CROCODILES @ The Abbey, Manchester. 12th July 2026.

I have seen Crocodiles live more times than I’ve probably seen some family members. Crocs are family anyway so it’s fair. However, on Sunday I went to see them at one of Manchester’s newest venues (but a pub from back in the day) The Abbey. As a pub, it’s a solid 10/10 and as a gig venue it’s still a 10/10 even though I am pretty sure I have never ever sweated that much at a gig before. Sweat was in my eyeballs, back of my leg, my back, my eyeballs again. Hotter than Satan’s bumhole, but my god the gig was incredible. It always is!

Crocodiles were supported by one of the best Manchester bands around- Gold Cup. I’m going to do a separate piece on them but let it be known that they are one of the best live bands around. They’re supporting the equally great GEE TEE at Yes on the 25th July so if you can- go! There’s also air con in Yes so if that doesn’t sway you, I don’t know what will. In short, Gold Cup are where it’s at. Incredible live. I missed them by SECONDS at the Low Four x Sour Grapes recording a few weeks ago. How foolish!

I’ve been a fan of Crocodiles since 2009, and I love telling the story of how I found their music. Have you got a sec? Alright so, 2009. I’ve moved back home after finishing uni and my first girlfriend had broken up with me. One day, I go to HMV (I also worked there and it was the best job ever) and I’m looking through the records, and I spot Cold Cave and Crocodiles. Cold Cave I was aware of, so I picked it up. Crocodiles I knew nothing of, but I grabbed it anyway because the cover got me. I took the records home, and that was it. The past 16 years or so they have been my solid. I just adore them and any chance I can get; I will tell someone to listen to them. Even my mum loves them!

Alright, story time done. They open the set with Love Beyond The Grave. I think? Sunday was nearly a week ago and my memory isn’t too great, but I know they played it! They played a strong mix of old and new songs, and I can confirm that I Dream Of Genet live is beautiful. It’s got that same feel as Sunday (Psychic Conversation #9) that real dreamy number that makes you feel like you’re floating away. That’s exactly what you get from a Crocs show. You always feel like you’re going off into another world. You can’t help but be in awe of them. It’s the way Charlie holds his guitar like it’s a weapon but at the same time you know you’re in safe hands. Is he the best guitarist around? I’ll always say yes. Diego beats the shit out the drums, Atef is the coolest bassist around and Brandon’s vocals have never sounded better. Put that altogether and you truly do have one of the best bands around.

Songs from the new record sound incredible live, and for me it was all about Time Is Wasting Me. It’s one of my favourites from the new record, and it’s great live. I can’t talk about their show without mentioning their cover of 1969. This has become a staple in their live set now, and it’s a joy to see live. What I love about the cover is that they really do make you feel like it’s THEIR song and you’re experiencing it for the first time. It’s one of my highlights of a Crocs show for sure.

It all ends with one of the finest songs ever, Mirrors. I’ll always have a soft spot for this one, and it never ever gets old seeing it live. It never gets old seeing my buddies live. They just know how to put on a show even if we are all frying in the venue!

I love that even though the band have been around for a while people are potentially only seeing the band live for the first time, and you can see how much they love the band and how much it means. All I can say is, welcome to the cult! Irrespective of my biased opinion, it was a great show as always and Gold Cup were also a real joy to watch to. I firmly believe you should end your Sundays by watching some great live, loud bands. Last week was no exception!

CROCODILES: Greetings From Hell.

Tomorrow my buddies and also one of my all time favourite bands release their 9th record (that’s if we don’t count the three Shitty Times records.) What can they do on record number 9 that they haven’t already done?!

Well, EVERYTHING. What I love about Crocs is that even though they have a distinctive sound (it’s in Brandon’s voice, and it’s in Charlie and Brandon’s guitar style- always) but they also manage to give you something you’ve not heard before. I remember finding their music in 2008/9, and I hadn’t heard anything like it before. That feeling is there with every record they put out and they’ve truly excelled once again on Greetings From Hell. The title for the record makes me think of The Cramps, who are according to me and those with good taste, are one of the best bands of all time. I’m only two songs in but I can tell you this is my record of the year.

Let’s Be Strangers is going to be up there as one of my favourite songs of the years. It’s a got a fuck you/fuck off feel to it, I’m always down with that. There are so many things to adore about this record, and to make you truly fall all the way back in love with Crocodiles all over again. It’s only been 3 years since their last record, and in that time they’ve both continued to work on their equally great side projects (Crush of Souls and Psychic Pigs- both are different from each other, and just phenomenal.) I do have some fear inside that they’ll stop making records as Crocodiles one day, but I hope that day comes when Charlie and Brandon are like 90 years old, and need a rest. Let’s not think about it, ha! So back to the record.

I Dream Of Genet is a billion percent a title of a song that Patti Smith would love, right? It’s a real catchy number and I hope they do this on tour because it will be a joy to witness. That’s one of the things I truly love about Crocodiles- it’s their live shows. I saw them last year in Newcastle, and I can honestly say that out of the 20+ times I’ve seen them- THAT was their best show for me. There was something about the venue, the company, the setlist and everything in between- it was just an honour to be in that crowd that night. I obviously feel a huge sense of pride when I listen to Crocodiles, and that feeling is very much there for this record. Every record is them at their very best, and this is truly one of the best things they’ve ever done. I know my opinion is hugely biased but, in this case, I know I’m right.

Brandon and Charlie met nearly 30 years ago in San Diego at an antifascist gathering (always on the right side of history these two, and will ALWAYS speak up for what’s right) and you can really hear their bond on this record. They may live on opposite sides of the world (Paris and Los Angeles) but that doesn’t stop them from making the most perfect record every single time. I guess distance does make the heart grow fonder. The 10 songs on this record are a prime example of why Crocs are the best at what they do. If you’re someone who has never listened to them (firstly, where have you been?! My own mother loves this band!) Greetings From Hell is a great starting point and work your way backwards. There’s something really special about their music, and every record for me, is right there when I need it. Music is that best friend that’s always there with no condition or expectation. That’s why I really love this band- they’ve been there through the good and bad, and I couldn’t imagine a world without their sounds!

Every single song on this record has been crafted in the most delightful way you could imagine. Listening to a new Crocs record is like going home, or having your favourite meal or drink, or hanging with your favourite person and/or cat. It’s familiar and it feels like home. For me, the band are home. The ultimate safe space. The ultimate band. The record is Crocodiles at their very best and songs like Whips and Chains are MADE to be heard live. The record picks up from where Upside Down In Heaven left off, and that’s something I love about Crocodiles. Every record picks up from where the previous left off, but always ALWAYS gives you something new and a reason to keep on fallin’ back in love with them.

I don’t normally do this, but I want to dedicate what I’ve written to a very special and cool person who we sadly lost this week- Gregg Foreman. Gregg was such an important person to music and to those who love music. From his work with the Delta 72 to Cat Power to Gossip to L.A. Witch and to Crocodiles. Not forgetting Lydia Lunch too. There’s many, many more he worked with. Everyone loved him, and now- everyone will miss him. So much about Gregg reminds me of Raz, and that’s why this loss hits harder than it may have done. Every day Gregg would post his gratitude list on Instagram, and I’d look forward to it every day because you knew he meant every word and the world around him meant so much. I hope wherever he is now, he knows how loved he is and is at peace. And I hope he’s up there creating the best band in the world with Johnny Thunders, Rowland S. Howard and Lux. Imagine the noise. Forever our Moth.

Greetings From Hell by Crocodiles is out tomorrow via Invisible Hits, and like their last record is produced by the excellent Jonah Falco.

You can order the record here: https://crocodilesband.bandcamp.com/album/greetings-from-hell

Play the record loud. Hug your mates. Go see Crocodiles live.