Tag Archives: Punk

AMYL AND THE SNIFFERS: The Deaf Institute, Manchester. 6th April 2019.

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“I’m poor, I’m broke, but I’m just fine.”

You know how the world and its mother insists that they were at the Sex Pistols gig decades and decades ago at the Lesser Free Trade Hall? Well, tonight at The Deaf Institute, Amyl and The Sniffers gave off that feeling- this was a gig that EVERYONE wanted to be at. I feel bad for those who didn’t see that their set was at half 8, and walked in just as their show was coming to an end.

I was right at the back, but I saw it all. I was right at the back and not near speakers, but I can’t hear properly. That alone makes it a brilliant show. As someone who has panic attacks a fair amount, I was convinced this would be the reason why I wouldn’t be able to make the show tonight. But I went. No hint of anxiety was there, and amongst a room full of sweaty strangers- I felt safe. I was in my own world. I needed this. I needed to witness this beautiful form of chaos and see a band that I absolutely adore, for the first time.

The first thing I want to talk about is their cover of Deceptacon by Le Tigre. A song that is just obviously one of the best. Le Tigre mean a lot to me, anything Kathleen Hanna does means a lot to me. She’s a fucking goddess, and seeing Amyl and The Sniffers put this song in their set tonight gave me that feeling I got when I first heard Kathleen Hanna’s voice.

The first thing you notice about Amyl and The Sniffers is their energy. If you’re feeling a bit shitty, go to one of their shows or just listen to their music. It’ll do something to you that nothing else will. This gig tonight was truly something else, and I don’t think any band has ever ripped The Deaf Institute apart like this before. There was a mosh pit immediately, Amy stage dived a few times, she handed the mic around to the crowd (one lucky person made it on stage to sing with her for a few seconds before security clocked on.) It was a show that made you feel some type of way. It made you feel alive, and I know that sounds so corny but it really gave you that intense feeling. I love how Amy has this massive grin on her face the whole time. You can tell that they all love playing shows so much, and it truly shows on their faces and the way they all play with this strong and united energy, which flows right into the crowd instantly.

70s Street Munchies was one of my many highlights. It’s easily my favourite song by them, but seeing it live just hyped the song up even more for me. I love how Amyl and The Sniffers are such a strong Punk band yet they don’t make it feel clichéd or make it sound like something we’ve all heard before. They’re doing it their way, and it’s nothing short of perfect. Westgate and Mole (Sniff Sniff) were intense and brilliant. New songs like Monsoon Rock were incredible. Monsoon Rock has this really brutal intro, it’s incredible. I’m Not A Loser and Stole My Push Bike saw everyone go totally nuts and lose their shit. I loved, LOVED Balaclava Lover Boogie so much. I love how this song has this almost Funk rhythm to it- for me, Amy’s vocals on this are my favourite, easily. She has this way of screaming the songs at you but they do not have any hints of intimidation to it. You listen. You listen intensely, and shout the words back. You cannot take your eyes off the band, they are all just a sheer joy to watch, and will leave you wishing, “I wish I could do that.”

They may have only been making music together for a couple of years, but if you heard them and knew nothing about them- you’d have thought that they have been together for decades and are either as band that spilled out of New York in the 70s, or were part of the Riot Grrrl movement in the 90s. What I’m getting at is basically, they take everything I am in love with about music and just blow your mind. They’re like the Ramones meets Bikini Kill, but at the same time they are just unlike anything else.

On record they blow your mind, but live they absolutely burst your eardrums. Tonight’s show in Manchester was nothing short of rambunctious joy. Nobody was stood still at this show; as soon as the band came on stage there was this glorious roar in the crowd, and that energy went straight into the band.

Of all the shows I’ve been to, I really don’t think I’ve seen this much energy in a room before. I hope some people who were there left wanting to start their own band or movement. The atmosphere was nothing less than what I’d expect from a Manchester crowd. They’re the best crowd, always. There was just so much love and respect in the room, and it just added to the beauty of the show.

I really cannot praise Amyl and The Sniffers enough, and something tells me that this will not be the last time I go see this band. They leave you wishing you could be at their shows every night because sometimes, you just need that raw and rowdy feel from a show. They give you it, and a hell of a lot more. Drinks flew, items of clothing ended up on stage and hearing was probably lost by most of us. A memorable show, for sure.

Go see them. Stand at the back and soak up the atmosphere, or go right into the depths of the crowd and throw your body around with everyone else. Wherever you are, you’ll just feel part of this truly mind-blowing experience, and you’ll probably compare everything else you listen to or any show you go to, to them.

BAD HOO: What Is When.

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Aside from The Coathangers putting out an incredible record on Friday, Bad Hoo also put out something truly remarkable.

If you’re looking for a record to get drunk to, break stuff to, have a good time to or just do a whole load of nothing to- then you’re going to love What Is When. It’s a proper smack in the kisser kind of record. It’s just a brilliant noisy record, and it’s fuelling my obsession for them.

The lyrics and music on this record are hard-hitting. It’s a take on what’s going on, and what is messed up in the world. But you can’t help but be comforted by the music. You kind of feel at ease with all that’s fucked up in the world, and you just throw your cares away to the music. Bad Hoo are definitely a band that are here to be seen live, listening to this record you truly hear how brilliant they are and how their music is meant to be witnessed live. Shit kicking songs like Confuse Bouche and Rootbeer, NZ are the ones you know will set off any crowd. The songs on this record are beautifully wild, and these two are definitely a prime example of this. The songs are made for a good time, all the time. The record will get you to loosen up, and it’ll also charge your mind up when needed.

I love how they make this record a collection of songs that show us all that they are so sure of their sound. When you listen to this record, you feel at times you’ve stepped into a Spaghetti Western or into a dive bar. They give you these brilliant images and situations, and for a band to do this so early in their career is nothing short of genius. I’m in awe of them. I just love Bad Hoo a hell of a lot, and I love how they just have this unfiltered approach to their sound. Nothing is overproduced, no one outshines the other. It’s just a bunch of pals making music for us to believe in.

The best thing to do with this record is this: on your first listen, be alone. Do it through headphones. Second listen: play really loudly and do whatever the hell you want to do as you listen to it. Third listen onwards: play it so your neighbours hear, play loud and just go nuts to it. Oh, and make sure you really let go to Banana Splat- especially the instrumental break. It’s insane. It’s such a great moment on the record, and it’s definitely one of the liveliest songs on the record.

Whatever you’re into, you’ll get into this. It’s such a great record, and the more you listen to it the more you hear how great the band are. Songs like Blind Dolphin just leave me in awe every time. I just really love this band, and I cannot help but praise this record. Everything about this record is all I want from music. It’s rowdy, it’s loud and it’s unlike anything else I’ve heard before. What Is When is such an exciting record to listen to, over and over again. I’ve played it a lot the past few days, and I keep finding different parts to love. The record has this wonderful ability to make you see with every listen, just how brilliant they are as musicians. There is so much going on but by no means is it overbearing. It’s just an absolute pleasure to listen to. Most certainly one of the year’s finest records for sure!

Please go out and buy this record so they can afford to come do a UK tour.

THE COATHANGERS: The Devil You Know.

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Everything I’m about to say about The Coathangers has already been said before. We know they are exceptional, and this is even more apparent on their new record, The Devil You Know. If you’re looking for a record to totally lose yourself in and just love music all over again- get this record. You don’t even need to read anything anyone writes about it- just buy the record.

This is their sixth record, and its again another example of why they are such an exciting band. There’s no other band like them, and that’s what really grips you. There’s other things that really grab you about this band, but the main thing is- they are fucking incredible. They’ve been going for over a decade, but they still maintain this brand new sound that just makes you want to listen to them, and only them.

This record is ridiculous. It’s heavy, it’s Punk, it’s loud, it’s a work of art. It’s straight up genius. Crimson Telephone is my go to song to play obnoxiously loud. I remember being about 14 years old and listening to Bikini Kill for the first time- I found a band that really spoke to me. I found them on my own, and it changed my life. That feeling they gave me was something that every kid gets when they find a band by themselves, and the band become their life. The Coathangers do exactly the same for me. With this new record, they do it all over again. This is such a great record that has so much emotion and passion within it. It’s absolutely one of the best records we will get this year. Besides, it’s been released again on Suicide Squeeze and we all know that they’ve got a knack on releasing music that is perfect.

The Devil You Know is for us underdogs, the ones who need something in music to do something to us that nothing else can. The fury, my god, the fury and passion in these songs is enough to start a fire inside the tamest of people. Hey Buddy is a song that will have the same power of Rebel Girl by Bikini Kill- it’s an anthem. It’s a BIG song. It’s an important song. It should be the national anthem for the world. Listen to it. Listen to it, and pay close attention. Play it loud. For the love of god play it loud.

Music is powerful, and it is so obvious on this record. Every song is charged by something that is missing in the world- compassion. But this record isn’t soft. This is a record for those who are pissed off, and want shit to get done. Enough is enough. They are the band we need, we want and deserve. They may not save the world from all its fucked up-ness, but who can now? But, what they have done on this record and on songs like Stranger Danger , F The NRA and the whole record to be honest is to be a voice for us.

The Devil You Know is a record that is instantly timeless. There is so much importance to this record, and there is so much to it that you discover with every listen. Play songs like Fuck The NRA really loudly, and you’ll pick up on a Sex Pistols like rage in the sound or other times you’ll hear something like Bratmobile flowing through. It’s just a phenomenal record that I know I’ll keep on going back to. Not just this year, but for the rest of time. It’s a record that shows us how incredible they are as musicians and people. There is so much to love about them. Take the song Last Call- it has quiet moments, then it kicks in and it is the most glorious thing. When it kicks in, you can just imagine this setting everyone off when they play it live. It’s out of this world. It’s my favourite for now, but to be honest every single song is perfect.

Whether you’ve been an obsessed fan of theirs for years like me, or if you’re only just getting into The Coathangers, it is pretty safe to say that this record is going to blow your mind, and then some! It’s a masterpiece, and the sheer excitement and devotion in this record is something to love and treasure.

Play loud.

Oh, and The Coathangers- if you see this somehow, I love you!

BAD HOO.

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Tomorrow, Bad Hoo are putting out a new record. I can’t wait until then to write about them. I can write about the record separately anyway.

Bad Hoo are a completely off the wall, in your face band from Victoria. They deserve to be your favourite band. The kind of band you play to unwind to, except their songs are so hectic and loud it’d do the opposite. It’ll get you pumped, and ready to go to a show and have the best time. Bad Hoo have a brilliant sound that makes you feel carefree and oblivious to all that’s going on. Sometimes, we need that kind of escapism and they deliver it so well.

They’ve only been around a couple of years (I think) but ignore time on this one, they’re just a really great band. And you know, if I didn’t have a torn tendon in my shoulder I’d probably be throwing my limbs around to their music. I’ll just do it mentally for now. Something I really dig about them is that they sound like a band that you’ve just got to see live. (Hey, Bad Hoo- if you see this, can you come to the UK? Specifically Manchester, please?!) They have this really cool sound that makes you feel like you’re at their show, you don’t feel like you’re listening to a recorded version of them. They’ve got this effortlessly cool sound, and this is the kind of sound that just rules you. When you find bands that give you this feeling, it becomes something that you seek in everything else. I just love this raw and brutal sound they have – it’s a real rugged Punk sound. They are fearless with their music, and I have nothing but respect for that.

I’ve only listened to one or two songs from the new record, but I am super excited to hear it and write about it. The energy that Bad Hoo have is just ridiculous. They sound like a bunch of hyped up kids who have drank too many energy drinks and refuse to sleep. Their hyperactive sound is an absolute joy to listen to, and you can’t help but want to be part of it. I just adore this wild and weird sound- it’s great. I honestly cannot praise them enough, but obviously will try to!

There is something quite rebellious about their sound. I don’t really know much about music from Victoria, but let’s just call Bad Hoo as the best band from there. If everything sounds like this, then we need more and more bands to com forward and hit us with this rambunctious sound. I can’t get enough of it. Irrespective of if I play it sky high or through headphones, the same feelings are there. Bad Hoo are just a great band who make you forget about the world and all it’s shittyness.

Bad Hoo take elements of Surfer Rock, the eeriness of The Cramps and The Mummies and give you something that’s destined to blow your mind, melt your face and destroy your hearing in the most pleasurable way possible. I desperately hope they come to the UK because I reckon their shows will just be utterly wild. You can picture it now- drinks flying, sweat hitting everyone, the heat getting too much but none of it matters because the music is just every form of perfection.

Alright, that’s enough for now. Their new record, What Is When is out tomorrow. I’ll save some more words of praise for that!

LAS SELVAS.

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If you’re already looking for a band that’ll beautifully captivate your summer and rule every bone in your body, then look no further than Spain’s finest, Las Selvas.

They only have two songs up on their bandcamp page, but these 7 minutes worth of songs are enough to get you hooked and turned onto this magnificent sound. I know nothing about them, but I do know that they are exceptional musicians who just make you want to get lost in what you’re hearing in.

Under Buzz is 5 and a half minutes of euphoric gorgeousness. It has heavy parts, it has gentle moments. It’s a mind-fuck and it is so beautiful. I’ve listened to it so many times on my lunch break already. I just keep going back to it. I love the collision of soft and gentle. I love how this song just takes you off some place magical, truly magical. This song really makes you pay attention to Las Selvas, and immediately has you hooked. Part of you just wants to join the band- especially when the song kicks in. When it REALLY kicks in, you can’t help but think “my god this is what I’ve been looking for!” It’s such a powerful song, and for a band to have this so early on is truly remarkable. This is what we need, this is the band we’ve been looking for!

There’s four of them I think in the band, but they make it sound like there’s about ten of them. I don’t know how they do it, but they make you fall in love with them immediately. There’s really no denying how talented they are, and how deserving they are of every ounce of success that needs to go their way. Going by what I’ve heard so far, I’m pretty sure that their live shows are wild. I love how carried away they get, and although they are just two demos- these two demos are just perfect. They don’t sound rough or anything like that, they sound like songs from a band that are very sure of how they want to sound, and they also sound like they’ve been doing this for decades.

Blue Life is a song that makes you want to just head to the beach and watch life go by. It’s a peaceful song that just takes you again, to some magical place. Somewhere sacred and safe. They’re a band that evidently have it in them to keep giving us masterpieces after masterpieces. This is with just two songs; it’s nothing short of incredible. I’m pretty sure I’ve just found the best new band of 2019, easily.

I love how Las Selvas give you a pure sun-kissed feel in their music, and just make you feel so at ease. They are really such a joy to listen to, and I really cannot wait to hear more from them. I want more songs like Under Buzz that sound like Warpaint with a hint of 90s Grunge to it. I love this sound so much. I love the gentle moments in their music, and I love the heaviness that compliments it all so beautifully.

I know next to nothing about Las Selvas, but I do know that they are one of the most exciting bands around and hopefully, 2019 belongs to them. I hope they play some shows in the UK and just take over the world. I love them. I just absolutely love them, and I’ve decided right now that I am declaring myself as being their biggest fan.

Las Selvas, how I love you so!

CROCODILES: Love Is Here.

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One thing I really enjoy is writing about my buddies, Crocodiles. With every record they just reinforce my love for them, and their ability to constantly evolve their sound and always take themselves out a safe zone when making music. I think April this year sees the 10 year anniversary of their debut record, and the 7 records they have put out in a decade have all been masterpieces in their own way. Now it is the turn of Love Is Here to be adored in all its glory.

I don’t want to write this in order of the songs, because I’ve a lot to say about one songs in particular- My Far Out Friend. On every record by Crocodiles, they always have this one song that hits you right in the gut and takes you away from where you are. They always have this one song that sends you off into a euphoric bliss that nothing else can touch. My Far Out Friend is easily now in my top 5 songs by them (it’s always changing, of course but this one is something else.) I absolutely adore Brandon’s vocals on this song. I love how his vocals on this are as dreamy as the music. It has this gorgeous psychedelic feel, and there are two moments in the song where there’s this little drum roll that goes into a beautiful instrumental. It makes you feel like you are floating, and Brandon’s vocals come back in like they are guiding you through the clouds. This is truly one of the most beautiful songs I’ve ever heard, and it’s one I keep going back to. It’s such a gorgeous and ethereal piece of music. The second instrumental part is slightly heavier, and wraps up this work of art so beautifully. My Far Out Friend is THAT song that you close your eyes to, and just zone out.

Last year, I was sent a copy of the record and it just blew me away. Aside from My Far Out Friend, the other song that blew my mind was I Was A Fly. It reminded me of something The Cramps would do. I love the weirdness in the song and there are bits of the music that remind me of something else, and it’s driving me mad that I cannot remember it. It’ll come to me, probably in my sleep. Typical. It’s a real gritty song that you can imagine hearing in dimly lit basement bars.

The record opens with the face-smacking Nuclear Love, and goes right into the wonderfully decadent Exit My Head. Both of these songs are reasons as to why Crocodiles are clearly just the best, and sure I may be biased but that’s what 10 years of being a fan does. I love hearing how they have pushed themselves with each record, and these two songs definitely show this. The songs are heavier on this record compared to Dreamless- but there’s really no point in ever comparing any of their records to each other to be honest. Crocodiles are a band that make you excited about music, and always leave you wondering what they are going to do next. I hope they release Exit My Head as a single because there is something about this song that oozes smut and beauty. I adore this song a hell of lot. The lyrics are brilliant, and I think it’s one everyone can relate to or has related to at some point, In some ways, it reminds me of Henry Miller meets Lou Reed then goes for a drink with Hubert Selby, Jr. It’s just a great song!

Love Is Here (The End Is Near) is a real Punk sounding song. It’s got that pogo feel to it, and I really hope that when they play this life that the crowd go apeshit. They’ve got many songs that make their fans go batshit when they play them (for me, it’s always Refuse Angels) and Love Is Here has got to be one of them that just spur the crowd on to just go insane to this song.

Rats d’Amour and Voyeur Under Glass make you feel like you are roaming a city like Paris late at night with a feeling to cause some trouble (nothing sinister obviously) or just watch the world go by. Voyeur Under Glass has a slight Reggae feel to the guitar which I love so much, and I love the bass so much on this one. Something you really notice on this record is just how ahead Brandon and Charlie are with their sound. I’ve noticed it on their other records, but there is something about Love Is Here that, although you know it is them- there is something about this record that is ahead of its time. The production and the whole sound on this record is nothing short of perfect. You can truly hear the dedication and passion in this record, and it is honestly a flawless piece of art.

Basically, this is just a declaration of love not a review. I can’t write reviews anyway. In short, Love Is Here is the record we absolutely need. It’s most certainly the record I need. And yes, it is my record of the year- I think that’s pretty obvious.

Get yourself a copy from their bandcamp page, and play it loud!

VIVA CROCODILES!

DEAD BUTTONS.

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Sometimes when you know virtually nothing about a band, it makes it easier to write about them. That’s what it’s like with Seoul’s finest. Dead Buttons. All I know about them is this- they are insanely brilliant, and they’re beautifully weird.

If you’re looking for something that will make you think you’ve got a riot kicking and screaming in your head, then you’ll love this band. They’re unlike anything else you’ve ever heard. I honestly have no idea what sounds like them, who are their influences etc. But to be honest, that shit doesn’t even matter. They’re a bunch of musical maestros who truly know how to rip you apart in the most pleasant way possible.

Their songs are these huge masterpieces that make you just sit in awe as you listen to them, they are truly something else. They really will blow your mind. The guitar is off the wall, and the drums keep up effortlessly- it truly does just make you feel like you are unable to move or jolt slightly, because what you’re hearing just throws you off. If you’ve think you’ve heard it all before, then think again! Dead Buttons are probably one of the most exciting bands around, and going by what I’ve heard so far- I’m pretty sure the music scene in Seoul is something we most certainly need to pay a lot more attention to.

Dead Buttons are a band that have probably been sent here to corrupt our minds, and get us all to just zone out as we listen to them. The music is nothing short of perfection. They have this Psychedelic feel but at the same time, the vocals are Punk-ish/ have a Garage Rock feel to them. Everything I love about music is in this band. I really cannot get enough of their sound. Take the song, Foggy Night. It’s just under 7 minutes long (they do songs that last over 5 minutes which is part of my huge love for them)  and it’s a song that has all these twisted and gorgeous layers to it. It’s gentle, but at the same time has a slight sinister tint to it. This song would be perfect in an 80s horror film where you can see all the set props move and the blood is clearly ketchup. It’s such a brilliant song, and it just gets you right in the gut. It’s one of the best instrumentals I’ve ever heard. They make music that is so beautiful, and I love that their recordings up on bandcamp are live ones. It makes you feel like you are at one of their shows, truly. I love how they convey the atmosphere over these recordings, and how you feel it’s just you and them.

There’s a lot of mystery and eeriness in their sound, which I love of course. I love how different they sound and how they are clearly unafraid to mess with the listener’s head. I love music that does this, and I love bands that are utterly fearless with what they do. It makes you believe in them more. I hope we get more music from them, because they are a band that need to be heard. Loudly.

You know when you hear something, and you just know it’s going to stick with you for a long time? That you know that nothing else is going to come from that euphoric feeling you get when you listen to them? Dead Buttons give you that, and so much more.

They’re just a phenomenal collective of musicians who are absolutely unafraid to push the listener, and have this wonderful passion within their music that just makes you be in complete and utter awe of them.

I need to hear more from them. We all do.

Play loud.

CROCODILES:Wait Until Tomorrow.

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There’s nothing better than your favourite band putting out new music, and writing about it. It’s common knowledge that I regard Crocodiles as highly as the Velvet Underground, The Gruesomes and Patti Smith. There is something about Crocodiles that just makes you absolutely love music and want to completely lose yourself in what you hear. This year, it’ll be 10 years since their debut record came out. I remember finding it by accident, and it just changing my life in the best way possible.

10 years on, and my love and respect for them is still massive. Where do you go after a decade? Well, for Brandon and Charlie, they just do what they do best- they absolutely excel with every record, every single, every tour. They’re a band that are consistently phenomenal but at the same time, you never know what you’re going to get from them. From their cover of Groove Is In The Heart to Me And My Machine Gun to Hard- they just have this brilliant ability to make you feel like you’re in 70s New York hanging round places others fear, but for you the smut and sordidness is what gets you through.

Wait Until Tomorrow is such a great song. The guitar is really ferocious, and Brandon’s vocals have never sounded so strong. There is something so distinctive about them, and that’s what makes them standout. They are an unforgettable band, but they are still hugely underrated. They are easily one of the best bands you’ll ever see; their energy and the way they bring their songs to life just makes you wish you could do it. They are a band that you just don’t get tired of seeing and listening to. The lyrics are again, nothing short of romantic imagery and makes you feel like you’re wandering round Baudelaire’s Paris.

I love how they have a cult-like following. There’s something about their music that appeals to damn near everyone. Even my mum loves them! (My mum is pretty cool though, so that explains why.) Their new single picks up where Dreamless left off. They always have this brilliant way of making each record sound a step-up from what has come before, and it’s so easy to see why I just love them so much. I can’t wait to see the new songs live.

 

 

So I’ve not really wrote about the single. It’s alright. I’ve just gone on about why I love them, and how excited I am to hear new music. It’s been a little over 2 years since Dreamless came out, and they are easily one of the most hardworking bands around- but don’t think for a minute they were doing nothing in that time! Wait Until Tomorrow could well be one of the strongest singles of the year, and I am pretty confident that the new record will be my favourite of the year. I doubt I’ll sway on that one.

Wait Until Tomorrow is a song that needs to be played really loud. Loud enough to make your neighbours fall in love with what they hear. There really aren’t that many bands who have this consistent feel to their music- you always know that whatever music Brandon and Charlie give us will always be absolutely mind-blowing. We all have a band that mean the world to us- it doesn’t matter if it’s a band that you found last week or 20 years ago. Time makes no difference, and Crocodiles are utterly timeless.

Fellow Croc-Heads, the band are heading out on a European tour next month. Pretty sure they’ll add more dates soon enough (I need a Manchester show!) and we’ll know more about the new record soon.

In the meantime, keep Wait Until Tomorrow on repeat. It’s out via one of France’s finest labels- Deaf Rock Records.

 

 

PETE SHELLEY.

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Our heroes, in our eyes, are invincible. They never die. We expect them to live forever. We expect them to always be around so we have their words as a safety net. We take what they give us for granted, at times. But we adore them. We love them. We cling. In love, lust, pain, life and death- we cling, and we hope.

Over a week has passed since Pete Shelley from Buzzcocks left this world and went elsewhere. Pete Shelley created the songs that I identified with as I hit an age where I was solidly uncomfortable with who I was, and ashamed of what I was. A gay kid growing up in a place that wasn’t the most welcoming towards my kind. It’s improved now, but in my mind- it’s always there in the back of my head when I go back. Certain songs by Buzzcocks were the soundtrack to my self-doubt, my self-hate. Myself. As I got older, and a little bit wiser- the songs took another meaning for me. Now, we are without Pete and I’m unsure what to do.

 

 

Buzzcocks were EASILY the best Punk band from the UK. They came from the greatest city in the world, and a city I am so proud to now call home- Manchester. Pete created songs that made you feel less alone as you fell into the cruel depths of unrequited lust and love. If he could get out from it- so could you. He was that best mate that you’d go down the pub with, and talk about these woes with. That’s how he made you feel. He made you feel less alone, and less strange for carrying these feelings around. His words were poetry. Words for the soul, words to mend the heart. Words to soothe the mind. His words came from a place that hit you right in the gut. For me, there is no denying that Pete Shelley was one of the greatest songwriters of all time- and criminally underrated. No one has ever written like him, and no one ever will. He had the ability to write about what hurts us in such a delicate and vital way. A proper poet.

I remember the first time I met my girlfriend. It was about 8 years ago. I wasn’t in the best place mentally, and I wasn’t the best person to her. I fell in love with her, but never let it on. She felt the same but I was a dickhead who was petrified of their own feelings, and in the process truly hurt someone I never meant to or wanted to hurt. Fortunately, I got my shit together and grew up, and we’ve been together now for 2 and a half years. But there was one line that stuck out more than anything. When she was with someone else, this line plagued my mind: “And if I start a commotion, I’ll only end up losing you and that’s worse.” If I spoke up sooner, I’d have saved us both from unnecessary hurt. But like I said, I’ve grown up and we’re both better now. These are the songs that find you, and you cannot help but cling to them. I clung on to that line for dear life. Things worked out though, finally.

A Different Kind Of Tension is my favourite song by Buzzcocks. I love the lyrics, and how they just show us how the world contradicts us and how expectations are always haunting us irrespective of our age and such. It’s a song that I hold very dear to me, and one I’ve used as a safety net many, many times.

It was the sheer tenderness and honesty that made me fall in love with Buzzcocks, and it is that same tenderness and honesty that made me love them even more as I got older. They were…are… a band that any and everyone can identify with.  Their music was genderless, and I loved that about them. They made us gay kids feel so safe with their music, and they spoke of things that we couldn’t find the words for. We have so much to thank Buzzcocks and Pete for, we really do.

 

 

If it wasn’t for them, we wouldn’t have a lot of the bands we love and adore now. They changed everything. Not just for Manchester, not just for Punk, not just for us lost kids- but for everyone. The innocence and questioning in Pete’s lyrics, and the way he observed the world and portrayed what he saw was truly remarkable.

We cling, and we hope. Thank you, Pete x

AVE NEGRA.

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Bands that you know zilch about are always fun to write about; you have no opinion formed, and the music is almost heightened because of this.

Ave Negra are another effortlessly brilliant band from Costa Rica, and the way they sound just has this almost enviable cool feel to it. Costa Rica has some amazing bands, that we know. Ave Negra are a band that you’d want to join and go on tour with, and trash hotel rooms with. The way they sound on record makes you believe that their shows are probably on the wild side. I think they’re in the middle of recording songs for a new record that could be out next year- so you can have that as one of your reasons as to why 2019 won’t suck that much.

The band have this Garage Rock sound that makes you want to pick up an instrument, make it your weapon of choice and just cause a wealth of chaos with the sounds. There is something truly special about the music that comes from Costa Rica, and Ave Negra are definitely up there as being one of the most exciting bands around. The only way to listen to them, is to do it loudly. And often, of course. They are songs that (even if you don’t know what’s being said, like me) you can just really enjoy. The music is nothing short of slick, the vocals are gnarly and powerful. They are just an absolute pleasure to listen to. I love how you can pick up a wealth of emotions in the songs, and the band have this admirable way of making you feel like you’re either at the front of the stage during their show. Or that you’re in the throes of them creating these songs- you’re like their guinea pig or some weird shit. I don’t know.

In all honesty, there’s no one I can compare them to. There’s no other band like this, and I don’t think that there has ever been a band quite like them. Their songs feel like a brawl that has spilled out into the street and gotten way out of hand. They’re a rowdy bunch, and that’s just part of the reason as to why I love them. Ave Negra are a band that I’d love to see play live. You can imagine the crowd going nuts to songs like Indio Comido (easily one of my favourites) and Vivo Por Mi. If you’re looking for a band to become obsessed with, and to get pangs for- Ave Negra are for you. You’ll listen to them, and you’ll be left wanting 2019 to hit us with some new music. After listening to the bulk of their songs, I can safely say that Ave Negra are a band that definitely need your attention. Sack off that awful task of buying Christmas presents, and just stay indoors and listen to Ave Negra. That’s all you can do, and that’s all you should do.

For me, I think Costa Rica is massively overlooked for the music they give us. They truly nail that Garage Rock sound, but they have this way of adding something to it that isn’t seen or felt anywhere else. Maybe it’s the drive, maybe it’s the passion- I don’t know. But I do know that some of the best bands around are from there. Maybe it’s time we moved our focus there, because they are evidently doing something right. Hell, it isn’t just right- it’s perfect.