Tag Archives: Punk

THE BATTERY FARM: A Working Class Lad.

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I have made my love for one of the finest bands from Manchester known many times. But this time, The Battery Farm have completely and utterly outdone themselves. Everything they have done to date has been nothing short of vital, ferocious, and delivered with this passion that you wish most bands would. A Working Class Lad towers above everything they have done to date. This is the kind of song that makes you want to pin down tory scum and blast this song in their ears. Imagine if they would listen. Imagine…. But until then, we have got bands like The Battery Farm who are beautifully expressing how difficult life is and how shit it’s going to get until people listen to us. There’s beauty in it all, and that is what they express so wonderfully.

The hook where Ben screams his lungs out is such a pivotal moment in the song, and every time he unleashes that distinctive bellow of his, you cannot help but scream back and let his voice absolutely destroy your eardrums in the most perfect way. It is one of the best songs he’s written so far. The man is a poet. A proper storyteller. This is song for those who understand how tough everything is right now and how the majority of us are struggling. The comradery in this song makes me so proud to call Manchester my home.

The bassline on this, mixed with THAT drumming is out of this world. The guitar is electrifying, and it adds extra bite to the vocals, and drills home the importance of the lyrics. Bands like The Battery Farm are rare, and that’s why it is SO important that we treasure them. They tell our stories; they release our furies. They’ve got courage, heart, and passion. They’ve got the wisdom that you wish you had, but in time, you’ll get there. If you’re looking for a real Punk anthem- this is it. This is totally it. It’s the song that you play when the world gets a little too much, and as soon as this kicks in- you’re reminded that someone out there fucking understands. This band are way ahead of their time. Or maybe we are all behind and need to catch up. Whichever way you look at it, this band are the future.

What I adore about the band is how they can take painful daily life topics and make them beautiful. They make everything relatable, and you know they mean every single word that comes out of their mouths. Their words are so important, and I don’t say this lightly. There is so much power in this song and it is really is the best thing they’ve done to date. Their debut record Flies is out in November, and I cannot wait to hear it. Going by the previous 8 singles they’ve released and now this single- I think it is pretty safe to say that it is going to be one of the most thrilling records of the year. Nothing will touch it. Nothing will come close to the sheer importance of it.

There is so much heart in this song, and the way every ounce of this anthem hits your mind, body and soul leaves you wanting more. You cannot help but play this on repeat. You cannot help but scream along. Thank god we have bands like The Battery Farm around. They unleash every feeling surrounding identity and the shame we sometimes feel. Sometimes that shame is thrown onto us from others, so we turn that shame into something that means something- Art. That’s what The Battery Farm have done here, and will always do. It’s in their blood. We need them.

They’re playing the Dublin Castle in London on the 2nd September and will then be back home to tear the roof off Gullivers on the 10th September. Go see them. Buy the record in November and let this band get out everything you feel you cannot.

You can check out their upcoming gigs here: https://www.facebook.com/thebatteryfarm/events

MAD DADDY: The Road Racer EP

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The exceptional new EP by Mad Daddy has been on my list of write-ups for ages, but I’m rubbish at keeping up with what I need to do. I’d rather take a nap but that’s no excuse! I’m going to use my words wisely and tell you all about one of the best bands to have ever come from the Isle of Man. The other being my uncle’s band, The 13th Pillar and the other being Voodoo Bandits.

This EP is ridiculous. They should serve time at Jurby’s finest hotel on the Isle of Man for making something this good. Should be a crime! But hey, it isn’t! The EP is made up of 4 fast, ferocious and f….ing incredible songs. Every single song will indeed make you feel like a road racer. Get your leather on and hop on your bike. Go as fast as you legally can and go out into the unknown.

Be Bad is Mad Daddy at their best- it’s filthy, beautifully obnoxious. It’s like Lux and Stiv Bators got into a fight with Iggy Pop, and this song came out. It’s my favourite at the moment, but with a record like this- you cannot settle with just one song. It’s the kind of song that you have to play as loud as you can and snarl along with Dolyn as he unleashes one of the best Mad Daddy songs to date. It goes beyond anything else they’ve done. It is one of the slickest records of the year, and the production is a dream!

Everyone on this record truly shines. Matt’s drumming on this EP is just *chef’s kiss* and again, it smacks you right in the face on Be Bad. The record ends on Here To Stay- Liam and Elvis on this one smash your eardrums on this. Every song on this EP sounds like a band trying to get to the finish line to prove their point. Their point being? Well, that they are one of the best bands in the world. But. you already knew that didn’t you. This is Mad Daddy at their loudest, their best and rowdiest. This EP really does feel like you are on the TT Race Course on Mad Sunday, and no one can keep up with you. It’s such an energetic record. Even though we’re just over a year from their debut record- this EP is another taste of what’s to come from this band.

Mad Daddy have ripped apart bands up and down the UK with their recent shows, and now they are back to mess up your hearing with their rambunctious Punk anthems. Iggy Pop is a huge fan, so that tells you just how special this band are and how remarkable this record is. Every song on this EP was made to be played full volume and with the wind in your hair as you drive and drive, with no destination in mind. It’s a proper gritty record, with songs that’ll have you craving live music, craving more from Mad Daddy. I started writing this review nearly 2 months ago, but for some reason, I’ve not had it in me to finish this or write about music. I’ve got enough records I need to write about so that’ll keep me going! But, if you need something to keep YOU going- go ahead and listen to this record. Isle of Man friends-ride the TT route playing this EP over and over.

Just when you think Mad Daddy have done it all, they unleash a heavy and gnarly record like this on us. It may only 4 songs long, but those 4 songs will ricochet through your eardrums, mind, body and brain at full pelt. Take it all in and play it loud!

AMYL AND THE SNIFFERS: Albert Hall, Manchester. 31st May 2022.

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Of all the gigs I’ve ever been to at the Albert Hall, I can say with as much confidence as possible, that last night’s show courtesy of Bruise Control and Amyl and The Sniffers, was the best. From the atmosphere, to the sound to the bands, to the crowd. Everything about the bands last night and the crowd was just divine. I don’t think the Albert Hall will EVER see a show like this again.

This was the first time I’d ever seen Bruise Control live, and my god they made you feel like it was THEIR headline show. Give it time, and they’ll be playing venues like this all the time. The band had their family in the crowd and seeing the singer’s mum have the time of her life whilst singing and dancing her heart out to the phenomenal sounds her son’s band makes was just beautiful. Looking at the crowd and seeing so many people lose their shit to this band was everything we all needed and more. At one point Amy and Gus were stood behind me watching Bruise Control, and to see everyone in the room just lapping up this exceptional band was a sight to behold and treasure. You could see how much this meant to Bruise Control and those that adore them.

Around 9pm, Amyl and The Sniffers bounced onto the stage and immediately tore the roof off the Albert Hall. The energy from their set was an extension of what Bruise Control gave us. Punk music with a bold message and a sound loud enough to deafen you for days. As soon as they opened with GFY (Go Fuck Yourself) the crowd downstairs turned into a sea of bodies swaying, sweating and throwing themselves and each other around. In just 50 minutes, I can’t begin to tell you how many people were being pulled out of the crowd. One being Bruise Control’s singer- who I think was pulled out 5/6 times. To see everyone have this much fun and more importantly- being kind to each other when someone fell or wasn’t too steady was a true sentiment as to what Punk is.

The setlist was a healthy mix of old and new songs. So many songs were a highlight for me. Their performance of Maggot, Got You, Some Mutts and Security were INSANE. There were tamer moments, for instance the song Knifey, that showed a different side to Amy’s vocals. Yes, she belts those proper Punk anthems out, but on Knifey she tells the frustrations of just wanting to walk home peacefully without feeling threatened. She does it in a way that just simply explains the frustrations but delivers it in a way that breaks your heart.

The energy this band have is infectious. The crowd feed off them and vice versa. I saw Amyl and The Sniffers play their first Manchester show at the Deaf Institute a few years ago, and it blew my mind but last night’s show was something else. Maybe it’s because we’ve been waiting years for this or maybe it’s because seeing this band live is the most liberating feeling you’ll get. Amy bounces round the stage like the Duracell bunny who has had too many lemonades; at one point she takes a shirt thrown to her from the crowd and wraps it round her face, like a makeshift balaclava.  She also brings out the bodybuilder stance as well whilst Gus, Dec and Bryce deafen the crowd with their sound.

Every single song is screamed back at the band, and it is the most beautiful sound you’ll ever see. The band totally own the stage, and you can really feel the love they have for their fans, music and each other. The bond they have is just wonderful to watch and being able to see this is a real honour. Some songs are belted out louder than others- from the crowd; such as Guided by Angels, Hertz and Gacked on Anger. The whole set is perfect and I could have happily watched 12 hours of this. Bliss. Absolute bliss. You cannot help but want and need more.

You know how everyone claims to be at the Sex Pistols show at the Free Trade Hall, then went on to form bands? I’m pretty sure that the show at the Albert Hall will have the same impact. There is no way you could have attended the show last night and not been left with a fire in your tummy. Watching them last night, I felt like I did when I first Iggy Pop and The Stooges for the first time. Amy has the same effortlessly slick manners as Iggy on stage. Gus is one of those bassists that make you wish you were as cool as him. Bryce is up there as being one of the best drummers I’ve ever EVER seen live. Dec absolutely rips as a guitarist and controls the crowd effortlessly with his sound.

Two of the most exciting bands in the world ripped the Albert Hall a new one last night, and nothing and no one will ever be the same again.

Punk is not dead. It’ll never die.

BRUISE CONTROL

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TONIGHT IS THE NIGHT! The finest Punk band from Manchester will play to a sold out crowd at Manchester Albert Hall supporting Amyl And The Sniffers. Those stain glass windows are in for a shaking tonight- trust me! Probably tomorrow I’ll write about the show once my hearing comes back (thank god I’m off work until Saturday!) but for now, I’m going to tell YOU exactly why Bruise Control are the best around.

Are you looking for a band that’ll unleash all the fury you hold within you? Or maybe you just want to listen to something loud, raw and beautifully Northern? Thought so. Bruise Control are the band you need. They’re the only band you’ll ever need. I’m so excited to see them play a venue like Albert Hall tonight. Punk in old church? Wonderful! It doesn’t get any better than 2 bands you absolutely love playing a venue you love. I’ll tame my excitement for now to focus on writing about Bruise Control. Stick with me. If you can/want to.

If you’re into bands like Ruts DC, Black Flag, The Speedways and Stiff Richards- then chances are that you’re probably already a fan of our beloved Bruise Control. They are everything you could possibly want from a band and more. The lyrics will smack you right in the gut. The drums, bass and guitar will feel like an exorcism of the soul. The vocals will rid you of anything eating you. Basically, they are quite frankly the most important band right now. They are the kind of band you’d probably see in your local boozer on an evening ripping up the tiny stage in the corner with locals feeling a bit wary of what’s going on, but everyone will know that what they’ve seen is probably life-changing.

The mundaneness of daily life is wiped away with this band. They just absolutely rip, and I cannot stress enough just how exciting they are. Bruise Control are the kind of band that become obsessed with. There’s no other way. Going to one show, two shows- not enough. You’ll want to go to every show that they do.

Their debut 4 track EP came out just under 2 years ago, and that EP is the perfect introduction to the band but what you need to pay attention to is their slick cover of Sabotage by The Beastie Boys. It should be a crime how good their cover is. This band are just exceptional. Sometimes you just hear something, and you just know that what you’re hearing will leave a lasting impression. I hope some 13 year old kid hears this band eventually and is inspired to create their own noise- that’s how brilliant Bruise Control are. The urgency in the songs, the ferociousness in their sound is just divine. I don’t think I’ve heard a band play this fast in a while, and sometimes you just need to listen to something that makes you feel like you’ve downed about 10 Pro Plus tablets with an espresso.

What a band. Viva Manchester!

L.A. WITCH: The Pink Room @ Yes, Manchester 18th May 2022.

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It’s been a long time since I’ve been right at the very front at a gig. And it’s been a long time since a gig left me a little bit deaf. God bless L.A. Witch for being one of the loudest shows I’ve ever been to.

This show was meant to happen in 2020. We know what caused the delays, but last night the moment finally came.

I saw L.A. Witch play their first ever UK show when they played the Shacklewell Arms in London. It was ridiculous. I couldn’t believe that I was finally seeing them; I genuinely thought they would be one of those bands that I love that never find their way to the UK. I’ve been writing about the band since 2011, and they just blow my mind every single time. I adore their sound, and I love how they transport you into their world. A spooky but laid-back world. Sign me up! I never want to leave.

Last night, they played the Pink Room at Yes. The most important thing about this venue is that it has AIR CON. IT HAS AIR CON. You have no idea how important this is. The ultimate comfort. Let me be cold all of the time please, thank you.

L.A. Witch blast out all the hits. They tear the roof off with Untitled, Sexorexia, Dark Horse, Baby In Blue Jeans. They just kept the anthems coming. With a band like them, it’s difficult to work out who to focus on. Iritia is THE coolest bass player you’ll ever see. Ellie is up there with the greats on the drums- the sheer volume of the drumming was just incredible. Then you have their friend Lauren helping out on guitar who just looks and sounds effortlessly cool. Then Sade is front and center. The guitar is her machine gun. Her vocals are bullets the band look like they could probably knock you out, but we all know that they are just the loveliest and most beautiful humans around. I cannot compare their live shows to anything else in this world. It is like an outer body experience. I danced. My body hurt this morning when I woke up. The signs of a good night. There is so much passion and love in what they do, and how they play/their sound just makes you wish you were as cool as them. There’s no denying just how out of this world I Wanna Lose is live and you cannot help but just move your limbs and whatever else in ways that feel right to you.

L.A. Witch are most certainly one of the most dedicated and hard-working bands around. They seem to have been working and perfecting their sound for well over a decade, and in that time, they have played some amazing venues, toured with some excellent bands and won over plenty of new fans. The atmosphere in the room last night was gorgeous. This show was a long time coming, and let’s hope it won’t be too long for the next tour.

They ended on their enigmatic Get Lost, and the way this sounds like absolutely tops the recorded version. The distorted vocals, the reverb, the sheer loudness- everything.  It is just perfect and such a great way to end the set. They play the best modern day love song; Motorcycle Boy and you just feel like the band are taking you on a road trip on a dusty road into a world that only they know of. Kicking off the show, they played Kill My Baby Tonight which is such a great way to open the show. They could have opened with any song to be honest and it would have had us all hooked immediately. The heaviness in Kill My Baby Tonight stays through the whole set even on lighter songs like Baby In Blue Jeans. There’s this effortlessly slick feel to True Believers and Gen-Z. Your eyes don’t leave the stage at all, and sure they might be darting from one band member to another, but the admiration for them all is always there.

In an ideal world, I could afford to go to every single show they do wherever in the world. Even though they may not end up on this side of the world too often, you just treasure it even more so when it happens. There’s no denying that L.A. Witch will always be regarded as not only one of the best bands in the world ever, but most certainly one of the best bands you will ever see live.

BULLET GIRL: Talking Pony EP.

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Good Friday has now taken on a whole new meaning because the debut EP from Bullet Girl is FINALLY here. It feels like we’ve been waiting forever for this. And yes, as that old saying goes- good things come to those who wait. I mean I was pretty impatient for this one, but I stayed up well past my bedtime last night/this morning and at midnight, I played the EP. I’ve been playing it all day (I’ve taken a break from listening to CROWS for the time being.) Good Friday? More like a BRILLIANT Friday. If you’re looking for something that is powerful, will burst your eardrums, give you a swift kick up the arse and make you feel something- then I URGE you to check out this EP. It’s incredible.

In 4 songs, Bullet Girl show us exactly what they are made of. They are a political, honest, focused and a poetic bunch. The songs are insanely brilliant. It opens with The Hunt, then we go right into Paper Guns which is just a treat for the ears. The whole record is. Of course, you want more, but what they’ve given us is a work of art that oozes passion, dedication and determination. You can truly feel the hard-work that has gone into this record. Everything about Talking Pony just screams every fury you possibly feel right now. Paper Guns nails this more than most. The despair and hurt on this are so raw, and you’ll probably be made of stone if you don’t connect even a tiny bit to this one.

With one EP they have firmly put their sound out there. There’s nothing like this around and thank God because no one can do it like Bullet Girl. They make you want to cast aside your daily responsibilities and just follow them on tour or something equally fun. They’ve got this energy to the songs that just makes you punch the air in agreement and yell the songs out. Nothing will hit as hard as the into to McViolence. That intro just gets me every single time. Pretty sure I could be having the worst day possible, and within seconds of that intro being blasted out- I’ll feel better. I love the sheer rage in the song. The whole record has this brutality to it that just makes you really connect to the band and what they are about. Again, it’s all about picking up on that drive and determination in this EP- it’s wild. I honestly didn’t know what to expect when listening to the record. Like, I knew it was going to be great of course, but I didn’t know how the songs were going to hit and how it’d feel to finally hear this body of work that they’ve worked so hard on.

The love and drive gone into this EP is evident on every single song. If you want music that will make you feel like you are being thrown about or if you want lyrics that are just an accurate social commentary that are sung with such vulnerability and urgency- then this is the record for you. These 4 songs were made to be heard by the world and to be treasured. The record ends beautifully on Parasites but it doesn’t have to end there. Simply play it over and over again. It’s the only way. The last 20 seconds or so on this one is just incredible. The screaming of “Better days will come” just hits you right in the soul.

Talking Pony calls out everything shit with the world, but it’s delivered in a way that givers you hope. Hope that it’ll get better. It has to, right? With bands like Bullet Girl telling it like it is, it’s a sure fire way of making us all feel less alone and less helpless.

Tour dates for May are:

7th May: Retro, Manchester (R-Fest)

8th May: Hyde Park Book Club, Leeds

9th May: The Washington, Sheffield

10th May: The Old Blue Last, London

11th May: Bedford Esquires, Bedford (supporting Personal Trainer

14th May: The Black Lion, Brighton

BEAT IN MY BONES: Episode 3

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This week there is music from: CROWS, METZ, GHUM, Hoorsees, The Battery Farm and the new one from Sextile!

I think I spend most of the show talking about CROWS and their show in Manchester from last Friday. Bloody incredible it was!

Right, I’m off to play FIFA x

CROWS: Beware Believers.

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In 2019 I wrote about the debut record from Crows. It was full of love and admiration. I was in awe of what I was listening to, and I found it hard to believe that it was only their debut record. Crows are a band that I’m constantly in awe of, and I love how they make me feel like I’m discovering the likes of The Birthday Party for the first time. They are loud, they are raw and they are criminally underrated. Their second record Beware Believers was released last Friday, and trust me- it’s unreal.

11 songs make up this record. 11 heavenly songs that will send you off into some odd dystopian dream/nightmare (I mean you could just take a look outside for this, but let me be a bit dramatic here.) There’s nothing more annoying than someone mentioning the second record curse when writing about a bands second release. Ease off the pressure and stop assuming everyone will release a shit second record. Crows are a band that do not make bad songs nor do they put fillers on their record at all. They make the kind of music to completely let loose to. If something is stressing you out or if you’re carrying some frustrations you just do not need- play this record as loud as you can stand. I’m not playing it as loud as I normally would due to being a little deaf from seeing METZ last night, but I’m brave. I can do this.

This year is clearly the year for exceptional records, and Crows can add their name to the list of bands contributing to this. I don’t think we’re going to hear a record as driven as this one. I don’t think it’s possible for anything to even come close to this record. Crows have been around for ages, and yes, it’s hard to get your heard around the fact that this is only their second record but what’s more difficult is that they haven’t taken over the world yet. Come on now! This needs sorting. I’ve listened to the record a lot the past few days, and I love the way every song flows perfectly into the next. I love how Only Times goes right into Slowly Separate. For me, that’s one of my favourite moments on the record; I love how beautifully chaotic this record, and I love that every song is delivered with such importance. These songs are vital, and you can tell just how much it means to the band.

I’m so excited to see them this week, and to see these songs live. I love when you hear a record, then you finally get to witness it live. You can really feel what the songs mean to the band and you can be part of how they are meant to be heard. Every song on this record, much like their debut, will make you want to trash any room you step into. Do it. Live a little. Throw some shit around, go wild. 

There’s a song on the record call Healing, and there’s a line that goes “I know that everything hurts, and I know that everything can heal” and it probably one of the most important lyrics I’ve heard in a while. Something so simple, but is projected in a way that really gets you right in the gut. I think Healing might be THE song for me on this record. I think it’ll probably be one of the most vital songs I hear all year. I love the vulnerability in the song and I love James’ vocals on this. I feel I could write an essay on this song and why it’s just so important. If they play this on Friday, I’ll probably have a bit of a cry or I’ll be too in awe of what’s happening and just stand there like a gormless twat! I cannot tell you how euphoric the song Room 156 is. This again is one I am so excited to see live (hopefully they play it!) For me, this record has this strong sense of urgency. It feels like the band just HAD to get this record out. Every word, every note played had to be released into the world. Thank God it finally has been.

Every song on this record shows us exactly why Crows are thrilling and a joy to listen to. The darkness but hopefulness in the songs will leave you feeling fragile but okay. There’s something about this record that makes you feel like maybe, maybe, it’ll all be okay. The record ends on Sad Lad which has this beautiful yet eerie feel to it. It’ll break you but by the end of it, you will feel healed. I really hope Crows know how important they are, and how important their songs are. There’s a lot of healing in the lyrics, and the way the it all comes together and just soothes your head and soul is divine. I’m just in awe of how loud and gentle this record is. Sometimes, you just don’t know how much you needed to hear something until it hits you right between the eyes.

Crows start their UK tour tomorrow, and you can get yourself tickets here: https://www.ents24.com/uk/tour-dates/crows-1-1

Go see them and let the healing begin.

METZ @ YES, Manchester 3rd April 2022.

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Sunday. The perfect day to see one of the loudest bands around live. Even better when you have the Monday off to make sure you fully recover and can hear properly. I think the last time I saw METZ live was at YES, and it was such a great show. How was last nights show? Just as great- if not better.

The bands and fans have waited around 2 years for this tour, and it was absolutely worth the wait. METZ are a band that you listen to, and just let everything go to. I didn’t realise how badly I needed to see a band this loud, and when it happened- it was sheer euphoria. I wasn’t brave enough to get right into the crowd, but I had the time of my life on my lonesome at the back. The Pink Room at YES is probably one of the finest venues in this beautiful city. I’d put it up there with the likes of the Moth Club in London. It’s got this feel to it that just makes you feel like you are where you are supposed to be at that time. Anyway, profound shit aside- let’s talk the setlist.

METZ tear the roof off with Pulse- a proper smack in the face jam. A perfect way to open the set. Now, for some this 11 song set may have been too short (I mean I agree- I could happily watch them play for hours and still want more.) but the energy these 3 have on stage is insane. I just want to touch on how phenomenal a drummer Hayden is. On record, you know he’s great but bloody hell when you see METZ live, you truly get to witness how talented they are. Hayden’s drumming is unlike anything else I’ve seen- I can’t even give you a reference of who to liken him to but I promise you- he’s one of those drummers that will go on to influence so many. METZ are just a delight to watch, and the second their show starts you know it’s going to be something that stays with you. Alex’s vocals whilst annihilating the shit out the guitar are a sight to behold. He’s truly something else, and accompanying this you’ve got Chris making the bass sound like a lethal weapon. If you’ve never seen METZ live, then you’re missing out.

The setlist was perfect- cannot fault it. Not like I’d want to anyway! We were treated to Hail Taxi, The Swimmer, Eraser, new song Demolition Row, obviously Get Off (which was dedicated to the support Psychic Graveyard) and ended on A Boat To Drown In. There’s hardly any small talk here (and I’m all for that- bloody hate small talk) and they just keep the songs coming, and getting louder and louder with each song. YES is the perfect venue for a band like METZ. The sound there is great, and it’s a Pink room- what more could you want!

I think their show last night truly showed why METZ are not just one of the best band around full stop, but one of the most thrilling bands to see live. I know they aren’t to everyone’s taste and some may shy away from music as loud as this, but there’s no denying how talented METZ are. Canada’s finest for sure. Every record is a progression in sound, and is a masterpiece, and when you see them live you can’t help but wonder how the hell do only 3 people make this much noise? I’d put the show from last night as being one of the loudest shows I’ve ever been to. Top 3 with Melvins and The Jesus And Mary Chain. Easily.

The show last night was truly worth the wait, and everything you could possibly want from seeing a band that you adore. If annual leave and money wasn’t an issue- I’d happily follow METZ on tour. They are a joy to watch- lets hope we don;t have to wait so long for the next tour!