NEW SWEARS.

“I don’t know what I’m going to do with myself,  
Turn off my brain and put a cigarette in my mouth.”

There’s something addictive about bands who make you want to trash every room you walk in. The urgency to just destroy stuff upon hearing a song by New Swears is uncontrollable. I mean this is the best way imaginable. Sure half the time we listen to music that makes us want to gauge our eyes out, hack off our ears and run away. New Swears the opposite. They make you want to join their gang and make a lot of noise.

New Swears are a band that sound drunk. You can’t imagine going to their shows and standing like a frigid nun. You would move around intensely and you’d leave covered in bruises, blood, sweat and probably on a Thursday night, someone’s piss. The latter, I’d imagine, isn’t a selling point. But my point is that these guys sound beautifully out of control and they don’t care what you think. It’s part Britney melt-down mixed with some lo-fi grooves. It’s all you need and more.

Their music consists of underground party tunes or you know, you could just play them loudly on your own without anyone around. Both are acceptable. Of course the best way to experience how brilliant New Swears are would be to catch one of their shows.  New Swears make the kind of music to make you unleash all that tension inside you. It can be any kind you so desire, but they just pull it out of you almost as if they have healing powers. They probably do, so get in line.

New Swears have this intense sound which some may be (foolishly) intimidated by. The sheer loudness and destructive nature in their music is really what I love. I love that they are unapologetically daring with their sound; who else is doing this. By no means are they are hardcore tribe, they’ve got something more than that. They’re a band that I firmly believe MUST be seen live. I’m slowly going through their back catalogue, and I’ve found some inner peace with the song Candy Land. It’s one of their more toned down songs. I love the lyrics, and it would sound equally as great if the words were screamed instead of sung. They are just wonderfully talented guys who need to be heard loudly and constantly. Oh I have fallen in love.

There’s this passionate fury coming out of their music that makes you want to do what they do, and maybe louder. New Swears make you want to put on your favourite battered and ripped t-shirt and sail on into the night covered in questionable markings and smells. Some bands take themselves far too seriously and create music that is too hard to relate to. Then we have bands like New Swears who make sense of all those daily life annoyances. They sum it all up in a way that makes you feel alright with dissatisfaction at all around you. They make you feel slightly more comfortable in your own skin. They also make you want to raise your own kind of hell.

I have no idea what New Swears are up to, but you can listen to their music here:

https://newswears.bandcamp.com/

UV GLAZE.

Living in a house which is detached from others is good for one thing- I can play my music loud without worrying if I’m disturbing anyone. However, I have moments where I can be considerate so I wouldn’t play it loud anyway. There are some bands that you play at a comfortable volume and there are bands that you play as loud as you can until your ears feel like they are bleeding and your body is pleading for you to turn it down. But the mind wins.

UV Glaze are obnoxiously loud. I won’t say who they are/are not for. Anyone with decent hearing should listen to these guys. Sure they aren’t to everyone’s taste, but personally I love them. If this is what Berlin is churning out, then someone please sort me out with a job over there (one day…and I’d probably sit in the Ramones museum all day talking to items of Joey’s wardrobe.) UV Glaze have this brutal and heavy sound that makes you conjure up equally sadistic notions, not to the point of danger. They just bring out the filth in us all. If we all unleashed it sometime, then maybe we’d be more laid-back and welcoming. They’re the kind of band that probably leave you bloodied and bruised after a live show. Sometimes you just need a band like this in your collection. In my case, I need it all the time.

I know nothing about this band. I don’t know their names or how long they’ve been going, so all I can tell you is how fucking brilliant they are. The singer sounds like he’s in constant pain when he sings. As if every word could be his last, they are delivered with such urgency and in a way that makes you imagine him singing them whilst wriggling on the floor in an uncomfortable manner trying to push the demons out. It’s as dark as The Birthday Party and as heavy as the likes of Sleep. It’s just a divine collision of noise and rage. There’s this beautiful angst in the music that makes you want to bin your mundane everyday life off and seek out what you’ve been told to leave alone.

This stuff is real nasty and grimy and is something you should play to shock someone. Just to get a reaction, then watch them slowly but surely embrace the band with you. Bands like this make music exciting. I don’t want to hear about how some good for nothing so and so broke your heart. Fuck that! I want the shit that matters, and what matters is found in UV Glaze.

UV Glaze take you off into this sinister world. They’re not holding your hand as they do so. Not at all. They don’t care if you follow them or not, but once you step into this mindfuck of a world you will never ever want to leave. Whatever you feel when you listen to them, just go with it. You don’t need mothering now. This band are here to kick you in places you’ve never been kicked before. They’ll wake you up with their demonic drums, their brutal guitars…everything. It will all make sense after one listen. After that, don’t look back on what you used to know. It’s all here, in UV Glaze.

You can stream some songs here: https://www.bandpage.com/UVGLAZE

And you can buy the music here: http://shop.bachelorrecords.com/index.php?route=product/product&manufacturer_id=11&product_id=1274

BAD GRAMMAR-You’re Welcome (EP)

They say everything good comes to an end, but in reality most things come to an end. From TV shows to life in general, it all ends. If you’re not aware by now, the brilliantly noisy duo Bad Grammar are no more. They’ve got a few more shows left before it is all done, and being the wonderful people they are they have just put out a 4 track EP full of new songs that they’ve been playing live.

The EP pretty much shows how good they are and it pretty much justifies missing them. A band like Bad Grammar aren’t common. They made their own noise and by god did they do it well. Whenever I saw them live, they always seemed to play a little bit louder. The day after a Bad Grammar gig was always fun because my hearing would be worse than usual. Still, it’s alright to go a day without listening to anyone.

Ben and Lucy are exceptional musicians, and I sincerely hope in 10/15 years time some kid stumbles across their music and starts a band. Inspired by the fury, power and rebellion in the music. Bad Grammar are a band that came alive during their shows. A band that you were immediately hooked on seeing after the first time. I first saw them well over a year ago supporting PINS at the Old Blue Last. I was blown away by their obvious talent. I’ve lost count on how many of their shows I’ve been to, and I think it’s all going to be a bit boring without them around.

You’re Welcome is a powerhouse of 4 songs made to melt your face and make your body somewhat tremble in a glorious fashion. The songs are a swift punch in the belly, and made for you to scream along to.

You can download the EP for free here: https://badgrammar.bandcamp.com/ Death Stare is the one to play as loud as you possibly can. It won’t piss off your neighbours, if it does then just ignore them. Unless they are over the age of 70, then just respect their wishes.

If you live in London and you’ve never seen Bad Grammar live, head down to The Old Queens Head on Essex Road tomorrow night and came say TTFN to Ben and Lucy. It’s a free show, so you’ve got no excuse. I pretty much live in my Bad Grammar shirt. It’s covered in holes, but I won’t be placing it to the back of the drawer just yet. The songs on You’re Welcome are insanely heavy and are just a prime example as to why I love their music. They will be missed, but music is probably (going against my opening sentence) one of the few things that never ends. It will always be there.

TERRA.

Over a year ago I wrote about a band called Daydream Johnny, and from the ashes of that band a new one has risen. Terra are a three-piece (with an added member called Brayden for tours.) This band are pretty damn good and would put any Pitchfork hyped band to shame.

Terra are a solid Garage Rock kind of band with more weird and wonderful things thrown in. Their EP came out last month, and because I’m really useless at the moment- I’m going to write about it now.

The 4 track EP is probably about 10 minutes long. It consists of tunes to accompany a road trip (whether on your lonesome or with someone you can actually stand.) Their songs are like glorious punches to the face and belly. They smack you in the gut and cause this destructive urge to make you want to smash things, or the safer option- throw your body about. On record they sound perfect, and I reckon their live shows really prove what they can do and allow them to show off just how bloody great they are.

Terra have a comforting and dark sound. It’s in the vocals, the lyrics, the hypnotic guitars and brutal drums. It all comes together so well, and you can’t help but think you’ve just stumbled upon one of the best bands around. Like all great bands Terra make you want to find some like-minded people and make your own noise.

Later on this year Terra will be recording their debut full length record, and going by what they’ve created with their EP they will more than likely create nothing short of a strange masterpiece that you won’t be able to stop listening to.

For me, I think Forest Lawn is their best song on the EP. It’s the loudest and most ferocious on the EP. I love songs that are unapologetically brutal and would probably make others turn their noses up at. Who needs conventional and comfortable when you can have bands who actually something of worth to offer. This is the kind of music kids should be playing loud in their bedrooms wishing they could take over the world with their music. That’s a dream to cling to and pursue. Any other seems far too much like settling. Never settle and never assume you’re worth just a routine. Bands like Terra have something essentially Punk about them. They’ve got something, and I hope it sticks in their music because they’re a band we cannot lose or ignore. I have no idea if they’ll ever get to this side of the pond but they’ve just finished some shows in Canada, and hopefully made the right kind of noise.

You can listen to and buy the EP here: http://terramusic.bandcamp.com/ and it’s out now on Shake! Records.

THE CREEPING IVIES-The Witch House (EP)

TCI15

Some of the bands I love manage to merge certain kinds of music together and make something incredible. Some of them make something truly weird and bloody wonderful, and I’m so happy to be writing about some new music from The Creeping Ivies. With a new line-up, Becca and co are back with a new 3 track EP which will unite weirdos all over. No good comes from falling for common practices and a settled way of life. The Creeping Ivies are a breath of fresh air and fun into our mundane and ritualistic lives.

Ghost World and Stay Wild are two phenomenal records by the band, and going from a duo to a trio- has anything really changed? Maybe, but the music is still bloody brilliant. The Creeping Ivies mix proper Rock & Roll with something quite similar to the Wall of Sound, and throw in a load of weirdness. When you throw all of this together you get something truly magical. It’s got the essence of Punk right within it. The guitar sounds as complex as Johnny Thunders, the backbone of The Cramps, the speed of the Ramones and the urgency of Patti Smith. They are the past mixed with something you’ve never heard before.

The Witch House consists of 3 perfect songs that are enough to ease the wait for their new record. Scotland is super lucky as the residents can easily go see The Creeping Ivies live. Us living in less fortunate places (such as the South of England) are unable to, as of yet, to see such an excellent band live and in all their glory. I can wait. I don’t really have much of a choice anyway, The Witch House is part Screamin’ Jay Hawkins and part the Ronettes. It’s proper bluesy Rock and Roll with a 60s girl group feel. It feels like a spell has been cast upon you, as if something is about to posses you. It’s Becca’s voice, and The Creeping Ivies are coming for your soul. Ignore the warning signs and just let it happen.

http://soundcloud.com/flowersinthedustbin/the-creeping-ivies-the-witch-house

The Creeping Ivies, as lame as the word is, are one of the coolest bands around. They make you feel as if you’ve been thrown back to the 70s when music was more alive and so far from tame. Becca’s voice is so powerful and she makes you wish you could sing just so you could front your own musical gang. Instead you just shout the words loudly in the comfort of your own home.

The Creeping Ivies are loud, stylish and effortlessly wonderful. The Witch House is the perfect taster of what is to come from the band. Getting new music from The Creeping Ivies is like putting on your favourite jacket and feeling like you can take on the world. Their sound is fearless and unpredictable. It is to be played loud, and whatever you do during is entirely up to you.

The Witch House is out on the 16th August via Flowers In The Dustbin, and you can pre-order it here: https://thecreepingivies.bandcamp.com/

KINGSLEY CHAPMAN AND THE MURDER-Lovers.

Back with a bloody vengeance, heroes of the North East, Kingsley Chapman And The Murder have yet another unconventional and untypically passionate love song for troubled and untroubled lovers. Or in this case, not really lovers. Lovers that need egging on so they actually become lovers. Or, become lovers once more.

The fury in the piano mixed with urgency in Kingsley’s voice just makes this one of the finest declarations of love you’ll hear in a long time. Probably all year.

The truly wonderful thing about the band is that they sound like they’ve been together for decades. Lovers oozes the eeriness and desire that’s found in Murder Ballads (if you don’t own a copy, then your record collection is naked and incomplete.) The lyrics in Lovers is that of someone who has truly watched in awe the person they lust after. We’ve all done it. Sometimes it ends in the worst way, and sometimes it works out.

I’ll admit, I’m not one for fawning over a brass section and pianos, but Kingsley and his band have proper nailed it. They’ve made it accessible and they’ve made it dark. It’s like Poe meets Cave in a sordid bar whilst munching on a parmo. It’s nothing short of brilliant. You cling onto every word that falls beautifully from his mouth, the brass section is composed brilliantly. This goes beyond being “just music.” It’s the song that can make destined lovers collide at 2am when the world is falling asleep. It’s just a pure and unfiltered dedication of love. It could melt the coldest of hearts and tame the wild ones.

I have a handful of bands/singers that when I listen to them, all I want to do is write about them constantly. I don’t care if it means repeating myself or sounding boring. The whole point of writing about music should be because you adore it and simply cannot live without it. That’s what you get from Lovers. You instantly get the urgency and unconditional admiration within it. “Your city won’t love you like I do” it’s on a par with something Morrissey would write. I bet Moz would hear this, chuckle to himself and think “This guy knows.” He bloody does know.

Love songs can be sickly. They are the “no added sugar” 39p can of pop from your local shop. Lovers is the opposite of that. Lovers is a bold and vulnerable masterpiece. Play it loud. Serenade the one you want, serenade your pet or just sing it loudly whilst alone. Drink a can of 39p pop if you want and let the sugar substitute send a rush to your head and Lovers act as a push to the body.

You can buy Lovers on 7″ at the end of next month which is out via Too Pure. Only 150 copies will be available. You know what to do.

FREAKOUT HONEY.

FH

Manchester Psych Fest III is happening in about 2 weeks. If you’re not going, you’re going to be missing out on a night of fun and brilliant sounds. Crocodiles and The Lucid Dream are just some of the bands playing. One band in particular are making their live debut at the show.

Freakout Honey will be kicking the festival off. All I have to go on is a little demo they sent me the other day. It is dreamy and has the backbone of Shoegaze in it. Shoegaze mixed with something completely weird and wonderful. When you hear something new for the first time, you just know within seconds if you’re going to be a committed fan or not. Freakout Honey are wonderfully named and they sound beautiful. I want more than the demo I currently have, but I can wait. I’m super excited to see them play- especially as it is their live debut. I have every faith that they will be a talking point of the show, and a band that become one to watch.

They formed early this year in Manchester and the band members are from all over the place from Bradford to Greece. These guys and girls have got a distinctive sound and I wish them nothing but the best for their debut show and beyond. I think the demo I have is called Surf. It feels like you are riding the waves without a care in the world. Perfect to dream to, to do nothing to, to fall asleep to, to go on a path of self-discovery to. They’re just instantly brilliant. I feel like a 5 year old wishing for their birthday to come around waiting for more music by Freakout Honey.

There are six of them in the band. They’re the Wu Tang Clan of psych/shoegaze/whatever you want to call them. Each member brings something vital to the band, and I’m pretty sure they’re going to exceed any expectations at their debut live show.

I’m pretty sure this is one of the shortest pieces I’ve written, but I’ll report back around the 14th June with more thoughts on the band. For now, you can wait like the rest of us!

If you’re in Manchester, then head down to Night & Day on the 13th June and come to the Psych Fest. Let Freakout Honey be your new favourite band.

PINS-Wild Nights.

I have no idea who came up with the concept that the second record for a musician is difficult. Maybe it was another lazy music “critic” but it’s total bollocks. A band can put a good or bad record out at any time in their career. Fortunately there are bands that breeze over this lame idea of the second record being a difficult task.

On Monday PINS will be releasing their second record, Wild Nights via the ever reliably brilliant Bella Union. The record consists of 11 tracks that make you think you’re listening to a band well into their career. Their second record surpasses their debut, Girls Like Us. It is different and shows that they aren’t this dark, mean and moody band many were assuming they would end up being. Sure their debut was dark and eerie, and yes there are dark moments on Wild Nights. Wild Nights was recorded in America but they didn’t let the States rule their sound. The record sounds like a strong Manchester record. And if you’ve got your wits about you, you’ll know that Manchester is the home/hub of great music. I was going to do this as a track-by-track thing but I always get distracted and will end up going way off track.

I’m going to mention Oh Lord first because it is the one I’ve been playing constantly over the past few days. Oh Lord is one of the key moments on the record. It has this haunting bass-line which is one of the highlights of the record. Oh Lord sounds like Joy Division’s She’s Lost Control in some parts. I was never a big fan of Joy Division, but as I’ve got older my interest has grown. They say your tastes change as you get older. I just hope I don’t start liking dubstep any time soon. The last minute and a half of the song has this explosion of greatness and boldness to it that really justifies why PINS are basically one of the best bands around.

House Of Love is a song that was floating around in their live sets before we knew anything about Wild Nights. House Of Love is a cult anthem in the making. It’s a massive highlight in their live shows and yet again another vital moment on the record. I’m not going to make any cheap comparisons to their debut, but House Of Love could easily have sounded equally as perfect on that as it does on Wild Nights. No song on this record sounds out of place, no song is a filler. Every song is an extension of what PINS are capable of.

Dazed By You is a love song for modern lovers who don’t care for conventional. The lyrics are poetically gorgeous and beautifully written. The innocence of being in awe of someone on Dazed By You is stunning. In a way it reminds me slightly of Bedroom Eyes by Dum Dum Girls. It’s just got that innocence and purity of devotion flowing through it. Seeing this one live is also a standout moment in their live set, especially for the little jam at the end. It become uncontrollable and if you’ve seen it live, you’ve probably been left with this burning desire to start a band. Go for it.

There are no dull moments on this record, just songs that you want to play over and over. Much like their debut, this record has the sheer potential to influence kids to pick up an instrument and make their own noise. It’s a dreamy record that is perfect to play as the sun sinks down. Girls Like Us was a cold winters day. Wild Nights is the walk home as he sun rises after a night out on a warm summer morning.

If Only is lyrically my top song on the record. I adore the vulnerability and honesty in the lyrics. Anyone who can’t relate to it is lying to themselves. It is so open and so pure, it is just so poignant. Songs like this show us what PINS are made of. They don’t just make songs for you to dream to, they make songs for you to actually FEEL something. What you feel when you hear this song is your own doing but it is such an important song. I hope it becomes a world wide hit so everyone can appreciate the beauty in the lyrics.

I have thousands of words and thoughts about the record, but I can simplify it by saying that it is the bet record to come out this year by a band from the UK. It just reinforces the idea that Manchester is the home to some of the best bands around.

There’s a tour in September so from Monday when the record comes out, it gives you plenty of times to learn the lyrics and make up a dance routine to some of the songs if you want.

Buy it on Monday and play it as loud as you like.

PINS- The Lexington. 27th May 2015.

Everyone has a handful of bands they don’t ever get tired of listening to or seeing live. I’ve probably got more than a person should, but there are worse things I could spend my money on.

Prior to seeing PINS on Wednesday night, my pal and I were stood outside the venue whilst he had a cigarette. A man comes up to him and asks if he can buy a cigarette off him. I catch a glimpse of him and on his shoulder he has a pet rat. A white thing with horrible pinky/red eyes. He sees us look at his pet, and he plants a kiss on it. He walks off happily with his pet and cigarette. Not much can shock you I suppose when you’re constantly in a busy city. But this? It was just weird. If it gets him through the day, then so be it. Also, I had a really good photo of the band on stage to use, but guess who dropped their phone down the toilet at work yesterday. Yes, this idiot writing this.

PINS are fascinating to see live. You see there are some bands who seem almost scared or probably too uptight to look like they’re enjoying themselves on stage, but with PINS you can tell that they really love playing live. Faith sings in the crowd, Sophie beats the shit out of the drums, Anna makes you wish you could play bass in a band like PINS and Lois likes to wander off a bit on stage. She got behind something on the stage at The Lexington and every so often you saw her glorious blonde hair peer over the side.

The show on Wednesday was a launch for the new record (Wild Nights) which is out on Monday. Some copies were being sold afterwards and of course, it is one of the best records to come out this year. As I’ve called Crocodiles as having the record of the year, I’ll say that PINS have put out the best record in the country. I’ll write about why I love the record this evening.

I’ve seen PINS either 5 or 6 times now and I probably should have run out of things to say about them, or I’m likely to repeat myself. They’re a band you just don’t ever get tired of seeing. The only thing that annoys me are the creeps right at the front who really need to stop taking photos of the body parts of the band (everyone can see you zoom in on the bums and such, just stop.) Other than that, those who go to see PINS are those who really get what the band are about and aren’t there just to hear one song. Everyone still goes nuts to LUVU4LYF and Girls Like Us. But new songs such as House Of Love and Too Little Too Late are starting to get the same reaction as old favourites.

From seeing them a few times, it is just bloody brilliant to see a band develop into something truly wonderful. Their shows aren’t as dark and as moody as their records, but there is something sinister that flows through songs like Oh Lord that come alive when you witness it live. Watching them live is like being at decent house party and your mates band come along to play some songs. There probably are words to describe their live shows, but it isn’t good enough. You’ve just got to see it. They drag people on stage for their take on Hybrid Moments by the Misfits. Girls Like Us is mashed with Girls Just Wanna Have Fun. You just want them to play forever and go a bit louder each time. They go mental at the end of Dazed By You which is amazing to witness. They can do the slowest of songs and they can go off the rails on another. They’re showing everyone what they are made of, not just live but on the new record.

I’ve seen them support bands I love and I’ve seen them headline their own shows. Ain’t no party like a PINS party. I wish it was home time so I could unleash my thoughts on their new record.

What I love about PINS is that they evidently have something in them that’s going to fuel younger generations to pick up an instrument and make their own noise. PINS are quite simply one of the best bands from Manchester, and there are loads of them. PINS have got this thing about them that make you want to sack off your 9 to 5 and start a band. To hell with it, you might as well do it. Their sound could intimidate some, but once you’ve met them you’ll realise that they’re just proper lovely people who make the kind of music you wish you could. I’m sort of holding back a little because I’m reserving it all for my thoughts on Wild Nights.

They’ve just announced a tour for September and you can get tickets here: https://www.songkick.com/search?page=1&per_page=10&query=PINS+UK&type=upcoming

It’s pretty tempting to go see them in Manchester. Pretty sure a home crowd is as good as it gets. The record is out Monday and you can buy tickets to their new tour now. You know what to do.