Some bands are put here to make a difference. Some go beyond making a difference, and you wonder how we managed to get this far without them. The Battery Farm aren’t just a band; they’re something else. Something that we need, something we’ve needed for so long. There are messages and meaning in every single song. You don’t need to be told what they are, use your ears to work it out. You’ll get there. I don’t think they realise how powerful they are. There are some bands that just make a difference- think of bands like Benefits. The messaging is clear.
Dark Web is a fighter of a record. It’s rowdy. It’s angry. Really angry, and we’ve got a lot to be angry about. Ben’s vocals on Hail Mary start soft in comparison to how gritty his vocals usually are, but you can hear the rage. You pick up on that rage. The whole record feels like a smack in the face but also a call to change. His vocals really kick in on this song, and it’s that raw and gnarly tone that really pricks up your ears. You HAVE to listen.
You can really sense that this was a cathartic record to make, and you feel it may have taken a fair bit out of them to make. It’s a record that HAS to be heard live, I don’t think it was made for any other purpose other than getting it heard by as many people as possible wherever they can. Dark Web starts gentle, like Ben’s vocals are light on this but the last 30 seconds or so- his voice is still light, but there’s something really menacing about it- and it’s so beautiful.
Icicles is the oddest sounding song on the record, and I mean that in the best way possible. Musically, its brilliantly all over the place. The guitar has NO business sounding that slick and that good on the record- you can move to this one. But the heaviness of the lyrics creates this collision of worlds and what you get is a song that just stops you. You have to really sit and listen to this one; it pulls you in different ways and that’s not a bad thing at all.
For me it’s all about the passion, fury and honesty on the record. The most open song on this record is It’s A Shame, Thanks A Lot. The way Ben speaks about his experience and his mental health on this really, really hits you. I’ve had to stop and start this one a few times. Anyone who has had to carry around having really shit mental health will get why this one hits the gut very hard. I don’t see a need for me to write about this song because it is SO personal and so vulnerable. Just, there was a time where this song would have summed up everything I was feeling, and I’d have turned it off. I think the band have created something here that will help so many.
As far as second records go, they’ve nailed it and then some. They’ve surpassed all they did on their debut. Dark Web shows us exactly what they band are made of. How loud they can do, how fearless they are musically and lyrically and how much they have grown from then to now. They’re a band that Manchester is proud to have and claim. They’re just everything we need, and so much more. This is The Battery Farm at their finest, but we know they’ll keep getting better.
Bands that challenge their fans and those who listen are to be treasured, and we need to treasure The Battery Farm with all we have.
Last night I saw again, the best band of my generation, live. I’ve been thinking about what makes Amyl and The Sniffers so great and it’s down to the live shows. It’s the energy, it’s the band, it’s the fans. From seeing them at the Deaf Institute in 2019 to last night at the Academy; I can safely say that every time I’ve seen them, it’s made you feel like it won’t be long before they become a band that play stadiums. Their sound is THAT big. Their energy is even bigger.
From the second the band step on stage to Mobb Deep’s CLASSIC Shook Ones Part II (any band that walk on stage to that are excellent!) you know that you are seconds away from greatness. Amy steps to the mic and tells the crowd to pick anyone up who falls, don’t touch anyone who doesn’t want to be touched and to get rowdy. I think we can apply those rules to daily life. The setlist consists of 22 songs, and you feel it isn’t enough. You want more and more (I’ll ALWAYS want Stole My Pushbike back on the set along with 70s Street Munchies!) but the new record live is insane. They start with Doing In Me Head which is one of the best moments of Cartoon Darkness. They absolutely rip through the new record, and it’s that energy that is so rare, is what makes the night.
One of the things you spot at an Amyl and The Sniffers show is that there are no age limits- the crowd is so diverse and I think the older people in the crowd lasted longer in the pit than the younger ones. It was so beautiful to see. Amyl and The Sniffers are beyond being a Pub Rock/Punk band; there’s something else there, and it honestly above any words I or anyone could write down. You know what was the seller for me? Having the show projected on a screen behind the band because this short-arse can’t see anything! But I saw it all. I got the tickets as a birthday present to myself, and I think, even though I dislike my birthday, celebrating it like this was alright. Mainly because it wasn’t ON my birthday, but you get my point.
There are tender moments in the set such as Knifey and every female person sang that song as if their life depended on it. I remember hearing it for the first time, and I bawled. I don’t know anyone who hasn’t been moved by that song. Bailing On Me nearly had me crying, but I remembered being told that no one is worth crying over so I stopped myself. It felt good. For me, hearing Motorbike Song live was all I wanted. That was the new song I was looking forward to the most. It’s so loud, it’s fast and it’s just a dream of a song. Of course, songs like Hertz, Guided By Angels and Security are belted out by everyone- how could they not be? They all created beautiful moments, and show why Comfort To Me is one of the greatest records ever made. However, I reckon every record they ever make will be the greatest so we’re fine. This is a band to put all your faith, love, and energy into. Pretty sure I had goosebumps from the second they stepped on stage to the very end of the set. The encore was Balaclava Lover Boogie and GFY- excellent way to end the show! There are SO many moments during the show that just blow your mind. Me And The Girls live absolutely dicks over the album version. The song rips anyway, but live? My god!! U Should Not Be Doing That holds a very special place in my heart as does Chewing Gum. Oh man having Maggot and Some Mutts in the setlist is a dream too! Every song deserves its place!
I adored how everyone was having the time of their lives last night. Sure, drinks were being lobbed across the room and being dropped, but that’s because everyone was busy dancing and screaming along to the words. A personal highlight for me was someone coming up to me to tell me something but I had no idea what they were saying, so they then said “Don’t listen to me, I’ve just got me tits out!” And that pretty much sums up the night. Freedom for all. Fun for everyone. It was a blast, and I hope they come back soon because their live shows really do give you a kick up the arse.
The new record hasn’t been out long, but everyone knew every single word and shouted along with Amy. Her voice has become so much stronger over the years, and I think you really hear it on songs like Chewing Gum and Big Dreams. As for Dec- show me a better guitarist right now, because you absolutely won’t find one. He’s something else. Gus is THE coolest bassist. Bryce is just exceptional. Together they show exactly why Amyl and The Sniffers are the best band around. This band are for us underdogs, the weirdos and the ones who do not want what you’re selling.
I’d like to end this by saying a very personal highlight of the night was me turning to my best mate during Jerkin’ to try tell him something important and he stopped me because he HAD to shout “WANK WANK WANK” during the song. I’d have been disappointed if he didn’t. The joy on his face was heavenly!
If you’ve never been to an Amyl and The Sniffers show, you are missing out. It’s as simple as that. I adore everything they stand for and how they treat their fans, and also- how the fans treat them. Amy Taylor has that Patti Smith quality about her, and I hope when Amy gets to 75, she’s still shouting the words to Jerkin’ every night in a different city. We need bands like this so badly- especially at the moment. At the start of the show, Amy gave a little speech about the state of the world and how shit it is, and the words hit. The world is absolutely terrible but there is more of us that want to do good and help, and we just have to be a lot louder now.
So, in short, this was an amazing show and the atmosphere was beautiful. If I could go to an Amyl and The Sniffers show every night, I bloody well would.
PS- This is one of the lamest reviews I’ve done but I hope you take away from this that Amyl and The Sniffers are the best live band around. Thanks!
Writing about Bruise Control is a dream. It’s a luxury. It’s something I’ll never get bored of because I just bloody love this band with all I have. I’ve seen them play small sweaty venues and I’ve seen them rip the roof off the Albert Hall whilst supporting Amyl and The Sniffers (if you were there, you’ll know how special that gig truly was!)
Manchester’s finest are back with an excellent new single and video to match. Left Behind is a perfect Punk anthem. That’s what Bruise Control are about- writing perfect anthems that sum up the fury and frustrations of daily life. They let it all out, and in turn, we shout the words back at their shows. They are one of the most exciting bands around- and I don’t just mean in Manchester. I mean in general. My love for this band is massive, and I could write you a full on thesis on why they are the best but I’ll save that for the next record. I’d say that Left Behind is Bruise Control at their very best, but anyone can tell that they are ALWAYS at their very best- it’s dead easy for them. Their sound is theirs, and theirs alone. No one else out there sounds like them, and that’s why they are such a joy to listen to.
I adore the chorus of the song, and it massively sums up the pains of living in a city that seems to want to build ugly high rise glass buildings. Green space is a myth. Community spaces are turned into pretentious coffee shops. It’s a drag to see, and it’s happening everywhere. It’s happening here in Manchester, and it’s heartbreaking because not only are these glass buildings ugly as fuck; they’re painfully expensive. Nowhere should cost that much to live. It’s vile. Anyway, I’m going to end up ranting so I’ll stop. I’ll save the rants for when I get a taxi because local taxi drivers LOVE to talk about how awful these buildings are, and I’m totally here for it.
Learn the chorus, and shout along with the band.
We desperately needs bands like this, and when you find them- cling onto them. Sometimes you just need to find something in a band like Bruise Control because they let it all out.
Their biggest headliner show is in a few weeks at YES in Manchester on the 29th November. Buy a ticket, learn the words. Have a lovely time!
Some bands make the world better by making music that you truly feel in your gut. Their music becomes the voice in your head that you need when things feel a little too much. That’s the thing with music- it’s always there. People aren’t. They come with conditions and at times, demands you cannot meet. Music doesn’t do this. So, what does this have to do with the new Amyl and The Sniffers record? Absolutely everything, and more.
Cartoon Darkness is THEIR record. The record they were always destined to make. It could have been immediately, or it could have been in 15 years’ time- but it’s now and thank god it’s now.
The record opens with the latest release, Jerkin’. It feels like it’s a much-needed dig at male journalists who objectify Amy. We’ve all seen it- not just with Amy, but countless of other female musicians. They seem to think talking about what someone is wearing is far more important than the words coming out of their mouth. That isn’t journalism, that’s being a total prick. But what do I know!
We then go smack into Chewing Gum, which is lyrically, one of my favourite Amyl and The Sniffers songs. They’ve come a long, long way from being a little pub rock band, but it was so obvious that this was going to happen. Some bands are destined to make it, and this band are one of them. I won’t focus too much on the songs that have already been released, but I do want to mention that hearing Big Dreams in between Tiny Bikini and Its Mine is so beautiful. Big Dreams is THAT song you go to when you feel awful, and it just makes everything alright again. Then, you go back and play Chewing Gum. That’s when it all clicks, and you feel alright.
Over the past 8 years or so, they’ve been making their own noise and on their own terms. I remember hearing the Giddy Up EP and it blew my mind. I felt like a kid in the 70s hearing Punk for the very first time. I found the band I was always was meant to find, and it’s been a wild ride since. Everything they’ve released has been magical; how can a band be this good? HOW? For them, it’s easy. Each of them has this glorious style and sound that just has you hooked. Bryce is an insane drummer; Gus is THE coolest bassist, and Dec is just a monster on the guitar. Amy is one of the best frontwomen around. Actually, fuck gender. Irrespective of gender- Amy is one of the most charismatic and divine singers I’ve ever seen. The way she holds a crowd, how she can control them and just have everyone hooked on the band? Effortless. If you’ve seen them live, you’ll know exactly what I mean. This band have it all, and then some!
Cartoon Darkness is a treat for us Punk fans. It’s 13 songs and just over half an hour long. As someone with awful attention span and cannot sit still for too long- this record feels like every single thought bouncing in my head. Like a pinball machine in the corners of my mind- back and forth, then a bit chaotic in the middle. It’s a fucking great record. Right now, my favourite song on the record is Doing in Me Head closely followed by Pigs and maybe Motorbike Song. I think Doing in Me Head may be my solid favourite; I don’t think I can change my mind on that (this isn’t counting Chewing Gum or Big Dreams.) The record is fun, and sure some of the topics are heavy, and Amy has said the record is about a range of things such as war and climate crisis- but there’s fun on this record. It’s got an innocence to it, and you find that in everything this band do. There’s this beautiful gentleness and fragility on Bailing on Me- it’s heartbreaking, and hearing her voice so delicate on this will cut through it. It’s such an easy song to relate to. We’ve all had someone who constantly lets us down, and when you get to the point of realisation of it and let it go- that’s the biggest relief. Trust me. Letting things and people go that just let you down may feel tough, but when you do it- everything feels lighter. It’s one of the quieter moments on the record, and it then goes right into U Should Not Be Doing That (the bass reminds me of Psycho Killer, and it’s SO good!) Me and the Girls wraps up the record- it’s a chaotic night out with a description of the morning after; the perfect way to close a phenomenal record. Also, don’t overlook the power of the song Tiny Bikini- that song will also be incredible live. The whole record is a fervent work of art.
I guess in short, we can say that this is their best record so far. Their finest release. I’ll always, always have space in my heart reserved for Giddy Up- it started everything for me, and to hear the band go from songs like Stole My Pushbike to all they’ve created on Cartoon Darkness is a joy to see and hear. There’s no other band quite like them, and I honestly don’t think we’ll ever get another band like them. Bands like this are so rare, and we’ve got to treasure them whilst we have them. The band will ALWAYS have that rowdy and raw sound, and it’s so clear on It’s Mine. That song is going to be WILD live. The whole record is going to be insane live; I cannot wait. Imagine witnessing It’s Mine and Motorbike Song live! It’s going to be unreal.
Their debut self-titled record to Comfort to Me, then to Cartoon Darkness- you can definitely hear the growth. The production, the way the band play, the writing and the strength in Amy’s voice is unreal. This record is their first on a massive label, but it’s not changed their sound at all. They’ll always have that beautiful raw sound we all fell in love with many years ago.
The energy on this record will set you up right for the day. I think I’m on my fourth or fifth listen now, and I just keep picking up on more things to love about the record. There’s so much to love and appreciate on this record. The second part of the record shows a more vulnerable side to the band lyrically, and I think Going Somewhere may be their biggest sounding song to date. This live is going to rip. I cannot wait to hear these new songs live; their songs are all made to be heard live-that’s the kind of band they are.
Every song on this record deserves its place and needs to be played so loud. It’s one of those records that makes you so proud to be a fan of the band.
I have stopped and started writing this more times than I can admit. I have deleted, deleted, and slammed my laptop shut, then tried again to even start this. How do you even start writing about this record? It’s pretty obvious that Crows have never (and will never) release a bad song or record. The 3 singles from the new record have all been exceptional (I don’t think any song has truly moved me like Vision Of Me has, and I’m sort of able to listen to it now without having a little cry! That’s growth 😉) and sometimes when a band releases such strong singles, you feel the rest of the record may not match up. There is nothing to worry about on Reason Enough. I have no idea how many times I listened to it yesterday, but I didn’t feel ready to put my thoughts down. But I am now.
The record opens with the title track, Reason Enough. If you’re looking for the best opener for a record this year-it’s this one. The drums and the bass? HOLY.SHIT. It’s got this heaviness to it that is on a Stoner Rock level. Jith and Sam truly shine on this one. The drums feel like a crashing into the ear drums and the bass feels like someone is possessing your body with electric shocks, and you’re not mad about it. When it all comes together and gets heavier, and heavier- as a Crows fan, you feel this relief. Relief that this record is FINALLY here. Inject this song right into my eardrums. I don’t care about the damage. James’ vocals on this are simply perfect, and Steve’s guitar on this should be illegal. In fact, it should be a crime for a song to be this euphoric. The way it changes for the last minute or so, and the song comes alive in a different way altogether- are you kidding me?! This live is going to be wild.
I’m going to skip over Bored, Is It Better? and Vision Of Me because I’ve already written about them, and I think my feelings towards Vision Of Me are very clear. In 30 years’, time, I will still be calling it as one of the most beautiful and honest songs ever written. I want it tattooed on my skin and carved into my brain. It’s a reminder. It’s a crutch. Much like Healing and Room 156. I think they’re my holy trinity of Crows songs; I’d play them to someone who hadn’t heard them before, but I don’t think I could handle a negative reaction! Anyway, let’s move on because I will go into why Vision Of Me is probably one of the best songs ever written again!
Land Of The Rose is a perfect anthem declaring how shit this country is. Turn on the news and all you see is pain, poverty and politicians repeating their nonsensical lies. This is why we need bands like Crows. This is why we need music or any form of art- it’s an escape but also helps you to see how awful it all is but can give you a little bit of hope that it might get better. Maybe. The way James writes and sings about shame, despair, and every emotion possible. The lyrics on this record are heavy; but with aspects of sadness flowing throughout. That isn’t a bad thing at all- it just makes you think, and it also makes you feel less alone, and odd for feeling the way you do. The songs on Reason Enough feel a lot more personal and tougher. There is still that beautiful gentleness in James’ writing that we lean into and cling onto. I guess at the heart of it, when you find a band that you truly get and they get you- it becomes a safe space, doesn’t it? This record definitely feels like a safe space. As far as political songs go, this one holds some true weight and given how awful this country has been; we need songs like this to really hammer home that things HAVE to improve.
Every Day Of Every Year is another one I’m excited to see live. I love the way the lyrics take you on a journey of every thought you’ve probably had, and by hearing someone else say it- you feel this connection. It’s a connection you won’t get from friends, lovers, families- it’s one from music and sometimes that’s the biggest and most permanent connection we’ll feel, and that’s absolutely fine. I’d be lost without that type of connection, and this song is a really solid way of expressing that. Every single day this feeling repeats and every single day you fight with yourself and the world to keep fucking going. It’s hard, I know. But I like to think it can and does get a little easier. What do you have without hope? I think this song is on the same level as Vision Of Me- there’s something about the lyrics that really get you in the gut. The guitar on this one is of the best moments on the record.
There’s such a natural growth on this record, and I don’t mean from Silver Tongues to Beware Believers to Reason Enough. I mean every single song in its own right is a step up from the song before, and that’s how you know you’ve found a truly special record. The way we get to Lie To Me from Bored is a whirlwind, and it’s heavenly to hear. You can hear the band grow with every song on this record, and you can really feel it in every single element of the songs. The production on this record is unreal too. It always is with Crows isn’t it. Lie To Me is exceptional, and the way we go right into Living On My Knees? Who gave the band permission to be this great? They just took it. Over and over again. The line, “I’m not strong enough for self defense” cuts through you, my god! What a line!
Living On My Knees is my favourite. Of course, I’ll change my mind in a week or so. I’ll call Vision Of Me as my favourite Crows song ever (please see holy trinity a few paragraphs above!) but Living On My Knees is something else. It makes you want to write; it makes you want to get every raw feeling out there; it makes you want to have this song on repeat for hours. It just gives you something that you can’t put into exact words, but you know you’re listening to something truly remarkable. There are heavy moments on the record, but there are also lighter moments, and it’s found on Silhouettes.
James’ vocals on Silhouettes will blow you away. It’s a different side to what he can do, and I think it’s one that will leave us Crows fans in awe for a long, long time. The bass on this is divine- again, it should be a crime for something to sound so perfect. I feel bad for any band about to release anything after next Friday because Reason Enough is THE record of the year. From around 2 minute 20 on Silhouettes, you cannot help but let every part of you feel smacked about from what’s going on in this song. When James sings, “You don’t find peace when you’re older” my god it gets you in the gut. This song truly shows the growth in the band in every single way, and how they have a distinctive sound BUT you can hear they’ve pushed themselves on this record. Go back and listen to their earlier stuff, then listen to Silhouettes and you’ll hear how stronger they all sound- both together and separately.
Reason Enough ends with D-Gent, and it reminds me of their earlier sound. The record starts heavy and ends heavy, and what more could you ask for?! This record is made up of their best work to date, and the opener and closer of the record are the backbone of it. What happens in the middle is that you get a mixture of soft, loud, gentle, vulnerable, anthemic and healing songs. Every emotion possible is in the middle, and you may feel all over the place but the closer, D-Gent brings you back to where you need to be. Where you should be. This record feels like home.
Record number 3 is THEIR record. Sound-wise it is full of moments that will make you realise why you fell in love with the band at the start. For new listeners, you’ll probably have found a band that will become your life. Crows have completely nailed it with this record, and I couldn’t be prouder to be a fan if I tried. The record is honest, political, brutal, heartbreaking, hopeful and an ethereal work of art. It’s the band at their best and I love so much how they have experimented with their sound and made something really out of this world.
The first few listens, I had to stop what I was doing and really take in the record and what was going on. Then with more and more listens, I was able to really get into what spoke to me on this record. It’s obviously everything, and honestly? The 3 singles we’ve had so far don’t do this record justice. There’s so much creative freedom on this record. Everything is heavier and you can really hear in the songs that not everything has been overthought- it’s just a natural progression, and like James said- “This is Crows in high definition.”
Sometimes you need to listen to something really noisy, just so you can feel something like a billion vaults go through your skull in the hopes of adding excitement to your day. Or whatever gets you through.
That’s where you need bands like Teen Mortgage. A duo that feels like a billion electric shocks to your skull. Do you feel anything yet? Probably not. Keep listening.
They are loud. The good kind of loud. The kind that makes you want to be as loud as them. Maybe louder? Only do what you can, if you want.
I know nothing about them, nor do I need to or want to. All I know is that they are pretty fucking good, and again, I’m late to the party. I don’t like parties anyway. This came from needing something loud to listen to at work. It’s doing the job. I have no idea how long they’ve been making music for, but in this case- time means nothing. Does it ever? Sometimes. When it drags, you feel like you could just gauge your eyeballs out to do something. We’re all waiting around for something. Usually for the day to be over. Light relief can always be found in music. I love the sound this band has. There’s slight hints of Melvins mixed with Heavy Lungs, and other bands I love. There’s a beautiful rage in their sound, and you can’t get enough of it. There’s this delightful fury in the songs that makes you want to throw things around and smash ‘em up. Do it. You’ll feel better. They have this energy that’s in the beloved Bruise Control and Death Goals. Loud. So fucking loud. So good. Inject this right into my eardrums.
Pick a favourite song? No. Not yet. I’ve spent a solid few hours listening to them on repeat, and Sick Day has this ridiculous feel to it. It’s the drums. Always the drums. It makes me feel like I’m slamming my head into a wall but with no feeling at all. Of course, the reality would be a headache, or worse. Anyway.
The Change is a solid one too. That’s one to play if you want someone you care about to like this band. If someone doesn’t dig them, it’s all okay to have trust issues over it and reassess your relationship with them. It’s okay. The Change COULD be one of my favourites, but every song I’ve nearly deafened myself with is exceptional. I feel like this bad mood I’ve been stuck in for a while has slightly lifted. I think I just need a nap. I always need a nap. My cat has got it figured out: wake up, have a little snack, maybe run around. Sleep for 5 hours. Repeat. Sleep again. More sleep. Could SHE handle this band? I’ve subjected her to some sorts at home- I think she’d be alright with this.
They’re the best at what they do, and this heavy sound they have is just a real joy to listen to. They’re the kind of band that make you fall back in love with music again. I’d noticed I’d been obsessively listening to set bands/songs over and over again. I don’t like when I do that, so finding Teen Mortage came at the right time. Ed is a giant on the drums. There’s this grand Melvins feel to his style- really sludgy, really loud. Then you’re hit with James’ vocals and guitar- add all this together, and you truly have a band worthy of every fraction of your attention, time, love, ears, anything/everything.
Teen Mortgage make music that is cathartic; it feels like a huge release listening to them. The modern world is too self-centred, and sometimes you just need a band like Teen Mortgage to smack you in the face with the kind of music that would probably scare your family.
I guess to some degree everything I will every write about Amyl and the Sniffers will just be a repeat of anything I’ve said before. However, the love I have for this band just grows and grows. How could it not? They are easily one of the best bands. Ever. Not just now, but ever. There is something about them that captures every tiny and massive detail about music that I love. I feel they always seem to put something out when you just need it. There’s a handful of bands that I feel this way about, and that feeling is unlike anything else.
Chewing Gum gives fans of the band everything they could want and more. It will give new fans/first time listeners something to cling to and believe in, and to fall in love with. I’ve had it on repeat since yesterday, and the video? Oh man alive! That video is just top tier. The song is a gentler pace than a typical Amly and the Sniffers song but the lyrics? It’s the band at their best. There are parts of the song that just hit you in the gut, and for me it’s: “I’m the voice of my young self when I was just a childs,she sings ‘Hey hey girl, you are doing fine.’ “ You know when you just need something that can only be found in a piece of music? That’s it. This is it. Maybe it isn’t so bad? Who knows.
What I love about Amyl and the Sniffers is the innocence in their songs (some not all) and the way of seeing the world. It is so precious. If I was a teenager and I was listening to this band for the first time, I’d definitely feel like I had found a home. There’s something so beautifully safe about the band, and maybe it’s the words. Maybe it’s always the words, but the words mean everything. It doesn’t always have to be so tough and brutal, y’know? They’re more than a Punk band, they’re more than a band. And songs like this just reinforce that. I love how they always stay honest to who they are as a band, and how hard they have worked to get where they are and I think it truly shines in the line, “I was dreaming of a dinner that would fill up my plate. I was doing the dishes, cleaning, but I never ate.” I love this. The power this line has is just divine.
Amyl and the Sniffers do not have any bad songs at all. You’d be stuck trying to find a less than average song by them. They just make it seem so easy, but there’s years and years of hard work in this. I remember hearing Stole My Pushbike years ago, and the song I think is no more than a minute long? I heard it and was hooked. That one minute turned me into a fan for life. I think it came out in 2016/17, and I wasn’t having the best time and I just solidly listened to them every day and I remember it feeling like a weighted blanket around me. I still get that same feeling with every time I listen to them. It’s in Guided by Angels, Balaclava Lover Boogie, Chewing Gum and beyond. Every single song.
I love so much that they aren’t afraid to be vulnerable with their songs too. The ending of Chewing Gum hit me right in the gut again: “I used to be oh so tough, but for love I’ll be dumb. Stuck on you, stuck like glue, stuck like chewing gum.” Write this on my forehead. Inject this lyric into my blood. Put it everywhere. I feel it more than I want to. It’s easy to be tough isn’t it, but keeping it up is exhausting (I say this as someone who can probably cry at anything!) It’s such a perfect line. It’s a perfect song.
I don’t really like writing about songs in general, but this one is special. Really special. The whole song feels like a letter to maybe Amy’s younger self? I don’t know, but when you have lines like “Don’t you get caught up in stuff you never had” you can’t help but think it’s maybe reassurance for younger Amy turning into an adult and teaching her all she needs to know about getting to where she needs to. Hard work always pays off. It takes time, always. Bands like Amyl and the Sniffers are a proper example of this.
Their 3rd (full length) record, Cartoon Darkness will be out on 25th October.
I know I should probably keep track of the bands I write about it, but my brain doesn’t work in that way. God knows what kind of way it works in (if it even works at all!) Anyway, all I know is that I’ve written about a fair amount of bands from Japan but there’s one in particular that I should have written about a LONG time ago, but never did because I’m an idiot.
So, I’ll put me being an idiot aside for a bit and write about The Fadeaways and their newest record, Pretty Wild which came out only a few weeks ago.
The Fadeaways are THE perfect 60s Garage Rock style band. For me they are every band I love (that fit this genre) and more. They remind me of very early The Pretty Things, The Gruesomes (aka greatest band of all time) and there’s definitely hints of the most beloved band- Ramones. If I listen to something and I can hear the Ramones or The Gruesomes lurking in there somewhere- then I’m happy.
I’ve made myself believe I’ve written about the band before, but even if I have- it doesn’t matter. What matters anyway! The Fadeaways make me want to ignore all my daily responsibilities and just listen to music like this all day. The true test of how great the band are? Well, my cat hasn’t run off the second I started playing them so that’s something. Normally she goes off into another room and sleeps. Not this time- I think little Mary has good taste. Anyway, back to The Fadeaways. I won’t limit myself to telling you just about their most recent release, but the band have been around FOREVER and there’s a lot to cover. For me they just have that really, really strong and addictive sound that, no matter what they do, it’ll always be the most energetic and mind-blowing thing you’ve ever heard. There’s this beautiful snarl in Toyozo’s voice that just makes you feel like you’ve heard music (in general) for the very first time.
They’re the kind of band you would play if you wanted to influence a younger relative, so they go find their own path musically. They just have this bite to their sound that you cannot help but fall stupidly in love with. The second you play their record, Teenage Hitsville- that’s when you know..that’s when you brutally know you’ve found something to really submerge yourself in and to just ignore everything around you. Will it sound like this record? No. Never. Go head first into this record and take it from there. Let it burst your eardrums and take your soul. That’s how they all get you in the end!
Japanese Garage Rock and Japanese Punk is MASSIVELY underrated, and when you have bands like The Fadeaways- how can you even THINK about ignoring how great it is? It makes you want to sack off where you live, take your possessions and your cat- and move to where the bands are. That’s how good they are. But we have social media, so it makes that kind of dreaming easier to do! Everything about The Fadeaways is just cool, and I know that the term “cool” is so redundant and I think I’ve only ever called one person cool (Lou Reed. The coolest ever.) Their sound and their style is perfect, and the way they play…my god! Have you ever heard anything so rowdy and so wonderfully chaotic? You probably have- but not like this. They make the kind of music that bar fights break out to, and all you can do is watch and throw the nearest beer in the direction of the biggest person there, then bolt out the door like the cowards we all are!
The band formed nearly 20 years ago, and in that time, they’ve toured the world and put out some incredible records. It should be illegal for a band to be THIS good; they’ve got this sound that, sure we’ve heard in other bands to a degree, but there is something about The Fadeways that stands out. They’re louder (even though there’s only 3 of them) and the noise they make is nothing short of “INJECT THIS INTO MY BODY RIGHT NOW” kind of feeling. Like, sure you can feel every vocal and note in your ears, but you want it to hit you deeper. You want the songs pouring out of you. That’s how great they are. What are their live shows like? Probably as intense. I will make a promise to myself to try see them if they ever play the UK again because a band like this cannot be missed at all. I think they make the kind of music that is designed to be heard live. To really experience it in a dark and sketchy basement bar and at the end of the night you leave covered in warm beer, probably without one of your shoes and don’t even try looking for your jacket- why did you even bring one?
The band are wonderfully chaotic, and I can only apologise for not writing about them sooner (the apology is to myself.) For me, The Fadeaways are the kind of band that you listen to (how you are feeling doesn’t matter) and you just immediately feel better. I love the loudness; I love how together their sound is and I just love how they combine everything I love about music and make this beautiful noise. You feel like you’re hearing the greats for the first time- The Dead Boys, Ramones, Count Five, Beefheart…all of them and more. The Fadeaways make you want to start a band, and I hope there’s a bunch of Punk kids in Japan listening to them and feel the urge to start their own band and in 20 years’ time- someone will be writing about them.
* I didn’t write about the new record. All I did was tell you how great the band are and to be honest, that should be enough (if you weren’t already aware of how great they are!)
I can safely say that whenever Crows release new music, everything seems okay. It doesn’t matter what’s going on- the second those notes kick in, the second I hears James’ sweet, sweet voice- everything is alright.
I must have played Bored about 10 times this morning as I was getting ready for work, then as soon as 10am hit- I was on YouTube watching the video. The video made me miss London slightly. That feeling sensibly left me. I think I was just overwhelmed with sheer joy because there is a new Crows song! On the back of this, there’s a new record and of course- A TOUR!
Bored is just over 2 minutes of Crows at their best. The sentiment of Bored hits me right in the gut. I don’t think I’m bored; I’ve just got a poor attention span. But they pick up on the mundane of daily life such as queuing, settling for less and wanting something to happen just to ease the boredem. “If there’s a lack of connection, I leave” YES JAMES! Sing that line with your chest and more. I felt that. I feel every single word on this one. It picks up beautifully where the Beware Believers record left off. For me, Crows are my comfort band. I didn’t know I could have one specific band that would be it. Turn out, that band is Crows. I’ll hold off going into detail about that- I’ll save it for when the record comes out in September. In the meantime, watch the video. Play the song as loud as you can. As often as you can- treat it like a prescription.
To quote James, “‘Bored’ came out of that cycle of waking up and not being able to shake the feeling of wanting to bang your forehead against a brick wall.” I think every single one of us can relate to this. Songs like this make that heaviness less so, and that’s why I love this band with all I have. There’s something about them that transcends words because maybe, words aren’t needed. Why use them if you don’t have them. Why the hell have I written this? I think I needed an outlet because who’d want to listen to me bang on about why I love this band! Anyway, watch the video.
The new record, Reasons Enough will be released on 27th September via Bad Vibrations Records.
Crows will be on tour from October, but are playing a one-off gig this week at Third Man Records/Blue Basement in London. Tickets for the October/November shows go on sale this Friday, and the dates are:
July 4 – London @ Third Man Records / Blue Basement October 5 – Leeds, UK @ Brudenell Social Club 9 – Brighton, UK @ DUST 10 – Manchester, UK @ The Deaf Institute 11 – Glasgow, UK @ King Tut’s Wah Wah Hut 12 – Dublin, IE @ The Soundhouse 14 – Nottingham, UK @ Rough Trade Nottingham 15 – London, UK @ Village Underground 17 – Bristol, UK @ Exchange 18 – Hebden Bridge, UK @ The Trades Club 28 – Cologne, DE @ Yard Club 29 – Hamburg, DE @ Turmzimmer 30 – Copenhagen, DE @ Loppen November 1 – Berlin, DE @ Urban Spree 8 – Kortrijk, BE @ Sonic City 9 – Luxembourg, LU @ Rotondes 10 – Nijmegen, NL @ Doornroosje 13 – Lille, FR @ L’Aeronef 14 – Paris, FR @ La Maroquinerie 15 – Tours, FR @ Au Temps Machine 16 – Rennes, FR @ Antipode MJC Rennes
A number of years ago I wrote about a band called The Creeping Ivies. I think I wrote about them a hell of a lot, and they’re a band that I loved so much and I was gutted when they ended. However, Becca is back and her new band is equally as great so I’ll evidently become equally as obsessed.
Lost Angels only formed last year, and have FINALLY put out 3 brand new songs which I’ve fallen in love with. Becca has SUCH a distinctive voice, and her guitar playing is something else. Massively underrated but maybe Lost Angels will change that. In just 3 songs, they’ve created something that I cannot wait to hear more of. There’s comfort in hearing Becca’s voice again and I cannot wait to hear what else the band put out but for now- these 3 songs are what I’ll play on repeat.
The 3 track EP opens with the title track, Away We Go which is a beautiful way to get us hooked on such a great band. The EP is currently available on Bandcamp only but I think it’ll be up on Spotify etc. on the 14th so there’s no excuse for anyone to not get hold of the record in any way. The hook on Away We Go is a simple Punk-esque chant, and you cannot get enough of it. Imagine seeing the band live, and just yelling this back at them and as you leave the gig-you’re probably still yelling it.
And we get right into Midnight In The Graveyard which reminds me so much of one of the best songs ever written- I Just Wanna Have Something To Do by the Ramones; it sounds like it but there’s something beautifully creepy about this song and it’s easily my favourite. It feels like a Vincent Price film in the form of a song- perfect in every single way. I could listen to this on repeat and find more things to love about it. Obsessed? Always. It has such an eerie feel to it, and I just want to have it on repeat. I LOVE Becca’s vocals on this and in some ways, it does remind me of The Creeping Ivies and that will always be a good thing. I love the loudness on this song, but I love how the EP ends on a gentler note too.
The Only One closes the EP, and if you love Johnny Thunders- this is the one you’ll fall in love with. I love how you can pick up on the influences on this record, and it makes you feel like you’re hearing the Ramones or New York Dolls for the first time. Imagine never knowing such perfection, then it just hits you. You accidentally listen to the Ramones or NYD for the first time. Is that what sheer joy is? It’s up there. The Only One is a beautiful Punk love song, and they are the best love songs. These 3 songs are a perfect introduction to what Lost Angels are about, and they are clearly one of the best bands around from Glasgow right now. I really hope that more music comes from this and a tour too because these are the types of songs that you need to see live, right? They were made to be witnessed in sweaty dive bar.
I love this EP a hell of a lot and I love that I can hear parts of bands I love in every song. It’s a glorious EP and again, makes me wish I had even a fraction of musical talent. There’s nothing pretentious or over the top here- just beautiful Rock ‘N’ Roll from the heart and gut. I can’t wait to hear more from them because I know it’s going to be insanely brilliant and just effortlessly slick.
Beat In My Bones. 