Tag Archives: Punk

THE BURGERS: Kick Fights To Lose.

Posted on by

I’ve wanted to write about music recently, but it’s seemed pointless because the person I’d want to share new (or new to me) music with, is no longer here. Anyone who knew Raz will feel that. Nothing feels right, and it doesn’t feel real. It’s a really strange feeling, and one I wouldn’t want someone I really hated to experience. Loss is brutal. It’s cruel. I’ll do my best to write this. I’ve got my cat next to me. The second she sees me put my laptop on the kitchen table; she sits next to me. Not looking at me, but making sure I’m protected. Sweet little Mary, I appreciate you- but a bird scared you earlier today so leave the protecting up to me angel!

I had an email from Zac (the brains and bones behind The Burgers) in May, so this is very delayed. The Burgers is not a band. It’s more than that, and it’s Zac’s first record in English. It’s also the third record as The Burgers. It’s a proper Punk record, and it’s a joy to listen to. As I listen to this rowdy delight of a record blast into my ears- I can’t help but wonder if Raz would dig this record. I reckon he would, and that’s good enough for me. The idea of The Burgers started in China, but now Zac is based in Glasgow. I hope the next records Zac makes are influenced in some way by Glasgow because the Scottish sure know how to make beautiful music.

Kick Fights To Lose is a great record, and it’s a strong Punk record. I feel I’d end up finding this record eventually as it’s everything I want from a record. It’s loud, it’s raw and the songs aren’t that long. Perfect for my almost laughable attention span. Although, music does seem to be the only solid thing that can hold my attention. Again, not a bad thing! This record has 14 songs, and you get immediately that these songs need to be heard loud. You can imagine a rowdy crowd going wild to these songs, and Zac having the time of his life on stage! At the moment, my favourite song on the record is Anarchy Means You Can Shoplift. It’s a brilliant song and the title is also great. It’s a dig at those who deserve it, and I’m here for it. Zac does make music with a message and with humour. His lyrics are great, and I hope he does have confidence in himself with this record because making your first record in English must be pretty daunting, but he’s done an exceptional job here.

I’ve listened to his previous records, and there’s no denying how great Zac is. The Burgers is a great project. I’m a fan, sign me up! There’s a lot to love and admire about this record, and it’s one of those records that, with every listen I find myself appreciating everything on the record even more. There’s a proper DIY feel to the record. I don’t know if Zac has done everything on his own here or if there’s anyone else involved musically- but it’s a great record. It’s played well and put together beautifully. For me, it’s just the perfect Punk record all the way through. You’ve got songs that show disappointment in a vulnerable yet honest way, you’ve got songs that may make you laugh in parts but the main thing to take away from this record- is that it’s from the heart. It’s truly from the heart, and I really hope Zac puts out more records like this because it’s a joy to listen to. I don’t care what language he sings in; I just love his music a hell of a lot.

You can really feel the hard work that’s gone into making this record, and that’s apparent on every song. Every song deserves its place here. I love the lo-fi feel on Pillow, Duvet and Me. The sound and vocals on this are quite quiet and a little distorted but that adds fragility to an already delicate song. I love how this song goes right into Girl With Arms And Legs, and again this song is another vulnerable number. Zac’s seen a beautiful girl and he feels out of place and like a freak, and the way he expresses this is so open. He does it in a way that we can all probably relate to. But Zac, you’re not a freak at all. It’s a strong record. No skips. Just delightful Punk anthems all the way through.

Some of the songs on the record will break your heart (It Was A Joke is a solid example of this) and others will make you want to throw your body around and trash stuff. There’s no middle ground here, and sometimes you need that from a record. You know, in an ideal world, Zac would be able to tour the world with this record and everyone gets to see these songs in the best way- live. Sadly, the world doesn’t work like that, does it. I can only encourage you to buy the music and support The Burgers in whatever way you can!

You Got Good Taste: For Raz.

Posted on by

Writing this seems entirely pointless, but maybe it’ll help make the past day or so feel “real.” Even if none of us want it to be.

Yesterday one of the most beloved and all round great human beings from the Isle of Man sadly died. Everyone knew Raz in some capacity. Some through music, some through Bushy’s, some through footie (his adored York City) and some through where he worked.

For me, I knew him all my life. He was Raz the Punk. He played in a band with my uncle, and they were super close friends. He’s always been there. My stepdad got me into The Cramps but I honestly don’t think anyone on this planet loved The Cramps as much as Raz did. I honestly don’t think anyone loved music like he did. He was always on the boat sailing over to the UK to see a band or 5- the ultimate band botherer. The friendliest and most supportive.

A few years ago I was at the METZ gig in Manchester, and I saw the outline of someone by the bar. “That’s not Raz is it?!” I took a photo, sent it to my uncle and he confirmed that Raz had come over for the gig. I went right up to him, and in that very busy and packed venue, I felt safe because someone from home was there. He was someone you would always look for at gigs and if you were lucky- you’d find him.

Raz made time for anyone and would back any band he listened to. He was known for his methodical planning when it came to the Rebellion Festival- that man could timetable the shit out of a lineup. I’m pretty sure that was his super power, and you best believe he probably saw every band he wanted to see.

Reading tributes to Raz from people not just on the Isle of Man truly shows how loved he is and how painfully missed he will be. It’s not sinking in that he’s gone. It’s never the evil bastards in the world that go too soon, is it? It’s always the ones with a good heart.

Sometimes I’d write about a band, and Raz would message me to say he listened to them and got tickets to go see them. That made me so happy, because someone as cool as him read something I’d written about a band I loved. He just backed music entirely and his love for live music was truly beautiful. I think from now on, I’ll be writing about bands with Raz in mind, and wondering if it would be a band he’d like or maybe go see. I’ll look for his distinctive silhouette at every gig I go to, knowing he should be there. Knowing the world will be less interesting and punk without him.

Wherever he is, I bet he’s watching the coolest band in the world. Maybe he’s lovingly band bothering someone there. Maybe he’s hanging out with Lux Interior. That gives me some comfort because I don’t think anything else will. I reckon my grandma will hang out with him too. She loved him, and he thought a lot of her too.

The Isle of Man will be a duller place now. I’ll miss going home, and him stopping to have a chat with my mum and I when we see him at work. I’ll miss his gig photos and videos (he’s the only person who could never be annoying by filming everything!) I’ll just really miss him. We all will. I’ve known him for as long as I’ve been alive, and for someone to be there one day and the next day just….not. Well, it’s brutal and it’s heartbreaking.

Whenever I listen to The Cramps now (which is a lot) I’ll think of Raz and how much he means to us. It may take some time to listen to them, but when I do- our Raz will be on my mind.

The photo above is of The Bastinados. The band that Raz and my uncle were in around 1987/88. The coolest band to have ever come from the Isle of Man.

BODY MAINTENANCE: Far From Here.

Posted on by

If a band can give you a doom and gloom feeling on a sunny day, then you’ve found musical bliss. I know some may want the cheery type of music, and that’s nice for them. But I want something that emotionally makes me feel like I’ve been punched in the gut. I want music to make me think and feel a type of way that I may not always get. I think it was John Peel that once said, “I just want to hear something I haven’t heard before.” And that’s probably a really strong way to approach listening to music and trying to find something that speaks to you.

I wrote about Body Maintenance a few years ago. I think I was taken aback that they are a band from Melbourne and thought they were from a dark alleyway in Berlin from the 1980s. They sound like every band I’ve ever loved and adored but also have something very new about them. That new sound is smack right in their new record, Far From Here. Some have likened the band to Joy Division (I may have too) but when you listen to this record, you hear something else. I’ve played the record a few times now, and I’m still trying to work out what that “something else” may be. But I guess, I’ve done a John Peel and found something I haven’t heard before.

Far From Here is a remarkable record and is of course, the band at their absolute best. This is the kind of record that would cause you to go down a rabbit hole of trying to find bands like this, and I’ve done this many times before and in turn, ended up finding bands who I’ve become obsessed with. The record opens with the stunning The Surface but for me, it’s all about track number 3- The Face That I Stood Behind. This live would be next level. The whole record feels like an outer body experience, and I reckon seeing this band live would be exactly the same. This song is over 5 minutes of music heaven, and I want to hear it at every single opportunity I can. We then go smack into The Boundaries which reminds me a little bit of The Cure, and that is only ever a good thing.

We’re always looking for something different- not better, just different. Better is a question of taste, so leave that out. This record is different. It’ll get you in the mind, body, and soul. It’ll make you wish you could spend the rest of your days listening to. To be honest, that’s how you should feel when you listen to the band. Everything they do and have done is just a joy to listen to, and their new record really highlights how great a band they are.

Slates is one of the tamer moments on the record, and it goes beautifully into Broken Sculptures which again is another favourite. I’m likely to change my mind on which song I love the most by the time this is written and posted but believe me- this is a record you need to listen to and own. It’s really worth going back and listening to their previous records after immersing yourself in this one too- you may end up appreciating the band even more so because they really are exceptional musicians. I just bloody love them.

In just 8 songs, Body Maintenance have firmly proven why they are one of the best bands around. Australia knows how to put out exceptional music- from my beloved Silverchair to Royal Chant to Amyl And The Sniffers, and to Body Maintenance. There’s something in the water, and we can’t get enough of it. This is such a remarkable record; the drums on Days In Arcadia is another strong moment on the record, and the way it slides right into Golden Fire is divine. Needs to be studied! Golden Fire is a gorgeous way to end the record, and it of course leaves you wanting more- how could you not? The vocals on this remind me a little of the band White Lies (I loved them when I was at Uni.) It’s an atmospheric number that will get you right in the gut, and honestly- that’s the record all over. It was made to be utterly felt with all you have and for it to consume every ounce of you. It’s just a flawless record that deserves your attention, time, and love.

You can stream the record on their Bandcamp now, and it will be released near the end of the month. It will be out in the UK via Drunken Sailor Records on the 27th June.

jasmine.4.t : The Deaf Institute, 31st May 2025.

Posted on by

Sometimes you listen to a record, a song or find a singer and you just know that they are going to impact your life in a way that will stay with you for a long time. A band in particular for me that first gave me this feeling was Garbage back in 1995. Fast forward 30 years, and I get the same feeling with the Angel of Manchester- jasmine.4.t.

Her debut record, You Are The Morning is an ode and celebration of Queer love and community. She lets us in delicately on her journey as a transwoman, and that is something to truly treasure. I’ve been to a lot of gigs in my time but I can honestly say that Jasmine’s show last night at The Deaf Institute was the safest I’ve ever felt and I’m pretty sure I wasn’t the only one. I want to mention briefly (and I will be writing about them separately soon) the support acts from last night Ether Mech and Lucas Assagba. Both acts were divine, and the perfect way to start the night.

There are many reasons as to why the show was so special last night- but the two worth noting are, it was homecoming show for Jasmine and her band. They sold out The Deaf Institute! One of the most iconic and best venues in our beautiful city and it was sadly drummer Eden’s last show with them. Sadness and joy- the two things I felt a lot of last night! I knew in my gut I was going to feel every feeling possible last night, and being in the eyeline of the setlist made me prepare myself slightly. But the second Jasmine and Phoenix stepped to the stage, any mental preparation I did went right in the bin. I saw a few videos on Instagram this morning of the set, and in some of them you can see my little head just staring at the stage with this ridiculous grin on my face. The show felt like home, and I was SO proud to see Jasmine.

For me, I thought Elephant was going to be the one that broke me but instead, I cried out of sheer happiness. To see a room so full of love, kindness, acceptance, and safety really got to me. It’s awful right now for those of us who are part of the LGBTQIA+ community and it’s extra fucking hard on our trans siblings, and to be in a room for those few hours where how we identify doesn’t mean we are at risk felt like being home. I really hope Jasmine knows exactly what she’s done and keeps doing with her music, because it’s so powerful. It’s beyond music, she’s beyond being a singer.

The set opens with Jasmine and Phoenix stepping up to the stage to play Kitchen, and they then treat us to Bobby (and Alex G cover.) These quiet moments showed just how tender music can be. Jasmine then introduces Eden and Emily to the stage where they rip the venue apart with Guy Fawkes Tesco Dissociation. This live hits you in a way a record cannot touch; it’s also a song I’ve sang/yelled at my cat many a time (I’m so sorry Mary, I do it because I love you.) Skin On Skin and Highfield nearly bloody break me as does Breaking In Reverse, but I kept it together because I was just happy to be in a room so full of love and joy. For me, the tenderness of Roan truly cemented just how gorgeous a musician Jasmine is. It was such a quiet moment, and nobody moved. We all just stood in awe of her. The song is beautiful anyway, but you truly feel how much it means to Jasmine when you see it live.

I think a lot us who went last night will agree that the performance of Woman was one of the most precious moments of the show. Jasmine split the crowd so her gorgeous friend, Bola could dance whilst they sang such a vital song. After the hate and hurt that comes from the UK Supreme Court Ruling (and the world in general being hateful), having the crowd chant “Fuck the Supreme Court” felt GOOD. Another person simply cannot police how you identify. Another person NEVER EVER has the right to make you feel small or make you feel like you should hide who you are. Queer people have ALWAYS been here. Trans people have always been here and they always will be. Non-Binary people have always been here, and we’re going nowhere. I never felt more proud of who I am than I was last night, and feeling secure in that is down to the home I have found in Jasmine’s music.

The band rip through Did U Know (which NEEDS to be recorded) but the set ends with an INSANE cover of Toxicity by System Of A Down. We all know that Jasmine has a delicate voice, but have you heard her properly scream and belt out a song? MY.GOD. I loved Emily’s stagedive during this, and the way she launched herself back onto the stage and play her bass as if nothing happened! Everything was left on the stage last night, and it was an honour to see it. I’m just so proud of Jasmine, and to be there for her sell out homecoming show was just extra special. I feel I could write thousands of words on why this was one of the most important gigs I’ve ever been to, but I think, if you’ve listened to her music- you will really get why it means so much. On record you can feel the emotion, but when you see it live, it feels so different. Songs like Roan live felt different and you could just see the love pour out of Jasmine as she sang this. Everyone on that stage last night (support acts too) gave their all, and in return, they received all the love in the world back.

The setlist I took from the stage last night is now signed, framed, and hangs above my record player in my room. It’s more than a setlist. It’s a sign to keep going and to be proud of who I am. I think aged 38, I’ve finally got there.

Jasmine has just announced another tour for later in the year, so if you missed out this time- you’ve got a second chance. I simply urge you to go see Jasmine live because you will truly know what it means to feel safe and seen. And hopefully there will be more System Of A Down covers.

I cannot write this without mentioning Yulia- Jasmine’s friend. If you follow Jasmine on social media or have been to her shows, you will know who Yulia is and how important she is. She is currently in prison because quite simply, like anyone with common sense, believes in a free Palestine. Please read and support Yulia here: https://www.freeyulia.com/info/ It is a heavy read so please be careful.

PSYCHIC PIGS: S/T

Posted on by

If you’re looking for say, 10 really loud Punk songs to knock you out or burst your eardrums- then you need the debut record by Psychic Pigs. A band fronted by half of one of my favourite bands in the world, Brandon from Crocodiles (a write up on Charlie’s Crush Of Souls project is coming) has created Psychic Pigs with his buddy Jonah Falco (yep, from Fucked Up) and made one hell of a rowdy record.

I won’t liken the record to anything Brandon has previously done (but if you loved one of his many bands such as Flowers Of Evil, then you’re going to adore this) but if you are a fan of Crocodiles, then you will love this delightfully loud record.

The record was made in London, and you can hear hints of UK Punk in the record all the way through. With Jonah on production and drums, Brandon is responsible for the vocals and guitar. Put these two together, and you’re of course going to be blessed with something truly incredible. These 10 songs were made for you to trash a room to, break stuff, throw yourself around a room and really get wild. I live on the 8th floor and it’s tempting to throw the TV off the balcony whilst listening to this record (I won’t!) This record was made in only 4 days, and you can really hear the rush and urgency on it. Songs like Everyone Pays massively sounds like it could have been born from early Hardcore days; you can hear what has influenced Brandon a lot on this record and his writing yet again will blow your mind. Charles and Brandon are two of the greatest writers of our time, and their genius shines always- whether together as Crocodiles or separately. I just adore them.

This record by Psychic Pigs is beautifully filthy and is there for you to totally immerse yourself in- in every way possible. It’s a record that’ll cause or cure a hangover; it’s a record to play really loud when you’re on your own. It’s a speedy and mucky record, and only good things can rise from the dirt, right? This is a record that goes beyond being a side project- it’s got this drive and bite to it that makes you feel like you are hearing Brandon’s voice for the first time, and also, you get exactly the same feeling from Charlie’s Crush Of Souls project. In short, they make beautiful music regardless.

The songs on this record don’t really hit over the 2-minute mark, so it’s pretty easy to just have this on repeat constantly. I love Hello Oblivion the most right now, but I’ll change my mind in a few hours and find a different song on the record to adore. I just think Brandon and Jonah have created something really important here, and it goes beyond being a rowdy Punk record. It feels comforting in some ways and maybe that’s because for me, Crocodiles have constantly (since 2008/9) been my ultimate comfort band. Every record is associated with something or has got me through something, kind of like having a buddy there right in your corner, y’know? There are so many hints of Hardcore bands on this record mixed with something that’s utterly nameless, and I think when you find something that you cannot describe, you’ve probably found something to treasure for a long time.

The lead single off the record (self-titled) was the perfect introduction to what we were going to get on this record- that snarly Stiv Bators attitude flows throughout the record and is so prominent on the lead single. It’s a brilliant song to get us all hooked on the Pigs. If I won the lottery, I’d pay for Brandon to bring a Psychic Pigs tour to the UK because this is a record that’s got to be witnessed live. New Dark Age

venue where you don’t know where the stage ends or begins-everyone just merges into one, and personal space doesn’t exist. Beer and sweat falls on you, and neither is your own. Perfect.

For me, the second half of the record is where the rowdiness really kicks in and songs like Masochist oozes a real Punk attitude that may have once scared your mum but she will tell you she’s seen and knows more than she lets on- so who’s scared now?! I know this is a great record because even though I have it playing super loud, my cat Mary, is happy to still be asleep next to me. She’s a Punk at heart- she didn’t really get a say in it.

Cool Society is a dig at how awful politicians are and how those who live in the real world know exactly what’s going on and how politicians aren’t in touch with any of us. How could they ever be? The frustration on this one is glorious and Brandon really lets the world have it with this one. This is another close favourite but truth be told, the whole record is a real masterpiece. The frustrations, the truth and all that goes along with it is what makes this record divine. The record ends on I’m On Drugs, and it’s fair to say this record is a wild trip that you won’t be able to get enough of. Inject these songs right in and let them consume you.

Psychic Pigs are released out of the dirt and into the wild tomorrow via Slovenly Records. And if you live in L.A, they will be playing a release show tomorrow (23rd) at Permanent Records Roadhouse with Tenement Rats

BACKYARD RITUAL: Small World.

Posted on by

Small World by Backyard Ritual was released last summer, and I’m a dummy for not writing about it sooner. Backyard Ritual is the project of Ian Campbell- the main songwriter of a band I’ve written about many times and love a hell of a lot- Pop.1280. Ian reached out to me about this record, and I genuinely never thought someone from a band I love so much would ever do that! The first person (and only besides this) I told was my uncle because he too, has an impeccable taste in music and is also a fan of Pop.1280. If anyone was going to know how big of a deal this was to me, it was him! Anyway, story out the way. Time for the music.

Small World is a tense and atmospheric record. It’ll keep you on edge but at times it will calm you down. I love how dark the record and how it feels it could easily have been used in an early John Carpenter film. There’s a lot to love and take in on this record, and I really appreciate how you can take in the minimalism approach on this record. Interboro reminds me of The Vacant Lots- there’s that New York feel to the record. I’ve said it before that some bands/artists make you really pick up on where they are from. You can really put a place to the music, and Backyard Ritual do this so well. You feel like you are scoping the alleys of New York late at night when you listen to this record, and you even get that when you listen to Pop.1280 but I’m not here to compare old bands to current.

The debut full length record is dark and eerie; the best records usually are. There are Industrial and Post-Punks influences on this record, and it doesn’t feel heavy. I know I mentioned above that you immediately feel you are in NYC when you listen to this record, but you still pick up on other feelings on this record. It’s perfect for if you are feeling lost and want to be found. There’s an urgency to it, and there are also slight laid-back moments too on this record. It’s a gorgeous Electronic record if you are in need of genres to be thrown around. But honestly? It goes beyond that. It’s a solid record. A really captivating debut record as Backyard Rituals, and there are moments on this record that are truly heavenly. For me, the gentleness in the middle of the record on Circumstance shows just how brilliant Ian is as a musician. The record does start powerful and it is then toned down here, and it then picks up. You don’t know how to feel, but you take it in any way because it’s such a big record. For me, I feel you could easily put your headphones on and soak up this record whilst wandering the street late at night or on the night bus to get you wherever you need to go. It’s a late-night record, and they are usually the best ones.

There’s something about this record that makes you feel like you’ve gone back in time but also stepped foot into the future with it. In its own effortlessly slick way- Small World is timeless. There are nods to Ian’s previous projects on this record, but there is also something brand new here. Something we’ve not heard before, and it truly comes to life on songs like Amateur Journalist and Proxy. At the moment, they are my two favourite songs but we know that the more I listen, the more likely I am to find a different song to love. In short, it’s a bloody remarkable record and one I am so glad I have been made aware of. Imagine going through life, and not knowing about this record?! How boring! How unfortunate!

If you love bands like Cold Cave, Harsh Symmetry, The Vacant Lots- then you’ll fall in love with this one. In just 9 songs, Backyard Ritual have created something really long-lasting and important. There’s urgency throughout this record and there’s so much to appreciate. I don’t think I’ve even touched the surface on describing how great it is, but hopefully if you listen to it too, you’ll hear it. You’ll pick up on how vital and slick this one is.

THE MEN: Buyer Beware

Posted on by

Since Friday morning, I’ve been solidly listening to the new record by The Men. I didn’t even know a new record was coming out! Now, I’ve loved this band for a long time. My uncle and I both adore this band so this release took us both by surprise. They’re a band that blow your mind with every listen and having an unexpected new record land was just what I needed.

It was their third record, Open Your Heart that had me hooked and I still stand by it being one of the best records that Sacred Bones have ever released. It’s a record that is so effortlessly slick and as much as I hate clichés- it is utterly timeless. It’s one of the most enthralling records of modern times, and it turns out- The Men do not make terrible records. Ever.  I love this band because no genre can define them. I guess at the heart of it all, they’re a Punk band but they’re beyond anything and everything. They are criminally underrated. With their new record, they’re firmly justified yet again why they are one of the greatest bands ever. They just have this way of creating records that fit exactly what’s going on. The world is on its arse due to world leaders being absolute idiots- what better record to soundtrack this all than the new record by The Men?

They’ve been going for I think, 18 years now and there’s no way this band can ever stop. A world without their music would be dull and meaningless, and yes, I know the world is cruel and cold right now- but not everyone is a twat. The music they make is like a guidance or a call to fighting back, and that’s what we need. If you’ve got the privilege of having a platform where you can voice this and be heard- use it. And that’s exactly what they’ve done with this record. Every song on this record feels like a kick in the teeth and is made to burst those little eardrums of yours- and it’s never sounded or felt so good. They’ve got that snarly Dead Boys tone right through the record and I think it really comes alive on At The Movies. This record is heavenly. It’s loud, it’s important and it’s The Men at their very, very best. They’ve made some killer records in their time and if I was ever in the position to move Open Your Heart from being my favourite- Buyer Beware would be my number one.

The title song on the record again sounds like Dead Boys and I think that may be part of the reason as to why I’ve fallen in love and into a deep obsession with this record. It’s got everything from that era of Punk thrown into it, and maybe it’s the record they were always supposed to make? That sounds odd because every record they’ve released is a masterpiece, but there is something about Buyer Beware that feels different. It feels bigger and it feels like the kind of record that could and should win them new fans, and make us old ones love them even more. In short, it’s a bloody remarkable record. The way Nothing Wrong goes right into Control should be a crime for how slick and wonderful it is. What a move!

I reckon there will be songs I play more than others but for now, I’m listening to it solidly in chronological order and that’s rare. Normally I listen to something a few times then hit shuffle. Not with this record. I think to get the most of it, you just have to listen to it over and over, and soak up every word. Take in every note. Let every guitar sound feel like a kick to the ribs, let the drums feel like someone is smashing your body into a wall and let the bass guide you wherever it is you need to go. The songs are loud, fast, and vital. This is THEIR ultimate record. At the moment, I think PO BOX 96 is the one that’s grabbing my attention the most, but the more I listen- the more I change my mind slightly. Get My Soul is a ride of a song, Control is just a work of art. There are no bad moments on this record. The only downside? Maybe it could last longer. Maybe the song Charm could last 5 minutes or 10. It’s the band at a gentler moment, and my god what a song it is. That peaceful side of the band comes out in rare moments and when it does, it sounds SO good. It’s a beauty of a song. Charm is one of those songs that will stick with you for a long time. I really hope this record brings them over to the UK because they are a band I’m just dying to see live. You just know it’d change EVERYTHING. The music means the world to me now as is, but to see them live? That’d be something else.

The Men have again created another masterpiece, and they are showing no signs of ever slowing down. The world needs this band. This record is all about being resilient and fighting back; it’s about standing up and not backing down. That’s the kind of noise we need right now. Will the world listen? Who knows, but at least we’re not alone.

L.A. WITCH : 777.

Posted on by
photo credit: Marco Hernandez

One of my favourite bands are back! A band I will write about until they call it a day, and even then, I’d continue. I just love them. Little secret- I’ve heard the new L.A. Witch record, and the new single 777 is just a small, small hint at how great the record is. It’s the band at their very best and is just a dream of a record. But for now, we have the lead single- 777.

The new song doesn’t even hit the 3 minute mark, so the rightful thing is to just have it on repeat for as long as you can. I recommend letting it take over your life (or ears at the very least.) L.A. Witch are one of the coolest bands around, and the new song is effortlessly that. So slick, so cool. I adore everything about this one- it’s the guitar and how it makes you feel like you’re being chased. Not sure where you are or who is after you, but there’s a calming fix to it all. And that comes from Irita being an absolute menace on the bass and Ellie keeping pace on the drums. Sade’s vocals have never sounded so good! She has one of the most distinctive vocals I’ve ever heard. You can easily liken other singers to each other, but there’s something about her vocals that just towers over anything else you’ve heard. And will hear.

The new record, DOGGOD (“The album title is a palindrome fusing together DOG and GOD—an exaltation of the submissive and a subversion of the divine. It’s a nod to the purity of dogs and an acknowledgement of their unconditional love and protective nature that’s at odds with the various pejoratives associated with the species.”) is almost a love record- it touches on every aspect of love and the devotion of it. 777 is a prime example of this, as it’s a song about devotion to the point of death. It just oozes sheer passion and the acceptance of the obvious fate that will occur. The layers of this song in under 3 minutes is just divine. It’s a proper romantic record from start to finish- and 777 is a strong introduction to the new record, and to show us what L.A. Witch are made of (but you know that already!)

DOGGOD was recorded in Paris, and I don’t know if it’s me reading way too much into something again- but the new record feels heavier in the best way possible. There’s something about that city that brings out the best in musicians/bands, and I think it’s definitely done it here with L.A. Witch. There are parts of 777 that remind me of two records by The Cure- Faith and Seventeen Seconds (which are essentially, two of the greatest records of all time) and I think you really get that from the new record in general. What they’ve done with 777 is give us a beautiful introduction into their new record and the direction of it. At times, it’s the band with their faithful sound but as wonderfully demonstrated on 777, it shows that the band are unafraid to push themselves and create something totally unexpected.

The devotion and love on 777 is prominent throughout, but it is the last line that does it; “Don’t forget I too fight by your side. First in line I am ready to die.” I would probably sing this to my cat to be honest. But in all seriousness (I would die for that little angel though!) that line is so powerful and just sums up the passion and devotion. The new record is a proper romantic record- like going to the end of the universe and back again for the person you adore, and it being no trouble. The kind of love most want and deserve, and the band just sum it up perfectly and effortlessly.

DOGGOD is out on the 4th April via the always wonderful, Suicide Squeeze.

COUCHGAGZZZ: GOSPORTS!!!

Posted on by

Some great things have come out of Italy: my guy Del Piero, mozzarella (that hurt to type because I’m vegan and my god I miss mozzarella!), Litfiba and just the country in general is delightful (okay was because the government like everywhere else in the world, is shit!) There are some incredible bands from Italy too, and one in particular is couchgagzzz. Their only fault is their obsession/love for Man United but hey- we all have our faults. The band are from Bari (my dad’s side of the family are from Puglia, so maybe it’s not all so bad!)

Last year the band released their debut record, GOSPORTS. The band have described themselves as being “obsessed with steroids and sports.” And you know what? Absolutely checks out when you listen to the record. This is the kind of record you’d listen to whilst at the gym, and I think I’ve now found my new favourite band to listen to whilst I work out.

The band have also been influenced by Australian rock bands such as Gee Tee, and honestly, they’d fit in perfectly next to bands like The Chats, CHEAP-SKATE and Gee Tee. They’ve got that Pub Rock sound nailed, but there’s also this excellent 60s Psych Rock feel which is the most apparent on Bad Holes. The record is only 8 songs long, but those 8 songs matter. Every single song shows why this band HAVE to be heard. You want fast Punk songs? They’ve got you covered. It’s like being in a questionable bar where years’ worth of beer has ended up on the floor and walking on it to get to the bar is like an obstacle course. The band formed only in 2021, and the debut came out last year. In that short amount of time, they have genuinely created something worth listening to and becoming obsessed with. Again, they’re a band you need to see live. There’s something about their sound that just screams it. The songs are fast and heavy, and you’ll have them on repeat for days. Hours. Months. Eternity.

They may say that Man United are the strongest team in the world (which we all know they aren’t!) but this band are one of the strongest around. To have perfected a sound like this in just one record- what else could they possibly do next? Probably take over the world to be honest, and rightfully so.

couchgagzzz are a solid Punk band with something to say. They’ll have you hooked with just one listen, and before you know it- you too are hooked on steroids and heading up to Old Trafford on match days with a dodgy burger and overpriced bootleg scarf round your neck (I live close to Old Trafford, and I see this A LOT.) *Note- please don’t take steroids. The songs are made to be yelled back at the band in a football chant type of way. They’ve captured the beautiful backbone of Punk with their sound along with generously fuzzy vocals- this band are so easy to love and just be obsessed with. The songs are meant to be played loud and loved- the sheer speed in the songs is addictive especially on Burak Won. The way this song smacks you right in the face is heavenly!

For me, they’ve got that same energy as one of my favourite bands dr chan. There’s this hyper energy that is just off the scale on this record, and one listen isn’t enough. I want their music playing in my ears on repeat all the time. In fact, once I finish my break at work- I’m going to have the band on repeat in the hopes I focus because my brain does not do too well when it comes to concentrating!

THEBIGHELL: Horrendous Friends.

Posted on by

The best records will either break your heart and having you sobbing for days, or they will melt your face and burst your eardrums. TheBigHell record will do the latter, and it will do it in the most brutal and best way possible.

Their debut record, Horrendous Friends came out on Friday. I can confirm that the best way to listen to this record is at the gym, and lifting weights that are heavier than you intended to lift. Does my body feel broken? Yes. Will I do it again? Yes. This is no “new year, new me” nonsense. This is the band that are going to soundtrack my gym time, which is the only time my brain shuts off! It’s such an exceptional record, and if you like your music intense and possibly louder than your ears can handle- then this is the record for you.

11 songs in under half an hour. Bliss. The whole record absolutely rips, and in some parts the record reminds me a little of Heavy Lungs with hints of JOHN and METZ, which is pretty much ideal. It’s an intense record, and that intensity is what lures you in. You’re curious as to what the hell is going on. I’ve played it a lot of times since Friday, and I can’t tell you what’s going on, but I can tell you that this record will leave a lasting impact. For me, even though my brain does need and want quiet; the comfort I find in bands like this is probably why I’ll never know quiet! From the Intro right into Rich Lads, and smack into This Hell- the record is just loud punchy anthem after another. There’s no relaxed moments on this record at all; this is one for playing dead loud wherever you can. Whenever you can. It’s a record that is probably best experienced live, but you can hear on record just how exceptional it is. The production is a solid 10/10. Best band from the Midlands right now? No denying that.

Lip Service Puppy is another ripper of a song; it feels like someone is drilling into your skull and whatever escapes is just launching itself at the ground. It’s one of those songs that feels like a bit of a meltdown, and by that, I mean you can picture it being used in a film where a character just loses their shit and this song is playing in the background, and it gets louder and louder. It’s one to drown out the noise to in a short amount of time. Tell Ya Wha and Am I Alive are also the band at their best. There’s only 3 of them in the band, and they sound louder and bigger than a band with only 3 of them in. I think that’s how you know they are doing something right.

The title track is the one for me (right now) it’s 5 and bit minutes of insane build-ups, shouting and just general wonderful noise. I think this is the one that’s the most intense live, you can just feel it. The last 2 minutes or so of it are wild, and you feel like you’re being catapulted all over the place. I think that’s part of the charm with this record- you have no idea what’s going to happen next or where you’ll end up. That unknown is what keeps you hooked on this record. You can have it on repeat for days, but there’s part of you that doesn’t know what’s about to happen.

This is one of the most exciting records around, and it reminds me of listening to bands like Bruise Control and Table Scraps for the very first time. You know you’re listening to something really special and unlike anything you’ve heard before. Your ears may be crying out for a rest, but don’t listen to it. Just play these songs loud- you’ll get used to it soon enough.