BASIC SHAPES: Clockwork Organs.

2 07 2020

I have too much spare time that I have seem to have filled by playing FIFA as soon as I get home from work. I could be doing other things such as going to bed as soon as I get home (yes, it is acceptable to go to bed at 5.30pm, never question it) but FIFA takes priority. Music has slipped, sort of. I’ve not listened to much as it makes me sad not knowing when I’ll next go to a show. But anyway, there’s a wonderful French band called Basic Shapes that are here to kill your blues. Listen up!

Their newest EP, Clockwork Organs came out last week and it’s a really stunning record. It reminds me a little bit of Richard Hell mixed with The Buzzcocks. Basically, it’s a bloody great record and again just reinforces my love for French Garage Rock bands. There’s this beautiful energy on the songs and I love the urgency in most of the songs, and this is so clear on No Creep. It’s a real rowdy number that just gets you going. The songs are short and to the point; there’s no messing about here. Basic Shapes are here to tell you what they think and feel without taking 10 hours to make their point. We have the time to listen, that’s for certain, but sometimes you just need something that’s punchy and grabs you instantly.

There’s been a lot of great records that have come out so far this year, and I guess some could be cynical in thinking some get overlooked. Bands like The Vacant Lots and Fontaines D.C. (okay this isn’t out yet but whatever!) have put out (or about to) some of the strongest records of the year. Jehnny Beth has put out a glorious solo record that feels like an ethereal out of body experience. Then you’ve got bands like Basic Shapes who just go headfirst into chaos. Burning Flats and Night Train are such great songs, and they just make you crave going to shows so badly. Your bones start to turn to jelly and your mouth turns dry; you get the sweats. You just want to see a show. Badly.

Homeless Walk has slight Reggae hints flowing through it, and I love how this song just messes with everything you’ve heard so far. It’s definitely one of my favourites because it just takes a hard left at what you’ve heard so far. Then they go right into MYOB which is just a rowdy and manic number. It’s such a great record, and even thought they formed in 2018, this record sounds like something from a band that have been at it for years. There’s something about MYOB that reminds me of New York Dolls. It’s part the vocals and part the guitar.

The record ends with the 7-minute delight that is Night Train. This is a euphoric piece of art that just needs to be heard by everyone. Play it to anyone you know. Play it loud. Right in their face. Or maybe do it when social distancing fades away if it ever happens. It is such a tense song and the buildup, the crashing of the drums and the way the guitar sounds like an earthquake is just brilliant. It’s an effortlessly slick song, and the last 3 minutes and 30 seconds make you feel like you’ve stepped into a different universe. It feels like a totally different song, but they do it in such an unbothersome manner. It’s such an incredible listen. The vocals resemble a whisper almost on the last part of the song. You can imagine this being what they end their shows on. When those whispers are eventually taken over by the music, getting louder and louder. More intense with every second, flipping back to how the song started. It is SO GOOD! The whispers turn back into yells, and it is done so perfectly. If you’re someone who doesn’t listen to records in order- start with this one. Then maybe end on it also because it is THAT good.

Clockwork Organs is an impressionable listen and will definitely stick with you. You’ll feel exhausted after you first listen to it because it’ll take all your energy (in a good way) but you’re still ready to keep on going and to keep on listening to this mind-blowing record.





CLOUD FACTORY: Cloud Factory #1.

20 06 2020

No photo description available.

In a few weeks’ time, the finest Garage Rock band from Toulouse will be releasing their debut EP. The EP is being out by the reliably great, Howlin’ Banana Records who have put out a lot of records that I love, and they’ve done it yet again with Cloud Factory.

The band are made up of formers members of Noir City and Cathedrale; and if you know your French music, you’ll know that this is a pretty cool thing to happen. They’ve com together to create some feel-good music, and right now we need that. There’s a lot of joy in their music, and this carefree sound is really what gets you hooked.

The EP, Cloud Factory #1 is a perfect glimpse into what is to come from this band and how this new sound will blow us all away. It’s a really refreshing listen and the band have so much promise. If live music were something we could indulge in right now, there’s no telling just how great their shows would be. But for now, we wait. Whilst we wait, we can cling onto the EP.

Amnesia opens up the EP and is their current single, but don’t let it make you think it is the highlight of the EP. Oh no! You see, the EP is made up of beautiful moments; and one of my favourites has to be Alice’s vocals on Dead Bodies. For some it’s a pretty morbid name for a song, but her vocals have this Bjork like fragility to it. However, Cloud Factory aren’t a band that you can link another to, they are effortlessly quirky and cool, and it really shines through on this EP. The sound is so new and just a delight to revel in. I know I usually listen to music that’s a bit heavier, but this is such an enjoyable listen. If you’ve got a lot on your mind, you can definitely take a load off whilst listening to this record.

My one gripe? There’s only 5 songs! I want more, but I always want more when it comes to music but like I’ve mentioned, it is such a strong introduction to the band and even if you are familiar with their previous bands, you don’t pick up on that at all on this record. They are exceptional musicians, and I really like the way Ben’s bass sounds alongside Bruno’s drums. Sometimes it can feel like one is competing to be louder than the other, but this doesn’t happen at all on this record. They are all equally heard and enjoyed. There’s a lot of rage on the song No Data, which might be why it’s my favourite for now. I’ll change my mind of course!

Talk Too Much and Try are excellent too, and the joyful noise that Cloud Factory give us with this record and on those two songs in particular is just a delight to listen to. As someone who does tend to sway towards more louder sounds, I can safely say that this EP is a great listen and is the perfect introduction to a band that deserve to be heard, and to be huge. It’s a real feel good record, and ideal for those long summer evenings. Even if we have to stay indoors for now. Also, this record is another that fully backs up my idea that French Garage Rock bands are sublime.

Cloud Factory #1 will be released via Howlin’ Banana Records on 3rd July.





NADU: Determinator II.

19 06 2020

A lot of the music I love and write about comes from the West Coast. I went through a stage a few years ago where I would only listen to music from there and wouldn’t give anything else a chance. Certain places just seem to always give us great music. Something in the water, right?

I’ve had my copy of Nadu’s new record for a few months now, and finally being able to share my thoughts on it is a pretty great feeling. If you’ve never heard his music before, you’re in for a right treat with this record. And if like me, you’ve heard what he’s done before, then you too are in for a treat!

Determinator II consists of 6 pure Garage Rock songs to blow out your eardrums and to shake you right to your core. Nader has done all of this himself, and he could well be the poster child (adult really) for that DIY ethic we all admire and appreciate. Knowing he has done all of this by himself just makes you appreciate the record more and you take in every minor detail too. Nothing goes unnoticed and you can really hear just how much work has gone into this record.

The record opens with the electrifying Survive; the perfect way to open the record and to bring you into Nader’s world. A world that just oozes everything you could possibly love about music, and more. It’s such an anthem of a song, and you just long for the days where we could go to shows and really enjoy music.

Of course with Nader being in L.A and me being in Manchester, there’s no chance I’ll catch a show of his anytime soon but what he does so well with his music is make you feel as if you’re right there at his show. You feel like you’re at a dive bar that’s a little too crammed, and you’re standing too close to people you do not know but nonetheless, you are all having a great time- that’s exactly what the whole record gives you, and this is something I really love about a lot of the bands I write about. When they can give off that feeling, you know you’ve found something genuinely great.

Nader has this great way of creating rambunctious Punk songs that take you deep into the pits of sheer raw energy and by no means do you want to climb out. The songs on this record are colossal. They are made to be played so loud you can feel your face melt and your body quake with every listen. It’s a bloody amazing record, and it picks up perfectly where Determinator left off. I think there’s about a 3-year gap between the records, and you can really hear the growth in Nader’s vocals and musicianship. He knows exactly how he wants to sound and is totally focused on that. You really get this on Determinator II. It’s so apparent. Attraction has quite a Grunge feel to it, especially vocally and the urgency in this song just makes you keep going back to it. This is one to be obsessed with.

I can’t stick with one favourite song on the record. My mind changes with every listen (and I’ve played this a lot!) but I think at the moment I might be taken with Ain’t Easy. He makes the guitar sound like this weapon of destruction, and with a snarl in his voice, this is definitely one of the heavier songs on the record. Determinator II is made up of 6 songs that show us pure talent and obsession with music. It’s got the potential to be one of those records that some kid hears and thinks, “I want to do that!” That’s all we can hope for. Make your own noise and make it loud.

Considering how shitty this year has turned out to be, we are getting a solid list of great music this year. Irrespective of genre, this year has truly given us some great records. From Gaga to The Vacant Lots (next Friday) to L.A. Witch (August!) and Nadu. Find joy where you can, and cling onto it.





L.A. WITCH: I Wanna Lose.

18 06 2020

Find joy wherever you can, and hold onto for however long you wish. For example, L.A. Witch have just put out a brand new song and announced a new record coming in August. That fills me with joy, excitement and sheer happiness. I’ve written about them countless of times, starting from when the band sort of started out. When they announced their first ever UK tour a few years ago, it felt like all my Christmas’ and birthdays had hit me at once, but better. I absolutely LOVE this band, and I will make it known whenever I can.

So, what’s the new song like? Well, if you’ve ever listened to their music you will know just how phenomenal they are and as musicians, they are nothing short of mind-blowing. They are at their peak on this song, and it is a beautiful taster for the new record. I Wanna Lose shows us exactly why L.A. Witch are the best around. This song also shows how great they are as musicians- both individually and together.

You need to play close attention to Irita’s bass on this one. She’s turned it up to beyond 11 and you can sense the determination in her playing on this that she wants to annihilate your eardrums. Let her. Let all three of them totally deafen you with their glorious sound. With Irita’s slick sounds and effortlessly cool tempo, you’ll be hard pressed to find a better bass player around. If you think she’s unreal on record, just wait until you see the band live. Everything you loved about them will become heightened and nothing will ever be the same again. Live music, remember that? Remember going to shows and seeing your favourite bands? We need that. We need it soon. Urgently.

Now let’s get into how Ellie thumps at your chest and ribcage, and skull with the pounding of the drums. How she sends your brain into a different universe, almost ripping you apart from your body and catapulting your soul into space. She comes in right after Sade’s intro and just keeps up the pace for the next 4 minutes, and makes you wonder, “How the hell does she do that?!” She plays like she’s got a point to prove, and you can really sense that hunger in her drumming. And again, like Irita you get this heightened at their live shows. If this is what we are getting from just one song, imagine how the whole record will be. I don’t know if I can wait until August! Honestly, they have never sounded so good and so loud. Take everything you heard by them before and let yourself soak this one up good and proper. From around 2 minutes and 20 seconds or so, Ellie’s drumming builds up and up into this really gnarly Punk sound. I love it so much, and she keeps that going right until the end.

Alright, now it’s Sade’s turn. She has one of the most distinctive voices around, and I love how she makes you feel like your listening to something from decades past but also something really futuristic. As a guitarist, she’s up there with the best of them. To be honest, if you were looking for musicians to create a supergroup, then L.A. Witch would be the band. They are just out of this world. Sade’s guitar on this is heavy, fuzzy and loud. They seem to have cranked the volume up more on this song and I hope the whole record has that feeling. I know people like to compare a bands new record to their last, but with bands like L.A. Witch and with this sound, there is absolutely no way you can do it. The only comparison is that they both are amazing. That’s it really. Her vocals mixed with how brutal Irita has become with her bass and how Ellie too has become more brutal with the drums, compliments everything so beautifully. Layer this with Sade’s guitar and of course, you’ve got one of the best songs you will hear all year.

There you have it. Another declaration of love from me to L.A. Witch. It’ll happen again no doubt before the record comes out. They’re set to tour the UK in November, and I really hope it happens (mainly because I love them, I love their shows, the Manchester show is a few days after my birthday and is at one of my favourite venues in Manchester.)

I Wanna Lose is a song that needs to be played loud. As loud as you can.

Play With Fire is due to be released on 21st August 2020 via the always great, Suicide Squeeze Records. You can pre-order the record here: https://lawitches.bandcamp.com/





DRUG HUNT.

10 06 2020

Right from the mean streets of San Diego and right into your ears are a band called Drug Hunt. Looking the band name up may lead to weird results, and probably things that aren’t safe for work but when you get to what you want, you fast realise you’ve stumbled upon a band you have no idea how you made it this far without.

If like me you are madly in love with bands like Melvins, OM, Nick Cave and The Bad Seeds, Bambara- then you’re going to be really excited over Drug Hunt. Their sound is heavy, brutal, dark and poetic. They have such a unique style that just blows you away with every listen. Their self-titled EP consists of 4 songs that will twist and turn their way into your mind, corrupt your soul and leave you feeling very strange afterwards. Nothing will feel the same afterwards. Initially I wanted to focus on the EP but the more I listen to their music, the more I’m inclined to basically write a love letter to the band.

Drug Hunt have a heavy Psychedelic sound, and they have that Jim Morrison poetic feel to the vocals/lyrics. Imagine if Jim Morrison was still alive and joined the Melvins. That’s basically Drug Hunt but my analogy doesn’t do the band justice at all. The Tower is about 6 and a half minutes long, and it then slides into the euphoric 5-minute wonder that is, The Well. The EP is beautifully crafted, and the way the songs flow into each other is mesmirising. The songs were made for you to escape deep into, to just ignore reality and go right into their world.

The songs on this EP are mighty and deafening. They are beautifully terrifying; you cannot help but keep going back for more and more. Their sound is everything I want from music- it is uncomfortable and leaves you on edge. I don’t want something to make me feel safe, I want to listen to something that makes me feel a little bit on edge. Drug Hunt do this in such a grand way. Another band that remind me of this are Italy’s finest, Sonic Jesus. Sometimes it is the uncomfortable sounds that provide the most comfort, and you definitely get this from Drug Hunt.

The five of them in this band all play a vital part in messing with your head in the most wonderful way imaginable. The guitar on The Altar for the last minute or so will make you want to weep it is THAT good. There’s a lot of heart and soul in this band, and it comes across so perfectly on the EP. It’s a real joy to listen to, and to just get totally wrapped up in. I love bands that aren’t scared to push themselves, and I love when they do that to the listener- exposing them to new sounds too, and really pushing what they thought they knew.

Drug Hunt are nothing short of exceptional, and although we may only have so far, a handful of songs, there’s absolutely no telling what will happen next. They truly take the listener on a mind-bending journey with their music, and right now, we probably need that.





CROCODILES: Shitty Times Volume 1.

6 06 2020

I’ve not written anything in a while because I’ve been preoccupied with my new best friend- my PS4 and investing too much time in FIFA20. Anyway, this is my first weekend in ages where I am not working. A full weekend to do nothing but sleep. Bliss. But, besides all this, I’ve spent a lot of time being angry at what we are seeing. At the end of this, I’ll post some links to various organisations that need our support in any way possible.

We need to educate ourselves; we need to call out those who are barbaric and wrong, and they MUST be held accountable. One band I have always admired for the way they speak up is of course, Crocodiles. Yesterday Bandcamp waived their fees which meant bands were getting paid in full. However, most were forfeiting their profits and donating them to causes related to Black Lives Matter. Crocodiles were one of these bands, and the result is the effortlessly cool collection of covers called Shitty Times Volume 1. From Madonna to Lou Reed, these 6 songs will blow you away. Let’s get to it.

The record was recorded in Paris (where Charlie lives) and in L.A (where Brandon lives) but you don’t feel the distance at all. You feel as if you’re in the room with them both as they create these covers. I adore their cover of the Madonna classic, Burning Up. If they did Borderline, I’d have lost my mind, but this comes really close. It’s such a great cover, and I love how Crocodiles cover songs and just make them theirs. Take their cover of U Sexy Thing they did a few years ago- it’s genius. It takes nothing away from the original but gives us something new.

For me, it’s all about their cover of Hangin’ Round by Lou Reed. We all know that Transformer is one of the best records ever made, and this cover makes you appreciate the song in a totally different way. They keep that effortlessly cool sound going; that sound that you always got from Lou and always get from Crocodiles. It’s such a great cover, and I hope that when we can go to shows again, they put this in their set. Can you imagine how amazing it would be?! They could do the whole record; I doubt any of us would mind. Make the show last 2 hours or so, that’s totally fine by me.

Raphaëlle Verlaine from the band Metro Verlaine takes on the cover of Elli & Jacno’s Oh La La. If you’ve ever seen Metro Verlaine live, you will know just how powerful her voice is, and this cover really shows us this. Again, it is such a great cover, you sort of forget about the original. I love that the way Crocodiles cover the songs makes you forget about the originals, but when it’s over you can and listen to them and hear it all in a different way.

Who Stole My Skateboard? Originally by Satan’s Rats is a blistering cover. This is the one you blast out so loud until you drown out the world. After the Lou Reed cover, this might be my favourite.  The guitar on it is just, * chef’s kiss * it’s THAT divine. You can’t help but keep playing it. It takes nothing away from the original at all, it just adds to it.

You can buy the record here: https://crocodilesband.bandcamp.com/

There’s a limit to about 100 tapes made, and they’ll be shipped in about 3-4 weeks.

All proceeds from the release will be going to the DeDe McClure Bail Fund, and you can find more about it here: https://www.facebook.com/pg/CommunityBailFund

If you’re in the UK and wanting to donate to a cause closer to home, then please consider supporting: https://www.gofundme.com/f/black-minds-matter-uk/donations

If you’re not angry about what you are seeing, then you are part of the problem.

Black Lives Matter.





MODULATOR II : Slivered Hearse.

9 05 2020

 

modulatorii

 

Are you ready to take a psychedelic trip into the unknow? Into the weird and beautiful world of French pioneers Modulator II? They’ve put out one of the most far out records of the year. It’s completely off the wall and it’s a joy to listen to. If you’re looking for something to listen to so you can escape the hell that’s going on, then this is the record for you.

 I’ve been wanting to write this for a couple of weeks now, but I’ve not had the time to properly listen to the record let alone write about it. I’ve been banned from my manager from doing extra hours at work, so I’ve spent my weekend asleep. I treated myself to a walk earlier, it was okay, I guess. Nothing to report. I could sleep for hours, but I’ve got the time and desire to write about this record so here goes!

 Modulator II are no strangers to the strange; neither am I and neither are their fans. They sure know how to make music that messes with your head and makes your body turn to jelly. They move you in ways that you want all music to move you. They don’t leave you feeling completely battered, just a little bit wired and out of your mind. That euphoric glow in their sound has never been so prominent! The record opens with The Big Crunch, and it’s just the perfect way to open a grand record like this.

 

 

If you’ve never listened to them before, then treat this record as your initiation into the unknown. There’s this effortlessly cool and experimental sound going right through the record. I’ve made my feelings known on this band and the band members before (Cédric and Romain are in the equally great band, Dusty Mush who I’ve written about before!) With this record they have truly created something to treasure, and to play loudly.

At the moment I am hugely obsessed with Uncanny Valley; I love the furious drumming and the way the guitars and bass come together to basically riot against the drums to see who can be loudest. I love when a band does this. It’s easy to do this and just be out of control with no meaning, but this band give it all they’ve got, and it sounds like a beautiful noise. I just really love this record and waiting for it so long just makes it sound that much sweeter.

 Of course, it is the kind of record you’d want to hear live, but given what’s going on right now, who knows when this will happen. Like so many I am desperate to go to a show and just feel something but waiting this out and being responsible is what’s needed right now. In time, we will get there. For now, we just play the music as loud as we can and let the music get right into our bones. Bands like Modulator II aren’t afraid to go beyond and to just push the listener, and you get this so clearly on songs like Stopover Commander and Extinction. The whole record is a joy to listen to, and to just soak up.

 

 

Stolen Body Records is the home to some flawless bands, and this record is a mighty fine example of this. Every song on this record is a step up from what you previously heard, and I love that you can hear the band get better in every single song. Stopover Commander is a delightful noisy number that you just cannot get enough of. The last 30 seconds or so of this song are some of my favourite moments on this record. If like me you are obsessed with bands like Sleep, then this song will give you serious Holy Mountain vibes. It’s out of this world and is a record that will definitely be one we talk about in decades to come. I know I will be.

 Silvered Hearse is out RIGHT NOW via Stolen Body Records.





THE FUN STOPPERS.

2 05 2020

 

THEFUNSTOPPERS

 

I’ve had no desire to write anything recently. Work has wiped me out, but I’m glad that I am lucky enough to still have a routine where I can leave the house, and to work. And not be stuck with my own company 24/7. I slept until 4pm today, and I could have stayed asleep for the rest of the day but that’s probably because I’m allowing myself to be lazy and attempt to switch off. A routine is keeping me sane.

 I sometimes struggle to write about bands that are predominantly instrumental but a really great band from Alberta have been in touch called The Fun Stoppers have a really unique sound that I love. We’ve got a mutual love for another great Canadian band, The Gruesomes (of course) and if a band mention them to me- I’m likely to love them. And that’s exactly what has happened here.

 

 

The Fun Stoppers are a duo, but their strong and unique sound makes you think you’re listening to an orchestra of Garage Punk heroes. It’s just two of them here though; Glen and Dale. They are so good at what they do, and all you can do is became utterly enthralled in what you are hearing.

 They haven’t been around long (their Bandcamp page only has songs up from this year) but they have a sound that is really strong. They make you feel like you’re listening to The Beach Boys, The Gruesomes and The Cramps all at once. I thought I’d miss hearing vocals, but you get used to it pretty much right away, and you just enjoy soaking up how great they are as musicians. Glen is a solid guitarist, and you cannot help but end up being obsessed with the sounds he makes. That guitar is a lethal weapon, and you don’t even want to take cover- you don’t want to miss whatever he will do next. Mix this with Dale’s drumming, and you’ve just got the perfect duo. Dale plays like someone who has a point to prove, and that’s what hooks me on bands like this. There’s this passion in the music that you just find yourself gravitating towards. It’s so powerful.

 Their songs don’t really pass the 2-minute mark, and their newest song Sick For You is a proper gnarly one. The vocals have this wonderful snarly sound and the menacing lyrics mixed with the electrifying guitar and demonic drums just make it one of the most exciting songs I’ve heard in a while. I love that fuzziness to it that is found in a lot of songs/bands I love. This song is like a cheap Horror film (this is a compliment) and you can imagine it being featured when someone is about to meet a bloody and gruesome end, but they make it obvious that the blood is so far from being realistic.

 

 

The Fun Stoppers are such an exciting band, and with or without vocals- you cannot help but marvel at their talent. I’m sold on bands that forgo vocals; I think! I love their creepy sound and wild style; I love how you that make you feel like each song is like some weird experiment- are they musicians or mad scientists?! Who knows! Maybe we will never find out, and maybe that’s alright.

 Play them loud and freak out your neighbours!





CASUAL DRAG.

25 04 2020

 

CASUAL DRAG

 

The only good thing to come out of this virus and isolation is the fact that Nick Cave has launched a 24-hour stream called Bad Seed TeeVee. It’s magical. It’s everything us fans want, and more. Yet I don’t think any of us expected it. It’s just amazing. I’ve spent time watching it when I should have been asleep or probably doing something else. I have no idea how long it will be up for, but for now we can all get lost in the world of the Bad Seeds.

If you’re looking for a hard-hitting Garage band to blow your mind, then look no further than Edinburgh’s finest, Casual Drag. Of course, you have to play their music loud, but don’t let that make you feel that they are all noise and no substance. Far from it! They are such a joy to listen to and have a really exciting sound, and I truly hope we get more from them real soon because they are just * chef’s kiss! *

 

 

Johnny is a BIG song; it’s like it is their anthem. That last minute of the song is powerful, it’s an instrumental riot and it shows us just how brilliant they are as musicians. There’s this effortlessly cool sound going all the way through, and the way the pace is picked up to unleash this furious sound is such a brilliant thing to listen to. It’s a huge song, and that last minute or so of the song is something you cannot help but soak up. The aptly titled Isolation Island is another prime example of how talented the band are. That deliciously fuzzy guitar sound is what dreams are made of. I just love this song a hell of a lot, and to be honest it’s probably one we can all see ourselves in right now. How will we adapt to getting back to “normal?” Did normal ever exist?! Who fucking knows.

Casual Drag make anthems, they don’t just make standard songs and the fact you get this from just the three songs they have up online shows us how great they are. They are a band that are evidently going to keep on getting better and better. This is how music should make you feel, regardless of what you’re into. They just make you super excited about music and given how tough it is for us all right now- we need that excitement more than ever.

 When MC5 yelled “Kick out the jams, motherfuckers!” I think that was an instruction to Casual Drag (I know it was like 40+ years before their time, but you know what I mean!) Casual Drag definitely kick out the jams, and the rest! They have this really intense and loud sound that just leaves you itching to head to a gig. Oh man this is tough and brutal! Anyway, let’s keep borderline positive. We have bands like Casual Drag to get us through it all, and beyond. If you like your music loud, bold and intense- then you’re going to fall head over heels in love with this mighty fine band from Edinburgh. They aren’t afraid to use their instruments as weapons, and with a solid demand to be heard- you simply cannot ignore a band this great.

 

 

THREE SONGS! Three songs! That’s all they’ve got but you feel like you’ve been with them for life. Bleach Head is my favourite so far; I love the aggression on it and the snarly vocals. It’s just a strong example of how phenomenal this band are. Sign me up as their biggest fan for sure!

 

*Artwork by Conor Moore at Green Cap Design





THE VACANT LOTS: Rescue

24 04 2020

 

American death. Nothing matters anymore. Closed casket wedding”

 

Nothing makes me happier than I band I LOVE release new music. I’ve been super vocal about my love for The Vacant Lots for a number of years now, and I still regard their live show in Hoxton as being one of the best shows I have ever seen; then I saw them play the Moth Club and my mind was just blown. My heart was healed, my soul soothed and all was okay. Basically, I love TVL a hell of a lot and they are a band that I’ll never ever be able to get enough of.

I’ve already heard the new record, but that review will be coming in June shortly before the record comes out. However, they have JUST released a brand new song from the record. I can also announce that TVL have signed with Fuzz Club- which is a huge deal. I’m super proud of Jared and Brian, and having a label like Fuzz Club sign them is proof of their hardwork and passion. Now let’s get into the single!

Rescue is everything you could want from TVL. It’s got the Suicide meets Lou Reed sound with parts from another world thrown in. We all need a rescue right now, and this song just pours out the frustrations of isolation and uncertainty. What I’ve always loved about TVL is that their influences aren’t always from music- the way you can pick up on writers such as Burroughs, Baudelaire etc shines through, and Rescue feels like it could have been placed in one of Jared’s poetry books (if you don’t have a copy, get one! I picked one up from a tour and it’s still something I go back to.)

We all have this feeling inside of us to want to escape, and sometimes we push it down because the fire to do so isn’t quite in us. I feel this quote about the song from the band really does sum up the song beautifully, and perfectly: “The need to escape & the need to fight despite things being fucked up in the world or in your life. The song deals with the conflict of wanting to escape but also feeling the contradictory feeling of wanting to fight (before it’s too late).”

 

 

Sometimes you can’t quite bring yourself to escape, but sometimes something else takes over, and I just love this quote also: “Overall in order to tackle themes like problems in society (macro) we have to overcome a lot of our own internal issues (micro).” TVL have this beautiful way of just giving you comfort when you need it, and they’re releasing this single (and the new record) during a time where everyone is unsure of what’s going. We want out, but we also want it to get better. We want something or someone to rescue us, but I guess the key thing here is to have patience and carry on as best as you can.

TVL aren’t a band that fall into one genre, far from it. Rescue is the kind of song you can play at home as loud as you want, but it’d also sound pretty remarkable in a bar/club. There’s an 80s synth feel to the song, and that’s something you’ll be treated to on the new record.

Their new record, Interzone will be out on 26th June via Fuzz Club. Rescue is the perfect introduction to the new record, and honestly, Jared sums it up perfectly:  “We don’t want to waste people’s time and we want people to play it over and over. Our mantra is ‘is it bulletproof? 8 songs. 30 minutes. It’s about intention and vision.” TVL always give us music that you can become obsessed with and keep on playing and trust me, Interzone is nothing short of exceptional.