

I only heard of Club Lex a couple of days ago where I saw they were playing a show with Divorce Finance (insane band!) and wanted to check them out. I am SO glad I did because I THINK I have found my new favourite band. The capture everything I love about music, everything I’d want my dream band to sound like. They are just perfect. I think the drummer is the lead singer so that’s another cool thing about them! They absolutely do sound a bit like The Cramps which is always a good thing. They have a sound that resembles the A Date With Elvis, which is fine by me! It’s up there as one of my favourite records. Club Lex have (I think) one release out, and it’s an EP from last year called Welcome To The Club.

Welcome To The Club is a perfect introduction to the band, and these 5 songs were made to fry your brain and hypnotise your mind and body. These 5 songs are bloody powerful, and they do make you feel like you urgently need more. We all have to be patient here. It’s such a strong record, and the whole thing feels like it could be the soundtrack to a really twisted film. Shirley definitely feels like it could be on the soundtrack to a questionable and creepy film. The best songs give off that feeling and Club Lex do it so, so well. Although they are a relatively new band, their sound does make you feel as if you’ve experienced this before. You feel like maybe in a past life, you heard this band. Bands like that are so special, and I really cannot wait to hear more from them.

Their music is like a glorious whirlwind. Like you’re in an old Western film and you’re trying to escape far far away from your surroundings. Every song is delivered with such urgency and passion that you want injecting into your soul. I love what I’ve heard so far, and I really cannot wait to hear more and more from them. A sound like this is hard to perfect and to just nail. They’ve made it sound so easy and if they sound like this on record, then I’m pretty sure their live shows will be equally as impressive and intense.

So, if you’re looking for something to throw you back and forth in time. Something that makes you feel like you’ve ended up somewhere you shouldn’t have or you just want something so beautifully weird to adore and listen to- then Club Lex are the band for you. I know nothing about this band and there’s nothing about them online, which is absolutely fine! It just means you’ll always be seeking this band out, waiting for them to appear in a town near you. And when they do, you must simply go see them because they are truly something else. I could write thousands of words on this band and why their sound just speaks to me, but the music does all the talkin’ here. I’m hooked; I’m all in.

They have this sound that I cannot quite describe but I know it’s just got that something I always look for in music. They’ll terrify you; they’ll make you buy whatever it is they are selling and you will thank them for it. Honestly, one of the most exciting bands we will hear all year. I’ve fallen in love. I am HOME!

BRUISE CONTROL: Bruise Control EP.

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The best band from Manchester are BACK with a bloody delightful EP and let me tell you- it will make your day brighter, louder, and so much better. Last night I had a nice, gentle, and delicate time at NoSo’s incredible show and now it’s time for some balance. That delicious grit. That decadent loudness and effortlessly slick sounds of Bruise Control. Something to add some spice to my Friday afternoon. And also, will be my soundtrack to the gym later on. Even though right now, I’d LOVE to go have nap for 12 hours.

This EP is 6 songs and 16 minutes long. This weekend they are celebrating the release by doing some special shows in Leeds, Liverpool, and Manchester. I’ll be at 2 out of 3 of them, and I cannot wait. By Tuesday, I will be a shell of a person and probably unable to hear yet again. Last time I saw the Bruisers, I was stood RIGHT by the speaker and couldn’t hear properly until the following afternoon. Cannot wait!

Alright, so the EP is clearly a work of art. It’s brilliant and perfectly sums up why the Bruisers are the best around. The best at what they do. Nothing and no one comes remotely close to this band, and I just bloody love them. I feel that everything I could possibly write about this band has been done and I’d just be repeating myself but, sometimes you need to repeat yourself in order to be heard! So, for the (let’s exaggerate) MILLIONITH time, Bruise Control are excellent. They really are. That’s all there is to it to be honest. I just adore this band and all they stand for. I just love that you can tell how much they love what they do and how much they love each other. If you’ve ever been to a Bruise Control show, you will know how rowdy it can get but also how silly and full of love it is. It’s a beautiful environment to be in. Yeah, sure people are sweaty and slamming their bodies into each other, but it’s done with love and respect. Someone falls down, you pick ‘em up. Don’t be a dick.

The self-titled EP is a great into for those who may have never listened to the band before but it’s also a reminder for us obsessives that this band aren’t messing around. Bands like this are rare. They genuinely love what they do, and you truly sense that on this EP. The band sound so strong on this record, and that’s right from the jump on the opener Be Like You. That yell from Jim lets you know you are home. You’re right where you need to be. You’re listening to the band you should be listening to. Every single song has this beautiful snarl to it. My cat is currently sat next to me as I play the EP loud for the god knows how many times today. She’s not fussed. Little Mary is a Bruiser too! Be Like You is a solid way to start the record, and from there on in you are body slammed into some insane anthems. Left Behind will RIP live. There’s no way that anyone can stand still for this one!

On the EP are also the hits Spinners Mill and Gone To Ground (this live is unreal!) and these are moments again where the Bruisers truly shine. That’s all they ever do. Every song feels like you’re being thrown about and smacked upside the head, and you’re anything but angry about it. It’s like they are waking you up and making sure you truly feel alive. The EP was also co-produced by the band’s guitarist, Niall which makes it extra special.

In 16 minutes, they give you 6 very good reasons as to why they are the best band around. The EP is fast, loud, raw, and unapologetically in your face. Everything a solid record should be. It’ll wake you up for sure and it’ll make you feel alive. It’s the kind of record you stick on repeat and shout every single word to. They’ve outdone themselves once again, and it’s just further proof that these Bruisers get better every single time. The future is theirs to grab and do whatever they want to it. What a bloody band!

What I love about the band is their way to get across the pains of daily life. Those frustrations that are caused by corrupt scumbags in power, who are painfully out of touch with the world around them. Thank god we have bands like Bruise Control. Put them in power!

The band are doing some in-store shows this weekend and also headed out on a bigger tour. All dates can be found here: UPCOMING GIGS | Bruise Control – Punk/Garage/Indie from Manchester.

Go see ‘em and go have your mind fully blown (as well as your eardrums.)

VIVA BRUISE CONTROL! Free Palestine. Protect the Trans community. Be fucking nice to each other.

NOSO @ Band On The Wall, Manchester. 19th February 2026.

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Nearly 3 years ago (March 2023) I saw NoSo play their first ever Manchester show at Yes. Last night, they played Band On The Wall and let me tell you, THAT was some experience.

It’s pretty obvious how much I adore NoSo’s music and the way they capture every emotion possible. What leaves me in awe even more so, is how Baek and his band just take the songs to the next level in the live setting. There is only one flaw to a NoSo show- they aren’t long enough. I know we’ve only got 2 records but play them on repeat a few times ha! But in all seriousness, it’s not just the beautiful tone to Baek’s voice, it’s the way they play guitar. I think I spent most of the set just watching them play the guitar and not taking everything fully in. Criminally underrated guitar player and certain songs definitely show you how wonderful they are. I could watch Baek play Sugar and I Feel You ALL day.

The set is a beautiful mix of songs from Stay Proud Of Me and When Are You Leaving? During the set I text my mum to tell her I was out, and I told her what show I was at and she replied with that she had just listened to Nara and loved it. NoSo is for everyone- especially the mums! It was really beautiful to see such a lovely mix of people in the crowd, and in front of me were a (I think a couple) and one of them just danced all the way through and was having the time of their life. That’s what it’s about, and when you can see how much it means to other people and you can see it means the world to them like it means the world to you- you kind of have some hope that maybe it will all be okay.

Baek has a gentle and shy presence on stage and truly lets the music do all the talking. The way Baek and their band play their hearts out and, in a way, mend yours, is just a joy to watch. If I could be at a NoSo show every night I’d be happy and I’d probably be super calm too! There are many highlights of the set but for me it was Suburbia and Let It Die. Let It Die is a sheer euphoric moment from the new record, and I just knew it’d be something really special live. When you see certain songs live, it can change how you feel about them and it just make me love the song a hell of a lot more. I honestly thought I was going to cry at some point during the show just because of what Baek’s music means to me and how their music feels like home, but I was all okay. Or maybe it’s because the one song that would break me wasn’t played! Either way, it was just a beautiful show and to see how loved NoSo is in the UK gives me some hope that we may get more shows and not have to wait 3 more years! But hey, it was absolutely worth the wait, and I strongly advise that if you are ever able to get to their shows- you go. Grab that opportunity and experience something so ethereal and gentle.

For the encore we very nearly got a cover of Hot To Go but settled on Who Made You This Sweet? Lyrically the song will rip your heart out, but when you see it live, you just appreciate the beauty within in. I first found Baek’s music in late 2021 and round about then I was working out stuff and realised I was Non-Binary. It was rough, it was lonely and it was something I mentally had to go through alone. I was using music as a way to navigate my way through, and NoSo’s music felt like someone was holding my hand through it. When you get to see the songs live that were your crutch, it just means a hell of a lot more doesn’t it? You find your home wherever you can, wherever you want and in your own time.

There are certain shows you go to where you feel like you could stay in that moment forever and I absolutely got that last night. I just utterly love NoSo’s music and experiencing it live is something that goes beyond the words I’ve written or could ever write. My words do not do it justice at all but know that once you go to a NoSo show, your heart and soul will never be the same again.

WAVVES @ YES, Manchester. 17th February 2026

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Last week over 20 years of waiting, I finally saw Deftones and last night after waiting since 2009 to see them live, I FINALLY saw Wavves. I had tickets for a show in 2015 (I think) but couldn’t make it in the end, I was beyond upset so after YEARS of waiting, it finally happened. Was it worth the wait? It absolutely was. Did I leave the gig unable to hear anything? Again, yes!

Yesterday I wrote about the support act WHTVRMNS, and even though they only have 2 songs up online- I just knew that their live set would be something magical. I wasn’t wrong- they were perfect and it felt like they were playing the headline set at YES. In time (soon), they probably will to be honest because a band like that are destined for it. A gorgeous set which was a real joy to see. The way they play together on stage is a thing of beauty too because you can not only tell they love making music, but they totally adore each other too, and that’s part of why you cannot help but love the band.

Wavves hit the stage and part of me feels I’ve made a daft decision by standing SO close to the speakers- it’s a future me problem. The set was a strong mix of old and very new songs, and every single song was pretty much yelled back at the band. Pints were thrown, cigarettes and glasses (not the drinking kind) ended up on the stage. A bunch of crowd surfing too happened- all of which made this Tuesday night pretty damn special. Now if I’d ever seen Wavves live before, I’d have declared this as the best I’d ever seen them but sadly, I cannot declare that. I can, however, say that this was one of the most exciting shows I’ve ever been to. I knew it’d be rowdy and pints would be thrown in the crowd, but you know what? People weren’t arseholes about it. Everyone here bloody loved the band and was there for THEM and to not be total idiots. I’ve seen it happen a lot, but thankfully people were pretty cool last night.

For me, it was always going to be Green Eyes that would own my heart BUT the band played So Bored which was one of the first ever songs I heard by Wavves and it’s the song that got me hooked. Of course, King Of The Beach got one of the biggest reactions of the night but even new songs like Bozo and Goner were screamed back. Afraid Of Heights was right up there as one of my highlights for sure- lyrically this song has always owned a piece of me, and to see it live was such a great experience. Post Acid was a riot too- and everyone went nuts to this. It’s one of the best Wavves songs but seeing it live makes it mean so much more. Fucking incredible. Demon To Lean On claimed and owned my heart too. Man, it was such a joyful night. I’d love to be at a Wavves show every night. I mean, my body may hate me for it but the energy on and off stage was just beautiful. Definitely one of my favourite shows of any band I’ve seen in Manchester.

Proper Mancunian (or just delightful Northern humour) shone through when Alex was doing soundcheck, a few yelled to him that his fly was undone on his jeans which led to chants of “take it off!” Nathan also commented during the set that the zipper had been causing issues. Fly up or down, Alex is one of the loudest guitarists I’ve heard and is probably responsible for me not being able to fully hear today. Always worth it.

Nathan, Stevie, Ross, and Alex play like a bunch of kids in school who are best friends and living out their dream- and that’s why they are a joy to watch and listen to. For years and years Wavves have been a comfort band for me. There have been shitty times where I’ve used music as a crutch and their music has made it all a little better. Getting to see the songs that got you out of a rut live is always worth it. Especially when you’re stood right by the speaker and can’t hear well the next day. That’s always the sign of a good night! I really hope they don’t leave it so long for the next tour because THAT was some bloody show!