WIFE- What’s Between.

 

 

 

Sometimes you hear something that makes you glad you woke up this morning, sometimes you hear something that just smacks you right in the gut and you wonder how you went so long without hearing anything like it. Various factors justify how it all makes you feel. For me,Wife’s record is one of the few things I’ve heard recently that has made me want to write about it. For a while now I’ve not been caring about writing about what I’m listening to. I’d rather shut off than write something sloppy. If I can hear something that makes me want to stop what I’m doing (in this case, working) and to just offload everything great about what I’m listening to, then I will gladly take it. I never know how long it will last. Sometimes it stays for a few months, other times it just goes.

What’s Between by Wife is truly one of the most haunting yet ethereal records I’ve heard this year. You can find gentle music in any genre. Whether you want the swaying and dreamy guitar sounds that can be found in Warpaint or the blissed out thought-provoking tales of Deptford Goth- there is always something there. Wife’s record is possibly the most gorgeous records I’ve heard in a long time. I mean it in its truest form; there is something so vulnerable and accessible about the record that just makes you fel as if you’ve stepped into a world you try to fight yourself away from.

The gloriously intense build-up on (my favourite) the track Tongue is astounding. It’s the kind of song you play when you feel like everything is against you, and everyone is chiding you. It’s the perfect song to escape to; the whole record is like that. What’s Between just ooozes escapism a way that makes you feel like your comedown from it all might not be so bad. Of course everyone is going to pay attention to the fact that James used to be in a Metal band and is now making this kind of music, but it’s not really relevant. What is relevant is the fact that is shows just how great a musician he is.

I described his Stoic EP last year as being something of a sacred listen, and to just freak yourself out as you listen to it. The EP sounds nothing like What’s Between. What’s Between flows beautifully after the Stoic EP. In a way you can say it is less darker, but there are still slight insights to darkness on this record, but for the most part it’s just a bloody good record with the ability to be listed as one of this year’s best releases. However, that does depend on what you read and such things. It’s one of those records you play on that long and tiresome journey to/from work. Fruit Tree might be the song that gets those lazy dancers moving, if they aren’t feeling too precious about themselves.

As someone who likes “noisy and depressing shit” (not my words) I can safely say that Wife is unlike anything else I “usually” listen to. Quotes because I’d be even more boring if I only stuck to one style of music. The thing is, What ‘s Between is pretty much like the Stoic EP in the sense that it really is a sacred listen. You want peace and quiet when you listen to it; you want nobody or nothing getting in your way as you listen to this utterly captivating and soothing record. Sure you’ve got your menacing moments on the record, at times it feels like Massive Attack versus Pop.1280 (which for me is bloody wonderful.) Sometimes you listen to a record and you just know it is something remarkable, and must be treasured. That something that spurs you on, that makes you realise just how much you really really love music and without it, there wouldn’t be much point.

*(Note to whoever reads this, when it hits dusk- gaze out of your window or go sit in a park and listen to Living Joy..just do it. )

AUTUMNS- Untitled LP.

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A few months ago I wrote a little preview about the Autumns record. On this clear Sunday evening whilst avoiding whatever it is I’m supposed to be doing, I thought I would finally write something. I’ve sort of lost interest in writing, but the love of Music is still there. It’s there because of people like Christian/Autumns who make Music that means something. What it means specifically I do not know, only he can tell you that. I can only write as a fan, never as a “professional writer.” A fan has love, a person who takes it all too seriously looks for faults.

What I immediately saw in Christian’s music was what I saw in Alex’s/Dirty Beaches. I saw that one person can make a lot of noise in such an intense manner, that to turn away and to not be a fan would be incredibly stupid. The Mini LP that Christian has put out consists of tracks to zone out to on public transport or just siting around waiting for something to happen.

The LP (much to my appreciation) has Keep On Sinking on it, which I think was the first Autumns song I heard. How can someone so young make music so bloody good? Quite easily, because age shouldn’t be a factor.

There are a handful of bands/singers I love that make me wish I had even the slightest bit of musical talent, Christian is easily one of them. When you listen to his music, especially this LP, it really does make you want to pick up a beaten guitar and pour your heart out in the most raw and honest way possible. If someone can do this on their first LP, if they can leave you feeling inspired and whatever else, then you know you’ve found something truly special and something that will undoubtedly last.

I sincerely hope that some teenage misfit finds this record and is left knowing that it’s alright to make some noise that truly does mean something. I hope he/she finds a copy of this record and sticks two fingers up to what their friends and family want them to be. It’s a record that you can drown the world out to, it’s a record to find answers to. You won’t find a cure, just some clarity. I remember when I saw Dirty Beaches live last year, and suddenly his music made much more sense to me. Some things you just have to see for yourself to gain a different insight, and that’s one of the many things I get from Christian’s music. I firmly believe that when I finally see him live, I’ll have a different view on his music. What I mean is, that when you see a band or singer perform live you can pick up on what the songs mean to them. You can’t fake certain feelings- the feelings that come from music.

This is just a prime example of me being unable to write like a “Music Journalist.” I can only write as a fan, and as a fan of Autumns I can wholeheartedly say that this LP is one of the best things I’ve heard this year. It’s everything I look for in a record, and it is everything I love about music. And from a totally personal perspective, it makes me want to write about music.

CLARA ENGEL- Looking-Glass Fire.

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Some of the greatest singers/bands go unheard for years before someone is turned onto them. Time is just a thing, a measurement for those who need everything to be validated when really time is one of the least important things in existence. But time is something we all run out of. Like hope, love and faith. It is something that can be strengthened and lost. It is something you cannot control.

Singers like Imogen Heap and Brandy St John have this ability to get right to the core of what you are feeling, in a way that makes you curl up because you dislike the fact someone else posses the ugly feelings you try to hide. But the fact that they aren’t afraid to let it out makes you feel less alone and horrific for carrying it around with you. There is a singer who I believe fully is as great as Imogen and Brandy St John. I’ve written about Clara a few times, and her voice is like the ocean- crystal clear and beautifully therapeutic.

Her new record, Looking-Glass Fire is out 16th June and going by hearing only two songs from it I can honestly say it is my favourite record by Clara. Lesser Known God has a beautifully gnarly tone to it. It makes you think of Patti Smith belting out her call to the outcasts at CBGBs with such force and purpose. Like Patti, Clara can sing in an aggressive tone then flip to having this gorgeous angelic sound. She sings with utter passion that can make non-singers like myself envious of her voice.

Her words are poems for the soul; in the hopes of clinging onto something, anything just to get through the day. Take baby-steps whilst listening to her music and you’ll get there. I can imagine people leaving Clara’s live shows in tears after experiencing a voice so pure and a talent so rare. She is bold, honest and just a beautiful soul. Her songs are humble life lessons for anyone- regardless of who you are, what you do, just anything. Her music and her voices sets part of you free that nothing else really can. I adore the line “If I’m no good, well you’re no better” from her song Be Good. She writes lyrics that you can study or quite simply, see yourself in.

Clara’s voice has this way of soothing the soul whilst making you truly aware of all that you are feeling, and more importantly WHY you are feeling what you are feeling. It’s alright to have ugly feelings, it’s totally normal. Music is an outlet for so many people and is something to believe in. Clara’s lyrics, her songs…they are believable. If you can share your vulnerabilities in such a way, then people will believe. She’s just brilliant, I really cannot praise her enough. Her music could be played in the background of Poe or Ted Hughes poem. She’s a real inspiration.

You can pre-order her record, Looking-Glass Fire here:  http://claraengel.bandcamp.com/album/looking-glass-fire

WARTIME-(War)Time Won’t Let Me (video.)

 

 

My love for Crocodiles is fairly obvious isn’t it. I even went to Bedford to see them! The venue was pretty cool though, I had my eye on a large photo of Iggy Pop that sadly I did not steal. Sometimes it’s alright to steal, isn’t it?! Anyway, break the law in your own time.

Charlie’s side project Wartime is obviously incredible. I’ve been playing it on my way to and from work, and I find different pieces to love about it with every listen. Brandon and Charlie can do no wrong; separate or together, the music they make is just brilliant. Wartime has got ferocious energy to it, and if you’ve seen Crocodiles live then you’ve seen Charlie fling his guitar about in a gloriously rambunctious fashion. He’s the kind of person you would want to teach you how to play the guitar, that’s just my view anyway. Everytime I’ve seen Crocs play (only 6) I’ve left wishing I had some musical talent. But I just do what any internally frustrated music lover would do, I write about it instead.

The video to (War)Time Won’t Let Me was shot by the talented Scott Kiernan who also did the video for Up Is Up by Haunted Hearts. He’s a super talented guy, that’s evident in his work of course. I urge you all to buy Charlie’s tape and to just play it all the time. It’s nothing like Crocodiles, but that’s no bad thing. When you listen to Wartime you wouldn’t know you were listening to Charlie from Crocodiles and I think when someone can shed the skin of their band when doing a side project is brave and wonderful thing. Haunted Hearts doesn’t sound like Crocodiles or Dum Dum Girls; if anything, it just shows how talented they all are.

Alright, enough of me talking about how much I love them and whatnot….here’s the video of Charlie looking all dapper and handsome in a black suit and an extremely stylish hat:

 

HAUNTED HEARTS – Up Is Up But So Is Down.

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“She’s gonna love you ’til she’s dead.”

 

With Brandon’s seductive glare and Dee Dee’s lustful gaze, Haunted Hearts have put out one of the most alluring videos of the year. Their record, Initiation is out at the end of the month on their Zoo Music label, and if you care about good music then you should probably invest in their releases.

Initiation is a beautifully mellow and spacey record that is made up of moments that make you realise why you love music. I didn’t expect the record to sound like it did at all, meaning it sounds nothing like Dum Dum Girls or Crocodiles. I’m just glad it is only a matter of weeks before it comes out.

The video to Up Is Up features the stunning New York drag collective, Chez Deep. The video will make you want to dance under a disco ball wearing a smile and some heart-shaped sunglasses. It’s a wonderfully shot video that makes you feel as if you’ve stepped out of a Hubert Selby Jr novel (of course I mean Last Exit To Brooklyn.)

Watch the video and allow yourself to be sucked into a glorious world consisting of Haunted Hearts and Chez Deep.

DUM DUM GIRLS- Rimbaud Eyes (video)

 

Next week Dum Dum Girls are coming back to the UK along with Crocodiles for let’s face it, the best tour of the year. Nothing else really matters because these two bands are quite simply, the best at what they do. In my biased opinion, Too True is the best record of the year. Dee Dee has a gorgeous way with words (just listen to Trouble Is My Name and you’ll see how she truly gets to the core of nagging emotions.)

Their next release is the ethereal Rimbaud Eyes which is another creative collaboration with Tamaryn who directs the video. Personally, I think Tamaryn should just work with DDG on every music video because their relationship really does bring the music to life. It is just a beautiful collaboration.

Rimbaud Eyes video has a similar psychedelic feel to it that is found in Bedroom Eyes (taken from Only In Dreams) and what I really adore about Dum Dum Girls music is their way to always make you feel as if you’re in a dream. The video is part cartoon and part wishing you could swish your hair about like them. Especially Andrew’s heavenly locks.

I don’t need to write anymore about how stunning the video is, just watch it:

Go get yourself a ticket to their shows next week!

Interview with GIRL TEARS.

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There are very few bands who can grip you by the throat so passionately with their music on first listen. Better still, with their first record. I can name a handful (I won’t) of bands that have debut records that do this. They are the records you still go back to more than once a week. I don’t mean bands from decades ago, I mean more recent times. It is so easy now to put something out, and to then be forgotten. But there are a few that, when I’m old and irritating those in the care home with my rowdy music, I will remember fondly and love them as much as I do right now.

A band that have become very important and dear to me over the past 6 months or so are Girl Tears. They are 3 guys from LA who make the kind of music that makes you believe pieces of Punk is still alive. The real raw essence of Punk is in their music, so it seemed obvious that I would really love this band. Kam, Sal and Tristan make music that smacks you upside the head and goes right into your gut. The lyrics get to you and the sheer boldness in the music, the short punchy songs really get you to the core. I’ve no heard anything like this in a long time.

In an ideal world I would have interviewed Girl Tears after a sweaty and ferocious LA show, but for now let’s just work with email. I sent the questions over to the band after they played SXSW as I wanted to hear first hand what it was like for a new band to play such a notorious event. An event that, some may argue as now a corporate affair- but the music lovers will see it for what it is. It’s a showcase for new music, and new music is always a pleasure to find and enjoy.

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I asked Girl Tears what it was like to play SXSW and mentioned a quote from Alison Mosshart who stated that playing during the day in the blistering heat and sunshine isn’t meant for their music. A few other bands have said this, including the wonderful Dum Dum Girls.

 

Tristan: “SXSW was great. Crazy at times – but really great. We got to meet a lot of people and see some great bands. It would definitely be easier to go just to watch bands vs. playing. Getting around the city in the van was a little hectic, but you kind of have to expect that. We didn’t have to deal with any media people at all – I don’t think anyone really cares about us haha – there was like 916 other cooler bands there. I think this is actually the first interview we’ve ever done?!  We played pretty much every type of show – a bar, an outdoor stage, a record store, a big tent, a barn(?), a backyard show, and a pool party. It was really fun. Playing in the day is kind of weird, especially for our type of music, people aren’t really that hyped to be berated by loud, fast music at 12 in the afternoon. Especially when most of them probably had been drinking the night before. But we got lucky – it wasn’t too hot that week, so that was nice.”

 

See dear reader, don’t listen to all the cynics that say SXSW is some corporate shindig. It is everything to bands like Girl Tears because they get to show new fans what they are about. As a band that play mainly shows in LA, playing in Austin is a big deal for them.

 

Kam: “I drank more beer and slept fewer hours, than probably any other week of my life. That was my SXSW. It was great. Like Tristan said, we played day shows, we played night shows, played in houses, in backyards, on stages, in a barn, in a liquor store, in a record shop… it’s all just kind of a blur at this point, but I can’t wait for next year.”

Sal: “SXSW was a dream. The luxury of living in LA is that most bands stop here for tour anyway, so (with the exception of getting to check out some new bands) I was able to just focus on our shows and hanging out with as many people as I could. In that respect, it didn’t disappoint, because it was pretty much a great vacation from work and the shows were terrific and extremely diverse. I wouldn’t trade any of the experience there for anything else, and enjoyed meeting all the people I got to meet!”
Just go through their Instagram page, and you’ll see tons of photos of the band having fun at SXSW. I really enjoyed their photos of them seeing Dum Dum Girls play. Girl Tears are excited about finding new music as they are making it. This attitude really comes through in their debut record, Tension. Which (and I’m not being biased) is honestly one of the strongest debut records I’ve heard in a long time. It’s got the dark, distorted feel that is found in the beloved Psychocandy. I feel like I’m in 1985 not 2014. So what could possibly influence a band like Girl Tears? For me they do sound like Iggy Pop, the Ramones and The Birthday Party bumped heads in a drunken bar brawl and Girl Tears happened. What made them all want to make music?
Tristan: I would have to say that Operation Ivy made me want to play in a band & make music. The first time I heard them – it was totally one of those moments where I was so intrigued and confused as to what I was hearing. I had never heard music like that before, or that type of recording. I seriously thought something was wrong with the speakers. And then of course I couldn’t stop listening to it, and I dreamed about how fun it would be to play in a band like that, with all that energy and sincerity. And then a couple of years later I bought my first bass (that I still use!) from a friend. Since then I have played in a bunch of different bands – but Girl Tears is the first band I feel completely natural in –  with that energy that I have been lusting after since I first heard Operation Ivy!
I’m fairly sure in a few years time, people will be saying this about Girl Tears and citing them as influences. Each band member is influenced by something different to the other, and that really comes through in their music.
Kam: “The Replacements are a big one for me, The Ramones, The Nerves, everything Dischord and SST put out in the 80s, all the Slumberland bands, the Sacred Bones bands, Lolipop bands, Burger bands, so much.”
10 points go immediately to Kam for mentioning the above labels.
Sal: “I feel like more than any of my friends, I had to discover everything on my own. My parents listened to pop music and I’ve always had different tastes, which made for great contrasts and unfortunately discovering everything late. The very first music I ever got into was metal on MTV when they used to play music! From there it was borrowing Metallica and Led Zeppelin tapes at the library and it’s all been downhill from there, haha. Still, what I love the most about the band is first and foremost the diversity amongst the three of us and how different we all are as people and musicians. Each person has their unique perspective on everything and together, the results are always unpredictable and super fun.”
That’s exactly why this band have a brilliant tight sound. They all bring something else; their influences aren’t typical or predictable- but they all have one thing in common. Kam, Sal and Tristan have mentioned bands that play with the same passion as they do. That kind of love for what you do is infectious, it just makes you adore them even more.
There’s one other thing that really made me love their music and what they do, and that’s their artwork. Their artwork is created by Tristan. I’m fascinated with his artwork- mainly because in my family, my uncle is the real creative one. He got me into Punk, he’s in a Punk band and is a brilliant artist. He drew me a birthday card last year with Patti Smith on. He also once drew me a picture of the Backstreet Boys, but I was 11 years old and didn’t know any better. What I wanted to know was how Tristan approached his art, is it the same as how he makes music?
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*This photo is the flyer for their show at The Satellite by Tristan.
Tristan: “I’d like to think my approach to art is similar to music. Most of my art is pretty basic – black and white, heavy contrast etc. I think the way I try to play music is very similar, the whole “less is more” idea goes a long way for me; I always have the thought in the back of my head of “Just because you can, doesn’t mean you should”. With art and music – I think a lot of people get excited with new techniques, or pedals, or effects they’ve learned how to use and want to incorporate them – but a lot of times it just comes out kind of wrong, or forced or gaudy you know? So I feel like you can’t go wrong if you keep it basic. I don’t know though, it might be because I can’t see colors that well and I’m not that great of a bass player! Haha! So I have to keep it basic!”
His art is just as brilliant as his bass playing, he’s just being modest. Girl Tears are down to earth chaps who care about music, and it really comes through. That’s how it should be. There’s no ego here, they just want to be heard. They have to be heard.
Girl Tears live in a place where if you’re not in a band, you’re probably an actor. A place where art, music and film is everything and is everywhere. As beautiful as this can be, it can also be a place where dreams wither and die. It can bring the best out of you, but it can also drain you. Everyone is facing the same struggle with their art, and if you see someone else’s hopes be crushed- does it deter you or does it make you tougher? Everyone is different. Some can cope with this kind of pressure, others just fold. The best way of course, is to just keep going and to ignore most obstacles. To never acknowledge others telling you that you cannot do something. Just how hard is it to be heard in the City of Angels?
Kam: “It can be difficult, most definitely. There are a trillion bands in LA, and you’re totally right, if someone’s not in a band they are an artist, or an actor, or a writer, or something. The only thing I know to do is ignore all of that, and try my hardest to make something that is honest and true to who I am, and who we are, as a band. At the end of the day that’s all that really matters to me. Also our friends at Lolipop Records and Dirty Laundry TV have helped us enormously, we’re really lucky to know good people in LA.”
Sal: “I’ve been playing music for so long and I’ve been in bands where the only goal was to push ourselves as much as possible to get “big”. The place I’m at right now is where I’m completely happy just hanging out with Kam and Tristan and love playing these songs every chance we get. We’ve had some great opportunities which blows my mind, but I’m trying to take it all as it comes, so being just one band amongst millions is just fine with me!”
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Girl Tears are sentimental chaps who love each other and love what they do. Their music is at times dark, raw and in your face. But are these three like that? Oh I highly doubt it. Their songs, like I have mentioned many times before, really does keep the manifesto of Punk alive. They’ve got the short, punchy songs down to a fine art. Their songs sound right at just under 2 minutes long. But then you have bands like Warpaint who have some songs that last over 5 minutes, and they sound perfect that way. Warpaint jam on stage for close to 10 minutes after the song has ended, but Girl Tears manage to melt your face and blow your mind in under 2 minutes. Both are polar opposites, but are bands that you just need to witness live (I’m still waiting to see Girl Tears live, but I’m 100% sure their live show would leave me wanting to start a band.) Is having short songs something Girl Tears set out to do?
Kam: “You know, truthfully I don’t think I know what I’m doing half the time. I think when I’m writing songs, I’m just trying to do what feels right and what makes sense in the moment. This album is what made sense to me at the time. All these lyrics, it’s not necessarily how I’m feeling 100% of my life, but in the moments that I wrote it, they were totally honest and real. All I wanna do is write songs that are honest. Whether they are 1 minute long, or 8 minutes long, I’m down for whatever. As long as it’s fucking real, ya know?”
So there you have it. An insight into one of the most exciting bands around. A band that really love what they are doing and aren’t doing it to seek approval from others. Their fans are dedicated and truly believe in them. In a short amount of time, Girl Tears have become one of L.A’s most exciting and genuine bands around. They’ve got something that goes beyond words. Their music has heart, guts, passion, soul and all in between. Their plan over the next year or so is to keep playing live, record more, keep writing and tour some more.
Listen to their music: http://girltears.bandcamp.com/ and play as loud as you like.
Play at night for the full effect and allow yourself to be moved by something truly gorgeous, sinister and rambunctious. Girl Tears are my favourite new band; it’s about time they became yours.

SURF CURSE.

 

We can shoegaze in my room,
So we can sing about our gloom.”

 

I’m currently in awe of two things right now; Kevin Costner’s mustache (Jimmy Fallon show from possibly last night) and a fine duo called Surf Curse. Now, I can’t give a proper opinion about Kev’s mustache, but I can write some words about Surf Curse- but that’s if I can tear my eyes away from the TV screen for long enough.

Surf Curse are based in Reno, Nevada but come from Henderson and consist of two guys who love music and pizza. They are two vital things most people need in life. Without pizza and music, life would be a massive bore. It would be a drag to get through the day. You think of your favourite pizza, and you’re okay. You think of your favourite song/band, and you’re alright. The ultimate dream is to eat your favourite pizza whilst listening to your favourite band. That’s sheer happiness there. For so long I have been tempted to start a blog dedicated to pizza. Going to pizza places, eating some pizza and writing about it. However, as someone who is finally losing weight- I can’t really allow myself to follow this dream just yet. I’ll do it one day. As an Italian (alright, HALF Italian) I feel it is my duty to take up this task. I’ll write about Surf Curse for now.

Surf Curse make music that if I was a teenager listening to them, I’m pretty sure I would have felt less awkward in my skin. As a 27-year-old listening to them, I think it is safe to say that make me feel at ease with what I’m uncomfortable with about myself. They’re a really fun band to listen to who merge lo-fi with a raw Summertime feel. hen I first listened to Surf Curse, I thought they were English for some reason, but no they are from Reno (Nevada.) They’re the kind of band that if you saw them live, you wouldn’t be satisfied until there had been a stage invasion to Skullder. Skullder is my favourite track. It is now my favourite word, and I don’t know what it means.

I really love their lyrics because they touch on the frustrations of love or the formation of lust that then moves onto lust. We’ve all been there; the thought of being with someone, but something holds you back. There’s always a reason for it. Sometimes the reasons hit you later on in life. Your feelings will never be sorry for being an inconvenience. Not many things will.

Forever Dumb is one song by Surf Curse that a few years ago, I’d have seen myself in this song. As I’m older (probably still careless and not much wiser) I can see the wrong I did. I can be sorry forever, but it’s no good is it. If you don’t move on from the damage you caused, you’ll keep doing it and you’ll hate yourself. I’ve spent a large chunk of my life doing just that. But I want to reinforce the idea that Surf Curse are a FUN band. Their sound is blissfully wonderful and their lyrics at times are sad. The way they talk about being hopeless and fucking up really hits you in the gut. Regardless of age, you can always relate to this.

Surf Curse again, just back up my idea that duos are the best. You can hear them play with such fury and determination. They make you want to grab your best friend and start your own band. Their song, Heathers is one to scream along to- as loud as you possibly can. You’ll feel liberated once you do that. Their songs are the perfect sound of Summer; whether you’re in love or you’ve shielded yourself away from it all. Their songs are the definition of love, lust, youth and are entirely energetic.

You can listen to their sun-kissed melodies right here: http://surfcurse.bandcamp.com

FROTH.

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When your mind races and your body feels like it is seizing up, the only cure for this is to listen to music. Aside from cruel diseases, music is a cure. It eases loneliness, it drives away sadness, it can bring joy- it’s more than a cure. It’s everything. It can stop fear momentarily. There is something about it that can make you feel as if you can do anything. The ultimate high.

You find a band sometimes that instantly makes you wish that right now, you were elsewhere. In body you can be in one place, but in mind you are some place else. I suppose it gets messy when your heart gets involved, but I’ll try to avoid that for now. I suppose when you can escape in your mind well…it’s cheaper than an actual holiday. My body hasn’t felt right since I came back from Brussels; I am desperate to go back. Anyway, this is about music- not my desire to go back to Brussels.

Froth are a Los Angeles band that with first listen, you’re going to wish you lived in LA. Although, maybe it is the idea of LA that will lure you in. Froth have got a sound that is found in a lot of bands I love; a typical blissed out Psychedelic sound with 60s Girl Group harmonies. A real Garage Rock vibe is surrounding Froth’s music, and it is so easy to love them on first listen. It’s like seeing a cute puppy for the first time. What  love the most about Froth is that they don’t sound like a band that are around now. There’s a wave of nostalgia in their music that too, is found in a few bands that I am fans of. That’s another reason to love them. Their debut record came out last year (Patterns) and it’s probably one of the most underrated records of the year. Let’s not make the same mistake again. The whole point of making a mistake is to learn from them. Some mistakes are fun to keep on making, so I guess they aren’t really a mistake. There can be beauty in a fuck-up.

I’ve said it about a few bands before, but Froth make the kind of music I wish I could. Their sound is beautifully relaxed with a gorgeous Psychedelic glare. They’ve got a real DIY ethic, and if you’ve got a label like Lolipop Records and Burger Records putting your music out there, it is easy to see why. I’ve read some snippets about Froth, and I’ve read that their live show is something that needs to be seen; as you listen to their music it is easy to imagine what it would be like. Froth are a band for those who REALLY love music, and I’d imagine they would attract a passionate crowd to their shows.

As Summer is faced approaching, the pressure of heading to a beach can be a drag for those like myself who cannot (and will not) part with their black clothing and Docs. How am I supposed to relax when I feel like I am melting? Surely there are better places to hang out? Good luck if you’re in LA. But, I suppose you’d find some place better. My point is, if you dress like me (do people call you a scruff too?!) and you know what the Summer means, then just listen to Froth. Something about their music will make you feel less dreadful about imminent heatwaves galore! There’s only so long you can stay indoors before you totally lose it. Find a tree and just sit under it. Froth are a band that you can just shut off to; there is something really assuring about their music. You feel as if you’ve heard it before, but the truth is- you’ve not heard anything quite like it.

I may never get to visit LA, but I feel like I’m already there when I listen to Froth.

So, if you want some Summertime grooves or something to just soothe your soul, then give Froth a listen: http://froth.bandcamp.com

BAD GRAMMAR-Forced Fun.

 

 

Everything sucks. But mainly because I’m no longer in Brussels. I went there on Saturday until Monday, and I had a delightful time- but people in Brussels aren’t fans of my kind. My kind being…vegetarians. Sorry about me and my lack of desire to eat a dead animal. It’s been 11 years nearly, I’m not going to change my ways. Luckily, I know the French word for “cheese” so I was alright. Brussels is a place I’d happily return to and stay there. I’ve decided it is now my favourite place, and every day I will dedicate 5 minutes to quietly sulk about the fact that I am not there. It’s worse when you’re unemployed isn’t it.

So I might as well write about a record that adds a bit of joy to my day now it is out.

Forced Fun by Bad Grammar is made up of a handful of songs that make you feel like you’re being satisfactorily beaten up. They leave you battered and bruised with their unapologetic and ferocious vocals; courtesy of Ben. Lucy’s drumming makes you pretty much disregard any other drummer you’ve ever heard. They’re the band that you need to listen to if you’re wanting to start your own band and make a racket. I really love the title of the EP. I think most of us can relate to being forced to enjoy ourselves. Hanging out with people who know someone you sort of recognise, if you squint slightly. Urgh..no thanks. Can I just stay at home with my books? I can’t? Fuck you, I can.

Forced Fun is the best EP of the year. Right next to it is the new Brown Brogues one, but I’ve already gushed about how awesome it is. Now it is Bad Grammar’s turn. A fine Mancunian band that no one could get bored of listening to. The EP opens with Stay Toned. Play it whilst you sweat it up at the gym. Just play Bad Grammar at the gym or go for a massive run whilst listening to them. Exercise to these wonderful tunes. Or you can stay at home and break stuff to it. Go for the latter; add some rebellion to your life.

Miley Serious is a delight of a song. It’s pun o’clock with this band. They’re bloody brilliant. See, I first heard about them when I saw them live and when the first time you hear about a band is at a live show, it kind of makes you love the band more than you would than if you heard them on record first. If you’ve experienced it, you’ll understand what I mean. I’ve just gone round the houses to try make my point again. The EP is about 15 minutes long (maybe a bit less) and as someone with a questionable attention span, I can safely say that this EP is just an absolute pleasure to listen to.

Weekend Dad is my favourite Bad Grammar song, and it’s my favourite of theirs to watch live. It’s under 3 minutes of sheer angst in the most glorious fashion. It’s the breakdown towards the end of the song that has a brilliant lo-fi/Garage Rock feel to it. Think early Wavves. Bad Grammar have made their own sound which is like nothing else, and I know so many people say this about other bands but you can always find some fault in their cheap declarations. I’m rarely right, but I think I am with this one. It’s a sound that you won’t find in piss ridden alleyways or arenas, or even lurking in your local. It’s a sound that has quite simply, come from two incredible musicians who deserve a wealth of success.

The EP ends with their new single, Temper Temper. The EP starts loud and ends loud. It is a riot for the ears that you cannot ignore. They’re playing The Old Blue Last on 29th April. It’s free; come on down! Their live shows are something else, and they have this infectious energy that is equally evident on record. In the past few months I’ve written about Bad Grammar a lot, but when you find a band you really believe in- why on earth should you shut up about them? I’m possibly repeating myself by stating how brilliant Ben and Lucy are.

So, I suppose all you can do is buy their EP from here: http://flatpackrecs.bigcartel.com/product/bad-grammar-forced-fun-pre-order Go on, treat yourself.

Buy it. Play it constantly and as loud as you like. Go see them live.