Tag Archives: Punk

BADASS MOTHER FUZZERS: On The Run.

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I have no idea what day it is anymore. I have no idea how long I’ve been ill for and my sleep pattern is every shade of messed up. It’s alright though, I guess it means I can spend more time writing about music. Then taking a nap. That lasts for about 5 hours.
Badass Mother Fuzzers are a band from Toulouse who are exceptional at what they, and what they do is give us exquisite Garage Rock music to lose our minds to. Although, I expect with us being indoors for long periods of times, we’re all going to get to that stage. I can hear my neighbours laugh, sneeze, cough and flush the toilet. Way too much. I wish the walls weren’t so thin, but I guess it means they can hear my music too, so it isn’t all bad! BAMF are a remarkable band who have this smutty Rock ‘n’ Roll sound that you just cannot get enough of. It’s got that Johnny Thunders feel flowing right through, but it’s also got something else. Something that goes beyond words but it’s something so passionately fast that you just cannot get enough of it.



Their latest release came out last September, and it was most certainly a record that deserved way more attention than it got. It’s got some real trippy numbers on there such as Love Ain’t No Crime and Breaking Down. They are just divine pieces of music, and you can’t help but wish you could see BAMF live because I’m fairly sure their shows are nothing but wild. You can just picture them all going nuts on stage, and at the end- the drumkit is smashed into pieces as chaos erupts on stage. I just love their frantic sound; I love how every song is delivered with such urgency, and if you’re looking for a top example of this you will find it on RUN RUN RUN. It’s such a great song, and although the whole record is brilliant, this song is the one where you can really hear exactly what every band member is made of. You can also hear why they are one of the best bands to come out of France.
I love that I can hear snippets of The Gun Club and Ramones in their music, and how they mix everything I love about music and make something that is just a sheer joy to listen to. The attitude that flows in the music is great too, it’s got that Dead Boys snarl to it- you wouldn’t dare mess with them. You get this from Don’t Feel Bad and Don’t You Try; they’ve got this way of making you wish you could make music as cool as this.



When you listen to BAMF you wouldn’t be wrong in thinking you were listening to something from the 60s; they’ve definitely got that feel. That hypnotic Garage Rock sound mixed with a Bluesy feel is just super addictive, and I love the riotous feel on Don’t Need You (for me, the vocals on this are my favourite on the record) and Fall For You reminds me a little bit of The Cramps, if you really listen to it hopefully you’ll understand what I mean. It could be the trembling vocals that remind me a little of Lux. Either way, it’s just wonderful. There’s just so much to love about BAMF and the fact that there’s only 3 of them making all this noise just makes it that touch better because they really do make you feel as if you’re listening to an orchestra of noise. I absolutely love this band, and I hope you do too!
On The Run is out now via 6Tone Records.

NADU: Survive *Single Premier*

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During all this madness, we can always count on music to make everything better. Whether it be an old band you love, or a band you’re finding for the first time. With that in mind, I am beyond happy to share with you the premier of NADU’s brand new song, Survive which is taken from his brand new EP, Determinator II which will be out in May.

 I’ve already listened to the EP, and I can promise you that this is going to be one of the most exciting records we are going to get this year. It’s a real fast-paced Garage Rock record, and the fact that it is all done by one person makes it that more special. You can hear every ounce of passion and creativity in this record, and it definitely shines through on the lead single and EP opener, Survive. His first EP was released in 2017, and since then he’s been playing shows across the West Coast and Midwest of America and unleashing this brutal sound that you just cannot get enough of. On record, it’s just him but catch his shows, and you’ll find Nadine Torres and Kenny Esparza right next time. Buy the EP so they can head over this way and do some shows!

 

 

Survive is the perfect lead for this release; the bold and brash DIY sound is insane, and Nader’s vocals have never sounded so good! The way it just smacks you in the face right from the start, and when the vocals kick in and the drums- you just know that it is over. It is such an exciting song, and sure it’s just over 2 minutes long, but in those 2 minutes you are subjected to some real gnarly sounds. If this song doesn’t make you want to start your own band, make your own noise or whatever then I really don’t know what will! As a kid, Nader immigrated to Texas from Bangladesh, and a couple years ago ended up in LA where NADU was born. This is a project that Nader created after leaving corporate jobs behind and fully dedicating himself to music, and it’s fair to say that he made the right decision.

 My only advice to you is, if you’re stuck indoors for the foreseeable then open your windows and blast Survive as loudly as you can. The same advice applies for when the EP comes out. I was going to write about the EP here, but I’m going to hold off until closer to the time. Lord knows we all need things to look forward to right now!

 You can stream Survive, and pre-order Determinator II here .

AXETONE.

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AXETONE

If I had the money to buy all the merch and records of bands that I love due to shows being cancelled, I really would. It breaks my heart to see them struggle because of the virus; their music is their life. It pays their bills; it keeps them going. Their music keeps me going. All I can do is write about them- all I can offer is words, and it just makes you feel helpless. Then you have absolute selfish fuckers buying everything in the shops that they clearly do not need, and other have to struggle. Not to mention the government vocalizing zero concerns for homeless people. But why would the fuckers start caring now? If it doesn’t make you angry, then you’re part of the problem. And with this anger, it brings me to the wonder Axetone from Miami.

 I don’t know anything about the music scene in Miami, but if the Punk scene sounds anything like what Axetone give us, then sign me up! There’s this gnarly sound that just oozes pent up aggression and I love it. They’ve got this wonderfully brutal sound- it reminds me of Bikini Kill slightly. There’s a nod to Riot Grrrl here, but at the same time Axetone just give us something so heavy and furious. You absolutely cannot help but play this so loud you’ll feel as if your ears are going to bleed.

 

 

 Axetone haven’t been going long, and with only a couple of releases up on their Bandcamp page (with one being demos that are incredible!)  you’d think it’d be tough to get something meaningful out about them. Thing is, when a band is this good, it’s an absolute honour to write about them. Their newest release came out at the start of March, and these handful of songs are so powerful and the sheer urgency in the songs just makes you want to trash shit and jump around in your room, and probably annoy neighbours with your stomping. Here For You Here For Me is such a great record, and it’s perfectly made up of angst filled songs that will get you right in the gut. This is not for the faint hearted or for those who want awful, sickly love songs. That shit isn’t welcome here; give us this beautiful and unpolished noise any day!

 Michi has such a distinctive voice, and the way the vocals are screamed out just make you want to scream them right back. There is so much power and determination here, you cannot help but let it consume you. Take the opener, Emotional Dishes; it touches on mental health in such an unfiltered way and it then goes right into Hot Pocket which exposes just how fucked society is. This is band that are hugely observant of what is around them and their community. A huge community feel is what you get from this band, and their unity with each other is what makes their sound. There’s this tightness but not in a polished way, but in a way that you know that the band totally get each other, and the bond goes deeper than music. For a band to get that feeling across so early one is something to really pay attention.

 

 

 With one listen, I just became obsessed. I love the Punk feel. I love the Riot Grrrl tones. I love the way that they are so brutally honest with the lyrics and how annihilating yet freeing the music is. I just love everything they give. The force on Toxic Womb and Wolf/Sick Head is vital, and just reinforces why we need bands like this, and thank fuck they exist.

 Here For You Here For Me is out RIGHT NOW!

DEAD MEAT.

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We have a super-group on our hands. Us filthy Punks/Punx have a band to really become obsessed with and to fawn over. That band is…. DEAD MEAT! They consist of members from the killer bands that are: The Speedways, Suicide Generation and The Cavemen and their first EP has been released by the always reliable and always great, No Front Teeth Records. This is gnarly London Punk at its finest. Strap in, kids! This is going to be loud.

The EP kicks out with I’m An Infection. Probably not something to yell given the state of the world right now but the song is great. It’s fast, loud and criminally short. That’s the EP in general though, but hey! Give it a listen and you’ll see that the solution is to play it constantly.

 

 

Leave Me To Die is their Ramones moment. As someone who is obsessed with the Ramones and will always worship Joey Ramone- this is a big deal. There’s a lot of Ramones flavour on this EP, but they also a huge dollop of Dead Boys. Basically, it sounds like my favourite bands in one. It doesn’t get much better than this! Also the intro to Leave Me To Die reminds me a little of The Stooges’ I Wanna Be Your Dog. It’s got that same filthy feel it, you can’t get enough of it.

Aside from the songs being incredible, it’s only right that I tell you how brilliant they are as musicians. Vince has this brilliant snarl in his voice that makes you feel like you’re watching a tiger attack its prey. Stalking it intensely and making it’s way to rip everything and anything apart. The energy he has is the kind that makes you just KNOW that their live shows are insane. Jake is a monster on the drums, he sort of eggs the band on to go faster and play louder. You can really sense this on the title track, Dead Meat. It’s just a joy to listen to and I honestly wouldn’t be surprised if he is someone younger Punks starting bands cite his drumming style as an influence. Fisher (bass) and Adrian (guitar) compliment each other so well. Adrian is an animal on guitar; no one plays like him at all. There’s something there that, and I know I keep saying it, but it really makes you feel like you’re hearing the Ramones for the first time. The aggression in the guitar is merged so well with Fisher, and how he adds this slick grooves and keeps up effortlessly. No one is leading anyone here, they all have this evident bond and it’s just another reason as to why it’s fair to call them a super group!

Dead Meat have released such a great debut record here, and it just makes you excited to hear more from them. Given the bands that they already play in, it’s pretty obvious that this band wasn’t going to be anything other than exceptional. I can’t count how many times I’ve played it whilst writing this. It’s an addictive record, and that’s something to really be in awe of.

 

 

Dead Meat’s debut EP is out now via the equally great No Front Teeth Records. Play it LOUD!

KILLER KIN: Bad, Bad, Minds!

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Sometimes you need some pure smutty Garage Rock to get stuck in your brain and to seep into your bones, and just move you. I think… no, I KNOW that Killer Kin are that band. Earlier this year they released the exceptional Bad, Bad Minds! record and it everything you’d want from music and beyond.

 Killer Kin are an incredible band. They are exciting and all kinds of bizarre- they make the kind of music that Lux Interior would get excited over. The kind of music that John Peel would have been in love with. They’ve got a New York Dolls bite about them, and this attitude is throughout the songs on the record. The record reminds me of The Cramps mixed with the New York Dolls, and for me that’s the ideal sound. There’s this Glam Rock and Psychobilly feel to the record, and the vocals are ridiculous. They are completely off the hook and you cannot help but wish you could sing like this! If you’re looking for a band to make you happy, you’re alive- listen to Killer Kin. It’s totally wild record, and I hope it makes them HUGE! They deserve it. I don’t know how long they’ve been around or how many records they’ve made. This might be their first? I have no idea, but I do know that is it out of this world. They have a sound that I absolutely adore, and I cannot get enough of it.

 

 

Bon Vivant is the one to really melt your brain; it’s such a heavy song, and for me everything on this song just shows us why this band are truly the ones to watch. THAT guitar solo on this from like the 2-minute 15 mark is mind blowing. You can’t help but feel you’ve gone back in time but also stepped into the future with this band. I love them, and I love this record. Can you tell? Bottom Feeder Blues and Bad, Bad Mind just show us how phenomenal this band are- they’ve got this gorgeous aggression in the sound. It’s the snarliness, it’s the smuttiness, the pure filth that’s in every single song that has you hooked. I want to live in the world they’ve created on this record. Killer Is King may be an ode to Arthur ‘Killer’ Kane? Forgive me if I’m wrong, but its sure sounds like it. You can truly hear the New York Dolls influence on this record, and to have something specifically for Arthur is beautiful. Like I said, I could be wrong but, in my head, it’s all for Arthur and I love that. Afterall, Killer Kane was a King!

 

 

With only 5 songs Killer Kin have made a lifelong fan out of me. With only 5 songs they have really made an impact that most try to do within 5 records of their career let alone 5 songs. They have this feel to their sound that makes you instantly know that their live shows are probably beyond description and unlike anything else you’ve seen or heard before- much like how they are on record. I really hope we get more from Killer Kin because they are so talented and unafraid to tamper with what most shy away from. This sheer decadent sound is beautiful and hypnotising; you just want to be constantly immersed in it. For me, this is the kind of noise that makes me love music so much and makes me want to write about it.

 All that’s left for me to do is urge you to get your mitts on this record and lose yourself in it. So far, this is one of my favourite discoveries of the year and I cannot wait to hear more from Killer Kin.

 

LOS CRVELES!

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Get your ears round this- the new and completely unexpected release from Costa Rica’s finest Los Crveles! I wrote about them last year, and my obsession has never died down. It’s probably grown; in fact it has, thanks to this new release. It’s 6 noisy AF songs that will do everything in their power to leave you deaf and crying like a baby on the floor. It’s a real gnarly Garage Rock record, and it is loud in all the right places.

 The record came out yesterday and has been released via Istanbul’s Kafadan Kontak Records. They sure know their stuff, and it is worth checking out the releases on their Bandcamp page if you want more obscure and wonderful music in your life. These masked crusaders sure know how to wow you with their slick Garage Rock/Surfer feel, you can’t help but let yourself be thrown into the insane world they have created with their music. At times you feel like you’ve stepped into some Horror b-movie and you expect some odd creature with a slimy hand to grab you by the throat and launch you into the air. Basically, the creepy sound is incredible, and I love this band a lot. A hell of a lot. The scene in Costa Rica is something to really pay attention to, and there are several bands there who are making a beautiful noise and are worth devoting a lot of time on. Your ears will love you for it.

 

 

 These 6 songs were made to make you move, shake and throw things around. The instrumental songs on this record are completely off the wall and the songs where there are vocals? Even better. Even louder. The scream-like vocals sound like someone possessed and it just works so well. You step into this unknown world, and what you get from it is a lifetime of great music. There is no band out there quite like Los Crveles and they’ve this yet again on this release. They have a similar wild sound like The Mummies but there’s something else there, and it’s that something else that stops you in your tracks. I found this band by chance last year, and it was truly one of my favourite and best finds of the year. I just love everything they do, and how they have this unfiltered feel that makes you wish you could do it. But thank god we have Los Crveles doing it.

 Alvcarda Gogo sounds like it could be on a film- it’s such a perfect sounding instrumental number that has a Spaghetti Western feel to it, and you feel like you’re in that film and this song is the soundtrack to an important fight you’re about to take part in. As your enemy approaches in a cloud of sand and dust, you’re able to get a couple steps ahead and knock the fucker out- that’s what this song gives you, the attitude and freedom to be this tough person.

 

 

 

Get your ears round this ruckus record and play these heavenly songs as loud as you possibly can. And as often as you can, of course.

 

 

DUSTY MUSH: Rainbow Creatures EP.

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Right out of nowhere we have a brand-new Dusty Mush EP! Totally unexpected but definitely needed. I’ve written about this Parisian band before, well I think it’s just Cédric on this, but irrespective of band members- this is one heavy EP.

 Everything about Dusty Mush demands your attention, and the Rainbow Creatures EP is no exception. It’s like a sped-up version of Sleep or some wild shit. Cédric is a phenomenal musician, and I always look forward to hearing what he’s up to, and with this EP he most certainly brings back that excitement. Although the EP is only 4 songs long, it’s a great taster for those who have never ever listened to Dusty Mush before.

 Rainbow Creatures doesn’t really last 10 minutes but you know how it goes- you just keep on hitting the repeat button and wait for the magic to hit you between the eyes all over again. I love The Fog and how unapologetically rowdy it is. For some it could be an uncomfortable listen, but for me it just shows us how fantastic Mr. Bottacchi is! The guy is out of this world, and I think The Fog just may be his best work to date.

 

 

 

Dusty Mush is the epitome of experimental and all that good stuff. There is glorious sound going all the way through these 4 songs, and it just makes you want to lock yourself away for a little whilst and blast these gems out. They really are meant to fuck with your head and posses your body; I’m all for it. Poison Oak is the only instrumental number on the EP, and it shows us how great a musician Cédric is. It’s a great way to close the EP but as you know, it just leaves you wanting more.

 The title track is an absolute monster, and it has this huge sound to it- this almost drone-like feel to it that’s found in the likes of OM and such. It’s got this unfiltered heavy feel, and it just stays with you. The song sounds like it could be some kind of folk tale told to scare people shitless. I love the eerie sound on it, and I love how that creepy feeling is apparent through every song on the record. It is a pleasure to listen. A real treat for the ears.

 Monterey is a quicker number. You can imagine someone fleeing in a getaway car listening to this, and not looking back on what they have done. What I’ve found with this EP is that is could easily be the soundtrack to a film. It’s got that bite to it that could easily make it the soundtrack to some wonderfully messed up film- you know the kind. The kind of film that stays on your mind for days, and every so often you find yourself thinking about it, so you have to watch it again and again. You can’t shake it. That’s exactly what you get from the Rainbow Creatures EP. It’s a work of art, a gnarly masterpiece.

 

 

 

If you’re after something that’s going to take you on some blissed-out psychedelic trip, then you need to get yourself a copy of Rainbow Creatures immediately and let Cédric whisk you off to some place truly magical. The EP has been released via Dirty Slice Records, and only 30 copies of the coloured tapes have been made. You know what to do.

 

 

THE GRUESOMES: Someone Told A Lie/Make Up Your Mind.

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The coolest thing has happened- NEW MUSIC FROM THE GRUESOMES! Well, it isn’t exactly new music but it is two unpublished songs, and that’s enough for me. For now!

If you’ve had the misfortune of ever reading anything I’ve ever written, you’ll see that The Gruesomes are a band that I will mention at any given opportunity. I just idolise them- they’re everything I want from music and more, and these two new songs are just incredible. I’m not just saying this because I am obsessed with them but, okay, I’m probably saying this because I AM obsessed with them. And also, the songs are great. I’m getting the same feeling I did when I first heard them.

Also, another super cool thing about this release is that is comes with an 8-page comic. Could The Gruesomes get any cooler? Probably, but right now I’m just happy to have this.

 

 

First up we have the tougher than old leather boots song, Someone Told A Lie. It’s a typical sound of theirs, and it will just make you want to have it on repeat and as loud as you can handle. You’ll have hold of the lyrics in no time! It’s such a snarly based number, and it’s part of the reasons as to why I love the band. I love that snarly tone in the vocals and how it has this obnoxious snotty feel to it- a proper Punk-esque feel with all things I adore about Garage Rock. It has such a powerful sound that I just want to listen to over, and over again.

Then we have the second song; Make Up Your Mind. It sounds divine right after Someone Told A Lie. That guitar solo- my GOD that guitar solo! It just sets you off, and before you know it you’re in this trance, right in the groove of this beautiful song. It’s enough to make you cry over how amazing it is. The Gruesomes are one of, if not probably my favourite band of all time. Their sound is just heavenly to me, and these two songs are everything I could possibly want from a band that are such a massive part of my life.

The Gruesomes need to somehow find their way to the UK and play some shows. I would pay pretty much anything to see them- it’s that vital to me. I just love them, and I really do hope they do a tour. If not, then I’ll just have to keep on playing the records to death continuously.

 

 

Someone Told A Lie/Make Up Your Mind has been released via the Spanish label, KOTJ Records. Be quick though- there aren’t many copies left on their bandcamp page!

Play it loud!

KOLOSSUS DÄÄCHT: Lipstick Love.

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Right out of Germany we have the exquisite KOLOSSUS DÄÄCHT; a tougher than leather Garage Rock band who will be releasing their debut record at the end of March.

 I’ve heard the record, and even though I don’t really like promises- I promise you that this record is going to blow your mind and will burst your eardrums in the most decadent way possible. Germany knows how to do this kind of music, but there’s something about KOLOSSUS DÄÄCHT that stands out. They have this huge sound that you’d probably find in bands who have been doing this for decades, but instead we have been blessed with this fresh new band that will just ruin you in the most magical way possible.

 

 

The name of the record is Lipstick Love, with the first single having the same name. The second single will be Cold Soup, but singles aside- the whole record is killer track after killer track. This record was made to be heard as loud as possible for sure. I love how they make you feel like you’re hanging out with them as they blitz through the songs in some cramped rehearsal space. Of course, in a sweaty, dingy bar is probably the best place to witness what they have to offer.

 There’s this proper Punk sound all through the record, and it’s more prominent on songs like Hypochondria and Do Your Job; there’s a lot of attitude on this record, with singer Clement having this Johnny Rotten like snarl to his voice. It’s a delight to listen to, and there’s no way anyone could listen to this record once and be done with it. It’s the kind of record that finds its way into your system and festers there forever. It’s always there, and you cannot help but crave it. It’s a brilliant debut record, and it’s just a little taste of what is to come.

Some of the songs have a Psychedelic feel to them, and this is really clear on The Armor. Clement’s vocals on this sound like something from a 60s Psych band, but you’ve got Stefan (drums) beating the shit out of the drums in a true Punk style. Dennis has a Johnny Ramone kind of style to his guitar playing and this is beautifully put together with Benedäächt’s bass. The whole Punk feel just smacks you right in the face on A Mess. The record consists of 14 exceptionally produced songs that will just leave you in awe; it is one of the most exciting records of the year, and I can only hope someone brings this band to the UK because I’d love to see them. I love how they make you feel the same way you did when you first heard the likes of The Cramps, The Stooges and the Ramones- they just hit you with this feeling, right in the gut. That’s when you know you’ve found something to truly treasure.

 

 

Lipstick Love is an incredible debut record; these 14 songs will blow your mind. Nothing will sound the same once you’ve heard this record, trust me. It’s a record to completely and utterly fall in love with. When it comes out, take the day off work to do nothing but listen to this record. Take a walk round the park, or head to the beach or wherever and just play this record over and over. Get lost in songs like Bad Cough, Home Alone and Courage. The whole record. Just let it consume you, that’s all you can do.

 The record comes out 28th March via Micro Wave Music.

BAMBARA: Stray.

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bambara

 

My love for Bambara is something else. I practically live in my Bambara shirt, and I still think about their show from last year at the Soup Kitchen. I had no expectations from what I was going to witness, but I knew that from their records I was going to witness something that would blow my mind.

 Stray was released on Valentine’s Day- the perfect date for this record. Stray is made up of dark, deathly and romantic songs that totally justify my belief that Reid Bateh is one of the best songwriters around. For me he possesses that same genius that Nick Cave has. A fearless approach with unconventional romantic tones. Think Rimbaud, think Baudelaire and mix it with William S. Burroughs and Allen Ginsberg- then you’ll get it. My point is this- Reid is an exceptional writer, and I honestly wouldn’t be surprised if one day, he writes a novel and that novel gets turned into a film with the band creating the score for it. Can you imagine?! It would be insane.

 

 

 

There’s a fair amount of references to death on this record, and you know, it’s something we cannot avoid at all. My enjoyment for things has dipped a bit since losing my Grandma in August, but I’ve found comfort in music. Bambara have reinforced everything I love about music on this record. They just nail everything I love about dark music that is unafraid to expose the things that we try to shy away from. Everything from the production to the order the songs are in on this record is so carefully done, and you can truly hear the growth in the band on Stray. If you’ve seen them live, you’ll know exactly how intense their shows are. Reid is one of the most captivating front men I’ve ever seen. Blaze is up there as one of my favourite drummers of all time and William is so effortlessly laid-back and cool. You wish you could do what each of them do, and not only do they have this presence live but they also have it on record. Stray shows us all why they are one of, if not THE most vital band around.

 I can’t possibly pick a favourite song on this record; it’s one of those records that you go back to and with every listen, something else just blows your mind. The record is like one euphoric story that builds and builds. I adore the intense sounds on this record and maybe it has this feel due to Reid and Blaze being twins and having this bond but with William he adds this feel to the band that sort of calms the storm slightly. The way Blaze annihilates the drums and how Reid has this snarl-like feel to his vocals is beautifully wrapped up in how soothing William unleashes his inspiring bass playing, and beyond. All three of them are exceptional musicians, and for me, they do justify this on all of their records, but Stray takes you some place else. It’s another world, and a world you never ever want to escape from. It is such a comforting and powerful record, and the production is out of this world.

 Ben & Lily is a prime example of Reid’s songwriting, and how brilliant it is. The way the song flows reminds me a bit of The Bad Seeds’ Thirsty Dog. It also sounds like something you’d hear in an old cowboy film- it’s got a great Spaghetti Western feel to it. Play it loud, and maybe have it on repeat for your next few listens. It feels like a short story, but one you don’t want to end. I just adore the places that Bambara take you and how they can just take you on this ride with them; their music is so soothing and comforting. To others maybe it is too ferocious, but that’s where I find comfort the most.

 There is one part of the record from one song in particular that I keep getting drawn to. This is taken from Made For Me: “Lit cigarettes will rain. On a field where horses roam untamed. See you running with them through the flames. Wild flowers in their manes as you lead the stampede my way.” There is something about this that just hits me in the gut. I mean the whole song does, but this part really hits me. I don’t know why, but it’s just so powerful and beautiful. However, if you’re looking for a song to truly break your heart- then listen to Sweat and I mean REALLY listen to it. It’s fucking brutal, and really heavy.

 

 

 

Stray is magnificent, but what else do you expect from a band as powerful as Bambara? Stray is probably going to end up being my most played record of the year. I cannot get enough of it, nor do I want to. I’m happy to have this record on repeat for the foreseeable now. I felt this way about Shadow On Everything, and they’ve done it again with Stray. I feel I could write about this record forever, and ever. Until words become pointless and no longer carry any meaning. An absolute honour to listen to.