CROCODILES: Shitty Times Volume 1.

6 06 2020

I’ve not written anything in a while because I’ve been preoccupied with my new best friend- my PS4 and investing too much time in FIFA20. Anyway, this is my first weekend in ages where I am not working. A full weekend to do nothing but sleep. Bliss. But, besides all this, I’ve spent a lot of time being angry at what we are seeing. At the end of this, I’ll post some links to various organisations that need our support in any way possible.

We need to educate ourselves; we need to call out those who are barbaric and wrong, and they MUST be held accountable. One band I have always admired for the way they speak up is of course, Crocodiles. Yesterday Bandcamp waived their fees which meant bands were getting paid in full. However, most were forfeiting their profits and donating them to causes related to Black Lives Matter. Crocodiles were one of these bands, and the result is the effortlessly cool collection of covers called Shitty Times Volume 1. From Madonna to Lou Reed, these 6 songs will blow you away. Let’s get to it.

The record was recorded in Paris (where Charlie lives) and in L.A (where Brandon lives) but you don’t feel the distance at all. You feel as if you’re in the room with them both as they create these covers. I adore their cover of the Madonna classic, Burning Up. If they did Borderline, I’d have lost my mind, but this comes really close. It’s such a great cover, and I love how Crocodiles cover songs and just make them theirs. Take their cover of U Sexy Thing they did a few years ago- it’s genius. It takes nothing away from the original but gives us something new.

For me, it’s all about their cover of Hangin’ Round by Lou Reed. We all know that Transformer is one of the best records ever made, and this cover makes you appreciate the song in a totally different way. They keep that effortlessly cool sound going; that sound that you always got from Lou and always get from Crocodiles. It’s such a great cover, and I hope that when we can go to shows again, they put this in their set. Can you imagine how amazing it would be?! They could do the whole record; I doubt any of us would mind. Make the show last 2 hours or so, that’s totally fine by me.

Raphaëlle Verlaine from the band Metro Verlaine takes on the cover of Elli & Jacno’s Oh La La. If you’ve ever seen Metro Verlaine live, you will know just how powerful her voice is, and this cover really shows us this. Again, it is such a great cover, you sort of forget about the original. I love that the way Crocodiles cover the songs makes you forget about the originals, but when it’s over you can and listen to them and hear it all in a different way.

Who Stole My Skateboard? Originally by Satan’s Rats is a blistering cover. This is the one you blast out so loud until you drown out the world. After the Lou Reed cover, this might be my favourite.  The guitar on it is just, * chef’s kiss * it’s THAT divine. You can’t help but keep playing it. It takes nothing away from the original at all, it just adds to it.

You can buy the record here: https://crocodilesband.bandcamp.com/

There’s a limit to about 100 tapes made, and they’ll be shipped in about 3-4 weeks.

All proceeds from the release will be going to the DeDe McClure Bail Fund, and you can find more about it here: https://www.facebook.com/pg/CommunityBailFund

If you’re in the UK and wanting to donate to a cause closer to home, then please consider supporting: https://www.gofundme.com/f/black-minds-matter-uk/donations

If you’re not angry about what you are seeing, then you are part of the problem.

Black Lives Matter.





PINS: Hot Slick.

30 05 2020
Pins: Hot Slick review - Manchester trio trade indie for anodyne ...

Everything I’ve ever written about PINS is probably going to come out again as I write about their gorgeous new record, Hot Slick. With all the rubbish going on in the world- we need something to make us feel better. You can find that in Hot Slick, and that’s a promise.

PINS have been a band that I’ve been in awe of since the start. I found them by accident, and never looked back since. I can’t count how many times I’ve seen them live and again, I promise you that their live shows are amazing. They were due to play an album launch show tomorrow night here in Manchester, but that will now (hopefully) happen in October. It’ll be my first time seeing them in the city I am proud to call home. I’d only ever seen them play in London, so this show will be extra special when it happens.

Something you really get from PINS is that their songs are made to be witnessed in a live setting. They are a band that really show you what they are made of when you go to their shows, and what they have done on Hot Slick is not only show us that this record will be incredible live, but they have laid it all out on record. Forget what you heard on Girls Like Us and Wild Nights- Hot Slick is a different level. I love both records a hell of a lot, but that new sound is so strong and a real joy to listen to.

The only downside is that the record lasts about half an hour, but we can get round that by playing it over and over! There is so much to love about this record, and one thing I love the most is that Jamie Hince from The Kills produced the titled track. If you’ve read anything I’ve ever written, you’ll know just how much I fucking LOVE The Kills so this is a pretty huge thing! PINS have worked with Iggy Pop and Jamie Hince- that’s pretty incredible. PINS don’t have a distinctive sound, and that’s really clear on this record.

They aren’t afraid to experiment with their sound and to push what they can do. They are truly one of the most hard-working bands around, and that dedication comes right through on all they do, and Hot Slick is a raw declaration of this. I love the title track so much; it’s got a strong mix of Punk mixed with Donna Summer. It’s the trashing guitar with electrifying Disco feel. It’s pure magic and is such a powerful start to the record.

Hot Slick consists of 10 songs that will stay in your head all day. These songs will play on your mind. You’ll want to live out Love You To Death (Mark from Leather Party/a bunch of other great bands, and is married to Faith, features on this) and Ponytail will just make you feel like you can take on the world. I started writing this yesterday but wanted to keep on listening to the record in order to try but something coherent together, and to obviously just keep on playing the record. Daisies is the ideal song to listen to if you’re looking to self-isolate in the park with the sun hitting your back. The whole record has a Summer feel to it, and although the world is strange and uncertain right now- we are still lucky to have bands like PINS give us music to keep on going. I adore how different Hot Slick is, and how they have made this destined leap into this sound. I love the sheer dedication and passion in this record. It’s a proper labour of love and hard-work, and that just makes you treasure it even more.

Well, now it’s the 30th May and it would have been their album release party at YES tonight here in Manchester. I’m not the only one who is just itching to go to a live show, and the uncertainty of not knowing when it will be is brutal. But we will get there. In the meantime, we can blast out songs like Read My Lips, which is the ultimate anthem on this record, and just ignore all that’s troubling us for a little while. This is such a fantastic record, and you cannot help but be massively proud of PINS for what they have created here. I know the whole point of a “review” is to be constructive, but by no means would I write about something I didn’t like or could find fault in. The world is already full of negativity, what’s the point in adding to it? If what I’ve written makes just one person listen to the band/record I’ve written about, then I’ve done what I wanted to do. It’s not a review, it’s a declaration of appreciation for a bloody brilliant record.

Set Me Off has an AMAZING Talking Heads (I’m getting a Burning Down The House feel from it) feel to it mixed with something I can’t really think of right now, but it’s easily one of my favourites on the record. I love how every song on this record feels like it could be in an off the wall indie film, that’s a bit decadent in places. It is such a bright and care-free record, and I probably wouldn’t trust anyone who sees any bad in it to be honest!

There are so many thing that make this record a sheer joy to listen to, and there are so many moments on this record that make you realise why you bloody love this band, and music in general. Love You To Death needs to be a single, just because I reckon the video could be wild. PINS are one of the best bands to ever have come from Manchester, and Hot Slick fully justifies that. If you’re looking for something to really get into your soul, take over your mind and make your record collection look cooler- pick up a copy of Hot Slick from your local record shop, and play it LOUD.

There are still some tickets left for their rescheduled tour, which you can grab here:

https://www.songkick.com/artists/410582-pins

They are also auctioning some really cool items right here too:

https://www.ebay.co.uk/usr/wearepins





THE VACANT LOTS: Fracture

23 05 2020


With every passing day, we get closer to the new record by The Vacant Lots. I’ve already heard it, and I can promise you that it is a perfect record from start to finish. The record is out 26th June, so I’ll write about it closer to the time.

Jared and Brian released the next single from Interzone yesterday. Fracture is a really calming number and it is one of those songs that leaves you in a solid state of bliss with every single listen. What I absolutely adore about TVL is that they have this strong ability to crush your brain with their louder songs, but when they take a more gentle approach like this, they just soothe your soul. That’s what makes them one of my favourite bands, and I’ve noticed that this is something I gravitate to in the music I love from bands I hold very dear to me.

Oh, and one super cool fact for you- the Arp synth used on the song once belonged to one half of the best band ever- Alan Vega from Suicide, and there are moments on the song where you can hear their influence on Jared and Brian. It’s such a beautiful thing.

Who knows what state the world will be in when Interzone is released; all I know is that whatever the situation the record will make it easier. For now, let’s enjoy the glorious sounds of Fracture and let our minds drift off for a while.





GATEWAY DRUGS: PSA.

16 05 2020

 

gatewaydrugs

 

A strong contender for the most magical and captivating record of the year is the new record by Gateway Drugs. It is produced by one half of one of the greatest bands ever (and my girlfriend is the only person I know that loves them as much as I do which makes her the coolest yet again!) Sune from The Raveonettes. You can hear his influence throughout this record, and it just makes everything feel right even when it’s all off balance right now.

PSA came out last week, and after playing it a couple of times I think I have soaked it up enough to put something coherent together. I hope! It is a dreamy record; it makes you feel so happy and so at peace with all around you. It’s a feel-good record, and right now we really need this. The past few weeks I have found myself playing a lot of Minor Threat and VOID, so I need something more laid-back to ease everything. Gateway Drugs have made the most euphoric sound you could possibly wish for. Everything from the vocals to that gorgeous reverb sound is perfection. Slumber is THE song of the summer. Maybe when we can all go out and do fun things again, this song may just be your soundtrack. The record makes you want to go on holiday and just take it easy for a few weeks. As someone who has been doing additional hours at work the past couple weeks (I don’t mind at all, I love my job) the idea of going on holiday would be great right now. I’d like to just sit and do nothing, with this record blaring out. But, I can settle for a Saturday night indoors playing it loud enough to soothe my soul. It’s a great record, and to even try pick a favourite moment or song on this record would be impossible.

 

 

Gateway Drugs are in a league of their own. There is a sun-kissed Shoegaze feel that I cannot get enough of; you just want the record to consume every single part of you, and oh boy! It sure does. It is a remarkable record, and you can truly hear the growth in their sound from when their debut came out a few years ago. For me, Sune’s production is nothing short of flawless and he’s truly pulled something out of the band that I really don’t think anyone else could. It is such a divine, heavenly record that is SO GOOD for the soul. It’s soulful record with everything you could possibly want, and more from a record to just make you feel. That’s it; it just makes you FEEL. You cling on to that because it is yours.

I’m Always Around is gorgeous, and Liv’s vocals on this are so delicate and pure. You have it etched in your brain, and the beauty in her vocals on this is definitely a standout moment, even though the whole record consists of them! I think because three of the band are siblings makes you appreciate the tight sound more, and that gives the music an added beauty. I’m in love with Liv’s vocals so much, and I love how everyone has their time to shine on this record. But like I’ve said, it’s a bloody great record and it is difficult to pick out the best moments. The songs I favour right now will keep changing, and that’s when you know you’ve found something truly special. Gateway Drugs may only be 2 record into their career, but PSA makes you feel like you’re listening to a band who are at least 5 records in. It is such a bold and euphoric record; Back Room Lover is musically out there. It’s an effortlessly cool song and it just gives you a strong feeling of Summer. When you listen to this, you can feel that summer breeze hitting the back of your neck as you gaze out to the sun. It’s such a beautiful song.

As I wrap this up, I want to bring to your attention their cover of Psychotic Reaction by the Count Five. Anyone who knows me knows how obsessed I am with the Count Five, and when I found a copy of Psychotic Reaction in Born Bad Records in Paris- I lost my damn mind! I fucking LOVE that band. I’m a bit dubious when I hear songs I love being covered, but when it done in a way that clearly pays homage to the band or the band make it their own- then I’m sold. Gateway Drugs have evidently made it theirs and beyond. It’s a wild cover, and it is the perfect way to close the record. As far as covers go, this is one to truly fall in love with. They go absolutely apeshit during the last few minutes of the song (it’s 5 and a half minutes long- the original is way shorter!) and it shows us just how strong they are not only as a band, but as musician. I hope that once bands can tour again, Gateway Drugs come to the UK. I hope they play this as their last song so us in the crowd head home in awe of what we have heard. Fully knowing we will never be the same again. Holy shit the last few minutes of this is incredible. If you want to start with this cover as your introduction to the band- then go ahead. I reckon Lester Bangs (greatest Music Writer of all time) would love this cover too.

 

 

I’ve been in a bit of a slump recently when it comes to writing about music, but I can safely say that Gateway Drugs have eased it. PSA is such a remarkable record, and if you’re looking for a record to become obsessed with and to play religiously, then please make it this one.





MODULATOR II : Slivered Hearse.

9 05 2020

 

modulatorii

 

Are you ready to take a psychedelic trip into the unknow? Into the weird and beautiful world of French pioneers Modulator II? They’ve put out one of the most far out records of the year. It’s completely off the wall and it’s a joy to listen to. If you’re looking for something to listen to so you can escape the hell that’s going on, then this is the record for you.

 I’ve been wanting to write this for a couple of weeks now, but I’ve not had the time to properly listen to the record let alone write about it. I’ve been banned from my manager from doing extra hours at work, so I’ve spent my weekend asleep. I treated myself to a walk earlier, it was okay, I guess. Nothing to report. I could sleep for hours, but I’ve got the time and desire to write about this record so here goes!

 Modulator II are no strangers to the strange; neither am I and neither are their fans. They sure know how to make music that messes with your head and makes your body turn to jelly. They move you in ways that you want all music to move you. They don’t leave you feeling completely battered, just a little bit wired and out of your mind. That euphoric glow in their sound has never been so prominent! The record opens with The Big Crunch, and it’s just the perfect way to open a grand record like this.

 

 

If you’ve never listened to them before, then treat this record as your initiation into the unknown. There’s this effortlessly cool and experimental sound going right through the record. I’ve made my feelings known on this band and the band members before (Cédric and Romain are in the equally great band, Dusty Mush who I’ve written about before!) With this record they have truly created something to treasure, and to play loudly.

At the moment I am hugely obsessed with Uncanny Valley; I love the furious drumming and the way the guitars and bass come together to basically riot against the drums to see who can be loudest. I love when a band does this. It’s easy to do this and just be out of control with no meaning, but this band give it all they’ve got, and it sounds like a beautiful noise. I just really love this record and waiting for it so long just makes it sound that much sweeter.

 Of course, it is the kind of record you’d want to hear live, but given what’s going on right now, who knows when this will happen. Like so many I am desperate to go to a show and just feel something but waiting this out and being responsible is what’s needed right now. In time, we will get there. For now, we just play the music as loud as we can and let the music get right into our bones. Bands like Modulator II aren’t afraid to go beyond and to just push the listener, and you get this so clearly on songs like Stopover Commander and Extinction. The whole record is a joy to listen to, and to just soak up.

 

 

Stolen Body Records is the home to some flawless bands, and this record is a mighty fine example of this. Every song on this record is a step up from what you previously heard, and I love that you can hear the band get better in every single song. Stopover Commander is a delightful noisy number that you just cannot get enough of. The last 30 seconds or so of this song are some of my favourite moments on this record. If like me you are obsessed with bands like Sleep, then this song will give you serious Holy Mountain vibes. It’s out of this world and is a record that will definitely be one we talk about in decades to come. I know I will be.

 Silvered Hearse is out RIGHT NOW via Stolen Body Records.





THE FUN STOPPERS.

2 05 2020

 

THEFUNSTOPPERS

 

I’ve had no desire to write anything recently. Work has wiped me out, but I’m glad that I am lucky enough to still have a routine where I can leave the house, and to work. And not be stuck with my own company 24/7. I slept until 4pm today, and I could have stayed asleep for the rest of the day but that’s probably because I’m allowing myself to be lazy and attempt to switch off. A routine is keeping me sane.

 I sometimes struggle to write about bands that are predominantly instrumental but a really great band from Alberta have been in touch called The Fun Stoppers have a really unique sound that I love. We’ve got a mutual love for another great Canadian band, The Gruesomes (of course) and if a band mention them to me- I’m likely to love them. And that’s exactly what has happened here.

 

 

The Fun Stoppers are a duo, but their strong and unique sound makes you think you’re listening to an orchestra of Garage Punk heroes. It’s just two of them here though; Glen and Dale. They are so good at what they do, and all you can do is became utterly enthralled in what you are hearing.

 They haven’t been around long (their Bandcamp page only has songs up from this year) but they have a sound that is really strong. They make you feel like you’re listening to The Beach Boys, The Gruesomes and The Cramps all at once. I thought I’d miss hearing vocals, but you get used to it pretty much right away, and you just enjoy soaking up how great they are as musicians. Glen is a solid guitarist, and you cannot help but end up being obsessed with the sounds he makes. That guitar is a lethal weapon, and you don’t even want to take cover- you don’t want to miss whatever he will do next. Mix this with Dale’s drumming, and you’ve just got the perfect duo. Dale plays like someone who has a point to prove, and that’s what hooks me on bands like this. There’s this passion in the music that you just find yourself gravitating towards. It’s so powerful.

 Their songs don’t really pass the 2-minute mark, and their newest song Sick For You is a proper gnarly one. The vocals have this wonderful snarly sound and the menacing lyrics mixed with the electrifying guitar and demonic drums just make it one of the most exciting songs I’ve heard in a while. I love that fuzziness to it that is found in a lot of songs/bands I love. This song is like a cheap Horror film (this is a compliment) and you can imagine it being featured when someone is about to meet a bloody and gruesome end, but they make it obvious that the blood is so far from being realistic.

 

 

The Fun Stoppers are such an exciting band, and with or without vocals- you cannot help but marvel at their talent. I’m sold on bands that forgo vocals; I think! I love their creepy sound and wild style; I love how you that make you feel like each song is like some weird experiment- are they musicians or mad scientists?! Who knows! Maybe we will never find out, and maybe that’s alright.

 Play them loud and freak out your neighbours!





CASUAL DRAG.

25 04 2020

 

CASUAL DRAG

 

The only good thing to come out of this virus and isolation is the fact that Nick Cave has launched a 24-hour stream called Bad Seed TeeVee. It’s magical. It’s everything us fans want, and more. Yet I don’t think any of us expected it. It’s just amazing. I’ve spent time watching it when I should have been asleep or probably doing something else. I have no idea how long it will be up for, but for now we can all get lost in the world of the Bad Seeds.

If you’re looking for a hard-hitting Garage band to blow your mind, then look no further than Edinburgh’s finest, Casual Drag. Of course, you have to play their music loud, but don’t let that make you feel that they are all noise and no substance. Far from it! They are such a joy to listen to and have a really exciting sound, and I truly hope we get more from them real soon because they are just * chef’s kiss! *

 

 

Johnny is a BIG song; it’s like it is their anthem. That last minute of the song is powerful, it’s an instrumental riot and it shows us just how brilliant they are as musicians. There’s this effortlessly cool sound going all the way through, and the way the pace is picked up to unleash this furious sound is such a brilliant thing to listen to. It’s a huge song, and that last minute or so of the song is something you cannot help but soak up. The aptly titled Isolation Island is another prime example of how talented the band are. That deliciously fuzzy guitar sound is what dreams are made of. I just love this song a hell of a lot, and to be honest it’s probably one we can all see ourselves in right now. How will we adapt to getting back to “normal?” Did normal ever exist?! Who fucking knows.

Casual Drag make anthems, they don’t just make standard songs and the fact you get this from just the three songs they have up online shows us how great they are. They are a band that are evidently going to keep on getting better and better. This is how music should make you feel, regardless of what you’re into. They just make you super excited about music and given how tough it is for us all right now- we need that excitement more than ever.

 When MC5 yelled “Kick out the jams, motherfuckers!” I think that was an instruction to Casual Drag (I know it was like 40+ years before their time, but you know what I mean!) Casual Drag definitely kick out the jams, and the rest! They have this really intense and loud sound that just leaves you itching to head to a gig. Oh man this is tough and brutal! Anyway, let’s keep borderline positive. We have bands like Casual Drag to get us through it all, and beyond. If you like your music loud, bold and intense- then you’re going to fall head over heels in love with this mighty fine band from Edinburgh. They aren’t afraid to use their instruments as weapons, and with a solid demand to be heard- you simply cannot ignore a band this great.

 

 

THREE SONGS! Three songs! That’s all they’ve got but you feel like you’ve been with them for life. Bleach Head is my favourite so far; I love the aggression on it and the snarly vocals. It’s just a strong example of how phenomenal this band are. Sign me up as their biggest fan for sure!

 

*Artwork by Conor Moore at Green Cap Design





THE VACANT LOTS: Rescue

24 04 2020

 

American death. Nothing matters anymore. Closed casket wedding”

 

Nothing makes me happier than I band I LOVE release new music. I’ve been super vocal about my love for The Vacant Lots for a number of years now, and I still regard their live show in Hoxton as being one of the best shows I have ever seen; then I saw them play the Moth Club and my mind was just blown. My heart was healed, my soul soothed and all was okay. Basically, I love TVL a hell of a lot and they are a band that I’ll never ever be able to get enough of.

I’ve already heard the new record, but that review will be coming in June shortly before the record comes out. However, they have JUST released a brand new song from the record. I can also announce that TVL have signed with Fuzz Club- which is a huge deal. I’m super proud of Jared and Brian, and having a label like Fuzz Club sign them is proof of their hardwork and passion. Now let’s get into the single!

Rescue is everything you could want from TVL. It’s got the Suicide meets Lou Reed sound with parts from another world thrown in. We all need a rescue right now, and this song just pours out the frustrations of isolation and uncertainty. What I’ve always loved about TVL is that their influences aren’t always from music- the way you can pick up on writers such as Burroughs, Baudelaire etc shines through, and Rescue feels like it could have been placed in one of Jared’s poetry books (if you don’t have a copy, get one! I picked one up from a tour and it’s still something I go back to.)

We all have this feeling inside of us to want to escape, and sometimes we push it down because the fire to do so isn’t quite in us. I feel this quote about the song from the band really does sum up the song beautifully, and perfectly: “The need to escape & the need to fight despite things being fucked up in the world or in your life. The song deals with the conflict of wanting to escape but also feeling the contradictory feeling of wanting to fight (before it’s too late).”

 

 

Sometimes you can’t quite bring yourself to escape, but sometimes something else takes over, and I just love this quote also: “Overall in order to tackle themes like problems in society (macro) we have to overcome a lot of our own internal issues (micro).” TVL have this beautiful way of just giving you comfort when you need it, and they’re releasing this single (and the new record) during a time where everyone is unsure of what’s going. We want out, but we also want it to get better. We want something or someone to rescue us, but I guess the key thing here is to have patience and carry on as best as you can.

TVL aren’t a band that fall into one genre, far from it. Rescue is the kind of song you can play at home as loud as you want, but it’d also sound pretty remarkable in a bar/club. There’s an 80s synth feel to the song, and that’s something you’ll be treated to on the new record.

Their new record, Interzone will be out on 26th June via Fuzz Club. Rescue is the perfect introduction to the new record, and honestly, Jared sums it up perfectly:  “We don’t want to waste people’s time and we want people to play it over and over. Our mantra is ‘is it bulletproof? 8 songs. 30 minutes. It’s about intention and vision.” TVL always give us music that you can become obsessed with and keep on playing and trust me, Interzone is nothing short of exceptional.





THE CB DOGS.

19 04 2020

thecbdogs

Here’s another great band from Singapore for you; The CB Dogs. They’re like a Singapore version of Dead Boys. Smutty, snotty, and beautifully obnoxious. Not for the faint-hearted or easily offended, and grossed-out. The CB Dogs have a feral sound that is unlike anything else around. It’s loud, it’s unapologetically loud. Every ounce of brutal and raw sounding energy possible is found in their music, and it’s a joy to listen.

 The songs are pretty graphic, and I wouldn’t play them in front of any prudish folks you may know. They have that shock tactic that’s found in Punk, but for The CB Dogs this is something else. Their sound is like the underdog finally having enough, and letting the world know it is pissed off. This is pretty clear in their song Johnny Tay. It’s a “fuck you” to whoever Johnny Tay is, and they do it pretty damn well. This band aren’t afraid to make their feelings known- whether it’s telling someone to fuck off or just voicing their frustrations, The CB Dogs have a lot of bite to their sound. Like a Rottweiler that’s tired of being dragged around, The CB Dogs just unleash every fury imaginable and they do it in a really fun way. There’s smutty humour in their lyrics also, and that’s just what makes them a solid listen.

 

 

The CB Dogs aren’t afraid to tell us exactly why they aren’t joining the army and voicing their disdain for them. The Army is one of their most political songs, and it’s one that really shows why they don’t want to be part of something like this, and respect to them for doing so. I’m not sure how their Government feels about this song, but I’m sure others will have the same sentiment as the band. I really like the line, “We the citizens of Singapore pledge ourselves as one united people. Regardless of race, language or religion.” It may seem simple to most, but you know it means a hell of a lot to this band, and I’ve got a lot of respect for that, and them. Then again on the absolute flipside of this, they’ve got a song called Horny Bastard. It’s pretty clear what it’s about.

 The CB Dogs aren’t just a Punk band or whatever, like their buddies Bad Dod (Williem from the band did the logo above), they’re doing something really special. They’re creating/part of a scene in Singapore which NEEDS to be heard, sometimes you need to go further and dig deeper to get the sound you want and to find your new favourite band. The CB Dogs are a band that cannot and will not be tamed. You can’t muzzle them at all, and why would you want to? Their sound is a wild ride, and you just don’t know what you’re going to get next but you know it will be loud and utterly fearless. They may not have many records out, but what they’ve given us thus far is a really strong collection of songs that I cannot wait to hear more and more of. You can just imagine that their shows are as crazy as their sound, and that excitement in the music probably comes to life really well during their shows. Some bands just HAVE to be seen live, and I reckon that The CB Dogs are one of those bands, easily.

 They may or may not take themselves seriously lyrically and that doesn’t always matter, but musically they’ve got everything you’d expect from a tight sounding band. There’s nothing really stopping them from being the best band in the word is there? They’ve got what it takes to be named next to the Dead Boys as being one of the most exciting and decadent bands of all time.

 

 

The CB Dogs are a real joy to listen to, and you can hear a lot of influences in their sound, but they also have something of their own. And this just makes you want to delve deeper into the Singapore Punk and Garage Rock scene.





BAD DOD: Yikes!

18 04 2020

 

baddod

 

Nothing makes you wish you could go to show like finding a band from the other side of the world, who just blow your mind and you wish they would tour closer to home. Clinging onto some form of hope as all the shows I was going to go to this year get rescheduled. I’m not the only one, and that makes it easier.

 Right from Singapore we’ve got incredible band called BAD DODD. These guys make a lot of noise, and yesterday they put out their record Yikes! I think it might be their debut, but I’m not so sure. Irrespective of what record it is, it is brilliant. It’s like Grunge meeting Garage Rock then going right off into space and creating something insane. The vocals are something else, but musically too this band are stupidly great. There’s this powerful tone in the vocals where you can really pick up on every feeling, and truly connect with the songs. Ascended reminds me of hearing the In Utero record by Nirvana all over again (I’m not the world’s biggest fan of Nirvana but that record is one of the best of all time) and it’s got something about it that screams out every ugly feeling you’ve got, then forcing yourself to let it go. I LOVE this song, and I’m calling it as my favourite on the record. I know nothing about this band, but I can tell you right now that Yikes! is one of the most powerful records of the year; there is something really special about this record and the sheer rawness on every single song just makes it a joy to listen to.

 

 

There’s a brilliant DIY feel to this record, and it just makes you appreciate bands like this a lot more. I love how every song just feels like a huge riot in the brain. Feel Nothing Yet and Outta My Brain are the songs that you’d definitely expect to make the crowd go apeshit when they do this live, and it just makes me wish that they’d play some shows over here. One day, one day. Clinging onto something to keep going, right? That’s all we can do. But fucking hell! This is a phenomenal record and with every listen this brutal beauty is fast becoming one of my favourites of the year. They are a band to definitely pay close attention to.

 The aggression on the record is so fast and just makes you want to trash everything and throw it out the window. You can really hear how great they are as musicians, and that is something that you pick up on instantly on this record. There’s no bullshit here or showing off at all- they’re a great band, and this record is nothing short of a fine piece of art. If you’re wanting soppy ballads, then go elsewhere. This record is made up of powerful anthems to just blast out as loudly as possible, and to scream along to even louder. Me Gusta is a self-deprecating number that just makes you go back and wallow in teen angst for a while, but don’t regard this as a bad thing- it gives you a kick, and it’s a great song. The whole record feels like a release of built up tension, and it is done in an effortlessly cool manner. You can imagine how insane and gnarly their live shows are as soon as you hear this record, and if it is their debut- then that’s a lot of power to have instantly.

 BAD DOD have unleashed a monster on Yikes! and it’s a real joy to listen to. Everything from the production, the way they play together to the way the songs flow so nicely into each other is just a delight to the ears. This isn’t going to be a record that you listen to every once in a while, it is one to become hugely obsessed with. The record ends with Geezer, and again is another example of why this band are probably intense and insane during their shows. The record stops there, and you can either pause and go back, or just get back into it right away because you need that feeling to hit you all over again.

 

 

Yikes! is a mighty fine record, and every single song on this record is worth your time and money. It is most certainly a record to play as loud as you (and your neighbours) can stand. If you’re looking for a record that can unleash a thousand frustrations and more, then this is the record for YOU.