It has finally happened! Crocodiles have FINALLY dropped some new material which means- a new record is coming! 7th April to be precise kids! It’ll be released via Lolipop records, and the first single from the record- Degeneration is a perfect introduction to their new record.
If you’ve ever read anything I’ve written, you’ll know just how much I love and adore this band. They are a band that have been there for all the good and bad. A band that just know how to constantly create masterpieces. Underrated and exceptional. I just love love them.
Degeneration picks up where 2019’s Love Is Here left off (not including the covers record they put out in 2021!) Their new record will be their 8th full length record (again, not including the covers record but you can if you want!) Even though it picks up from Love Is Here, I can hear some of their early sound in this song- that rugged and distorted sound; the sound that I fell in love with many, many years ago. They have such a distinctive sound and style, and that applies vocally too. They’re a band that just make everything alright. Their poetic lyrics are timeless and their sound is how you’d want your dream band to sound.
The video to Degeneration is simple but you’ll also see Brandon and Charlie’s faces melt. I reckon that’s a strong sign for how great the new record will be- it’ll melt our faces off. I cannot wait! It’s only 2 months to go, but in the meantime- I’ll be keeping Degeneration on repeat.
Check out the video below:
Upside Down In Heaven will be released on the 7th April via Lolipop Records.
I’ve not written anything in a while because I’ve been preoccupied with my new best friend- my PS4 and investing too much time in FIFA20. Anyway, this is my first weekend in ages where I am not working. A full weekend to do nothing but sleep. Bliss. But, besides all this, I’ve spent a lot of time being angry at what we are seeing. At the end of this, I’ll post some links to various organisations that need our support in any way possible.
We need to educate ourselves; we need to call out those who are barbaric and wrong, and they MUST be held accountable. One band I have always admired for the way they speak up is of course, Crocodiles. Yesterday Bandcamp waived their fees which meant bands were getting paid in full. However, most were forfeiting their profits and donating them to causes related to Black Lives Matter. Crocodiles were one of these bands, and the result is the effortlessly cool collection of covers called Shitty Times Volume 1. From Madonna to Lou Reed, these 6 songs will blow you away. Let’s get to it.
The record was recorded in Paris (where Charlie lives) and in L.A (where Brandon lives) but you don’t feel the distance at all. You feel as if you’re in the room with them both as they create these covers. I adore their cover of the Madonna classic, Burning Up. If they did Borderline, I’d have lost my mind, but this comes really close. It’s such a great cover, and I love how Crocodiles cover songs and just make them theirs. Take their cover of U Sexy Thing they did a few years ago- it’s genius. It takes nothing away from the original but gives us something new.
For me, it’s all about their cover of Hangin’ Round by Lou Reed. We all know that Transformer is one of the best records ever made, and this cover makes you appreciate the song in a totally different way. They keep that effortlessly cool sound going; that sound that you always got from Lou and always get from Crocodiles. It’s such a great cover, and I hope that when we can go to shows again, they put this in their set. Can you imagine how amazing it would be?! They could do the whole record; I doubt any of us would mind. Make the show last 2 hours or so, that’s totally fine by me.
Raphaëlle Verlaine from the band Metro Verlaine takes on the cover of Elli & Jacno’s Oh La La. If you’ve ever seen Metro Verlaine live, you will know just how powerful her voice is, and this cover really shows us this. Again, it is such a great cover, you sort of forget about the original. I love that the way Crocodiles cover the songs makes you forget about the originals, but when it’s over you can and listen to them and hear it all in a different way.
Who Stole My Skateboard? Originally by Satan’s Rats is a blistering cover. This is the one you blast out so loud until you drown out the world. After the Lou Reed cover, this might be my favourite. The guitar on it is just, * chef’s kiss * it’s THAT divine. You can’t help but keep playing it. It takes nothing away from the original at all, it just adds to it.
How do you write about a band that you have seen 11 times live without repeating yourself? Who cares! Friday night was my 11th time seeing my buddies, Crocodiles and they played my absolute favourite venue in Manchester- the Soup Kitchen. It’s a sweaty and dark basement venue; just how it should be.
End of April 2009, Crocodiles released their debut record. A record I bought by accident on the day it came out and since then, I’ve just fallen in love with everything they’ve done since. Every record has blown me away, and every show has done the same.
However, there is something truly special about their shows in Manchester that stand out. This was my 3rd time seeing them in Manchester, and I just love how you can see how much this beautiful city means to Brandon and Charlie. There was even a nod to local hero, Pete Shelley with their Buzzcocks cover which I’m sure he would have been proud of.
I stood directly in front of Charlie, and was in awe of his pedal set-up. It’s a piece of art, and he swings his guitar around like a machine gun whilst looking like a young Scott Walker. Brandon and Charlie have this way of just changing how you feel about their music when you see them live, and it is always a wonderful thing to witness. They are just of the most talented people I’ve ever met, and they just put their all into their shows.
You can’t help but shift your eyes across the stage to watch them all annihilate the stage. Brandon sings with this passion that is just astounding, and Charlie matches it with his effortlessly cool way of using his guitar as a weapon. As cliched as it is, they are just the coolest cats around, and it just shines through perfectly in their songs and their live shows.
The energy in the crowd is typical of a Manchester crowd, and just an absolute pleasure to be part of. The love that Crocodiles have for this city is just admirable, and something us fans here truly treasure. They feed off the crowd, and this crowd were reciprocating it. 10 years in, and they are still making music to lose your shit to. Songs like I Wanna Kill and Marquis De Sade, and new songs such as Exit My Head come more alive. I can’t ever get enough of hearing I Wanna Kill, and the crowd are the same. It’s one of those songs that just do something to you, and once you hear it. It’s an anthem.
Crocodiles are a band that you just don’t ever get tired of listening to, and watching. They have this way of just making you forget the real world for the time they are on stage. They make you want to start a band, they make you want to always be in the moment of being at a live show. As a fan, this is what I absolutely adore about music and how powerful it is. Also, Brandon and I had Bad Brains shirts on which anyone else would regard as a wardrobe clash. However for this, it’s just two people who love one of the best bands ever!
There’s a good balance of songs from all of their records, and sure I’d want them to play all of them but hey- that’s too much, I know! This was my first time seeing them on my own, and as someone who suffers with depression and anxiety I full on prepared myself to have some form of panic attack. I was wrong, I just felt totally safe at this show. Trivial I know, but small things like this help. Anyway, smushy stuff aside- it was just a brilliant show.
They are a band that just need to be seen live. Their live shows allow you to see even moreso just how fantastic they are. If I could, I’d see them on every tour at every date. But shows like Friday’s in Manchester are treasured dearly.
Crocodiles new record, Love Is Here is out now and they have 2 more UK dates left before a couple of shows in Paris this week.
One thing I really enjoy is writing about my buddies, Crocodiles. With every record they just reinforce my love for them, and their ability to constantly evolve their sound and always take themselves out a safe zone when making music. I think April this year sees the 10 year anniversary of their debut record, and the 7 records they have put out in a decade have all been masterpieces in their own way. Now it is the turn of Love Is Here to be adored in all its glory.
I don’t want to write this in order of the songs, because I’ve a lot to say about one songs in particular- My Far Out Friend. On every record by Crocodiles, they always have this one song that hits you right in the gut and takes you away from where you are. They always have this one song that sends you off into a euphoric bliss that nothing else can touch. My Far Out Friend is easily now in my top 5 songs by them (it’s always changing, of course but this one is something else.) I absolutely adore Brandon’s vocals on this song. I love how his vocals on this are as dreamy as the music. It has this gorgeous psychedelic feel, and there are two moments in the song where there’s this little drum roll that goes into a beautiful instrumental. It makes you feel like you are floating, and Brandon’s vocals come back in like they are guiding you through the clouds. This is truly one of the most beautiful songs I’ve ever heard, and it’s one I keep going back to. It’s such a gorgeous and ethereal piece of music. The second instrumental part is slightly heavier, and wraps up this work of art so beautifully. My Far Out Friend is THAT song that you close your eyes to, and just zone out.
Last year, I was sent a copy of the record and it just blew me away. Aside from My Far Out Friend, the other song that blew my mind was I Was A Fly. It reminded me of something The Cramps would do. I love the weirdness in the song and there are bits of the music that remind me of something else, and it’s driving me mad that I cannot remember it. It’ll come to me, probably in my sleep. Typical. It’s a real gritty song that you can imagine hearing in dimly lit basement bars.
The record opens with the face-smacking Nuclear Love, and goes right into the wonderfully decadent Exit My Head. Both of these songs are reasons as to why Crocodiles are clearly just the best, and sure I may be biased but that’s what 10 years of being a fan does. I love hearing how they have pushed themselves with each record, and these two songs definitely show this. The songs are heavier on this record compared to Dreamless- but there’s really no point in ever comparing any of their records to each other to be honest. Crocodiles are a band that make you excited about music, and always leave you wondering what they are going to do next. I hope they release Exit My Head as a single because there is something about this song that oozes smut and beauty. I adore this song a hell of lot. The lyrics are brilliant, and I think it’s one everyone can relate to or has related to at some point, In some ways, it reminds me of Henry Miller meets Lou Reed then goes for a drink with Hubert Selby, Jr. It’s just a great song!
Love Is Here (The End Is Near) is a real Punk sounding song. It’s got that pogo feel to it, and I really hope that when they play this life that the crowd go apeshit. They’ve got many songs that make their fans go batshit when they play them (for me, it’s always Refuse Angels) and Love Is Here has got to be one of them that just spur the crowd on to just go insane to this song.
Rats d’Amour and Voyeur Under Glass make you feel like you are roaming a city like Paris late at night with a feeling to cause some trouble (nothing sinister obviously) or just watch the world go by. Voyeur Under Glass has a slight Reggae feel to the guitar which I love so much, and I love the bass so much on this one. Something you really notice on this record is just how ahead Brandon and Charlie are with their sound. I’ve noticed it on their other records, but there is something about Love Is Here that, although you know it is them- there is something about this record that is ahead of its time. The production and the whole sound on this record is nothing short of perfect. You can truly hear the dedication and passion in this record, and it is honestly a flawless piece of art.
Basically, this is just a declaration of love not a review. I can’t write reviews anyway. In short, Love Is Here is the record we absolutely need. It’s most certainly the record I need. And yes, it is my record of the year- I think that’s pretty obvious.
Get yourself a copy from their bandcamp page, and play it loud!
There’s nothing better than your favourite band putting out new music, and writing about it. It’s common knowledge that I regard Crocodiles as highly as the Velvet Underground, The Gruesomes and Patti Smith. There is something about Crocodiles that just makes you absolutely love music and want to completely lose yourself in what you hear. This year, it’ll be 10 years since their debut record came out. I remember finding it by accident, and it just changing my life in the best way possible.
10 years on, and my love and respect for them is still massive. Where do you go after a decade? Well, for Brandon and Charlie, they just do what they do best- they absolutely excel with every record, every single, every tour. They’re a band that are consistently phenomenal but at the same time, you never know what you’re going to get from them. From their cover of Groove Is In The Heart to Me And My Machine Gun to Hard- they just have this brilliant ability to make you feel like you’re in 70s New York hanging round places others fear, but for you the smut and sordidness is what gets you through.
Wait Until Tomorrow is such a great song. The guitar is really ferocious, and Brandon’s vocals have never sounded so strong. There is something so distinctive about them, and that’s what makes them standout. They are an unforgettable band, but they are still hugely underrated. They are easily one of the best bands you’ll ever see; their energy and the way they bring their songs to life just makes you wish you could do it. They are a band that you just don’t get tired of seeing and listening to. The lyrics are again, nothing short of romantic imagery and makes you feel like you’re wandering round Baudelaire’s Paris.
I love how they have a cult-like following. There’s something about their music that appeals to damn near everyone. Even my mum loves them! (My mum is pretty cool though, so that explains why.) Their new single picks up where Dreamless left off. They always have this brilliant way of making each record sound a step-up from what has come before, and it’s so easy to see why I just love them so much. I can’t wait to see the new songs live.
So I’ve not really wrote about the single. It’s alright. I’ve just gone on about why I love them, and how excited I am to hear new music. It’s been a little over 2 years since Dreamless came out, and they are easily one of the most hardworking bands around- but don’t think for a minute they were doing nothing in that time! Wait Until Tomorrow could well be one of the strongest singles of the year, and I am pretty confident that the new record will be my favourite of the year. I doubt I’ll sway on that one.
Wait Until Tomorrow is a song that needs to be played really loud. Loud enough to make your neighbours fall in love with what they hear. There really aren’t that many bands who have this consistent feel to their music- you always know that whatever music Brandon and Charlie give us will always be absolutely mind-blowing. We all have a band that mean the world to us- it doesn’t matter if it’s a band that you found last week or 20 years ago. Time makes no difference, and Crocodiles are utterly timeless.
Fellow Croc-Heads, the band are heading out on a European tour next month. Pretty sure they’ll add more dates soon enough (I need a Manchester show!) and we’ll know more about the new record soon.
In the meantime, keep Wait Until Tomorrow on repeat. It’s out via one of France’s finest labels- Deaf Rock Records.
On Friday evening, my girlfriend and I went to see one of the best bands from France. In fact, they are probably one of the best bands I have ever seen. Metro Verlaine make music for the dark romantics, music for those who love the eerie side of music. When you see them play, you will immediately be drawn in and hooked forever. A 30 minute set wasn’t enough, and quite frankly- they should have played for another hour!
Metro Verlaine consist of four band members, but during live shows they have my generation’s greatest guitarist- Charlie Rowell (from Crocodiles) who has produced their debut record, Cut-Up. The record is nothing short of phenomenal and brings together everything I love about music. There are resemblances to The Cure and Joy Division. They are definitely influenced by English bands that posses a dark sound but they make it their own.
Raphaëlle is easily one of the best singers you will ever see. She has such a powerful and amazing voice. She made us feel like we weren’t in a tiny room, she made us feel as if we were in a stadium or in a cathedral. She has such a grand voice, and although you get hints of it on record- it really gets you in the gut during their live shows.
I absolutely adored how the drummer doesn’t use a full kit (think Bobby G when he was in The Jesus And Mary Chain) but makes this incredible noise regardless. He’s louder than most, and I loved that so much. Something that is worth paying attention to with Metro Verlaine is just how effortlessly together they are and how in tune they are with each other. I’m not sure how long they have known each other prior to starting the band, but when you watch them on stage you pick up on this incredible bond. Most of the time they don’t need to say anything to each other, a simple look says it all. Sure I hate the word but the band are just so cool. Maybe it’s because they are French and they have this class to their sound and style that makes you wish you were like them. If I could sing, I’d want the power and range that Raphaëlle possess. I sincerely hope she becomes someone who singers to come cite her as an influence because she’s truly something else. She dances on stage so freely and takes that deep into the crowd. All you can do is watch on in awe.
Cut-Up is a mighty fine record and to hear these songs in a live setting makes you appreciate the record even more. Of course they are criminally underrated, but in time they’ll probably take over the world. They’ve already taken over mine.
Something I really loved about them is their love for Manchester. They are vocal about this and their song, Manchester is a beautiful ode to the greatest city in the world. Everyone on stage plays such a vital role in making the crowd move, each of them leave you wishing you were as cool as them. The only downside was the venue cutting their set way too short. They played for just under half an hour; they could have easily headlined and/or played for another hour or so. Even if they didn’t have enough songs to play for hours, I’d be happy to hear it all on repeat.
Metro Verlaine are the coolest band you’ll hear. They make music to get lost in, and to also find parts of yourself in. Sure you may not understand what they are singing about at times, but who cares?! The music and vocals are enough to keep you hooked for eternity.
I feel I use my holiday allowance from work wisely-to go see bands. Sure I could save up and have a proper holiday, but seeing as my passport has just ran out and I don’t have the money to renew it, I go for sensible options such as going to different cities here to see my favourite bands. Friday night was no exception.
It’s not a lot, but Friday was my tenth time seeing Crocodiles. From finding their debut record by accident to this. I can’t think of any other band I could admire and respect as much as this. Easily the hardest working and most dedicated bunch of people I’ve ever met, and it truly comes through in their music, and in their shows.
This Friday (21st) sees the release of their new record, Dreamless. It picks up where Boys left off and takes you into another direction, again. The fact that none of their records sound the same makes them easy to just love and never shy away from having them on repeat. Their live shows are addictive and I think a lot of the time it can be to do with the crowd. I’ve seen them mainly in London but I’ve always found Manchester crowds to be the best. Not just for their shows, but in general. Night And Day is the perfect place to see Crocodiles. It’s just the right size and the atmosphere is how you imagine it should be when you see a band you love. I marked the occasion by, when leaving the venue, taking the poster of the gig from a board outside. I’ll get a frame for it, because I’m that sentimental.
The set is a solid mix of all albums. All of them make you leave the show feeling as if you should pick up an instrument and make your own noise. If you watch Charlie and you leave not wanting to play the guitar, then you missed the point entirely. They’re the band you need to see when everything seems a bit askew. Songs from the new record sound amazing live, and for purely personal reasons my highlight was Telepathic Lover. It’s not only my favourite song of the year but when I first heard it a few months ago, I knew instantly that it was my favourite song by them. The lyrics are ones I hold very close to me and helped with a lot upon hearing it. I owe them for that.
Songs like I Wanna Kill and Neon Jesus are always a pleasure to see live. Mirrors always unleashes a gentle but stirring rage inside.But for me, it’s their cover of Jet Boy Jet Girl that does it. Accompanied with an intro by Charlie, “this is from 1970 fuck you.”
And just like that, it’s all over. Here’s to another ten shows and beyond. If someone told me to pick just one band to see live for the rest of time, I would easily pick Crocodiles. There’s something about them that makes me feel like I’m not in this lifetime. I love watching each of them on stage because each of them have this magnetic quality about them. They make it all look so easy. So effortlessly cool, it’s like Lou Reed has come back to life with Joey Ramone in tow. They take everything I love about music and make something that I’ve never heard before. As they take us on a journey through each of their records, you can’t help but wonder why they are so underrated? I have no idea why but it’s obvious how hard-working they are, and how loved they are by those at the show.
As mentioned, Dreamless is out this Friday. Buy it, learn the words and I’ll see you at the front.
“If you want somewhere to run to, and if you want someone to tell you the truth- go look out your window, baby.”
I’ve got a handful of things in life that make me truly happy. The obvious one being music. However, getting to write about a band who I adore (they’re not just a band, I’m lucky enough to class them as friends.) Writing about a band you love when they’re about to release something truly beautiful, well, that’s another great feeling entirely. I’ve had a copy of Dreamless by Crocodiles since May. I was given it at a point where I needed something, and I got it instantly from Dreamless. Hopefully when you hear it, you’ll get what I mean. I know I like to take apart each song when writing about a record, but I’m getting by on not much sleep at the moment so it probably won’t start or end well.
It’s so obvious how much I love Crocodiles music. From the moment I picked up their first record based on the artwork to fast forwarding to now, writing about Dreamless. Summer Of Hate and Sleep Forever had this amazing aggressive sound. Effortlessly menacing that left you wanting more. Endless Flowers took this menacing sound and mixed it with something so delicate which fully bloomed (pardon the pun) on Crimes Of Passion. Boys flirted with all their previous records- so what is left for them to do with Dreamless? Oh dear reader, they are just getting started.
I’ve looked through the records I own and also the music I haver stored on my laptop, and I can easily reel off the names of bands who much like Crocodiles change with every record. These are the kinds of bands that make you want to make your own, the kind that keep your attention constantly. Bands like The Kills and back to the likes of Captain Beefheart, Ramones, Patti, Morrissey- I could go on. And on. These are the ones who are gloriously fearless and can make each record sound as if they are a brand new band but still maintain a style that makes them tower above others. Crocodiles do it with every record. Dreamless is no exception. Although record in Mexico City, it sounds like it was born out a damp ridden apartment in Berlin circa early 70s. They’ve always given me that feeling, and for me- that’s how I want something to sound. I want it to take me somewhere I have physically yet to go, but mentally I am always there.
The record opens with Telepathic Lover, which consists of my favourite lyrics to any song I’ve heard all year. When I played it for the first time, it blew my mind. I felt this, massive connection to the lyrics, and they have been the backbone to a lot of thoughts I’ve had this year and god knows what else I’ve carried. “Telepathic Lover, please don’t look into my mind. Telepathic lover, you won’t like what you find.” Hands down my favourite lyrics of the year and probably my favourite by them, ever. There are so many songs by them I could list as being my favourite or what have you, but this one has something that just leaves me in awe of them. This is the one I keep going back to. It’s like meeting someone who really gets you.
Time To Kill has some gorgeous words to, and is beautifully sung. Brandon’s voice sounds like a gentle whisper on this one, and it makes the words echo more in your ears, and brain. It’s got a haunting sound to it, and this eerie tone lures you in. You feel secure but slightly scared all at once. Aside from the whole damn record being a work of glorious art and me obsessing over Telepathic Lover- you should know that Jumping On Angels is also one of the finest moments on the record. If this makes their live shows (I can only hope it does) then I’m pretty sure it’ll make the song sound greater than it already is. What I love about this record, is that the lyrics really make you think. I’ve spent a lot of time going back and forth over songs I love and finding lyrics that I love, and lyrics that mean something. With this record, Crocodiles have again made something that just makes you think and see things differently. They challenge themselves and the listener with every record, and that alone is a reason to completely love and respect them. Produced once again by Martin Thulin, it’s really no surprise that this is probably the best record you’ll hear all year.
Welcome To Hell has this groove to it that makes you want to dance, but when you delve into the lyrics- you’ll again, see just how brilliant they are at writing songs that just make you take your mind elsewhere. Welcome To Hell makes you feel like you’ve wound up in a fight in the middle of some dodgy bar, and as you stumble home, the trouble just doesn’t leave you be. You just need to get yourself home and shut off.Welcome To Hell also has the brilliant line, “I never should have been a Peeping Tom.” Wonderfully perverse, in the best way. I’m Sick has this way of making you feel less alone with burden of self you can carry around at times. An easy song to relate to- listen to it and don’t be too tough on yourself.
I guess it shows at times I never re-read anything I’ve written, and I know I’ve probably missed out so much. I know I could have said so much more about Dreamless and how stunning it is. But, if you’re already a fan of Crocodiles then you’ll already know what to expect. You’ll already know that with every record, they blow your mind and do something to just make you love them even more. Songs like Go Now are perfect to play when you need some quiet time to get it together.
Crocodiles are currently on tour in Europe and will be coming over to the UK within the next few days. I’m skipping the London date and going to Manchester instead. You can’t miss seeing your favourite band at one of your favourite places, can you?!
Come out and see them at any of the following dates. Dreamless will be released on 21st October on Zoo Music.
1th October 2016 – Leeds Headrow House
13th October 2016 – Glasgow Broadcast
14th October 2016 – Manchester Night and Day
15th October 2016 – London Hackney Wonderland
This is going to be painfully biased. When it comes to Crocodiles, I can only form a biased opinion because it is blatantly obvious how much I love and adore them, as people and the music they make. I can tell you now that Dreamless is my favourite record of the year, I’ve been playing it solidly for the past few months. It makes my disdain for people being oblivious to personal space on public transport easier to get my head around. It makes living in an overwhelming city easier to deal with, at times. When I heard Dreamless, Telepathic Lover was the song I instantly connected with based on the lyrics. The more I listen to it, the more I can relate to it.
Many have said that Telepathic Lover is different to what Crocs have done previously, and to an extent that is true. But this song is as gentle as All My Hate, Screaming Chrome, She Splits Me Up and Blue. Brandon’s voice is nothing short of gorgeous on this song, and goes so well with Charlie’s tame guitar playing. For the most part what drew me to them was how loud and brutal they were. Neon Jesus grabbed me in a way that no other song did at that time. My first heartbreak was soothed by their debut record, and from then on I learnt how to not take everything to heart- there are worse problems, and breakups make you who you are-tougher. That said, I’ll cry at anything to do with cute animals. I can’t stop myself.
Telepathic Lover opens with my favourite lyric of the year, “Telepathic lover, please don’t look into my mind. Telepathic lover, you won’t like what you find.” I can reel off lyrics from Ash & Ice by The Kills and claim they were written for me, but this line is easily the one I can fully identify with. There’s so much truth in it. Having someone who knows every thought in your head before you try blurt it out is massively terrifying, but also comforting because if they stick around- then you know it’s worth more than anything else in the world. These are the ones you cling to and love for life. I’m into lyrics/ words in general in a huge way. As someone who is 80% useless most of the time with their own, I take a lot from others- mainly bands/singers. I’ve heard a lot of myself in the music that Brandon and Charlie make, and Telepathic Lover is by no means an exception. I’ve spent a lot of time listening to Dreamless, and I find myself constantly going back to Telepathic Lover. We’ve all met/had someone who is a telepathic lover- keep them. Makes life less daunting.
I can’t tell you how many times I’ve played Telepathic Lover, but each time I, as cliched as it sounds, find something else to adore. From Martin Thulin’s (he also produced this record, along with Boys) captivating playing on the keys, another lyric to love, the way Brandon sings certain parts of the song, Charlie’s effortlessly cool guitar playing- there’s always something there in the song for me to keep going back to. Something new to love about the song. The whole record is made up of beautiful songs like Telepathic Lover, and I think that’s why Dreamless is going to be one of the finest records we will hear all year. It is made up of gentle and tough songs. If you’ve never listening to Crocs before, you’ve got until October to go back and listen to their previous five in time for record number six. What else are you going to do? Or maybe work your way backwards. Start with Dreamless in October, then go back . It’s up to you. Dreamless picks up where Boys left off, and it’s a great place to be in. They seem to put a record out nearly every year, and for me that commends more respect than most.
There is something still ferocious in their music, but it’s kind of like a Nick Cave kind of thing here- dark lyrics, gentle voice and hypnotic sounds. Crocodiles thankfully don’t have a set sound. They don’t have anything typical about them, and I’m so glad Telepathic Lover has been chosen as the single because it shows them exactly for who they are- if you expect their music to always sound like this, you’ll be proven wrong but you will constantly be blown away by how bloody brilliant they are.
You don’t have to take my biased opinion on board, I’m just glad I can finally unleash how I feel about this song onto any poor soul who may read this.
I managed to count how many times I’ve seen Crocodiles- Saturday will be my tenth time. Does someone need to buy me a present? If so, I’ll take some paracetamol and a comfy bed for a few hours. Never ever have whiskey, sleep for 3 hours and go to work. It will not work in your favour but you’ll probably have had a lovely time in the midst of it all.
Life is made up of strange and nice things at time. There are a few moments in my 28 years on this planet that I keep very dear to me, from crying like a baby in front of Patti Smith to finding certain records. Always music based. Last night something bizarre happened at the end of Crocs show last night. A lovely man (I think his name is Andy) came up to me, asked me “Are you Olivia?” Of course I assume the worst and thought he was going to call me a name or something, so I was shocked when he mentioned he reads my blog and enjoys what I write (I’m playing it down because I really hate talking about myself.) So Andy, if by some chance you see this- thank you. A billion thank yous. This is one is for you.
The Savage Nomads kicked off the evening with their South London ways. They ventured all the way North last night to expose us to their infectious tunes and charismatic ways. A massive pleasure (finally) to see them live. I’ve been a fan for a while now, and it was really good to see their live shows. An effortlessly smooth set that was led by frontman Cole leading the band into the depths of North London by standing on the drum kit and performing as if they were at Wembley. A proper frontman with a mean dress-sense.
Next up, Hatcham Social. I went to uni in 2006, and whilst there Hatcham Social were a band I was in love with. The love has always been there, and I finally got to see them live last night. Their set made you want to leave and start your own band and make your own noise. This is proof that some things are most definitely worth waiting for. I think they’re doing some more dates with Crocodiles so please get there early and be left in awe.
The main event. The loveliest band in the world. Crocodiles. Sure it can be hard to comment on a band you’ve seen so many times. I’ve run out of reasons as to why I bloody love them. From their Punk ethic to their poetically brilliant lyrics. I just love them and will never grow tired of them. If you’ve ever seen them live, you’ll know exactly why it is so easy to end up seeing them so many times. They’ve got something, and I’m not sure what the word is. Maybe their isn’t word. This is what 3 hours sleep does.
Their set is a brilliant mixture of old and current hits. Personally, I’m just happy Refuse Angels is in the set. The band go nuts during this one, and it shows just how magnificent a drummer Robert is. It’s because he’s Northern, that’s why. The ferociousness in this number is out of this world and is so brutal. On the flip side of this we have Me And My Machine Gun (one of their best songs ever) which just sounds and feels like a whirlwind romance with no care for consequence.
We need to appreciate Charlie Rowell. Let’s be honest, there’s no better guitarist around. He swirls the guitar round in the most carefree way imaginable and you can see such concentration in him as he plays, but you just know it is effortless. The band is effortlessly brilliant. Sweat falls from his hair as he jolts the guitar around. This guy is solely responsible for you wanting to learnt to play the guitar. Robert, Brandon, Charlie and David (he’s in Hatcham Social too y’know) are pretty much the definition of a “super group” each of them has talent that would make other bands think, “I wish that guy was in our band.” I think anyone who sees them live and is in a band would probably leave wanting to improve on their sound.
Crocodiles transport you to Max’s Kansas City in the 70s waiting for the weird and wonderful to cause a scene. I guess this is why I was drawn towards their sound back in 2009. I found their music by accident, and it’s one of the best decisions I’ve ever made. Their sound changes on each record, but when you see them live it is like hearing your top 5 records of all time in an hour. Of course I think they’re the best band around, only a tool wouldn’t.
The fury in I Wanna Kill gets me every time, and I’m pretty sure most of the crowd feel the same. That song could excite the weakest of souls. They end their set with Jet Boy Jet Girl. A proper depraved song that only Crocodiles could cover in a way that makes you think they wrote it.
It is so easy to get bored of modern life. For the most part, it is rubbish. Full of people gormlessly staring at their phones in the hopes something happens. It won’t happen. SOMETHING will happen at a gig. That’s where the people come alive, that’s where you meet the best people. What I love about Crocs shows is that the crowd genuinely love the band. They aren’t there to be seen; they are there because they fucking love this band. It’s a united passion that is absent in most. Thank the heavens for a band like this. A London Crocodiles show would not be complete without Omar making an appearance on stage. He may be on crutches, but he made it onto the stage to sing a bit of I Wanna Kill.
Crocodiles have just started their UK/Europe tour. Tomorrow night they’re playing the Manchester Psych Fest,which will probably be brilliant. Hopefully I’ll nap in the car!