The Horrors return with the brutal industrial metal of new single 'Lout'

When a band you’ve been a huge fan of for years comes back with new music, it gives you some form of hope or just sheer joy. Hearing the brand new song by The Horrors this morning was what I needed, and going by reactions of others- it’s what they needed to.

From their rowdy debut Strange House to 2021’s single, Lout- The Horrors are a prime example of a band that are unafraid to experiment with sounds and to just always give us something different. Many have cited that Lout has a strong Industrial sound. It is such a great song- it’s brutal, it’s loud and it is different. Compare it to whatever you want if you must, but there’s no denying just how effortlessly brilliant it is. I adore how The Horrors just hit us with something different every single time- that’s what you should want from a band. Lout punches you right in the gut. It’s like a hammer going at your skull over and over, and all you can do is soak up the beatings of the monumental anthem. I’m obsessed. I’m hooked. As always.

If they do a music video to this song, I’d imagine it would be something really off the wall to fit the song. Listening to Lout is giving me the same feeling as I got from when I heard Sea Within A Sea for the first time. That electrifying shock through the body of hearing something so new and so different.

Lout is a prime example of a song that HAS to be played so loud it leaves you begging the band for forgiveness. It’s a masterpiece. Call it as the best song of the year. Done. Nothing else matters now. If they bring a new record out, we can call that as the record of the year too.

Pre-order the EP here: (and buy yourself some new tees too- which I have!)

The Horrors live was too much.

Of all the things I should be doing and shouldn’t be doing, I just do not know where this fits in. Nothing or no one ever really fits in, if you think about it. But, then again if you keep thinking about it you will riddle yourself with a headache and probably a heartache to match. They usually go together, they fit. Certain things do. Certain things just go well together. In your head, you think YOU and that person you cannot stop thinking about just fit. You know the one. Or maybe, it is things like whiskey and coke that just fit so well together. Or maybe it’s THOSE shoes with THAT pair of jeans. Certain things just fit so perfectly. I have no idea where I am going with this, but I know I’m in the midst of a “post-London emotional hangover.” I spent the week in London, and whilst there I saw The Horrors support Florence. I thought I was okay with life afterwards, I really thought I had got over just how perfect it was. Truth be told? I’m not.

So here’s the thing, since very early 2006 I fell instantly in love with a band. A band that dressed how I wish people still dressed. They had big hair and a loud sound. I felt like I had found the band I’d sell my soul to see live. Every tour that they announced from 2006 onwards, something or someone just got in the way. “I can’t afford a ticket.” Or “I don’t like them.” There were other reasons too, but..last Saturday the excuses ended. My wait was over. Most that were at Ally Pally were just dying to see Florence. I’ve seen her 5 times, and as much as I love was ALL about The Horrors for me. All the wine and whiskey I had beforehand couldn’t calm me. It made it worse. However, as soon as they walked on stage I felt as if something took over. I was in some kind of trance. I felt like I was falling into a deep sleep. I sang every single word as if my life depended on it. I swayed like Rhys does with his bass. My eyes shut and I saw my own piece of Heaven in my mind. I opened my eyes and I could see the 5 musicians that just changed everything for me. Everything for that half an hour just seemed so perfect. I didn’t take any notice of the 10,000 people who were in the room. I didn’t care that none of them were singing and swaying like I was. I was in my own little world watching my favourite band. I want to feel like that forever.

So what am I getting at with this? I have no idea. I really don’t. Do I want you to think about how long you’ve waited to see your favourite band live and what it does to you? Has this ever happened to you, and you never recovered from it? I’ve not recovered from this. I never ever will. I don’t think I want to.

When you are face to face with a band that means the world to you, you feel like you are of worth. It is a bloody struggle to feel like you matter. I guess I’m at that point now where I know what and who matters to me. But, I will never know what or who I matter to. That will never happen, I will never know. With music, I’ve always found a home and a purpose. A solid ground, something to just call mine. Music will give you what nothing or no one else ever can. How do I know? Well, I found this out properly last Saturday night. Even if nothing ever goes my way again, I can keep with me that I’ve seen the band that got me through Uni and a bunch of other stuff live. I waited it out, and I didn’t give up hope that I’d see them.

The way they all played just blew me away. They didn’t have to say anything to the crowd. I didn’t want them to, I just wanted to hear the songs that I’ve been waiting years to hear. There was nothing from Strange House, and although it hurts that I’ll never hear it live- what I did witness live just made me so fucking glad to be breathing. Mirror’s Image is a song that I seem to associate with those I am fond with, but not to the point where it ruins the song. Far from it. If anything, it just helps with letting the person go and stops me from beating myself up from not saying anything to them. Forever biting my tongue, I don’t know how I have one anymore. Watching this song live meant the world to me. Oh, and Sea Within A Sea live is the most euphoric thing I have ever and may ever see live. Every part of me just came alive.

This is why I love live music. I was singing, swaying and crying. The tears were of just sheer joy. I know exactly where I would be if I didn’t have this feeling keeping me going. I moved back to England recently to finally sort myself out. I have my good days, I have my bad days. But I learnt something from The Horrors the other night. I learnt that, you just have to wait it out. If you want something, you’ve got to wait for it. Until it is time. 10th March 2012 was my time to see them..and from now on? Well, I have no idea but I’m sought comfort in music. Maybe I’ll find the answers. Maybe I won’t. I don’t know, and because I don’t know- it will keep me going.

The Horrors-Strange House.

I’ve written about Primary Colours and Skying, but never Strange House. Obviously because I started this (whatever it is) just under a year after The Horrors debut LP came out. I remember the day I bought it so clearly. There are a few records I am like this with.

The album came out in March 2007, and I was a few months into my first year of University. I loved The Horrors since the start. That aggressive, post-punk, garage rock feel to their music drew me in instantly. I fell in love with them when I first heard Sheena Is A Parasite. The video also blew me away. I just loved how different everything sounded. I mean, sure you could hear what influenced them0 but they were (and still are) NOTHING like what was around. I’ve always loved the Ramones, The Jesus And Mary Chain and My Bloody Valentine from an extremely young age (my uncle’s influence on me) and to hear a band that were my age making music like this; it was just a great comfort. Knowing I wasn’t the only one of my age listening to this stuff. It made me connect with The Horrors even more.

It does make me sad that they no longer play anything off this record anymorem but I do understand why they don’t in a way. However, I would’ve loved to have seen them live when they were getting started. I think Faris covering an audience in black paint is my generation’s version of Iggy and the peanut butter incident. Since 2006 I have been trying (and failing) to see The Horrors live. People bailing out was the main issue, as well as me being broke. HOWEVER, they’re supporting Florence on her UK tour in a few weeks. I just hope their music isn’t lost on the crowd. And yes, I am going. I think I am more excited about seeing The Horrors than Florence- I’ll have seen her 5 times, but it means more to see The Horrors in a way because I’ve waited so long.

Faris’ vocals on Strange House were quite “in your face” and would probably cause a vulnerable person’s ears to bleed. Personally, I loved them. I love his voice. I find it to be highly distinctive; he makes you want to listen and treasure every single word he is singing. Whether it’s the shouting on Sheena or the calming sounds of I Only Think Of You (second record.) He just lures you in.

I’ll always hold this record very dear to me, as it reminds me of my first year of Universirty. I remember skipping a lecture that Monday of the release just to go buy Strange House. Am I proud of doing this? Of course I am. It does annoy me a lot that people are only just now getting themselves familiar with The Horrors. Yes, Still Life is a good song- but you HAVE to go back to the very very start of The Horrors to really appreciate what they do now, and see how they’ve gornw. Many critics and the general  public at the time of Strange House, did shun them because of how they dressed and how big their hair was. It wasn’t an image it was just how they were. However, how they dressed really did fit in with the sound and feel of Strange House. I loved the whole look they had going on. If I was male, I probably would’ve copied the look to be honest.

As a debut record, you really cannot find any fault with Strange House. If you can, then you’re not a fan of The Horrors. There is more to them than just wearing black clothes. There is more to them than Still Life. This band are one of the best band’s that the UK has produced in a hell of a long time. What I love about this debut record is, althought it does posses a Garage Rock feel to it- it also has essence of Punk scattered through. You know full well that they did what they wanted with this record (and also with Primary Colours and Skying.) They aren’t a band that should be told what to do, free creative regin is a must for bands like The Horrors. Bands that stay true to their art. There aren’t many bands around now that do this. You can find it easily in the music of The Kills, Warpaint, The XX, Zola Jesus and a few others. I love Strange House because it is a frightening record. Faris’ screaming will scare you bloody shitless- that’s perfect. That is why I fell in love with them when I first heard them.

The record opens with a bloody marvellous cover of Screaming Lord Sutch’s Jack The Ripper. If you’re not familiar with him, get familiar with him. If you love music that is on a different level of weird and will cause mini heart attacks with how insane it is- listen to Screaming Lord Sutch. My personal favourite track off the record is She Is The New Thing. That will always be one of my favourite tracks by the band. I also adore Little Victories. I think that was the song I first played over and over when I got the record. Excellent Choice (either version) is just stunning. The monologue is greeted with Faris yelling in the background. It works, it works so bloody well. I respect that they never play any of these songs live now; but I can’t help but want to witness everyone going mental to Sheena Is A Parasite or Death At The Chapel.

I still find myself watching clips of the band from 2006/2007/2008 playing material from Strange House and just being in awe of every movement from each band member. The way Joe beats the shit out the drums, the way Tom just looks so fucking cool playing the bass oblivious to the chaos on stage and in the crowd. The way Josh throws himself about playing the guitar and making the most incredible sounds. The way Rhys thrashes the organ and moves like a madman. The way Faris screams every single word and stalks the stage like a lucid panther, picking up scattered objects from the crowd and on stage. It is all so fucking wonderful, and it is music like this that makes my heart race and mind explode.

I mean tracks like Gil Sleeping, A Train Roars, Thunderclaps- they are eerie tracks that will posses your mind. The way Gloves deals with an obsession of collecting Gloves. Count In Fives deals with Faris’ habit of counting in fives when he was younger- it is all so fucking magnificent and brutal. You may be quick to judge the songs as screaming bollocks, and for that I wish to lamp you one. Read the lyrics, and you will see just how out of this world The Horrors were then, and still are now.

Most of you may claim Skying as THE ultimate album by The Horrors, and the band probably do too. But, it was Strange House that made me give my heart and mind and ears over to The Horrors. It has fuzzy and psychotic sounds for those who enjoy the weird and dark side of life. It’s the perfect debut record, and when I first heard it I just knew that anything and everything The Horrors would come to do would amaze me and be a huge part of my life. I cannot imagine my life without The Horrors and my record collection without their music. They are a band that you can be proud to be a fan of, and they leave you want more every single time. Just waiting for a new sound that blow your mind and get you falling in love with them all over again.

When I left for Uni in 2006, my auntie and uncle gave me a I AM A HORROR t-shirt and a badge of The Horrors as a leaving present. I still wear them with such pride.

Faris Badwan.

Everyone has their own take on what makes a great front-man/woman. It can be how they can control a crowd to how they are in interviews. There are various reasons as to what makes them great- everyone’s take on it is different.

Of course I regard Morrissey and Jim Reid (The Jesus And Mary Chain) to be the greatest front-men ever. However, there is someone else I hold as highly as these two.

This person towers of the mic stand, you are instantly attracted to him- in whatever way, that’s up to you. You look at him and you are amazed that someone so young can control a crowd in a way many spend years trying to do. Usually dressed head to toe in black, to some- they may be scared of him. But that’s only because people are small-minded twats aren’t they. Those that love the band he fronts know that he is a work of art. He is a genius. So are his band mates.

The man in question is non other than Faris Badwan from The Horrors. Since Morrissey and Jim Reid I honestly don’t think I have ever been so captivated by a front man. He paces the stage like lion, he owns the stage. He doesn’t have to succumb to meaningless talk with the audience to control them. He has this presence that just draws you in.

Watching early performances of The Horrors, Faris goes mental during songs such as Gloves and Death at the Chapel- watching these early performances you find it hard to believe that in a few years time, he will look all majestic and peaceful singing Sea Within A Sea.

It isn’t just with live performances that Faris grips you, it’s the interviews he does. Whether he’s talking about The Horrors, Cat’s Eyes or his artwork- you can just sense the passion he feels towards what he does. He doesn’t have to be all smiles and leaping around for you to see just how much he loves what he does. It comes out with the words he uses to describe it all.

One thing that I have always found fascinating about Faris is his love for girl groups. The real sense of girl groups such as The Girlfriends and The Ronettes. He incorporates these influences into The Horrors music and of course, with Rachel Zeffira in Cat’s Eyes.

The sincerity when he talks about what he does and his love for it is greater than most. Why? Well, because those that don’t care as much always feel the need to justify and explain what they do, why they do it and who they do it for.

Surely, if you love something….have a passion for something- you never need to justify it because the true meaning is in you, in your heart.

Constantly Fairs has been compared to the likes of Kevin Shields and Jim Reid, especially since Primary Colours and even more so with Skying. In some respects you can see these comparisons, from how he stands on stage to how he sings but to be honest- that’s all there is. Jim Reid never looked as majestic as a lion whilst pacing up and down the stage. It’s just lazy journalism comparing Faris to these two.

Also, why should he or anyone be compared to others? Especially when they are doing something different.

Although I dislike the station a hell of a lot, having The Horrors be placed on the Radio 1 play list is a bloody good achievement. If you listen (and I feel sorry for you if you do) to Radio 1, you are constantly exposed to the same songs every hour. There is nothing different; every single song is the same.

To have song such as Still Life being play listed doesn’t just help The Horrors, but it gives hope to bands that are doing something different the chance to be heard by the masses.

Maybe those that get into The Horrors will not love Strange House. They may just dismiss it as noise. It isn’t noise, it’s Garage Rock.

What I love about The Horrors is that their music makes you feel like you are listening to them in the 60s. You know, when music actually meant something. Stood for something. To have a band like The Horrors make the music that they make now is just beyond.

Many have regarded Faris as being “difficult” in interviews, but they’re missing the point. He’s not someone you are going to get pointless information out of such as “favourite kind of dog.” He’s a musician; therefore he will talk about his music, and only music. That’s how it should be. Not just with him, but all musicians. We do not need to know about their personal lives, it is highly irrelevant. We aren’t their close friends or family- therefore, it isn’t our business.

Last year Faris joined The Vaccines on stage at Chazzstock (memorial gig for Charlie Haddon from Ou Est Le Swimming Pool) and although he was only on stage for two songs, his presence was indescribable. I couldn’t believe he was stood right in front of me.

This October, I’m finally seeing The Horrors live (The Kills are also joining them, I cannot contain my excitement about this) since the EP before Strange House I have loved The Horrors, that’s 2006 I have been a massive fan. I’ve waited too long to see them, so to see one of my favourite bands live this year is a big deal.

I wish I saw them during the Strange House era- to see Faris climb over speakers, cover the crowd in black paint, launch himself at the crowd- it would’ve been such a good atmosphere. Something a lot of bands lack. However, to be able to hear tracks from Primary Colours (hopefully) and Skying will make up for it.

I’m all for listening to whatever you want, but if you listen to Sea Within A Sea or Endless Blue and still dislike The Horrors, then you should probably get yourself a new record collection.

I firmly believe in 10, 20 years from now people will name The Horrors as one of the greatest bands to have come from the UK and will also name Faris Badwan to be one of the greatest front-men ever.