ANGEL FACE.

There are so many records that have been released by Slovenly Records that are just incredible, and one of their most recent is debut by one of the best Japanese bands around- Angel Face. This is a proper rowdy and loud record that will totally annihilate your eardrums.  A glorious Punk record and a solid debut record.

The record kicks you in the kisser with You Ain’t My Angel and immediately you can hear that snarly tone that Stiv Bators had on this record. This is everything I could possibly want from a Punk record and so much more. They make the kind of music that would have your neighbours making noise complaints about. I’m pretty sure it’s scared off my cat too but to be honest, she’s scared of the spray mop I bought so I won’t trust her judgement here.

This record is something else. If you love bands like Bruise Control, Pancakes, Dead Boys- I could go on. If you love them, then you’re going to love this. Angel Face will make you want to sell whatever you own that’s of worth so you can fly off to Japan and immerse yourself in the Punk scene there. This is some rowdy shit that you cannot get enough of. I want everything I listen to to be as loud as this.

They’ve only been making music together since 2021, but this record sounds like something from ’76 or ’77- it’ll make you feel like you are discovering Punk for the first time, and you’ll wonder how you made it this far without it. How did I make it this far without this record? Every song on this record will make you feel like you’ve snuck into somewhere you shouldn’t have. Bad Feeling and I Can’t Stop are the ones that’ll have you waving your limbs about the most. Then you’ve got the ferocious Bring Me Back; the vocals on this are SO good. That proper gritty and menacing style; it’ll make you feel super tough when you listen to it, even if you’re just a delicate little flower.

Everything about this record screams PLAY THIS LOUDLY. There are no quiet or dull moments on this record; and it just makes you want to unapologetically lose your shit. This is the kind of band that you just know will destroy their live sets- the crowd will leave feeling bruised all over in the most pleasing way imaginable. They make the kind of music that has to be witnessed live. The urgency on this record is nothing short of vital and divine- you cannot help but get caught up in it. How else can you tell that this band are something else? The lead singer is called Hercules- that alone should sway you into digging this band.

Angel Face is anything but angels, and that’s part of the charm. Their sound is dark, raw, and loud- you cannot get enough of it. One casual listen just isn’t enough- you want to just let it consume every part of you, and when you find bands like that you have to hold onto them. Even if they are on the other side of the world and they’ll probably never end up where you are! But hey, we live in hope, don’t we?! It’ll get us through, as always. They make the kind of music that makes you think you’re part of a motorcycle gang or something. I honestly can’t think of a band who are making noise like this right now, and if this is what one record can do, then the world is theirs.

KÜKEN : s/t (III)

After waiting for what seems an eternity, the new full-length record by the finest German band around is finally here! My love for KÜKEN has been well documented; I’ve got all their records and they are some of the most treasured records I own. I just adore this band and their sound. There’s no other band out there quite like them.

For some, Christmas Eve is probably about a wealth of traditions I’ll never get my head around mainly because I closed the door on Christmas after my gran died. I can’t face it; my brain won’t let me. So, we make our traditions. Tomorrow, I plan on sleeping as much as I can (I’ve not been well and my voice is now sort of going) and I’m going to make myself a vegan lasagna and play FIFA on my PlayStation. Maybe nap some more. For me, it’s just a day off work. An extended weekend; and I’m happy with that. But, in the midst of all this and seeing everyone else panic about buying gifts- KÜKEN have released their third full length record and it is a thing of beauty.

I’ve not made a list of my favourite records in a while- I don’t know when I last did it, but if I was to make one for 2023, this record would likely be my top record. This record consists of 11 songs that’ll smack you right in the chops and have you dancing around like someone without a care in the world, and throwing your limbs about in a questionable manner. The best bands bring this out of you, and KÜKEN do this and so much more.

This record fits perfectly after the previous 2 full length records, and honestly, if you play every record in order (EPs included) you will hear just how solid their sound is. Every record they just grow in sound, but there is something about record number 3 that just elevates itself above the others. No song on this record goes beyond the 2 and a half minute mark- proper Punk anthems to trash your room to. They make the kind of music that you know just HAS to be played live. At the moment, my most played song is Goatleather but that’ll change after a few more listens. Every single song is great- you can’t deny the brilliance of Off The Track or Out Of The Water. These are modern Punk anthems that need to played ridiculously loud.

What I love about KÜKEN is how their sound is so distinctive. There’s something about the vocals and everything else going on, that makes you instantly realise who you are listening to. It’s hugely prominent on songs like Tight Muscle and another close favourite, Sticky. Their music is just everything you could want from your favourite band. For me, they’ve got that snarly attitude of Dead Boys which I’m sure I’ve mentioned many times before when I’ve written about them. Sometimes you just find a band, and they become IT for you. KÜKEN are that band for me. They have this powerful and slick sound that makes you wish you could do what they do.

Their third record is made up of typical KÜKEN anthems that you just have to play as loud as you can. The second part of the record goes harder, and it’s those ferocious and fast songs that just make you fall in love with the band over and over again. Cold may just be one of the finest songs that they have made to date. Everything about this band is everything I love about music. This record is truly something else. The production, the songs, vocals, sounds- every element of this record just shows why they are the best at what they do. Criminally underrated but that doesn’t matter when the songs are as big as this. The excitement I feel when they release something new is unlike anything else- they really are one of the most thrilling bands around, and their new record firmly states this.

KÜKEN are a band I could never get tired of listening to or writing about, and this third record is their finest work to date. 11 songs to fry your brain to- perfect!

The record came out today via Alien Snatch Records.

DEATH GOALS: A Garden Of Dead Flowers.

Death Goals have released some incredible music over the years, and instead of writing about how great they are in general- I’m going to try put into words why their latest release A Garden Of Dead Flowers (released in May) is one of the most exciting records of the year, and why it is the perfect Queercore record. These angels truly know how to make incredible noisy music to piss off your neighbours!

The fact that my cat is able to sleep whilst the washing machine goes full pelt and I’m blasting out Death Goals ridiculously loud makes me question if she can hear in general or if like me, probably has selective hearing! Pet welfare aside; A Garden Of Dead Flowers is way ahead of its time. It’s a magnificent Hardcore record that isn’t intimidating, and it is ahead of everything else around and it’s one of those records that just amps you up. I sometimes have a hard time focusing on things because my brain likes to go 500 miles an hour and think about everything at once- but when I listen to bands like Death Goals- my brain can calm down and focus.

It’s weird because say if I have an anxiety or panic attack, certain bands or songs can ease my mind and for the most part- it’s really loud bands that do it. I don’t get it, but I go with it. Loveless is one of the many highlights for me on this record; I could have it on repeat for hours and not get tired. Harry’s vocals have some serious bite to it; how they can belt out those vocals is beyond me- imagine being able to do that! The sheer range!

Everything about Death Goals blows my mind; there’s only two of them making this noise, and my god it sounds like there’s about 20 of them. That’s when you know you’ve found a band to really fall in love with and adore. I love the unity around them band, and how their music is for everyone. All too often we can feel like we can’t connect with something because it doesn’t speak to us, but there’s something so beautifully different about Death Goals, and how exceptional they are is truly shown on this record. They’re the kind of band that’ll easily influence others to make their own filthy, noisy music that appeals to us misfits. We need more of this.

What I love about this record is that it gets heavier with every song. There may only be 11 songs on this record, but every single song is delivered with such urgency and a fury that makes you feel every single note and word. Harry is a beast on guitar and vocals. Nothing can compare to the noise they make. And as for George; well, if you’re looking for someone to burst your eardrums with their ferocious drumming- George is the one for you! There are so many moments on this record that will blow your mind, and everything perfectly comes together on Faux Macho.

Death Goals just quite simply, reinforce my love for duos. Duos always seem to make more noise and deliver it with more urgency. The sheer loudness of their sound, the comfort in the lyrics and the general insane talent Death Goals posses is worthy of anyone’s time. One of the most exciting bands around, and A Garden Of Dead Flowers truly shows us all just how bloody brilliant they are.

BEIGE BANQUET: Animals

This petty urge, fills your mouth
Makes you sick, makes you sick. Animal
.”

I can’t remember when I last wrote about a single, but sometimes you hear something and you just have to write down and try explain why it’s pretty great. London’s finest Beige Banquet are back with the killer new single, Animals and it’ll be stuck in your head for days.

The repetitiveness of “Animals” throughout the song will stay firmly lodged in your brain. You’ll find yourself singing it at any given time, and probably no one will know what you’re on about. Beige Banquet are one of the most thrilling bands around, and the sound on this single sees them move away slightly from that lo-fi/bedroom DIY sound they have. It’s still there of course, but this song is more refined. It’s more distinguished and it’s a firm insight into how this band are going to continuously blow us away with everything they do. Their second record is due for release next year and I cannot wait to hear it. I reckon it’ll be one of the highlights of 2024, and hopefully they will take over the world with it. They absolutely deserve it.

Animals is a darker sounding song compared to what we’ve heard on their debut etc, but that is never a bad thing. The darker a sound, the better it usually is (personal preference!) and the fact that Beige Banquet aren’t afraid to go beyond what they’ve done before and enhance their sound is just incredible to hear. There’s hints of bands we all love on Animals, but at the same time it’s a real refreshing sound and one to really get stuck into.

The drums on this are stunning, and they are part of the reason why this song will have you moving in questionable ways. Then you have the bass and the guitar over this; adding some fury and bite to it all. Top this off with the poetic lyrics and gripping vocals- well, you’ve got a hit haven’t you!

Animals is out now, and you can catch Beige Banquet at these two dates in November:

10th November – London – Oslo
11th November – Leeds – Hyde Park Book Club

LEGAL NOISE: Legal Noise.

Some bands are just made to make songs that stick in your brain. And boy oh boy do Legal Noise make the kind of music that sticks right in there! I’ve written about this band before, so my feelings towards their music is pretty clear. But, as there is a new record out…actually, hold on. As their DEBUT record is now here, it’s only right I go into more detail as to why this band are pretty damn great!

As far as debut records go, this one is perfect. That was always going to be the case- what else do you expect from a band as awesome as this? Every song was made for you to thrash your body around to as if something has possessed you. The kind of songs that are destined to be heard in sketchy basement bars. The kind of songs you play when you feel happy or fed up- there’s a song for every mood and more on this record. These 8 songs are wild and a solid way of getting us to know Legal Noise much better. Whatever you’ve heard from them before- but it to one side, and dive headfirst into this record. This is a great record with nothing sounding out of place or forced. You can really hear their passion, and that passion makes you wish you had some musical talent. Imagine being in a band as cool as this!

The band sent me the record a few weeks before it was released, and I wanted to wait a while before I wrote about it. I’ve found this is the case with anything new I listen to now. Normally it’d be one listen and devour it. Now I’d rather listen to it over and over, then work out what I want to say. Joel mentioned that the first half of the record is a more of a Garage feel, then the second half is a lot heavier. That’s the best way to describe this record. The second part kicks you in the gut with Dracula, and it’s my favourite on the record by far. I love the heaviness of it, and how the heaviness smacks you right out of nowhere. Then it keeps on going on the second half of the record. It’s honestly a perfect record and for me, that balance of this sort of Stoner Rock coming in halfway to kick you in the face is just divine.

There’s only 3 of ‘em in the band, and by god they make a whole lot of noise. The kind of noise that needs to heard full whack 24/7. Time is just over 5 minutes long and you know what? We need more of it. This song could easily sound as perfect if it was 3 times longer. It’s such a great song, and it’s honestly a joy to listen to. Every single song is a joy to listen to. The record ends on a 10-minute number (Try To Hide) and the second it finishes; you’re playing the record all over again. And again. Legal Noise are a band that you know you HAVE to see live. I really hope this record is the one that brings them over to the UK and they sell out every place they visit. It’s a record that needs to be heard in all its heavy glory. We all form bonds with records whether immediately or over time; this record is one you fall in love with immediately.

I just urge anyone who reads this to play this record loud and throw your body wildly around as you let every song get into the depths of your soul.

SEXTILE: Push.

On Friday Sextile will be releasing their new record PUSH via Sacred Bones Records. That label is home to some amazing bands and singers. Some of my favourite records have come from that label, and I’m so happy that they’ve picked up the new Sextile record.

I’ve written about the band a handful of times including the last time they played here in Manchester (they will return to the same venue in December which I’m so excited for!) Their live shows are something else, and when you listen to PUSH, you cannot help but feel it’s a record to be witnessed live. It’s a pure Sextile record from start to finish. Every song is in the right place. It starts with No Fun that goes right into the trance like Contortion. Imagine this live. When you get your hands on this record, this song will change everything you thought you knew about the band. This song is way out there- Sextile are just on another planet with this record, and especially with this song. They just take you somewhere else that no other band has, or maybe ever will.

I really love that this record still has a familiar Sextile sound but at the same time, it throws you into this underground trance world. Early 90s House music is the feel of this record mixed with everything that Punk is. That’s the band all over really, and it sounds SO good. When a band really push their limits and go beyond what even they expect from themselves, that’s when you know you’ve found something to really hold on to. It’s a joyful record that’ll put your mind right. I mean some songs may give your older relatives a headache, but maybe it isn’t for them. This record isn’t for those who love the gentle and quiet. It’s for those of us who want something a bit louder, and something we’ve not really heard before. The loudness will smack you in the chops and the intensity of this record is just heavenly.

Lost Myself Again sounds like dread kicking in that leads into some form of hangover. Whether it be an emotional one or otherwise; it really does something to the soul. All the dread you feel is released by the time you’ve finished listening to this song. I love how the whole record is beautifully chaotic. It’s a record to dance to- to really dance to, and I don’t think they’ve done this on previous records. Sure, you can move to their sounds, but this record offers something else. And it is that “something else” that has you hooked. It’s not a record that you play once and forget about it. That’s not how it works with Sextile- far from it. They’re a band that you go back to every time. I think with this record, it’ll be the one you go to when you want something that you cannot get from any other record.

For me, Crash shows just how talented the band is. This is one of the gentler moments on the record. It’s a real soothing part of the record. You can play this late at night, look out the window or go for a walk and just play this. Whatever you feel when you play it, just go with it. It’s magical in every way. Friend of the band Izzy Glaudini lends her vocals on this one, and it just sounds like an angel harmonising. It’s such a gorgeous song, and does fit in with the rowdiness of the record.

As far as Electro records go, this one is up there as being entirely different; if aliens exist- then I hope whoever meets them, plays this record to them because I reckon, they too, would embrace the weirdness and beauty on this record. You cannot help but adore songs like Basically Crazy, Crassy Mel and LA DJ. It’s just a feel-good record. You can dance your little heart out to this one. Play it whilst you’re at the gym, play it whilst you clean your apartment, play it at a queer house party. Play it wherever you can and as loud as you can.

If you’re looking for a record that oozes soul and passion, then all you need to do is get this record on Friday. It’ll get you to where you need to go.

DEATH INDEX: Civilized By A Lie.

I swear I thought I was dreaming when it was announced that there’d be a new record by Death Index. I thought we’d only ever have their 2016 release and that would be it. Fans yearning for more and not getting it. 7 years later- it’s here. It’s been here for a few weeks but my ability and want to write anything has kept passing me by. Zero interest, but I think I’ve got there now so I’m going to try tell you why the new record by Death Index is every level of perfect, but maybe you already know why.

Death Index are Carson Cox and Marco Rapisarda. Both have been/are in bands that are brilliant in their own way, and different to what Death Index is. Death Index is a different level to anything you’ll have heard before. Civilized By A Lie isn’t as brutal as their debut but that hardcore Punk energy is definitely there. They’ve not made a soft record- far from it. They’ve made the perfect follow up to their debut and yes, 7 years is a long time to wait but it is totally worth it.

The lyrics are Carson’s work and, in the lyrics, you can hear the frustrations of life in his part of the world in America. All kinds of discrimination have been flooding news outlets all over the world and it’s so exhausting reading about it, and when you hear it painted the way Carson does- you know you’re not alone in how frustrated you are.

No Cure For Madness echoes how messed up everything is and that maybe it won’t get better- just yet. Maybe it will. I don’t know. None of us do. Then it slips into Spirit. A song that sounds like a machine gun going off with words ringing out the awfulness of the world. Of course, there is good in the world, but we can’t create an illusion that everything is great can we. Music is an escape but it’s also home. This is the kind of record that you know needs to be witnessed live. To hear the loudness, to feel the chaos and to soak up every word on this record in a live setting would just be out of this world. The talent Carson and Marco have separately and together means that Death Index is always going to be a work of genius, regardless.

Another Hero initially feels like a motorbike picking up speed heading deep into the unknown. Into a world that may be better than what we currently have. It goes full throttle this song, and it touches on the despair of killing and the ending of a life. You can hear the despair in Carson’s voice, and the whole record just evokes so much in you when you listen to it. At times you feel you are listening to a band that have taken notes from Depeche Mode, Nine Inch Nails and New Order but then it shifts to a real hardcore political sound which is unique to them. Some may dance to these songs all carefree but some may just be in awe of the content and find something to really connect with. Or both. There’s no right or wrong.

It’s a heavy record, and some may feel uncomfortable listening to it but every ounce of this record is honest and open. For some, that’s uncomfortable but Marco and Carson have created a thing of beauty here, and it’s the kind of record you stick on when all feels a bit too much and you need something to sit down with and reassure you. It’s in songs like Shadows At Dawn (personal favourite) and it’s in songs like Ego-Dance.

11 songs in half an hour. 11 songs to fill a void. 11 songs to feel a connection with. 11 songs that fully justify why Death Index are brilliant. If we have to wait another 7 years for a record that is at this level again, then so be it. Worth the wait.

Play it loud. Play it alone. Play it through headphones. Play it whilst you take a walk. Play it to anyone who will listen. Play it loud.

BEIGE BANQUET.

I’ll never get why chaotic sounds seems to calm my mind. The louder a band is, the more relaxed I feel. Don’t get me wrong, I love quiet moments but sometimes you need to listen to something that just messes with your head and throws you into another dimension. Finding a band like this is such a thing to treasure and appreciate with all you have, which is why I’m writing about a mighty fine band called Beige Banquet.

They’ve been around for a few years now, and they recently went out on tour with Die Verlierer around the UK. I was meant to be at the Manchester show but I forgot I was still visiting home. There will be other times, I’m sure. Beige Banquet have a solid Post-Punk sound- if you’re into genres. There’s a very slight nod to VERY early Joy Division here. There’s a charming darkness to their sound, and I think their S/T record is such an energising record. You get to know their sound, and you fall in love with it.

Songs like Control, Hotel Room and Welcome To Rock Music are essentials for any music fan. This sound is infectious, and it’s hard to believe that Beige Banquet initially started as a solo project by Tom. Band members were added, a pandemic happened, excellent music was released- that’s all you need to know. With 5 members now in the band, there’s a loudness to the band’s sounds that lures you in. That loudness mixed with how divine the sound is just has you hooked.

There’s a dark 80s feel to their sound, and the debut release Beta nails this. It’s such a strong record and it’ll leave you crawling for more. You’ll be comparing everything you hear to their sound- a mighty fine distinctive sound that will have you dancing like Ian Curtis rugby tackling Iggy Pop. Is there really any other way to move? I hate how I have blips of where I don’t write about music, but bands like Beige Banquet make you want to do something. Anything.

In some respects, you can easily say there is a heavy influence of The Fall on the band, and by that I mean the delivery of lyrics and how you can sense how carefully crafted every element of the songs are. It’s like Mark E Smith joined Kraftwerk- perfect! The Beta record is a dream of a debut release- the level they are at on this record is something else. It’s been nearly 2 years since it was released, but with every listen, you feel like you are hearing it for the time. I also have this feeling that when I listen to the record, I’m not listening to a band from current times. They’re out of this world and in their own league for sure.

There’s heavy Krautrock influences here, and everything in between. The build up on the songs (especially on Cold Yoghurt) have this tension that makes you feel like you’ve walked in on something you probably shouldn’t have done. A truly exceptional record from a band that deserve all the praise possible. You can’t help but get excited for what can potentially happen next for this band and when a band can do this in a short amount of time- that’s when you know you’ve found something to keep very  close to you.

See this band live whenever and wherever you can. Buy their music and become obsessed with them- you won’t be the only one.

BRUISE CONTROL: Useless For Something.

Ever heard a record and it immediately makes you so excited you just want to run around and tell everyone about it? Course you have! For me, that record is THE DEBUT by Manchester’s finest Punk band- Bruise Control.

Bruise Control blew my mind when I saw them support Amyl & The Sniffers at the Albert Hall. That gig was something else. The crowd went nuts and it felt like a joint headline show to be honest. Let’s bring it up to present day, and talk about why Useless For Something may just be the best Punk record of the year and to be honest, it dicks all over a lot of records and it is such a joy to listen to.

As someone who feels uncomfortable listening to music that is tame/quiet, Bruise Control speak to me on a level I feel I’ve been in search for for what seems like an eternity. I feel like I’ve heard Black Flag and The Birthday Party for the first time when listening to this record. The rage, the passion and the energy this record has it huge. You can’t just play this once and go about your day at all. You have to just keep on listening and by the second listen you’ve nailed down the lyrics and you’re screaming them right back.

What I adore about Bruise Control is that they make their songs so easy to relate to- songs like Taxman are just *chef’s kiss!* perfectly summing up how us working class are constantly being dicked over by scummy Tories and the like. They have such a big sound, and this being their debut is remarkable. It’s a record you’d expect from a band decades into it- they’ve perfected their sound. It was obvious from the jump that Bruise Control were going to be special and Useless For Something goes above and beyond what anyone could ever have expected.

Dead On Arrival may be my favourite at the moment, but the more I listen to this record (yes, it is daily) the more I find different parts to fall in love with and become obsessed with. There’s this really tight sound on the record, and Dead On Arrival smacks you with hints of Fugazi and Jerry’s Kids. Absolute monster of a record and I don’t say that lightly.

The record was produced by Niall (guitarist) and that truly keeps in with that effortless DIY Punk sound that Bruise Control have- every song is a beautiful smack in the kisser. HMRC is a prime example of that, as is Useless and Bottom Feeder. Every song is an anthem and by that I mean- every song is so important and NEEDS to be played as loud as you and your neighbours can stand. If you are looking for something to blow your mind, burst your eardrums- then this is the record you desperately need. You know it is going to be a riot of a record right from the start. Useless is the perfect way for the record to open- Jim’s vocals on this are so snarly and raw. A beautiful and brutal way to start the record. I was listening to it whilst on the tram to work this morning at 7am- it bloody woke me up!

Manchester will always be one of the best cities in the world for music- Bruise Control utterly back this up. Their energy, their message and their talent has an immediate grip on you- a bear hug, a chokehold. Whatever you want to call it. That grip they have is so rare and so enthralling. I just absolutely love them and this record. This band are the future. Our future. The world is theirs and all that’s left to do, is to play the record loud. Then louder. And maybe touch louder just to make sure.

CASUAL DRAG: Revolution Will Eat Itself.

This should have been written weeks ago but we’re here now and that’s all that matters.

I’ve written about Casual Drag before, and my love for them is ridiculous. Now I get to write about their new one, Revolution Will Eat Itself and it’s a proper DIY Punk work of art. Do you need to play it loud? Yes. Will it make you want to trash your room and throw shit out the window? Absolutely. I wouldn’t expect anything else from them. They are one of the most exciting bands around and they are totally feral with their sound. This beautiful and passionate aggression in the songs is just a delight.

This record is one of those that make you wish you could immediately catch the band live. I know that they are well adored in their city of sweet, sweet Glasgow but the rest of us really need to experience the joy of a Casual Drag show. Until then, we play the songs as loud as we can and on repeat. Is there any other way to do it? Nah.

The record is made up of 5 songs to melt your face and ears- and you’ve got to remember that there’s only 3 of them in the band making this stunning racket. You can’t help but instantly love them with your first listen, and this record was so easy to love. Every single song is an anthem. An anthem for those of us who are fed up- and I’m sure there’s a lot of us out there! This record has a lot of attitude but you cannot compare it to anything else. The only other band I can think of that have the same bite are Bruise Control. Some of the songs you can scream along to, but don’t let that borderline Pop feel fool you at all- this band know exactly how to hit you between the eyes.

When you listen to the record, it’s hard to believe that this is their debut EP. They’ve nailed this sound, they’ve figured out their sound so easily and it just makes you so excited to hear more from them. Every single song on this EP deserves it’s place- no fillers here! Every song will move you and make you want to immediately go to a sweaty Punk show and throw yourself about whilst covered in your own drink and probably someone else’s!

Have a fun fact: Casual Drag were formed over a cigarette break by Richard and Dominic. They share a love for the Amazing Snakeheads (Dale Barclay forever) and IDLES; and you can hear it in their music- there’s this same ferocious sound that others may fear but it sounds SO good. It’s such a comforting sound. See, some people take comfort and safety in quiet and peaceful songs- I can’t do it. I’ve tried, and I can’t. When it’s as loud as Casual Drag- then all is okay. I feel I can focus. The songs are made to be blasted out live- those snarling and gnarly vocals, the slick bass and guitar and drums adding fuel to the fire- pure heaven.

I Like It is the one you probably have to play the loudest- the drums on this are wild. Matt is one incredible drummer, the way they play the drums is so wild. All 3 of them have this raw style and approach and I think I Like It is the song that really shows this. It’s just a perfect record all the way through, and sure you’ll want more- but we’ll get it soon enough!

This is one of the finest and loudest records you’ll hear all year; treasure it and let’s all hope they do a tour soon because lord knows we need it! I know I do!