Tag Archives: Music

THE VELVET UNDERGROUND-Loaded.

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“Oh, I do believe
If you don’t like things you leave
For some place you’ve never gone before.”

 

All I want to do is listen to Lou Reed. All I want to do is listen to him so much it stops his death being true. A stranger’s death should not do this to me or anyone. But it has, and if I could make sense of why my brain is thinking this way and transporting it down to my heart, then I’d be really thankful of that. I’d like some understanding, but I know I’m not going to get anywhere with it. So all I can do is listen to his voice in any way that I can. Just to take in his words and to get some understanding from it all.

The past few days I’ve gone back to listening to Loaded. I always thought their first record was the one I adored the most, I really thought I had made a solid decision for once. But hey, I was wrong. I’m alright with that.

For me, Loaded is something else. There’s something about that record which is stronger than the others. Maybe it is stronger because there is no way you can tell that this band were once influenced by Andy Warhol. Sure the songs are more accessible than the likes of Heroin or Venus In Furs (but don’t trust anyone who doesn’t like those songs, or VU in general.) Loaded is full of songs that make you move in the most sassy way possible. Lou’s voice just makes you strut in the most flamboyant way possible. He embraced everything that is deemed as “weird” but on Loaded it seems more tame. For some, this may be shying away from all the Velvets were, but you must remember that they were a band that were ahead of their time. No one has ever come close to what they did, and still manage to do even though….well, you know.

Who Loves The Sun is a heartbreaking but beautiful sang by Doug Yule. Nothing matters once you’ve had your heart ripped out. No other songs sums it up more than Who Loves The Sun. However for me, the song that really does it for me is Rock & Roll. Rock & Roll sums up perfectly what it is like to fall in love with a song, and to then fall for the band behind it. It conjures up memories of falling in love with your favourite band(s) all over again as you listen to it. When I hear it, I just think about staring at that poster of Lou Reed and of Nick Cave on my uncle’s bedroom wall when I was about 3 or 4. I remember being in awe of them both, little did I know what would happen about 10 years later. I always think “Her life was saved by Rock & Roll” to be one of the most accurate lyrics ever written. I guess it’s probably because I feel it was written for me, I’m sure others feel exactly the same when they hear it.

I adore Lou’s vocals on this record. When he goes high and love on Cool It Down, and does something really gnarly with his voice on it. I think this just shows how brilliant he was as a vocalist. Sometimes he sounded bored on some songs, and that’s what lured you in. You wanted to see it all like he did, but obviously for the most part his voice just took you over with how sincere it was. His lyrics are a guide for life, and on Loaded it shows just how to have fun and to embrace every little thing that you can.

Loaded is a record that is pretty much taking over my mind at the moment. It’s the only thing I want to constantly listen to, and you know it has the greatest love song on it, right? I Found A Reason is a hopeful love song- especially if you’re hopeless like myself. I just love everything about it. I love the innocence to it, and in some respects you can say this about a few songs Lou Reed wrote (both with the Velvets and solo.) His innocent and vulnerable way with words just showcases how much of a genius he was, and his words are what he will always be remembered for. I Found A Reason is that one song that just captures everything love is. It doesn’t have to be in a romantic sense, if you don’t want it to be. It can be about finding a friend that finally gets you. Or maybe the whole song is a few minutes of irony, who knows.  But dear reader, if you happen to find a friend who really gets you. Like really fucking gets you, and doesn’t mind that 3am phone call when your brain won’t turn off- then please hold onto them. Even if you have a weak grip. They will probably turn out to be the best pal you ever had, and you went about everything in the wrong way. Because that is what you do.

Loaded is a proper Rock & Roll record. They’ve got the riffs that make you wish you could play the guitar, they’ve got the songs that just move you- in body and mind. It’s a fantastic record that I still think isn’t given as much attention as it rightfully needs. I’m all for people saying that the Velvets first record was a stroke of genius, because it really is. But the thing is with Loaded, it is a record full of hidden beautiful moments that you pick up on when you have it playing over and over. I don’t know if it is actually possible to pick a favourite record by them and to stick with it. Maybe next week I’ll go back to declaring their self-titled record as their best work, but that just shows how brilliant The Velvet Underground were. Every record sounds different and is a step up from the last.

For me, I’ll always regard Lou and Mo Tucker to be two of the best at what they did..do..did. I’m not sure what tense to use anymore because the past tense just doesn’t sit right with me. Mo’s relaxed (yet furious when needed) drumming really fits with Lou’s soothing voice. If it was just those two making music, I still have every bit of confidence that they would have been the best band ever. When you listen to the music they made with each other, you can hear how they brought out the best in each other.

If you’ve got this far, I hope it makes you go and play Loaded in full. It’s just a romantic and perfect record. It is timeless and the lyrics are full of beauty. I just really miss Lou.

HAUNTED HEARTS-Johnny Jupiter.

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FINALLY Dee Dee and Brandon have released the video to Johnny Jupiter. It will leave you wanting a silver leather jacket (fake one though, harming animals is disgusting) and it will also make you feel as if you’ve taken something. The video is directed by the super talented Scott Kiernan.

The video to Johnny Jupiter makes you feel as if you’re on some wonderful lucid trip. Music is that powerful, and please shun anyone who doesn’t agree with that. Don’t trust anyone who doesn’t love music.  Johnny Jupiter is taken from their record, Initiation which is out on cassette via Dream Recordings and via their own label Zoo Music on 27th May. Zoo Music is responsible for some amazing releases, so after you’ve pre-ordered it via iTunes (you also get Johnny Jupiter immediately when you do this), you should probably head over to the Zoo Music website and pick up some other records. Treat yourself.

Dum Dum Girls and Crocodiles are doing a few shows together in the UK at the start of May, and Crocodiles are doing their own tour mid-May. I’ll be seeing them 3 times in the space of 2 or 3 weeks. If I had the funds, I’d probably do the whole tour but the universe hates me at the moment.

Last year they put out Something That Feels Bad Is Something That Feels Bad, I got myself a copy. I’ve only played it two or three times. I don’t want to ruin it. Fortunately that is going to appear on the record, and the track-listing for Initiation is as follows:

01 Initiate Me
02 Up Is Up (But So Is Down)
03 Something That Feels Bad Is Something That Feels Good
04 Johnny Jupiter
05 House of Lords
06 Love Incognito
07 Strange Intentions
08 Bring Me Down

I think they’ve already put out Initiate Me and House Of Lords for streaming; I’m sure I’ve heard them?! Either way, I’m going to put this record right next to Too True by Dum Dum Girls as records of the year. Morrissey can go as my number 3 when it comes out. No other records are going to matter this year really.

Watch the video to Johnny Jupiter, and allow yourself to be sucked into this decadent and mysterious psychedelic underworld courtesy of Brandon and Dee Dee.

GIRL TEARS-Candy Darling.

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GT

 

Girl Tears are pretty much the only band from LA that you need to be listening to (oh and Roses too, listen to them.) Girl Tears make short, aggressive songs that make you hit that repeat button as many times as you desire. They’ve got the attitude of Punk secured perfectly.

Candy Darling is taken from their addictive debut, Tension which is out now on Lolipop Records. The trio are now back at home after hitting SXSW with their unapologetically ferocious songs in the blistering heat.

Girl Tears make you wish you had some musical talent. They’re songs last about a minute, and it sounds just right. Others may struggle to do this, but it’s no thing for Girl Tears. I just really love their sound. It’s rough, distorted and enough to burst your eardrums if you play it at the right level.

Check the new video:

I just wish I had the money to bring these guys to the UK because there are some dark, sweaty, intimate venues that need their sounds to vibrate the floor and to cause some kind of riot. Can someone make this happen please?!

ELBOW.

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“The dream again nobody understands
Walking through the long grass on your hands
It’s not a job to do today
Sleep it off.”

 

I think anyone with even half a brain cell is aware of Elbow and just how wonderful they are. I was a fan for some time, but shut off my interest when someone I used to know was a huge fan and of course, as is the way, didn’t turn out to be that nice. Maybe they’ve changed now. I can only hope because I like to try see the good in people.

In an ideal world I wouldn’t be writing this at 5.45am on a Sunday. I should be asleep. My neighbour came home an hour ago, and has decided to shout and play really bad dance music. Attempting to listen to Elbow with a really awful and irritating bass line in the background is proving to be a bit of a challenge, but nothing in life is ever easy.

Initially I was going to write about their new record, The Take Off And Landing Of Everything but I feel the need to try go deep into their career and what they mean to me. Hopefully I won’t fall asleep on my laptop. Although, I’d really love to sleep right now.

It’s an unwritten fact that bands from the North of England express certain feelings better than other bands from the rest of England. The North is looked down upon for many reasons, I blame Thatcher. But the North of England has so much to offer, it’s just easy to mock it. The architecture in Manchester is beautiful, Yorkshire has glorious countryside. You can find beauty almost everywhere. It is also home to some of the greatest writers of all time; Morrissey, John Cooper Clarke, Mark E Smith, Ian Brown and obviously, Guy Garvey.

If I could remember the first time I heard Elbow and Guy Garvey’s soothing voice, this may be more interesting. Sorry about that. Pin pointing what it is I love about Elbow is really easy- Guy’s lyrics. If you want to hear someone truly pour their heart out in a way that is just so open and vulnerable, then just listen to their lyrics. Or even, read them. Guy’s lyrics read like heartbreaking poetry that were designed to comfort and heal. Their music expresses every good and bad side of being in love, being a failure to yourself, disappointing others and being ashamed of any hurt you’ve ever caused someone. They say the things you don’t have the guts to say just yet, but you feel it. And to feel it is a start. You have to take baby steps sometimes, because it is all you have.

What I love about Elbow is their struggle to get a record deal and to be heard; they’re the underdogs but not in a way that causes you to pity them. If anything, it just makes you believe in their music more than you already do. I guess it’s easy for me to love them, because I can relate all of this to my daily battle with attempting to get a job. I feel like I am fighting a losing battle, and fully aware that at aged 27- I’ve really not amounted to much. The only person to blame is myself, and I make sure I am aware of it. Elbow’s music soften the daily blow of it all, and kind of make me less ashamed with carrying the burden around of being a burden. Maybe I’ve gone far too deep into their music with this, but if I don’t get to the core of it and take myself with it- I wouldn’t be writing this, or anything for that matter.

When people talk about their favourite band or just a band they love, you can see in their eyes that they are trying to find the right words and they try to go back to the first time they heard them, so they can capture it all for you. Sometimes we cannot do it, so a load of rubbish pours from our mouths. Or in my cases, hits the keyboard. When your mind turns into a state of chaos when trying to think of the reasons, that’s when you know the band mean a lot. I’ve never seen Elbow live, but I’ve watched live clips and to see how people react to them is just something else. There is a bond between them and the fans that is truly moving. I think it all goes back to knowing how hard they have worked to get where they are now.

Their signature sound is atmospheric and soothing. Guy’s gentle and vulnerable voice evokes so much emotion as you listen to them. There aren’t many bands that can instantly turn me into a crying mess, but Elbow are easily one of them. I can’t really think of anyone else off the top of my head who does that, but I’m sure there are others. There always is. But none do it quite like Elbow. Guy writes songs in a way I wish I could, and probably how most wish they could. He writes about his faults and the things he’s done that he’s not proud of in a way that makes you own up to your own errors, but you don’t beat yourself up too badly about it. His words on daily life just speak to you. They speak so loudly and oh so clear. The way he describes love; not just in a romantic way but towards friends and family is just something else. He makes you want to hug those you love so tightly and to just let them know that you love them.

At the moment Picky Bugger and Not A Job are the two songs I really cannot do without. They are the two songs that sum up everything right now. Sometimes you hear a song and think, “I’d be lost without that.” That’s what Elbow do, especially with those two songs. There is something about them that just describe what the mouth can’t get out from the brain. We all need songs like this. Then you have songs like The Bones Of You that describe love like no other has ever done really. Play it to the one you love, the one you cannot do without. Don’t say a word to them, let Guy do the talking.

Elbow are the guts you don’t have just yet. They are the comforting words you need when everything is just really awful, like you have no way out. They’re the kind of band you wish you could tell them just how much they mean to you, but the best you can do is something like this. However, it is a start and I know I’m not the only one who loves them like this. I know I’ve missed so many things out, and there is so much more I could say about Elbow. Maybe I will another time, but for now- I think this is more than enough. And if you want to fall in love with Guy’s record collection and speaking voice, then listen to his show on BBC 6 Music every Sunday.

“You little sod, I love your eyes.”

THE LIGATURE.

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TL

 

Most brilliant music is terrifying or slightly sinister. Psychocandy is the most raw and brutal record I’ve ever heard. Venus In Furs sounds frightening and the subject matter just goes against conventional means- which is why it is so good. Also, Velvet’s song Heroin is a different level of scary. Scary as in it tells the sheer truth in a way most want to turn away from.

But you can create a dark tone to your music with your voice. You can sing about the joys of being in love but make your voice sound so down and out- it’s never what you say, but how you say it. I just enjoy dark, sinister music the most. I want what  listen to, to add a bit of fear in my bones. I want it to make me think. I want it to make me feel unsafe slightly but at the same time, ease everything. In my search for a sound like this, I’ve found one. Sure they only have two songs on soundcloud, but for now that’s all I need to explain why I like them.

The Ligature are a duo from Huddersfield (see, all the best things come from Yorkshire.) That fine fellow, Simon Armitage is from there too. The Ligature are on the same level as another dark synth (not even sure if that is a term!) duo I love, a fine band from London called Natural Assembly. Of course you can put Cold Cave there in the top of that holy trinity of bands.

Empty Hearts is one of the two songs I’ve heard by them, and it sounds like an early song by The Cure-of course it is good. There’s an 80s feel to their sound, but not in that irritating way that every other band seems to want to recreate. Basically (and thankfully) they sound like the good side of the 80s, and not some Wham! kind of rubbish. Chris has  vocals are really reassuring; there is something in his voice that is like a cloak of comfort, it doesn’t matter that The Ligature have a dark sound, you can still find comfort there.

Fortunately, The Ligature are in the studio working on their debut EP which is titled Souvenir and will be out late April. Chris and William will be touring in May, and in August they will be joining The Will To Power on tour. Going by the two songs I have heard by The Ligature, I reckon they’ll be like Cold Cave and have a dedicated but underground fan-base. Cult-like and loyal. I think 1.15am is the perfect time to dive into the underworld that The Ligature have created with their beautifully dark and captivating sound they have created. Falling for something weird and wonderful is always welcomed. I can’t wait to hear their EP.

You can listen to their tracks here: https://soundcloud.com/new-decade-muzik/the-ligature-empty-hearts

And also here: https://soundcloud.com/new-decade-muzik/the-ligature-all-alone-again

BAD GRAMMAR. Hoxton Bar & Grill. 21st March 2014.

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I’ve not been aware of Bad Grammar for long, but it is spiraled into the need to see them live at any chance I can get. I first saw them live when they supported PINS at The Old Blue Last. That gig was proof that the best things in life are free. Who doesn’t love a free gig?!

Bad Grammar are two people (Ben and Lucy) making a lot of noise. Noise that really really needs to be heard by as many people as possible. When I saw them support PINS, I was instantly blown away by how furiously they play. Not with rage, but with a sense of purpose. A lot of bands like to stand around bored, but Bad Grammar really get into it. Ben also broke a guitar string within seconds. I think that sums up how they play really. They make you want to break stuff and will melt your face.

Last night they played Hoxton Bar & Grill. I really like that venue, mainly because I first (and finally!!) saw Dum Dum Girls there in December. I’ve only been to one gig where there was about 10 people there, and it was when S.C.U.M played The Sugarmill in Stoke. I was annoyed because I felt more people should have seen them because they were a bloody good band. The same goes for Bad Grammar. They played supporting Shiva And The Hazards (we left after their first song) and Abjects, who were on after Bad Grammar. Abjects were really good. They reminded me of Camera Obscura mixed with The Shirelles. They play shows in London quite regularly, so go see them if you can.

So, Bad Grammar played to about 10 people but it felt as if they were playing to about a thousand. I’m usually in awe of drummers than can sing and drum at the same time. However, Lucy does the damn near impossible- she can smile and beat the living shit out of the drums. She’s one of the best drummers I’ve ever seen, and manages to look wonderfully happy doing so. Ben sings every song as if his life depends on it- that’s how you believe in a band. I watch him play his guitar, and I can’t help but think he’s going to hack a finger off from playing like that. It’s brilliant to watch; to see a band give it everything they have when around 10 people are watching them. I’m sure there are arrogant wankers out there who would refuse to do so, but they’re not worth listening to. Bad Grammar obviously are.

Their energy is like a toddler that’s eaten a load of Skittles and washed them down with some cheap lemonade (Cresta Lemonade, that’s the best one.) A lot of bands claim to have the essence of Punk in their music, when really they just sound like Paramore and it makes you want to throw up and cry. Bad Grammar have the kind of songs that would make Iggy Pop proud. They’ve got short punchy songs like the Ramones- but they play a little bit harder than them. Their sound is a little bit louder- but they play with a proper Punk attitude. It makes you want to start a band.

I was sad that there weren’t many people here to see Bad Grammar yet they all piled in for the main band. I hate missing support bands because for the most part, they are really fucking good. I sincerely hope that Bad Grammar become one of the biggest bands around, because this duo have something a lot lack. If you see them live (if you live in Manchester, you swines will get to see them more than most! Jammy gits!) you will understand why I’m pissed off at those who missed out last night and also, why this band aren’t fucking huge.

Their EP, Forced Fun is out 31st March on Flatpack Recordings. Buy it.

Have an action shot:

BG

Sorry about the quality, I don’t have steady hands it seems!

ABJECTS.

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Girl bands are the best aren’t they. From the likes of The Girlfriends to September Girls. However, it is important to not define a band by the bits they have down there. It isn’t relevant to the music they make and how good it is. Gender is just a thing. Music is much more than that.

Abjects are a band from London that quite simply, sound like everything I love. They’ve got a Wall Of Sound feel to their music mixed with some creepy Garage Rock going on. They’ve recorded for Haus Of Pins (PINS label) so obviously this band are incredible. They have hypnotic songs that are made to be performed live; they have songs that just lure you in much like PINS and Dum Dum Girls.

Abjects have a delicate sound, but they are tough enough for you to pay attention. Noemi has gorgeous and quite ethereal voice that makes you sway along gently to Alice’s drumming. Then you have Luki blowing your mind on guitar. Sure for the most part their songs are quite tame, but the INSANE Aburrido is a pure face melter (it is Spanish for boring. Noemi is Spanish. Fun facts for you.) Aburrido is a ferocious piece of Garage Rock fused with the fast pace of Punk. Get into it. This band is super talented.

Their quick and punchy songs are Ramones-esque. Quick, loud and bold. They remind me of Suede; their dirty and wonderfully trashy sound. I just think Abjects are wonderful. You see, a lot of bands give you that hazy Summer feeling. With Abjects, they make you want to wander round in the cold and dark as rain starts to fall heavily. There is something gloriously sinister about their music that just makes them stand out. When I listen to a band, I try to pick up these little details to get a better understanding of their sound. I’m aware I could be entirely wrong, but it’s just how I hear it. You can pick influences out of the air when you listen to Abjects, but it just means you’re not listening to them properly. Sure they do sound influenced by those I’ve mentioned, but they’re not ripping anyone off. Abjects are for real, and like I’ve already said- they are a band that need to be seen live. I’ll be seeing them this Friday at Hoxton Bar & Grill. Tickets are only £5, get yourself one.

I like music that sounds like the past, a time I was too young for but is in fine tune with what is going on now. Abjects do it wonderfully. When I first heard them I thought I was listening to a band from the 60s- that’s how good they are. Next time it’s pissing it down, go for a walk whilst listening to them. Throw yourself into something creepy and in the lairs of the underworld, let Abjects be your guide.

You can listen to their eerie tunes here: http://abjects.bandcamp.com/

You can see the trio live in London at the following venues:

AUTUMNS- Mini LP.

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Last year I wrote about Autumns. Autumns is one guy from Derry who makes music that is entirely atmospheric and beautifully noisy. I got the chance to interview him shortly after that piece, and when you speak (in this case email) a musician you really like about their music, you sort of become more sentimental towards their music.

When I first heard Autumns (Christian) I straight away felt like I did when I first heard Dirty Beaches many years ago. I was yet again in awe that one person could make a sound like this. One person could make this much noise. It was a delight to hear, and it still is.

Christian’s LP will be released on 31st March through Downwards Records.  There will only be 300 copies made and you will be able to purchase it here: http://readymade.bigcartel.com/product/autumns-mini-lp-autdn1

I’m really pleased that Keep On Sinking and It’s Sooner Than You Think will be on the LP; they were the first two tracks I heard and they just blew me away then.

Autumns is one chap making a whole load of noise. You can’t really turn away from someone with talent like this. Make sure you buy a copy at the end of the month. His music is like a cloak of darkness, but at the same time it is exceptionally comforting.

You can listen to some of the songs here: https://soundcloud.com/ready-made-2/sets/autumns-mini-lp-autdn1

There’s so much heart and passion in his music, I’m fairly sure he will be listed amongst the likes of Dirty Beaches with his ability to make music that is haunting, heartbreaking and a pleasure to listen to. He just leaves you in awe with his talent.

BAD GRAMMAR- Temper Temper.

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One of Manchester’s finest noise makers, Bad Grammar have just put out the video to their exquisitely loud new single, Temper Temper.

The video shows a few blokes on an evening one, with one of the hugging a traffic cone at the end. It’s alright pal, happens to us all eventually. So I’ve heard.

Bad Grammar are playing at Hoxton Bar & Grill this Friday, tickets are about £5. Someone buy me a ticket? I’m pretty poor. You can buy a ticket (or two) here: http://billetto.co.uk/events/shiva-and-the-hazards The line up is pretty cool. You’ve got Shiva And The Hazards, Abjects and of course Bad Grammar.

Bad Grammar’s EP, Forced Fun is out 31st March on Flatpack Recordings.

THE CREEPING IVIES- Ghost World.

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I am so excited to finally write about the new record by The Creeping Ivies, which is out next Monday.

I first wrote about The Creeping Ivies in April 2012. I immediately loved their frightening sound. I loved how they mixed the backbone of Punk with a bit of Rockabilly; and also managed to scare you. Becca’s voice does some AMAZING things, when she wails on certain songs (she does it brilliantly on The Creeps) and Duncan just makes you want to play the drums. In fact, both of them make you want to be in a band. When a band can make you feel that way, you know you’ve found something to treasure.

Ghost World is another creepy installment from this fantastic Scottish duo. It features the hits (in my mind they are) What Would Joey Ramone Do? (this is pretty much my mantra for daily life), the Valentine’s hit- Love Kills and Ramona Wolf. They’re all here, and a hell of a lot more.

Dream Baby Dream has some incredible sax on it. My girlfriend can play the sax, she’s at work- I might go get it and try cover this song. Can you imagine? I’d only have some strange accident. Maybe I won’t bother. Dream Baby Dream sounds like it should have been on some really bad horror film from the 50s/60s. I mean that with utter respect, because those horror films were actually worth watching. What you get constantly when you listen to The Creeping Ivies is the sense that you’re in a film. Their music is destined to be in a film.

Their sound, especially on this new record is just a mixture of the kinds of music that I love. This is a much-needed distraction from the soul-destroying daily task I have of looking for a job. Trippin’ Out is the perfect song that sums up the feeling of going utterly mad. Seeing things that aren’t there and feeling things crawl upon you that aren’t there. This band makes beautifully creepy music; most try too hard to sound like this. For The Creeping Ivies it is simply effortless. Of course people are going to want to throw around as many comparisons as possible, but the thing is, they really sound like nothing else.

Sure I’ve exposed my ears many times to the ghoulish sounds of The Cramps and the haunting tones of Siouxsie And The Banshees, but The Creeping Ivies are really something else. Their ability to take you to a different time with their music is something others should be envious of, better yet- it is something that they should take note of. They have this wonderful way of making you forget what year you are living in. They make you feel as if you are constantly in some old black and white film full of whirlwind romances wearing your best leather jacket.

I’m not just saying this because I’m a huge fan of The Creeping Ivies, but they are truly one of the most exciting and brilliant bands I’ve ever heard. Yes they are a duo, but that’s not just why I love their music. Their music has a of freaking you out yet makes you want to hear more and more. If I had the ability to find the word to use to describe their sound, I’d have done it by now. But I guess that’s what makes them stand out from others. Ghost World may only be their second full length record, but they just make you feel like you’ve been listening to them your whole life.

The Creeping Ivies make music for ghouls, punks and misfits- everything right in the world. The kind of music to have playing in the background as you read something by Poe with a candle flickering. Go on, have a romantic moment by yourself.

Ghost World is out next Monday (24th) and will be self released digitally on Jet Black Records. You can listen to Ghost World here: https://thecreepingivies.bandcamp.com/album/ghost-world