THE CHEATING HEARTS.

Any kind of music that makes me feel as if my brain is going to explode or if my body is being pulled about in different directions is fine by me. It’s pretty much what I look for. I don’t like mushy stuff, that doesn’t benefit anyone (maybe it does, but it just isn’t for me.) Those mushy songs portray love in the worst way. And general feelings. I want to feel as if I’m in the midst of a fight that I shouldn’t be in. I want the drums to turn into bruises and the guitar to feel like a bash to the face.

The Cheating Hearts have this huge gang feel to their sound, but there’s just two of them. I’m a massive fan of duos, and when they make more noise than most that’s when I know I’ve found something I’m going to treasure. The Cheating Hearts are a mighty fine German band who sound like The Cramps mixed with (early) The Damned. They make you feel as if you are not in this era. They’ve got a typical Rock & Roll feel mixed with something really creepy. An ideal tour for me would be these guys and The Creeping Ivies. It would be brutal, raw and intense.

I know the word “cool” is redundant and let’s be honest, nobody apart from Lou Reed captured the real essence of cool. But if you want the REAL meaning, just watch Almost Famous. Lester Bangs character nails it perfectly. However, The Cheating Hearts are slick and real cool. This is a band that should be influencing young ruffians to pick up an instrument and make some noise. If I was 14/15 and hearing these guys, I’d be quick to find some friends and make some noise. Instead, I’m just a 28 year old with no musical talent constantly wishing I did. Oh to pack up daily life and exchange it for dive bars and going to places I never thought I would. I can dream, it’s all I have.

Their record wonderfully titled, Fuck Love came out just over a year ago. I’m late to the party but you know, better late than never…well, depending on the circumstances I guess. Fuck Love is a gritty and rowdy records. It’s for those who adore the weird side of things and embrace with arms and minds open. There is something really magical about this record, and like I mentioned above, it really does make you feel as if you’ve gone back in time. They do not sound “now.” I struggle to work out what a “now” sound is. It is a lot of synths? Count me out.

Their bio says that they will soundtrack your next break-up. Sometimes having your heart gorged out needs a soundtrack, The Cheating Hearts are that soundtrack. Some may want to listen to Adele and cry into a box of Milk Tray, but fuck that. Throw yourself into something like this and forget what happened. A break-up doesn’t have to ruin you, nothing in life does. Sure it is easier said than done, but I’m all for rambunctious sounds like The Cheating Hearts to tell my story/unleash it all for me. Sure if your heart isn’t broken these guys can still be you soundtrack, I’ll be constantly playing them without thinking about anything other than how bloody great they sound.

The Cheating Hearts are a brilliant explosion of all things I look for in music. Their lyrics are witty in all the right places and the music is all I could wish for. With only one record released, Fuck Love just leaves you wanting more. There’s only so much having it on repeat can do for you until you start craving for more music. With one listen I just knew I was headed into something I couldn’t get enough of.

The Cheating Hearts are going to put you in a chokehold and rip out your heart when they are done. You’ll love it and you won’t be able to stop yourself from having that feeling over and over again. Don’t fight it, there’s just no point at all. They dress in wedding garments and look like a couple who are on the run. Their look is as crucial as their sound. They look like how they want you to feel when you listen to their music, and trust me you will. This Garage Rock/Punk sound they have going on is nothing short of incredible and I need more.

You can buy/listen to Fuck Love here:http://thecheatinghearts.bandcamp.com/album/fuck-love

DEAD BOYS.

I started to write this and managed to delete everything I had written. Maybe it was a sign. Or maybe I’m just clumsy with my fingers. Probably both. I’ll start it again. Unfortunately I have a really bad memory (sometimes it’s a good thing) so I can’t remember what I originally wrote. Hopefully I won’t mess up this time.

Punk is alive and well in certain bands. It’s alive in most of the bands I listen to, other bands have basically pissed all over what Punk is and created something truly horrendous called “Pop-Punk.” Awful. Really awful. Punk had this bite to it that made you listen. It was, in all its glory obnoxious and brutal. It was snotty and portrayed angst in a way that caused parents in the 70s to wash their kids ears out at bedtime religiously in the hopes they wouldn’t go to the “dark side.” Punk is the one kind of music that really made me pay attention fully to what I was listening to. I was aware there was a message coming through, and the message was my own to decipher. Punk was for those and is for those who aren’t happy with how things are. Those who are bored and tired of routine. Those who know there is something more and would rather kick the door down than knock politely.

Dead Boys were fronted by one of the greatest frontmen of all time, Stiv Bators. Stiv and wiry body leaped and flailed across the stage in a way that would leave you thinking his body could snap at any moment. He got his point across by being snotty on stage. A proper obnoxious brat who when you listen to him, made you as pissed off as him. What or who rattled your cage? Doesn’t even matter. All that matters is letting it out.

What I absolutely adore about Dead Boys was their ability to really capture the essence of Punk and make it so brutal to the point of being sinister. Some songs like Ain’t It Fun and All This And More have something really terrifying about them. Bands like the Ramones portrayed the frustrations of daily life better than most but Dead Boys took it some place dark. Dead Boys weren’t and aren’t for the faint hearted I guess. Thing is, I can’t stand loud people at all but I love loud music. I don’t like obnoxious and arrogant people, but I love music that has that about it. I don’t know why, but it’s just something that holds my attention longer than most. Dead Boys were as bold as they came. Stiv sometimes tearing up his stomach with a mic stand- he was as outrageous as Iggy. Except I don’t think Stiv ever covered himself in peanut butter. His wiry frame and distinctive voice made him and Dead Boys stand out amongst the Punk scene. I believe they are one of the most underrated bands of all time. Cheetah is one of the finest guitar players ever. Him and Johnny Thunders just made you wish you could make noise like that. Trashy, loud and so perfect. It made you want to play as loud as them and without a care in the world.

At best their songs were sordid, depraved and smutty. All the best songs are. They took you to a world where conventional means wouldn’t. They unleashed this world upon on you with their close to creepy songs. No other band could get away with it, no other band could do it like Dead Boys. There was something so special and rare about these guys. They went beyond being “just another Punk band.” They started something that is still in the belly, burning in some of the bands I listen to.

Known for their lewd live shows, no other band has come close to how they were on stage. They aren’t a band that you can say “oh they could have been great.” Shit. They INSTANTLY became great the second people started paying attention. In all their obnoxious glory, they were one of the best bands ever. Their unconventional and so far from romantic songs about girls were brilliant. I guess now “feminists” would be all whiny about how they objectify women or whatever. As a female, I don’t really care. I love the music and the content. It’s a different world to what I know and I love it. They take you to some underground and unsafe place covered in darkness. You can’t help but play it loud and try to move around like Stiv.

Sadly Stiv died in 1990 after being hit by a car. If he was still around know he probably would be teaching us all how its done still. Dead Boys may be no more, but what they did for Punk and many who were against “typical” will never be forgotten or undone. They were before my time, but when I listen to them I feel like I am in the moment from when it all began. Timeless, forever influential and nothing short of greatness.

Stay snotty!

BAD WEED.

I know nothing about music from Austria, but there’s a band called Bad Weed (careful when looking them up) from Vienna who could possibly be one of Austria’s finest bands around.

Their jangly unconventional songs are perfect for lazing about to. They make the kind of music that makes you want to sit outside doing nothing, staring at nothing, saying nothing. A load of nothing. They’ve got that lazy (I mean it in the best way possible) sound in their music that is found in the likes of Wavves. They don’t make you want to do a thing. As I listen to them, I’m dreading having to go to work tomorrow (travelling to South London is shite but thankfully I have 4 days left of doing so…HALLELUJAH!) They just make you want to sit around and waste your days in ways that make you happy, not being bothered and not being a burden.

They’ve got a proper garage rock/punk thing going on that I really love. Their sound is like a punk band coming for your blood and wallet. They’re after your ears and will spit out your hearts. Their sound is fast, noisy and brilliant. They’re obnoxious and snotty in all the right places. They’re a cross between The Damned and Dead Boys. Can’t Stand is probably my favourite because it really does have something about Dead Boys in it.

Bad Weed are the band you eat pizza and guzzle beer to. You have a real good time listening to these guys. They sound like a typical New York punk band, but they’re not. They’ve studied the greats and made something of their own. If you’re dreading work tomorrow then listen to these guys on your way there, whilst at work and the journey home. They’ll make everything less painful. Then you can go home and do a load of nothing.

With the mundane affairs of modern life, it is sometimes hard to find a band that really speaks to you and can drag you out of any rut you may end up in. Sometimes we need a kind of band that realises how shitty it all can be, sometimes we need a band to come along and declare that they don’t care. We can relate to that, I can relate to that. What’s the point in caring about shit that doesn’t matter anyway?! Listen to Bad Weed and it’ll sort itself out.

Their short and punchy songs pounce into your lugholes and stay there. They’ve got everything you would want from a punk band. They make you feel like you’re stomping outside CBGBs waiting for something to happen. Pacing up and down in your battered boots/shoes/Converse/whatever waiting for something to happen, for a familiar face to emerge.

Play their music as loud as possible and let them infect you.

You can listen to their sounds, and buy them here: https://badweed.bandcamp.com/

KÜKEN

Coming from the mean (or probably not so) streets of Hamburg, Küken are one of the most exciting bands around who manage to smack a proper punk sound with a garage rock influence. Their songs are brilliantly loud even if they are too short. We can’t have everything. Short songs (I mean lasting no longer than 2 minutes) aren’t a bad thing. If you can get your point across quickly and cause limbs to flail in that amount of time, then why not? Bands like the Ramones to my loves Girl Tears have managed and do manage to do it, and they do it well. I can take dreamy gems lasting over 5 minutes with punchy loud 1:30 songs. It all works.

I can’t give you any background on Küken, I know nothing about them but I know this- they are on Austria’s finest label, Bachelor Records. Bachelor Records is responsible for some of the loudest bands around. The kind of bands that you want blaring out of your speakers to either wake you up or to annoy someone. Be obnoxious, but use someone else’s voice. Simple. Let’s all move to Germany, start a punk band and get Bachelor Records to sign us!

Küken remind me of The Damned. Their current record (self titled) reminds me so much of The Damned’s debut record. That record, like Küken is fast and full of songs that will leave you sore from throwing your body about in a ridiculous fashion. Sometimes you just hear a band, and you instantly know you’ve found something you’re going to treasure for years and years. They make me want to go through Bachelor Records releases and write about them all. I most likely will. There are bands that  I remember hearing certain bands for the first time and immediately wanting to find more of the same, Küken leave me feeling that way. I want everything to be as rambunctious and as loud as this. Some people fawn over acoustic guitars (no thanks) but I want noise. Proper noise like this. The kind that leaves a glorious ringing in your ears, and all you hear is the residue of the songs throughout the day. In painful silence and in loud places, you are still hearing their songs in your head.

Küken are a band I’ve GOT to see play live, but I have no idea if or when they’ll be over. There are many venues that would be ideal for them. Dark, sweaty venues that would bring these magnificent punk songs to life.

Songs like Black Rose,Suicide Train and Fight Back are the kind of songs you walk around listening to whilst feeling absolutely nothing but by the end you feel something brewing inside of you that no other band has managed to bring out of you. You don’t know what it is, but the best things sometimes come from inner frustrations.

I know nothing about the band, but I know that they are one of the most exciting bands around sometimes, that’s all you need to know. Who cares about anything else. Their music speaks for itself.

Play it as loud as you possibly can, throw your limbs about and buy everything on Bachelor Records.

You can listen to and buy Küken’s music here:

https://kueken.bandcamp.com/album/s-t

THE LIVING EYES.

 

 

Having not learnt my lesson from subjecting myself to really loud music on Monday evening, I’ve found a band who are brilliantly loud and sound like everything I want in a band. Oh how many times have a said that? How many times have I really meant it? I just love certain noises, and The Living Eyes are a certain noise. I write this as London looks like a grey abyss. There are certain bands you should listen to when the weather is like this. The Living Eyes are not this band, instead they take you to a warmer climate.

The Living Eyes will be releasing Living Large on 19th January. Put some Christmas money aside and treat yourself to what will evidently be one of 2015’s highlights. For those who adore the fuzzy tunes of Garage rock, The Living Eyes will certainly wet your whistle (calm down.) They remind me of a band that I never compare anyone to. One because no one sounds like them and two, I bloody hate comparisons. But I’m on my lunch break and this is as good as I’m going to get. They remind me of my beloved The Gruesomes. The Gruesomes were this raw and fearless band that shaped a lot of what I listen to. They are also the only band that I love that I’ve yet to own something on vinyl by. Finding any vinyl copies of their music is bloody expensive. I live in hope. I did find a copy of a Count Five record in a Parisian record shop last year. I’ve got a little hope, so I’ll cling.

The Living Eyes will make you feel as if you’ve donned your best Bermuda shorts and head for the nearest beach. But if you take one look outside, maybe just sit in your bedroom and flail your limbs about in a carefree fashion. I’m at work, I can’t do any of that. No fun.

The Living Eyes are a mighty band from Geelong (Australia.) Australia has an amazing Garage rock dare I say it, yes I shall “scene.” It’s on a par with most of the stuff from the States. They’re not afraid to be loud, and of course they capture the beach-vibe more than most. The Living Eyes are one of the most thrilling bands I’ve heard in a long time. I know bugger all about them. I don’t know how many records they have out, I don’t know how long they’ve been going for. I know nothing that would seem “vital.” All I know is that I bloody love them. That’s enough, right? In this case, love is enough.

Some will say these guys are Punk, some will beg to differ. Never beg, you’re not a dawwg. Anyway, the thing is the REAL essence of Punk is alive. It’s not in a shitty piss-pop “Punk” band like Paramore. Oh no. Not in the slightest. It’s in bands like The Living Eyes. These dudes are fearless and probably play recklessly. I’m talking playing until they bleed and fling their guitars around and nearly smacking each other. Blood, sweat and fear. They’re the kind of band that wake up that lazy part of you. The part that doesn’t come out too often. They are far too good to ignore and of course, to play quietly.

So yes, Punk is alive and well in bands like The Living Eyes who aren’t afraid to play with ferocity. I don’t know what their tour plans are, but go see them when and where you can. Maybe take a spare shirt with you if you have to get public transport home afterwards. Or just embrace all of the sweat and chaos. The latter is probably the best option.

Maybe you’ll dance to these guys, maybe you’ll break stuff due to uncontrollable movements. Whatever you do, make sure you play them loud and turn everyone you know onto these guys. It doesn’t get more exciting than this. Maybe they will save us all with their gloriously brutal sound.

Living Large will be released via Agitated Records. New song from the record right here: https://soundcloud.com/goldstarpr/living-eyes-high-standards

SEX PISTOLS: I got there….eventually.

 

“I got no reason it’s all too much,
You’ll always find us out to lunch.”

 

When I mention my love for Punk, I forget a band that I probably should mention. The thing is, I never really listened to them. I thought the singer was just another loud gobshite with nothing for me to care about. I was wrong. I’ve been wrong for years, and I feel stupid for it. I was told for years by my uncle to listen to the Sex Pistols, and when I was younger (pre-teens) I had a brief encounter with the song Pretty Vacant. I saw the video on Top Of The Pops back in ’92 when it was reissued. I went through a stage of using the hoover as a mic stand, pretending to be in whatever band I loved at the time. I forced the hoover back and forth as I tried to mouth the words and shouting “We’re so pretty oh so pretty…” in a way only a 6-year-old could. I wasn’t aware of the Sex Pistols, I didn’t know how important they were. I was blind to all of this for many many years, and I am so sorry.

Recently all I’ve been listening to is the Sex Pistols. I have become infatuated with Johnny Rotten’s boyish and rebellious voice, the way he pronounces certain words. As if he is (rightfully) mocking the establishment and authority in every line he sings. Sex Pistols stood for things that at the time was deemed as “dangerous.” It’s alright to call the Royal Family out on how corrupt they are, it’s perfectly fine to have no trust in the political system and to speak out about it. It was relevent in the 70s, and it is bloody relevant now. Times have changed, but certain problems are still there. The same things are still corrupt, and we can go back to the Sex Pistols music to point out the shit that is still going on.

I’ve been adamant that Punk is purely New York, and that’s it. To a degree I still stand by that. Give me the Ramones over The Clash any day (I do like The Clash, it’s not a dig.) I guess I just didn’t want to hear Cockney accents over a raucous. Again, I was wrong. I have no problems with admitting I’m wrong.

I can understand why many would have shunned the Sex Pistols. They were obnoxious, they were loud and they didn’t care what YOU thought about them. The thing is, these are the things I have ended up loving about their music. I love that they had a brilliant obnoxious sound that wasn’t accessible to all. They were and still are an acquired taste. They aren’t for those who see no wrong in the world. You can be an angry teen or a displaced adult, you will still find some connection in their songs.

If it wasn’t for the Sex Pistols, would Punk have made it to the UK? How would the UK have created their own Punk scene if it wasn’t for the Sex Pistols? They made it sound more pissed off, agitated  and dangerous. For those who didn’t “get” Punk (I feel bad for them) the Sex Pistols were just a bunch of angry kids kicking up a fuss. Read their lyrics and see what was happening in the UK at the time, and it is easy to see why they spoke to an almost blank generation. They were relevant then, and looking at the state of the world now- they still are relevant. The youth are shunned; this causes boredom and the thought of not amounting to much. When your generation is constantly put down and being told there is nothing for them, how on earth do you expect them to react? If they don’t do anything, they are deemed lazy. If they cause a fuss due to the state of things, they are labelled as god knows what. We’ve seen it happen haven’t we. With their callings of “No future” ringing in our ears, it’s fair to say that the Sex Pistols music still holds valuable truth. Seventeen sounded like a self-fulfilling prophecy for many then and now.

I’ve tried to work out why it took me so long to get to this point. To the point of realising just how great the Sex Pistols were, but most things are delayed with me. An immediate reaction isn’t always something I can muster, even if it is to do with music. If it wasn’t for the Sex Pistols a lot of bands would not have formed, you’ve heard the stories. People were there at THAT gig. Some genuinely were, some weren’t. But we all wish we were there. We wish something like this could just happen again. Something that just fucks things up for a while, something to make others think and to DO something. You wish someone could play as furiously as Paul Cook, you wish there was a front-man as bold as Johnny- will it ever happen again? Maybe. Maybe some kid somewhere is listening to Bodies and thinking “I can do that.” Maybe they’ll come and save us all. Do we need saving? Probably not. I’m just being overdramatic.

They turned their noses up at and shunned the things we are “supposed” to love, admire and even respect. They saw the faults and pointed them out in black and white. They pointed out all that was (and probably is) wrong. With just one record they gave the music industry a swift kick up the arse, they woke up lazy teens and pissed off parents. What else could you want from a band?!

 

 

TOMMY RAMONE

 

 

Punk hasn’t and will not ever die. There will never ever be a style of Music that is as influential and as great as Punk. There will never ever be a band as great and as influential as the Ramones. You can keep your Beatles, and your Led Zeppelins. I’m aware it means something to others, but to me they meant nothing. Their songs and sounds didn’t speak to me. Ramones however, they did more than just speak to me. They were the backbone to a genre of Music that I simply can’t do without, and could never imagine not listening to.

Sure you get people who claim that Punk is just noise. But they probably listened to one song and that was it. Until recently  I pretty much turned my nose up at the Sex Pistols. I thought I didn’t get it, but I sat and listened to them for a view hours and loved how obnoxious young Johnny Rotten sounded. In my heart of hearts though, it is New York that is the REAL home of Punk and I fail to see how anyone could question that.

At only 62 years old, Tommy Ramone, the last original member of the Ramones has died. He was probably the finest drummer my ears have ever been exposed to. He kept up the fast and furious pace of the signature Ramones sound. He made it look so effortless, he made you want to pick up some drumsticks and drum your itty bitty heart out.

I’ve got a copy of Leave Home on vinyl, and when I play it when I visit my family I find myself staring at the cover. Taking in their poses and how all they did was done with purpose. No doubt it was done with a lot of blood, sweat and arguments but nothing good comes easy. If you aren’t willing to struggle, then just give up. Ramones taught me to not give up. I’ve read Mickey Leigh’s book about his brother Joey (I Slept With Joey Ramone) many times to know that for me, Joey is my hero. Tommy added something to the Ramones that the others didn’t, and they knew it. He added a form of stability that kept them together. When he left the band in 78, he went on to produce a few more of their records so the real sound of the Ramones was always there. He was a brilliant drummer and producer.

If it wasn’t for the Ramones, most of the bands that I listen to and love wouldn’t have formed. They wouldn’t have wanted to make their own scene, their own noise. Ramones made it easier for me to feel alright in the skin I’m in. It’s perfectly fine to not think like others, it’s alright to have your own interests and to hang out by yourself. It’s normal to get angry at what you see happening in the world. It’s alright to just be how you are. The minute you change for someone, you stop being yourself.

62 is no age, and cancer is a bastard.

Although there are no more original members of the Ramones around, we will always have the music. That will never go, and all they stood for is around in your favourite band. When your favourite singer towers over the mic stand, that’s Joey Ramone coming through. When your favourite drummer goes nuts and just blows your mind with how fast they play, that’s their Tommy Ramone inside of them. When you see your favourite bassist yelling out “1-2-3-4” and the music kicks in, that’s their Dee Dee Ramone coming out. And when your favourite guitarist stands playing with a wealth of fury yet looking effortlessly cool, that’s their inner Johnny Ramone shining.

Ramones placed something in their fans that they will always carry round with them, and that’s why Punk won’t ever die. It just goes some place else.

R.I.P. SCOTT ASHETON.

 

“No fun to hang around
Feelin’ that same old way
No fun to hang around
Freaked out for another day.”

 

The Stooges are evidently one of the most important bands of all time, regardless of the kind of music you’re into. They were fearless and ahead of everyone else.

Iggy is probably the greatest frontman of all time. But next to him were two of the greatest musicians to have ever lived, brothers Ron and Scott Asheton.

Sadly, Scott passed away this weekend. There’s not much you can say when this happens. Just a few hours ago I was listening to Iggy’s show on the radio, and from it I gained more insight to The Stooges and what they were about. They were loud, all over the place and just amazing. A band I’ve really loved listening to for so long. Raw Power is easily one of the best records of all time, and I just don’t think music sounds as raw as anything that The Stooges created.

I don’t want to write too much, the music just speaks for itself.

Scott was one of the best drummers in music, wherever he is now- he’ll be with his brother Ron making a lot of noise.

 

R.I.P LOU REED: “Skip a life completely. Stuff it in a cup…”

 

“If I could be anything
in the world that flew
I would be a bat and come
swooping after you.”

 

There are a few bands and singers who I frequently write about who cemented their mark in music before I was born. They are my heroes and reasons as to why I love music; why I cannot live without music. You never really seem to think of life without them no longer here, you just wonder how it would have been if you never found or them, or if they never found you. It is easy to look up to those who are no longer with us because we never have to face losing them. Today is a sad day for music, and to think of anything to say about Lou Reed that hasn’t already been said is causing a part of my brain to just turn to mush.

I’ll try anyway.

My blog, Gypsy Death And You is taken from Run Run Run by the Velvet Underground and the header photo is of the band. There was no other band I wanted to have named my blog after, it just wouldn’t be right. Lou Reed was more than just a singer; he was a poet who painted the world in a way that, as soon as you first heard his music- that is how you saw the world. Andy’s Chest opened me up to a world that was better than anything I’d ever known. Pale Blue Eyes made me feel a sense of heartache I’d never felt before. It even got me through some form of a breakup. Although, I don’t think there was anything worth breaking at that point. The song became something I couldn’t listen to for a while, but then it became all I could ever listen to.

Last year I found a copy of Transformer for £2 on vinyl. I felt this heightening pounding in my chest; the kind of feeling you get as you are about to see your favourite band on stage for the first or fifteenth time- the feeling is still there. I was so excited to FINALLY have this record in my hands. I went home, after work, and played it for hours. I got ready for work listening to it, I fell asleep listening to it. Transformer is easily one of the greatest records of all time.

Lou Reed’s guided the misfits and outcasts into a world that was dark; but it was pure and passionately bold. It was a world I’ll never want to leave. He may no longer be with us, but the music is ALWAYS going to be there. His legacy is more memorable than those of the false generation. The generation made up of manufactured pop-stars who have the personality of a dead cat. Lou Reed conveyed ugly feelings in a way that made you feel alright with carrying them about. Candy Says is one of the most harrowing yet gorgeous songs ever written. Heroin may be about drug use, but it is written in such a romantic way. You shut your eyes, and you are heading right to the kingdom with Lou.

Listening to Lou Reed’s music gives you a sense of feeling untouchable. Much like when I listen to New York Dolls, Patti, Ramones; he has this ability to make you feel protected and as if you can take on the world even if the world is taking on you. His music embodies everything I love about music. Writing about him in past tense is not only uncomfortable, but it is heartbreaking. One thing I’ve seen is the amount of musicians I follow on Twitter who have paid tribute to him; he influenced so many people from all over. It doesn’t matter that most will just say “Oh Perfect Day is my favourite Lou Reed song.” At least they’ve heard of him. Besides, Perfect Day is a gorgeous love song.

Last Christmas my uncle and I were discussing how important Lou’s music is. And just this Friday passed, my manager and I (yeah I’ve got a job now!) were talking about Lou Reed. She saw him back in the 70s, and to hear these stories about him was just brilliant. All we have are memories now. He’s someone you remember where you were when you first heard him. He made wearing all black seem appealing; it isn’t a phase just for me, I don’t feel comfortable wearing colour. He had this way of remaining a constant mystery, but when you played his music it felt like you were hanging out with your best friend. Music is the only reliable friend you may ever have.

His vocals weren’t flamboyant or over the top; he sang in a way that made him relatable. He made it easy for you to sing like him in the shower. And when his vocals go real low when he sings, “Hey babe, take a walk on the wild side” is easy to do, and when you sing it- you feel empowered. The word “cool” is thrown around all the time, and I guess it is a redundant word to use, but Lou Reed was cool. He was everything those who listened to him wanted to be. He had this way of making you feel like you were sat on a stoop in New York watching the world go by as you listened to his music, you felt as if he was sat next to you telling these crazy stories that are in his music.

Everything about Lou Reed was iconic, it always will be. There are so many things I would love to write, but the words in my head aren’t reaching my fingers- I can’t type them out. I’ve played his music and gazed out the window on long tube/train journeys and felt like I was somewhere other than where I was or where I was headed. I felt like I was going somewhere where nobody else knew. I think anyone who REALLY listens to Lou’s music gets that feeling straight away. It’s a rare feeling, but we all know just how rare Lou was. Sure he may have been difficult in interviews, but it was probably because most music journalists are dull and ask the same shit over and over. His music defined a generation and is still inspiring so many. In the light and in the dark, his music offered peace and self-discovery. The ability to turn my back on conventional and traditional means, the strength came from his music. With love and heartache, I have written this. With respect and gratitude, I’ve written this; for Lou.

All that’s left to be said is; bless your soul Lou and thank you for the music. In life, love and desperation- you were always there. Thank you x.

Sunday Mourning.

The Day I Met Patti Smith.

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I’m about to write about something I never in a billion years expected to happen. It is something however, I have always dreamt about. There are a handful of musicians I wish I could meet; just to shake hands with the ones who saved me. Who gave me hope and courage. We find strength in strange places. When we find it, we must cling onto it.

I like to think it is fairly obvious that I am a huge fan of Patti Smith. She means as much to me as Morrissey and as Shirley Manson does, which is a lot- followed by a hell of a lot more. I’ve interviewed bands and I’ve remained somewhat “normal.” By that, I mean I managed to talk like a human rather than a blubbering baby. Since Friday night I have played out in my head what I’ve wanted to write down, then I realised that I simply cannot plan this. It has to come from the heart. It always does, because I honestly have no idea how to write any other way. If the things you do and say do not come from the heart- then don’t say or do them. Simple. Sort of.

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I was one of the VERY  lucky 125 people to have got a ticket to see Patti Smith and Tony Shanahan (thanks to my lovely girlfriend.) The concert was beautiful, and was held in The Old Schoolrooms- where the Brontës taught. When I was about 4 years old my mum took us all to Haworth to go round the museum and I remember being in awe of everything. When you walk around the village, you cannot help but be taken back by all of the history there. Everything about Haworth is gorgeous, but on Friday night it reached a different level of beauty.

The first song she did was dedicated to her sister Linda, who got Patti into the work of the Brontës. For her 65th birthday, Patti promised her sister that she would take her to Haworth. This alone just cements the idea that Patti is an incredibly caring and gentle human being. She played Dancing Barefoot (yes, I cried.) She played her tribute to Amy Winehouse; This Is The Girl which was nothing short of heartbreaking but comforting. I’ve not managed to listen to Amy’s music since she died, and it’s something which I may never be able to do. It gets frustrating, but This Is The Girl made me feel less silly for still being upset over a death of someone I never met. When she played Because The Night (which was released exactly 35 years to the day on Friday) everyone went a little bit crazy, as they also did to the inspiring People Have The Power. Pissing In A River was an incredible moment too. Everything was just stunning, who knew it was about to get even better.

At the end of the concert my mum saw that Tony Shanahan was on the stage packing up his guitar. She went over to ask if Patti would sign two books I brought with me. My battered copy of Just Kids (I’ve read it more times than I can remember) and a poetry book of hers, Auguries of Innocence. He said to wait, and he was sure she would. So we loitered for a bit. Saw people stand around being interviewed by the BBC, and friends discussing with each other the beauty of what they had just seen. About 10 minutes passed and Tony called out to my mum and I. He beckoned us, said Patti would sign the books. I walked behind my mum and as I type this the same rushing feeling is coming back. This still doesn’t feel real. I felt my body turn to jelly, I thought I was going to be sick. In fact, I was SURE I was going to be sick. I stood at the door, thinking I would just hand the books over and that was it.

I stood next to Patti, and she asked me my name. Her sister, my mum and Tony were the only ones in this small room. A room that held so much history, and was now the room that held the moment my whole life, my world changed. I’m not “cool.” I don’t believe in the idea of it, however if I did- and if I was cool, I just ruined that notion of myself by howling. Some strange noise came out of my mouth. I am comforted by this by being told that Shirley Manson had the same reaction when she met Patti. As I cried, Patti said in her soft voice “Don’t worry, it’s just emotion.” I was completely fine after then. I say “fine” but in my head I had no idea what was going on. I don’t think I still do, but that’s a different story altogether.

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I wanted to say so much to her, but I think she’s been told it before by so many. I was sat next to the woman who is responsible for not just saving me, but for also giving me such love for words and music. Her words and music mean more to me than I can say. There’s no way I can actually get the words out. It has changed everything, in ways that go beyond description. They say you should never meet your idols, I stick two fingers up to that idea. As much as I wanted to hug her, I just shook her gentle hands and said thank you to her. But with that thank you, I meant much more. I wasn’t thanking her for just the photo I had taken with her or for her signing my books. I was thanking her for every single song she has ever written, every poem she has ever written. For everything she has done as it changed my life, for the better. I think Friday night changed my life for the better. In the poetry book she signed, it says “Have a beautiful life.” Well, as Patti told me to- I’m going to make sure I do. I have no job, no money- but I have that moment. I have that. I was taken to meet my role model; there’s no greater feeling than that. None at all.

As the tears fell, Patti’s sister, Linda was getting emotional too. It didn’t feel real, it still doesn’t. I keep looking at the photos, the books and my ticket. Every so often it hits me that I actually met Patti Smith, and when it does nothing else seems to matter. Like I said above, we must cling onto the strength we find. This is mine. Forever.

I have no idea if she will ever read this. If she does by some strange stroke of luck, then..well, just thank you. Again. And a massive thank you to Tony Shanahan for making this happen and to Linda Smith for taking the photo of Patti. I won’t re-read this because I will have so much more to add, but I think the photo of Patti and I shows how happy I was to be sat next to her.