Tag Archives: Garage Rock

BEIGE BANQUET.

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I’ll never get why chaotic sounds seems to calm my mind. The louder a band is, the more relaxed I feel. Don’t get me wrong, I love quiet moments but sometimes you need to listen to something that just messes with your head and throws you into another dimension. Finding a band like this is such a thing to treasure and appreciate with all you have, which is why I’m writing about a mighty fine band called Beige Banquet.

They’ve been around for a few years now, and they recently went out on tour with Die Verlierer around the UK. I was meant to be at the Manchester show but I forgot I was still visiting home. There will be other times, I’m sure. Beige Banquet have a solid Post-Punk sound- if you’re into genres. There’s a very slight nod to VERY early Joy Division here. There’s a charming darkness to their sound, and I think their S/T record is such an energising record. You get to know their sound, and you fall in love with it.

Songs like Control, Hotel Room and Welcome To Rock Music are essentials for any music fan. This sound is infectious, and it’s hard to believe that Beige Banquet initially started as a solo project by Tom. Band members were added, a pandemic happened, excellent music was released- that’s all you need to know. With 5 members now in the band, there’s a loudness to the band’s sounds that lures you in. That loudness mixed with how divine the sound is just has you hooked.

There’s a dark 80s feel to their sound, and the debut release Beta nails this. It’s such a strong record and it’ll leave you crawling for more. You’ll be comparing everything you hear to their sound- a mighty fine distinctive sound that will have you dancing like Ian Curtis rugby tackling Iggy Pop. Is there really any other way to move? I hate how I have blips of where I don’t write about music, but bands like Beige Banquet make you want to do something. Anything.

In some respects, you can easily say there is a heavy influence of The Fall on the band, and by that I mean the delivery of lyrics and how you can sense how carefully crafted every element of the songs are. It’s like Mark E Smith joined Kraftwerk- perfect! The Beta record is a dream of a debut release- the level they are at on this record is something else. It’s been nearly 2 years since it was released, but with every listen, you feel like you are hearing it for the time. I also have this feeling that when I listen to the record, I’m not listening to a band from current times. They’re out of this world and in their own league for sure.

There’s heavy Krautrock influences here, and everything in between. The build up on the songs (especially on Cold Yoghurt) have this tension that makes you feel like you’ve walked in on something you probably shouldn’t have done. A truly exceptional record from a band that deserve all the praise possible. You can’t help but get excited for what can potentially happen next for this band and when a band can do this in a short amount of time- that’s when you know you’ve found something to keep very  close to you.

See this band live whenever and wherever you can. Buy their music and become obsessed with them- you won’t be the only one.

CASUAL DRAG: Revolution Will Eat Itself.

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This should have been written weeks ago but we’re here now and that’s all that matters.

I’ve written about Casual Drag before, and my love for them is ridiculous. Now I get to write about their new one, Revolution Will Eat Itself and it’s a proper DIY Punk work of art. Do you need to play it loud? Yes. Will it make you want to trash your room and throw shit out the window? Absolutely. I wouldn’t expect anything else from them. They are one of the most exciting bands around and they are totally feral with their sound. This beautiful and passionate aggression in the songs is just a delight.

This record is one of those that make you wish you could immediately catch the band live. I know that they are well adored in their city of sweet, sweet Glasgow but the rest of us really need to experience the joy of a Casual Drag show. Until then, we play the songs as loud as we can and on repeat. Is there any other way to do it? Nah.

The record is made up of 5 songs to melt your face and ears- and you’ve got to remember that there’s only 3 of them in the band making this stunning racket. You can’t help but instantly love them with your first listen, and this record was so easy to love. Every single song is an anthem. An anthem for those of us who are fed up- and I’m sure there’s a lot of us out there! This record has a lot of attitude but you cannot compare it to anything else. The only other band I can think of that have the same bite are Bruise Control. Some of the songs you can scream along to, but don’t let that borderline Pop feel fool you at all- this band know exactly how to hit you between the eyes.

When you listen to the record, it’s hard to believe that this is their debut EP. They’ve nailed this sound, they’ve figured out their sound so easily and it just makes you so excited to hear more from them. Every single song on this EP deserves it’s place- no fillers here! Every song will move you and make you want to immediately go to a sweaty Punk show and throw yourself about whilst covered in your own drink and probably someone else’s!

Have a fun fact: Casual Drag were formed over a cigarette break by Richard and Dominic. They share a love for the Amazing Snakeheads (Dale Barclay forever) and IDLES; and you can hear it in their music- there’s this same ferocious sound that others may fear but it sounds SO good. It’s such a comforting sound. See, some people take comfort and safety in quiet and peaceful songs- I can’t do it. I’ve tried, and I can’t. When it’s as loud as Casual Drag- then all is okay. I feel I can focus. The songs are made to be blasted out live- those snarling and gnarly vocals, the slick bass and guitar and drums adding fuel to the fire- pure heaven.

I Like It is the one you probably have to play the loudest- the drums on this are wild. Matt is one incredible drummer, the way they play the drums is so wild. All 3 of them have this raw style and approach and I think I Like It is the song that really shows this. It’s just a perfect record all the way through, and sure you’ll want more- but we’ll get it soon enough!

This is one of the finest and loudest records you’ll hear all year; treasure it and let’s all hope they do a tour soon because lord knows we need it! I know I do!

CROCODILES: Upside Down In Heaven.

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I feel like I’ve waited a lifetime for the new Crocodiles record. They always seem to release a record at the right time. This is record number 8, and every record makes you feel like you are listening to the band for the very first time.

Their first record came out in 2009, and if you’ve never listened to their music before- I urge you to spend some time and listen to everything in chronological order. You’ll hear growth but you’ll also fall in love with their distinctive sound. It’s in Brandon’s vocals, it’s in Charlie’s guitar playing- it’s in the bond they have with each other. It’s unlike anything else. 8 records in and there’s nothing and no one quite like them.

Usually when a band I’m a fan of release a few singles before the record comes out, I listen to them over and over. I’ve done it differently with Upside Down In Heaven- prior to the release today, all I had listened to was Degeneration. I wanted everything I heard today to be brand new, and spend my day off work playing it over and over. I’ll be spending many days like this, and just soaking up this record because it’s just unreal.

Could I ever pick my favourite record by Crocodiles? No, but it may depend on the circumstances. I mean, if you threatened to take my cat from me, I definitely could choose. But a passing choice? I have no idea. BUT! Let me tell you, Upside Down In Heaven is a masterpiece. 10 songs and half an hour of unfiltered bliss. The record opens with Love Beyond The Grave and ends with Rock ‘n’ Roll Graveyard- what happens in between is a thing of beauty and pure joy. This record feels like pure joy to me; it’s all I could want and more from a Crocs record. I think Rock ‘n’ Roll Graveyard may be my favourite at the moment, but in a few days’ time I’ll have changed my mind.

I’ve Become What I Fear Most is like a Bukowski novel in song form. It’s lyrically one of my favourite songs ever by Brandon and Charlie, and easily up there with being one of the best songs by them and I could happily play it over and over, all day. This whole record feels like seedy stroll down the backstreets of NYC in the late 70s; it’s incredible. I think it’s one of those records that you’ll turn to for comfort but also, I think these songs are going to absolutely rip when performed live. Every song is just under the 3 and a half minute mark, and of course you’ll want more and more but the wait is definitely worth it with this record and it picks up where Love Is Here left off. That’s something I’ve always loved about the band- every record is a step up from what came before but at the same time you know it’s Crocodiles.

Forever Walk Alone is one of those songs that you’ll play and just instantly connect with; there’s something about Brandon’s vocals on this that you just connect with. They’ve both got this way of making you instantly connect with what you’re hearing. Lovers Of Nothing is a perfect people watching song, then you’ve got this glam rock feel of Magic Trash which reminds me a little of New York Dolls and their gorgeous flamboyant sound. Dead Beat sounds like it could be in a straight to video horror film and you cannot help but become addicted to it.

When a band you love and adore put out a new record it just makes your day, your year. Crocodiles have done it again and I’m just so proud of them and I’m so happy that a label like Lolipop Records have put it out. What I love about Crocodiles is that everything they put out is on their terms- it’s THEIR sound. They don’t compromise or stick with a certain sound in order to be heard. They grow with every record and I hope they continue to put records out when they are pensioners. I can’t imagine them ever stopping. I don’t ever want to.

Upside Down In Heaven is a record that is good for the mind, body and soul. Stick your headphones on, play this record and go for a walk. Absorb every single song and every word, and you’ll hear just how perfect this record is. 10 songs and half an hour of sheer bliss.

THE MEN: New York City.

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I completely forgot that this record came out very recently- I thought it was coming out in the Summer. I am a fool! Anyway.

The Men’s new record- New York City is their best work. Did I ever think I’d say something was better than their debut? Nope. Their debut owns a chunk of me that no other record ever could, but their new record is something else. It’s a Punk record that takes you back to NYC in the 70s. Aptly titled record, right?

Over the past few days this has been the record I’ve been listening to religiously. Every song feels like a time capsule of Punk. At times you feel like you’ve found an old Iggy Pop record that no one else has ever heard. Then you feel like you’ve listened to the New York Dolls for the first time. This is hugely prominent on the record opener Hard Livin’ which has Johnny Thunders style guitar and a real New York Dolls feel to it. Most of The Men’s records have been released via Sacred Bones but this one has been put out by the equally influential Fuzz Club. Both labels have backed so many exceptional bands and the cause of me rarely having any money!

New York City is the bands ninth record, and they’ve been going just over a decade or so. To me, they are one of the most important bands of my generation and they’ve just got this unique style that expands on every record. Sometimes when a band changes labels they can maybe lose who they were or badly flip their sound to fit the style of their new home- The Men don’t do this at all. If you listen to their records in chronological order, you will hear that this is the sound that was destined for record number nine- regardless of which label was to release it.

There are so many wild moments on this record and every song is just a delight to listen to. At the moment, Echo is the one I keep playing the most. I love the raw feel to it and how urgent it sounds. I love how the vocals are so gnarly and rough. There’s nothing delicate about this record- it’s unfiltered carnage and I can’t get enough of it! Every song flows perfectly into the next, and the production on this record is so tight- but they still maintain a strong DIY feel to it. The sound still feels brand new, and that’s one of the many reasons as to why I love this band. I love how they always go a step further and this record shows this in all its glory.

New York City is a record that you need to play in order for the first listen or so; but after that- go whichever way you want. Eye is the slickest song on the record- that’s the one that throws you off because musically it’s tamest on the record but vocally it’s probably the best. Honestly, the vocals on this are snarly as fuck and you can’t get enough of them. This record is the band at their best, and I’ve probably said that about their previous records but, with this one- there’s something truly magical about it. You feel like after being a fan of the band for so long, you’ve been on this journey with them and the journey has finally led to this record. The Punk record the band needed to make. The Punk record we all need. It’s a masterpiece and I could happily spend hours and hours listening to it. It’s a record that with every listen, you find something else to appreciate and fall in love with. Listening to this record, I feel like I’m listening to The Men for this first time but also reinforcing why I love them again and again. Every listen of this record is so precious.

I have no idea if the band will ever tour the UK with this record, but I hope with all my heart that they do because it just HAS to be heard live. And for purely selfish reasons, I’d like to finally be able to see a band I’ve loved for so long live! Every song on this record is full of this energy that you can’t get enough of. Songs like God Bless The USA, Anyway I Find You and Round The Corner are just so intense and honestly, this record will make you feel battered and bruised after hearing it. It’s a fistfight, it’s a riot and it’s so important. If you’ve never listened to The Men before, I’d normally tell you to play their debut, Leave Home first- but I think I’d now tell you to start with this one! It’s incredible, and I feel it just may be one of the best records we will hear this year.

MORON’S MORONS: High-Tension Situation.

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The finest Polish band are back! New record from Moron’s Morons is ridiculous- if you’re wanting a Halloween feel 24/7, regardless of the time of year- buy this record. High-Tension Situation is the name, and it pretty much lives up to its namesake. The songs will have you on edge, but in a good way. The songs are everything you’d want from an eerie Punk band and they are unafraid to be completely and utterly mental on every single song. The songs are live a deep dive into some kind of psychotic lapse of whatever, but don’t let that put you off. The songs would be perfect in some Horror B-Movie that is made very cheap and probably quite questionable too.

The 12 songs on this record were made to creep you out in the best way possible, and they were also made to be played exceptionally loud. They’ll sure wake you up! The record only came out on Friday (24th) but it’s one of those records that you feel you’ve had in your possession for years! There’s this effortlessly weird sound on this record that makes you feel like you’re trapped in Moron’s Morons world and you don’t want to even try escape- why would you want to when it sounds like this?!

The songs are rowdy and hella fast- songs like Nightvisions you can really imagine being played live and the whole place just erupting. They’ve got this energy that makes you wish you could witness every song in a live setting. I’ve written about this band before, and I can’t tell you enough just how exceptional they are. This energy is something else. The songs are all over the place- like mania is kicking in and the band have just thought “Fuck it! Play louder! Play faster!” and what we’ve ended up with is some of their most daring work to date. They’ve got the edge of Misfits and the charisma of The Cramps, and all in between. They’re a band that are known for their fast-paced and rowdy songs, and it works. See, some may try this approach and it sounds forced but with Moron’s Morons it sounds natural.

Psychosis Diagnosis is my favourite so far, and sure the lyrics are questionable but I love that scary feeling the song gives you. The whole record makes you feel like you’re being hunted down by something or someone, like a sea-creature that has no name yet because no one knows what the hell it is. But my god these songs are something else. Is it their best work to date? Completely. I know bands try to improve with every record, but what the band have done here is stay true to their sound but also corrupt the listener in a way that previous releases led to. This is the record they were always meant to make. It’s perfect. It’s odd and it’s loud. It is perfect in every way. I think the cover of the record also sums up what to expect from the record; strange, will burst your eardrums and will blow your mind.

It may only be their second full length record, but it sounds like something a band would make 10 years in. It’s timeless and every single song needs to be witnessed live. I hope someone books them a UK tour because you just feel like they would put on a fantastic show that sticks with you for all kinds of reasons. Fueled By Hate, Free-Time Crimes and Headless Eyes all have this snarly tone to it- wonderfully obnoxious and you can’t get enough of it. Honestly, this band know exactly what they are doing and I can’t wait to hear more and more from them.

Every song on this record needs to be heard as loud as you can stand- but also make you want to push yourself to go louder. It’s one of the most fascinating records of the year, but what else would you expect from Moron’s Morons?!

SHAWNIS AND THE SHIMMERS.

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Every once in a while I find a band that makes me want to pack up everything I own (including my cat but she probably owns me) and move to the place where a band I’ve fallen in love with are. One listen of Shawnis And The Shimmers and I am hooked and mentally escaping to Richmond, Virginia to follow them around and become their biggest fan. However, I can’t do it so I’ll do it from afar and from my mind.

Shawnis And The Shimmers make the kind of DIY style music that makes you disregard everything you’ve ever heard. There’s this beautiful basement band feel to their sound- this infectious raw style that will just stay with you on a loop for hours on end. I’ve definitely fallen in love here. There’s also the side that makes me wish I had an ounce of musical talent so I could make songs like they do. Instead, I just write about what I love instead because I can just about do that! There’s this slight Rockabilly sound going on, but for me it’s the muffled vocals and that fuzzy sound of theirs that I just adore.

They’ve got a couple of releases up on their Bandcamp page, and of course they leave you wanting more. Every strong band does that. If I was someone who couldn’t get to sleep at night (for the most part I can) I’d be blasting their sounds out through my headphones every night around 2am until my body finally felt like all energy had been zapped out of me, and my brain had calmed down a bit. This band make the kind of music that you just want to have constantly playing- treat ’em like your own personal soundtrack to your daily life- even if you’re doing mundane tasks.

They released the Wasteland Demo a year ago and a few months later in October, they released the Shimmer Shake EP. I love both records, and they both sum up their sound perfectly. Unapologetically loud and the kind of Queer Punk band I can’t get enough of. They make you want to trash your room, trash someone else’s room even! Their sound is so liberating, and in a way reminds me of New York Dolls and how they weren’t afraid to really push themselves with their sound. But there’s also hints of Riot Grrrrl flowing through. In short, this band are where its at! Imagine growing up in a town in the middle of nowhere then all of a sudden you hear this band! It’d change your life wouldn’t it! You’d finally believe there was a way out.

Wasteland Demo record is ridiculous. It’s so good it should be a crime. It’s got a gnarly sound to it that makes you feel like you’re hearing the future of something that’s yet to be named yet. What I love about this record in particular is that they make you fee as if you’re watching them in a garage or basement rehearsing these songs but at the same time- having this unfiltered sound that is so raw that it is already perfect this way. A chaotic noise-fest which is just a delight to the ears. You’ve got songs like Beer Jacket and Don’t Wait Up are underground classics. You can easily imagine every single one of their songs being played in queer dive bars that exude freedom in all ways possible, and everyone just screaming the songs back at the band- covered in sweat and beer. Maybe not even your own but who cares!

There’s hints of bands like Dead Boys in some of their songs like Wasteland, and that’s all you could ever want from your new favourite Punk band, right?! I don’t know if Shawnis And The Shimmers may ever make it to the UK to tour, but in my mind when I listen to them- I am front row singing the songs right back at them. Their sound is pure magic and you just can’t get enough of it.

CROCODILES: Degeneration.

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It has finally happened! Crocodiles have FINALLY dropped some new material which means- a new record is coming! 7th April to be precise kids! It’ll be released via Lolipop records, and the first single from the record- Degeneration is a perfect introduction to their new record.

If you’ve ever read anything I’ve written, you’ll know just how much I love and adore this band. They are a band that have been there for all the good and bad. A band that just know how to constantly create masterpieces. Underrated and exceptional. I just love love them.

Degeneration picks up where 2019’s Love Is Here left off (not including the covers record they put out in 2021!) Their new record will be their 8th full length record (again, not including the covers record but you can if you want!) Even though it picks up from Love Is Here, I can hear some of their early sound in this song- that rugged and distorted sound; the sound that I fell in love with many, many years ago. They have such a distinctive sound and style, and that applies vocally too. They’re a band that just make everything alright. Their poetic lyrics are timeless and their sound is how you’d want your dream band to sound.

The video to Degeneration is simple but you’ll also see Brandon and Charlie’s faces melt. I reckon that’s a strong sign for how great the new record will be- it’ll melt our faces off. I cannot wait! It’s only 2 months to go, but in the meantime- I’ll be keeping Degeneration on repeat.

Check out the video below:

Upside Down In Heaven will be released on the 7th April via Lolipop Records.

THE VACANT LOTS: SOUP, Manchester 3rd December 2022.

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Finally going back to SOUP to see a band I absolutely adore after a tiring week was just what I needed. I can’t count how many times I’ve seen The Vacant Lots live or how many times I’ve written about them. They are a band that I hold very dear to me- they’ve got me through hell and back. They just have something about them that makes you feel like you’ve escaped to another world. Music is there to be relatable and to give us some escapism.

The Vacant Lots open their set with the euphoric Departure.  This makes you feel like the band are about to guide you into their world with this one- the perfect way to open their set. Departure has such a soothing energy to it; it does make you feel like you’re ready for takeoff.

The set is a blissful mix of old and new- showing us exactly why they are one of the best bands you’ll ever see live. The set has all the greats; Mad Mary Jones, Fracture and 6AM, and the thing that just leaves you in awe is how talented Jared and Brian are. Brian is like s Scientist on stage and Jared is the Punk who holds the guitar like a weapon. No blood was shed this time (if you’ve seen them play live before, you’ll know what I mean!) The only downside was that the venue wasn’t packed. It rightfully should have been packed. It should have been a sweatbox, but those who were there evidently loved what they were witnessing.

I’ve got a handful of bands I could happily watch play live forever and not get bored of them- The Vacant Lots are one of them for sure. Every single time I’ve seen them play I’ve just been left in awe of what I’ve witnessed.

The way 6AM goes right into Mad Mary Jones was ridiculous. The whole set is slick, but this transition was something else. Noise after noise. My hearing right now isn’t great but I’m not bothered about it- you expect it from their shows. Especially if you stand by the speaker!

Never Satisfied is a prime example of Jared and Brian’s songs are sheer poetry with a bite. There’s parts of the set where Brian unleashes hell on the cymbal and drum, and Jared styles out annihilating the guitar in a way that you rarely witness. They take their turn in vocally delivering the songs, and the chemistry they have is evident on record and it’s truly something else when you see it live.

For me, The Vacant Lots are just exceptional live and the show tonight fully showed that. There may have been less than 20 of us in the room but they played their hearts out, and as if they were playing to a stadium full of people. That’s when you know a band truly have it. They’re just a pleasure to see live and if are ever given the chance to see them- take it.

MAD DADDY: The Road Racer EP

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The exceptional new EP by Mad Daddy has been on my list of write-ups for ages, but I’m rubbish at keeping up with what I need to do. I’d rather take a nap but that’s no excuse! I’m going to use my words wisely and tell you all about one of the best bands to have ever come from the Isle of Man. The other being my uncle’s band, The 13th Pillar and the other being Voodoo Bandits.

This EP is ridiculous. They should serve time at Jurby’s finest hotel on the Isle of Man for making something this good. Should be a crime! But hey, it isn’t! The EP is made up of 4 fast, ferocious and f….ing incredible songs. Every single song will indeed make you feel like a road racer. Get your leather on and hop on your bike. Go as fast as you legally can and go out into the unknown.

Be Bad is Mad Daddy at their best- it’s filthy, beautifully obnoxious. It’s like Lux and Stiv Bators got into a fight with Iggy Pop, and this song came out. It’s my favourite at the moment, but with a record like this- you cannot settle with just one song. It’s the kind of song that you have to play as loud as you can and snarl along with Dolyn as he unleashes one of the best Mad Daddy songs to date. It goes beyond anything else they’ve done. It is one of the slickest records of the year, and the production is a dream!

Everyone on this record truly shines. Matt’s drumming on this EP is just *chef’s kiss* and again, it smacks you right in the face on Be Bad. The record ends on Here To Stay- Liam and Elvis on this one smash your eardrums on this. Every song on this EP sounds like a band trying to get to the finish line to prove their point. Their point being? Well, that they are one of the best bands in the world. But. you already knew that didn’t you. This is Mad Daddy at their loudest, their best and rowdiest. This EP really does feel like you are on the TT Race Course on Mad Sunday, and no one can keep up with you. It’s such an energetic record. Even though we’re just over a year from their debut record- this EP is another taste of what’s to come from this band.

Mad Daddy have ripped apart bands up and down the UK with their recent shows, and now they are back to mess up your hearing with their rambunctious Punk anthems. Iggy Pop is a huge fan, so that tells you just how special this band are and how remarkable this record is. Every song on this EP was made to be played full volume and with the wind in your hair as you drive and drive, with no destination in mind. It’s a proper gritty record, with songs that’ll have you craving live music, craving more from Mad Daddy. I started writing this review nearly 2 months ago, but for some reason, I’ve not had it in me to finish this or write about music. I’ve got enough records I need to write about so that’ll keep me going! But, if you need something to keep YOU going- go ahead and listen to this record. Isle of Man friends-ride the TT route playing this EP over and over.

Just when you think Mad Daddy have done it all, they unleash a heavy and gnarly record like this on us. It may only 4 songs long, but those 4 songs will ricochet through your eardrums, mind, body and brain at full pelt. Take it all in and play it loud!

AMYL AND THE SNIFFERS: Albert Hall, Manchester. 31st May 2022.

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Of all the gigs I’ve ever been to at the Albert Hall, I can say with as much confidence as possible, that last night’s show courtesy of Bruise Control and Amyl and The Sniffers, was the best. From the atmosphere, to the sound to the bands, to the crowd. Everything about the bands last night and the crowd was just divine. I don’t think the Albert Hall will EVER see a show like this again.

This was the first time I’d ever seen Bruise Control live, and my god they made you feel like it was THEIR headline show. Give it time, and they’ll be playing venues like this all the time. The band had their family in the crowd and seeing the singer’s mum have the time of her life whilst singing and dancing her heart out to the phenomenal sounds her son’s band makes was just beautiful. Looking at the crowd and seeing so many people lose their shit to this band was everything we all needed and more. At one point Amy and Gus were stood behind me watching Bruise Control, and to see everyone in the room just lapping up this exceptional band was a sight to behold and treasure. You could see how much this meant to Bruise Control and those that adore them.

Around 9pm, Amyl and The Sniffers bounced onto the stage and immediately tore the roof off the Albert Hall. The energy from their set was an extension of what Bruise Control gave us. Punk music with a bold message and a sound loud enough to deafen you for days. As soon as they opened with GFY (Go Fuck Yourself) the crowd downstairs turned into a sea of bodies swaying, sweating and throwing themselves and each other around. In just 50 minutes, I can’t begin to tell you how many people were being pulled out of the crowd. One being Bruise Control’s singer- who I think was pulled out 5/6 times. To see everyone have this much fun and more importantly- being kind to each other when someone fell or wasn’t too steady was a true sentiment as to what Punk is.

The setlist was a healthy mix of old and new songs. So many songs were a highlight for me. Their performance of Maggot, Got You, Some Mutts and Security were INSANE. There were tamer moments, for instance the song Knifey, that showed a different side to Amy’s vocals. Yes, she belts those proper Punk anthems out, but on Knifey she tells the frustrations of just wanting to walk home peacefully without feeling threatened. She does it in a way that just simply explains the frustrations but delivers it in a way that breaks your heart.

The energy this band have is infectious. The crowd feed off them and vice versa. I saw Amyl and The Sniffers play their first Manchester show at the Deaf Institute a few years ago, and it blew my mind but last night’s show was something else. Maybe it’s because we’ve been waiting years for this or maybe it’s because seeing this band live is the most liberating feeling you’ll get. Amy bounces round the stage like the Duracell bunny who has had too many lemonades; at one point she takes a shirt thrown to her from the crowd and wraps it round her face, like a makeshift balaclava.  She also brings out the bodybuilder stance as well whilst Gus, Dec and Bryce deafen the crowd with their sound.

Every single song is screamed back at the band, and it is the most beautiful sound you’ll ever see. The band totally own the stage, and you can really feel the love they have for their fans, music and each other. The bond they have is just wonderful to watch and being able to see this is a real honour. Some songs are belted out louder than others- from the crowd; such as Guided by Angels, Hertz and Gacked on Anger. The whole set is perfect and I could have happily watched 12 hours of this. Bliss. Absolute bliss. You cannot help but want and need more.

You know how everyone claims to be at the Sex Pistols show at the Free Trade Hall, then went on to form bands? I’m pretty sure that the show at the Albert Hall will have the same impact. There is no way you could have attended the show last night and not been left with a fire in your tummy. Watching them last night, I felt like I did when I first Iggy Pop and The Stooges for the first time. Amy has the same effortlessly slick manners as Iggy on stage. Gus is one of those bassists that make you wish you were as cool as him. Bryce is up there as being one of the best drummers I’ve ever EVER seen live. Dec absolutely rips as a guitarist and controls the crowd effortlessly with his sound.

Two of the most exciting bands in the world ripped the Albert Hall a new one last night, and nothing and no one will ever be the same again.

Punk is not dead. It’ll never die.