Tag Archives: New Music 2018

THEE UNSOUND.

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I’m all for listening to music that makes you feel as if you’re being smacked in the face, and as my housemates aren’t home- I’m playing my music as loud as I can. This evening I have found an incredible band from Washington called Thee Unsound. There’s three of them and they make some insane noise.

There’s this amazing reverb sound filtering through, and at times the vocals are distorted- but that’s what I’m into. The songs are fast and full of tension, aggression and passion. They all share vocal duties, and each members of the band are excellent musicians. They have this way of really making you feel as if you’re having your face melted by their music, and it’s such a pleasant feeling to experience. I love how unapologetically loud they are. If you’ve heard of Birmingham’s finest, Table Scraps then you’ll definitely love Thee Unsound. Imagine if they toured together! You’d probably be deaf for a while. Sometimes you have to make a sacrifice for the ultimate pleasure.

Thee Unsound started out around a year and a half ago. Their first release came out in August 2017. The artwork has this hypnotic psychedelic feel to it, and it sort of sets the tone for the direction of the record. It’ll make you feel light headed and a bit delicate the morning after, but because you won’t remember a thing- you’ll keep on going back to the record. Just to experience that high all over again. If you find a record that can give you this feeling, I can only assume that you rightfully treasure it with all you have. As far as debut records go, this one is phenomenal.

Everything about this record is so well put together- the way the drums clash with the guitar reverb, and how the bass and vocals go together like Nick Cave and Warren Ellis is just out of this world. I know a lot of bands I write about probably only appeal to a handful of people out there, but man…. Thee Unsound are for everyone and if one person who reads this is turned onto them, and becomes a fan- then I’m happy with that. They’re most certainly a band you need to play loud, and often. Go Slow is one of the standout songs for me, but everything I’ve heard so far is just beautiful. Go Slow reminds me of The Kills circa Blood Pressures era. It’s got a real heavy sound with vocals that’ll make you turn to jelly and have you forgetting your name. It’s a proper seductive jam that’ll just drive you wild.

I love Casey’s voice so much. The way she can make it sound fuzzy but not over the top is something a lot can learn from (but not bands I love because they too have mastered the art of it!) She’s got this real ferocious feel to her voice, and it just makes you want to learn the words and scream a long with her. They’re a raw Garage Rock band who make you feel as if it is just you and them. Imagine being in a cramped room with them and they’re just playing the shit out of these songs with such urgency. It just makes you want to sack of daily life, and follow bands around that you love just so you can experience this feeling every single night. Maybe I need to stop thinking of bands so highly but fuck that. Thee Unsound are the best new band I’ve found this year. Easily. There is something about them that I cannot get enough of. I love the loudness and the intimate feel to their songs. I’ve not heard this in a long time, not like this.

Hate Your Way is another close favourite, but I might as well just say I love every single song. It’s impossible to settle on just one. I have no reason to settle for one favourite song, especially when they sound this brilliant. I’m just in awe of them. I’m in awe of how effortlessly brilliant they sound, how they work together and how amazing the songs are. I just absolutely adore this band, and I’ve decided that I’m now their biggest fan. Can someone please bring them to the UK? Thanks.

I think they might be releasing the new single called Naturally, within the next month or so on vinyl. There’s also a cover of I Had Too Much To Dream (Last Night) by The Electric Prunes. Pretty excited to hear their version of that.

Alright, so listen to Thee Unsound and listen loud!

J’AI PEUR DES CRABES.

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Recently I’ve found it pretty difficult to sit down and write something about music I’ve been listening to. I’ve either convinced myself the words I write are pointless, or I just do something else instead. There’s probably a bunch of reasons why I’ve been doing this, and probably a main one is me after years of putting it off, finally committing to watching American Horror Story. This is what having too much spare time has done, and I’m fine with it. But anyway, more importantly I’ve accidentally found a band that I am sure to become obsessed with, and that band is J’ai Peur Des Crabes (I think it translates as ‘I am scared of crabs’ which is a fully justifiable fear.)

Hailing from Montreal, well…that’s all I can tell you. There’s virtually nothing about them online aside from their Bandcamp and Facebook page. There’s not much for me to go on, but that’s alright. I’ll make it work. The music speaks for itself anyway. I have no idea if it is one person or a bunch of musicians, but what I do know is that this is some of the finest Garage Rock I’ve heard of late. There is something really exceptional about them, and with two records into their career-it pretty safe to say that they are the best band you’ve not really heard of. In an ideal world, they’d be huge and everyone would know them. That’s not the case right now, but there’s time.

J’ai Peur Des Crabes are like The Doors running head first into Jack White’s guitar with The Pretty Things and The Vagrants waiting for them with open arms. But there’s more to it, there’s a lot more bite to their sound. They are unapologetically loud and they fully show this on the song Pierre-François which isn’t even 2 minutes long. There’s this brilliant kick to it, and so far I’m calling it as my favourite song by them. I just want to listen to it on repeat for hours. It’s the last song on their first release, MAAAAD which came out in November last year.

Last week, they released Cocobongo which consists of five songs that step away from MAAAAD. There’s a wilder sound to this record. It’s like The Cramps and The Mummies got together and created this beautiful monster. If you’ve heard of London based Night Shades then you’ll love J’ai Peur De Crabes. There’s this excellent Psychobilly sound that has a strong Garage Rock backbone, and it’s addictive. They’re the kind of band I could happily play over and over, and not get bored. City Walls is a song that reminds me slightly of Dream Baby Dream by one of my all time favourites, Suicide. There’s something haunting but beautiful about the song. I think it’s the intro and the way the song is sung more than anything. It’s a beautiful song, and it is most definitely one of the highlights of the record, especially when the guitar kicks in during the last minute and this wealth of urgency and fury takes the band over, especially the vocals. For me, it’s probably my favourite on this record but of course with more listens I’ll change my mind.

Writing about a band I know nothing about is sometimes tough, but in this instance it didn’t feel so bad. The fact that there’s virtually nothing about them on the internet adds to the mystery. I don’t know if it’s because they are still pretty new or they just don’t need to be everywhere in order to be heard. Well, whatever their reasons are is none of my business anyway. I love the music, and I can’t wait to hopefully hear more from them.

There’s something really interesting about their sound, and they just make you feel as if you’ve been listening to them for years and years. Partially familiar but also a world away from what you know. If a band can make you feel like that so early on, then you’ve found one of the great ones.

ANNA CALVI: Hunter

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There is so much I can write about Anna Calvi and still never feel it is enough. She is one of those artists that creates continuous masterpieces and for me, is just up there with my holy trinity- Nick Cave, Patti Smith and Leonard Cohen. She paints the world in a way that is so relatable. In a way that is full of passion, eeriness, brutal truths and seductive poetry. She is someone you’d want to be in the presence of constantly singing these glorious songs and annihilating her guitar right before you. I’ve loved her for so long, and she blows my mind every single time I hear her voice and every single time I read her lyrics, which give off the same darkness and rawness that is found in Poe. She’s out of this world, and she’s shown this again on her new song, Hunter.

What I adore about Anna is that she challenges all that is expected, she goes against what is boringly typical. She is fascinating to listen to, and I just have to see her on her tour in October because I’ve been waiting years and years to see her. I want to be right at the front, and gaze in awe at her as she unleashes hell with her voice and guitar.

Hunter starts with the wonderful line, “I dress myself in leather.” Straight away you know something is going to happen in this song that you’ve not felt or heard before. It is has a brilliant sinister feel to it, but the softness of her voice in this song balances out the fear. I’ve always found such comfort in Anna’s music. We always search for something or someone to relate to in music, and I remember when I first heard Jezebel in 2010. It was over for me. I get goosebumps now just thinking about it. She has this sacred feel to her music, and for me, she is all I want from a singer and a songwriter. I know that Nick Cave is the one person I’d love to sit down and talk about their words and music with, but my god she is joint first with him.

Hunter explores what is constantly ignored or deemed as inappropriate. Anna challenges this lame norms: “I wanted simplicity, I wanted something quietly brave, quietly defiant. I wanted there to be intimacy. I wanted to find a place between beauty and ugliness.” There is so much beauty and intimacy in her music, and Hunter truly captures her ability to do so in all its glory. I’m so excited for her new record (which is also called Hunter) and for the journey she takes us all on with these songs. Hunter allows you to feel as if you’ve stepped into something you haven’t experienced before. She shows you this form of freedom that others try to steer us away from. If you cannot be free in your mind, sexuality and gender- what’s the point?

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Hunter is a wonderfully tender song that you cannot help but connect with. With this song, Anna eases any doubts in a persons mind to explore and find out who they are. It is a safety net. To sum it all up perfectly, Anna says: “Hunter is about exploring one’s pleasure in all possible ways, free from any shame. It’s about finding a safe space where this is welcomed and supported.” Wherever this safe space may be, never let anyone take it from you.

Hunter will be released on 31st August via Domino Record co.

THE TELEVIBES.

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With it being far too hot outside for me to take my housemate’s pup for a walk (he’s happy to just snooze on the sofa) I guess the only thing I can do is write about the best Psych band around- The TeleVibes.

The TeleVibes make mind-altering music and are from Massachusetts. I don’t know what the music scene is like there, but I’m just fine with declaring them as being the best band from Boston. As if anyone could compete with these guys anyway. Last month they put out the absolutely astounding record, Major Drones. The name alone makes you feel as if you’re going to hear something quite trippy and out there. It wouldn’t be wrong in this instance to make an assumption. What we have here is a band that have such a tight sound that just catapults you into the beautiful unknown. I know I say this a lot about bands I write about, but I think that The TeleVibes are a band that you have to see live in order to REALLY get the sound. Of course if you can’t, there’s always the record and that’s brilliant. But their sound is something that just has to be experienced in a life setting. You can imagine them getting carried away so wonderfully on the 6 minute song, Major Drone. This is one of the highlights of the record- it’s just got this something about it that takes you back in time, and it then launches you to right now- and probably beyond. The TeleVibes are the future, don’t let anyone else tell you different.

 

 

They’ve been releasing music for the past 4 or 5 years, and going by what I’ve heard so far, I can confidently say that each release just shows how much their sound has grown and thy really aren’t afraid to experiment with their sound. I love how every song is just a pleasure to listen to. Very rarely will you find a band that can make consistently great records without having filler tracks on it- The TeleVibes make every single song count, and create them in a way that makes you feel as if each one could potentially be your favourite. Whatever you feel your record collection is lacking, you will find it in The TeleVibes.

The band make you want to get hold of a guitar and create some insane noise and violate eardrums across the world. The sounds are hypnotic and addictive. Once you listen to them, that’s it. Nothing else will matter- all you’ll want is new music from them constantly. Major Drones only came out a month and a bit ago, but it’s got the makings of being one of the finest records this year. It is the perfect record to waste these hot days too. Laze about and let The TeleVibes take you on a lucid trip. They probably just want your soul, and that’s an okay thing to sell in order for this.

 

 

High Or Die came out in 2015, and I think so far my favourite song by them has to be Asyd which is just under 5 and a half minutes long. I love songs that have all weird twists and turns in them, and this song most definitely has them. If you’re unsure where to start, maybe start with this song then see where they take you. Washed Up (the EP) came out the year before, but you don’t have to start in order if you don’t want to.

There are only three of them in the band, but their sound is so big they make you feel as if you’re listening to at least a 5 or 6 piece band. They have this fascinating ability to give off this huge sound and loudness that you’d see in bands who have been going for decades, and with added members. It’s just criminal that The TeleVibes haven’t taken over the world yet. Hopefully in time they will.

AMYL AND THE SNIFFERS.

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I’ve waited far too long to write about the best Punk band around, Amyl And The Sniffers. A band that deserve all the praise imaginable. A band that have been sent to rip open your guts and tear your eardrums. Sounds vicious, but when you listen to them- you’ll understand why.

Amyl And The Sniffers are such an incredible band, and in the time they’ve been putting music out into the world they have truly showed themselves to have the real essence of Punk about them. They have songs that rarely hit over the 2 minute mark. Big Attraction & Giddy Up came out this year, and the record doesn’t even hit 20 minutes. Their songs are as fast as the Ramones with the obnoxious smuttiness that the Sex Pistols had. I absolutely love this band, and they’re just so brilliantly cool. They make you want to sack everything off and start a band, and live outside of society for the rest of time. The release that came out in May is basically two of their EPs put together, and both are a punch in the kisser. The songs are amazing regardless of how you hear them.

The snarl in Amy’s voice is something that stays with you. She yells the lyrics, and my god you better listen.  Dec and Bryce keep up the aggression via guitar and drums. Then Gus comes along with his slick bass playing skills. You can’t pick your favourite, that’d just be stupid. You can pick your favourite moments in the songs though. I love the punchy sound in Balaclava Lover Boogie that Dec produces with his guitar, and they all just play this vital role in making it such a rowdy song.

Sadly, I’ve yet to see the band play live. I can’t help but feel that their live shows would be something that just sticks with you because on record they have this power to just make you feel like it is you and them. They have this way of making you feel like you’re in a dive bar with them covered in various fluids and whatnot. All in the name of Punk. All in the name of Music. I honestly can’t give you a band to put them against in terms of who they are for fans of. They’re for those who want something off kilter and something that they haven’t heard before. Something loud to take away how much of a drag daily life can be. There is something so soothing and relatable about the song Caltex Cowgirl (which does hit the 3 minute or so mark) and it just takes you somewhere nothing else has done.

One of my favourite songs by them is Stole My Pushbike. I love the fury in Amy’s voice. I love how she can make something like having her bike being stolen sound like one of the worst crimes a person could commit. In one minute she absolutely rips apart the culprit that took her bike. Bryce, Dec and Gus with their sounds make it seem like they are part of the gang that are going to fuck you up once Amy finds you. But to be honest, Amy will handle herself. Her buddies will be there just to make sure you can’t steal anything ever again. It’s a great song to let any frustration out to.

If you’ve ended up going through something recently that has left you battered and damaged- this is the band for you. I couldn’t stop listening to them before, but now it’s become a ritualistic listen that tames parts of my mind certain things can’t touch. I guess that’s just how powerful music is you know?  Amyl And The Sniffers are band to really invest in and to become obsessed with, and to play as loud as possible.

GYMSHORTS.

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Any band that sing about needing a burrito are probably going to be great, right? Gymshorts live up to the sheer joy and greatness that is found in a burrito (don’t trust anyone who doesn’t like Mexican food, seriously.) Gymshorts are all you could possibly want from a Punk band, or a band in general. I’m on my dinner break, so I am going to use my time wisely to write about these 4 exceptionally talented folk.

They’ve recently come off tour with another great band-La Luz. Imagine seeing them together. That’d just be something else for sure. Gymshorts play with this 90s Riot Grrrl aggression mixed with this brutal and charismatic lo-fi sound.  They are fronted by Sarah, who pretty much melts your face with how powerful her voice is and how she pretty much annihilates you with her guitar. Her vocals are equally as loud as her guitar- nothing is overpowered or compromised, and it’s an absolute joy to listen to. They just make you want to throw away your adult responsibilities and just follow them on tour and be completely immersed in the music and live shows. It’s a kick in the gut and it feels so good. So good.

I think they may only have two records out so far, Wet Willy and No Backsies. Both are meant to be played loud to the point where you’re going to be deaf for a couple of days. They’ve got this raw and grand sound that is such a pleasure to hear and something I’ve not heard in a long time. They basically take all the parts of music that I love, and rip it up to make something completely out of this world. They truly are an exceptional band, and they just make you want to throw a whole bunch of shit around, and be irresponsible. Sometimes we need music to bring this out of us, and Gymshorts do this so well.

No Backsies was released first, and it’s got this proper ferocious feel to it that makes you feel like an angry dog is biting at your ankle. You don’t care for the blood that is drawn; it is the sheer rush that spurs you on. I think this is the louder record out of the two, and it definitely cemented their raw and rough sound. They consistently make you feel like you are in their rehearsal space where nothing is held back and everything just comes tumbling out. No hang ups at all. Both records are nothing short of being effortlessly brilliant. And fuck it, I hate the word but Gymshorts are definitely cool. They make you wish you were in a band as cool as them.

They’ve got a real Punk attitude in their sound and the way in which Sarah carries her voice. The distorted and almost shouty vocals are really what lures you in. Sometimes when a singer tries to do this, they really fuck it up but Sarah has this way of not making it come across as forced. It’s definitely not forced, and that’s what keeps you listening to them.

They can sing about burritos all day long and I wouldn’t get tired. There aren’t enough songs about them, thank god Gymshorts have done it. I love Punk and I love Mexican food, so it’s no surprise that I am in love with Gymshorts music. Sure it may not be to everyone’s taste, but they really are an incredible band who sure know how to play.

The new record, Knock Knock should be out this year, and the song above (Breathin On Me) pretty much shows just how exciting the new record is going to be. It’ll be released via Wallflower / Burger Records. Bachelor Records will also be releasing it in Europe. Buy the music and of course, play it loud.

 

*photo by Casey Joseph

ANNA CALVI: Don’t Beat The Girl Out Of My Boy.

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Time is precious. Time can be cruel. Time can be kind. Over time, good things can happen. This is apt for the new Anna Calvi single, Don’t Beat The Girl Out Of My Boy. She is someone I have idolised since I first heard Jezebel in 2010. I was hooked on her voice. She reminded me of the ones I had loved (and still love) before her- Tom Waits, Nick Cave, Leonard Cohen and PJ Harvey. Now she’s back and I can’t pretend to even try hide my sheer joy about this.

Don’t Beat The Girl Out Of My Boy toys with everything that is supposed to be “normal.” But the thing is, nothing is normal. Nothing has to be how it always has been. It’s important to challenge ideas, ideals and people. What’s the point if we live in a world of repetition and blandness? This song 100% shows us just why Anna is a genius. I may lob that around a lot, but my god she totally is. The love I felt when I heard here back in 2010 has come rushing back. It feels like falling in love at a billion miles an hour with no concept of time and space. It’s the best feeling. This song evokes all kinds of happiness and questions. It totally messes with how society views sexuality, gender and everything else. Freedom cannot be dictated, and Anna expresses this so beautifully here. I cannot wait for the tour and her new record.

The song oozes private moments that you share with the one you love. Those proper intimate moments that nothing and no one can interrupt or take from you. It’s these moments that become sacred and vital for the soul to be comforted. It’s a modern love song that messes with what you’ve come to expect from love, lust and passion. It’s such a fantastic song that needs to be played all the time and as loud as you can handle, and allow the song to take you over like an outer-body experience. I’m happy to keep listening to this over and over until her new record, Hunter comes out.

There’s something about this record, and song that Anna has said which resonates with me a hell of a lot, “I’m fighting against feeling an outsider and trying to find a place that feels like home.” This is such a beautiful and relatable quote, and I think it sums up her music completely. She’s unlike anyone else and she pushes and tests us with her charming way with words. Her words provide comfort and safety, but at the same time she takes you away from all that you know and challenges you. I simply adore this about her and her music. Her words are powerful and poetic. She is a walking, talking, singing, breathing masterpiece. I really cannot do her music justice by writing words about her. I really can’t. From about the 2 minute 45 second mark in the song, she hits this note. This note will shatter you and make you feel so alive. Her voice is so powerful, and she can be harsh and delicate at once.

She has the darkness of Poe and the romantic side of Rimbaud. She isn’t afraid to show fragility and feel vulnerable with her music and words. She does it in a way that evidently isn’t forced. None of it is an act- it’s all her, and that is exactly why you connect with her. If you feel like I do about her music, or even about another musician- you’ll know that these feelings are something to treasure and adore.

Hunter will be released on 31st August 2018 via Domino. Next February she will be playing a massive show at the Roundhouse in London on 7th February. But if you cannot wait until then (understandable!) you can see Anna and her amazing band in September/October:

SEPTEMBER
27th Belfast, Empire
28th Dublin, Tivoli Theatre
30th Glasgow, St Luke’s

OCTOBER
1st Manchester, Ritz
3rd Newcastle, Boiler Shop
4th Birmingam, Town Hall
5th Brighton, All Saints Church
6th Bristol, SWX

ICEAGE: Beyondless.

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When a band hits the four record mark, you’re probably safe in calling them all various terms for “great.” I cannot praise Iceage enough, and Beyondless is a statement of how brilliant they really are. There is something about them that throws you back in time but also hurls you full pelt into the future. It’s a raucous record that takes pleasure in corrupting every single part of you.

Allow me to explain why this record is one of 2018’s finest moments.

Beyondless is a record that shows just how much they have grown, and in four records they have truly left a lasting impression. New Brigade was such a phenomenal record, and of course it can’t be replicated but the thing about Iceage is that they have no intention of creating the same sound over and over. For me, it is their ability to just mess with your mind completely which has me hooked. Elias is a hypnotising frontman who gives off hints of Nick Cave circa The Birthday Party. He’s not as loud as Nick was back then, but he’s got this drawl to his voice that is quite similar. It is moving, it is romantic and it is something you cannot get enough of. We need more singers like this. Unafraid to be this way and to just unleash hell on record and on stage. He’s backed by incredible musicians who can compete beautifully with his energy. It is like they all encourage each other to be louder, to sound more sinister and to really push themselves.

Under The Sun is a really strong example of how much they have evolved, and how in just four and a half minutes, they can make you feel as if you’re having an outer body experience. It’s one of those songs you’ll probably keep going back to, then we go right into the heart of the record on the song The Day The Music Dies. I love how Elias vocals sound exhausted- this isn’t a diss at all. I’d not bother writing about the record if I had anything bad to say. I mean it in a Julian Casablancas way, and we all know how exceptional he is. There is something in Iceage’s music that has a dreamy feel to it but also quite eerie. Part of you wants to allow yourself to escape with them, but the other part is totally freaked out about what you’re hearing.

It’s a gloriously smutty record that has so much soul and emotion to it. There are standout songs on the record, sure. But it’s hard to really pick them out because it’s such a brilliant record. I wish I could pick certain songs out for you to go on about, and why they are so great but honestly- listen to the record. Plead The Fifth is one of those songs that throw your emotions about and send you off into a whirl. I can’t get enough of this record, and  it really does make the four-year wait for a new record totally worth it. Going back to Plead The Fifth real quick, it’s got a feel of The Passenger by Iggy Pop.

I think it is pretty fair to say that Elias is a poet. He’s beyond just a singer- he’s got something else, and his something else makes his way with words utterly divine and captivating. Iceage are a band I hope that in decades to come, are cited as being highly influential. The absolute urgency in Catch It is so magnificent, and the way Elias sings this song makes you cling on to every single word. Dan smashes the shit out of the drums on this one, and his fury is beautifully worked with Jakob and Johan unleashing a riot. The constant crashing sound leads up to the euphoric ending of the song. It becomes uncontrollable, and I’m pretty sure in their live shows that this will be the song that makes us all lose our minds. The song brings you down, then launches you up real high and catapults you off into the unknown. It’s over five minutes of greatness.

If you’re into making lists, then this record should probably be at the top. Play it loud at every single chance you get and go to one of their upcoming shows. I think they’re over in the UK in September.

Beyondless is a masterpiece and truly shows us all how fantastic Iceage are, but hey- we knew that anyway!

COURTNEY BARNETT: Tell Me How You Really Feel.

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Anyone who has a favourite band or singer knows the exact importance of what music means to them. We take the songs and make them our own. They save our lives, they give us courage and become a source of comfort when there isn’t much else. Their words become like religious scriptures, and can give us something to believe in. If that’s what you’re into.

Tell Me How You Really Feel is the new record by Courtney Barnett and it’s worth noting that this is her best work, so far. The lyrics are beautifully close to the bone and the music is gloriously loud and unapologetically in your face. Her voice is stronger and when needed, Courtney pulls out this incredible aggression that makes you feel 10 feet tall. It’s a record of brutal honesty and fearless vulnerabilities. Courtney is a mind blowing song writer, and those of us who are obsessed with her truly fawn over her brilliant way with words.

 

The artwork to this record is an up-close photo of Courtney. There’s something really personable about this shot and it is something that filters through the whole record. There’s a song on the record called Crippling Self-Doubt and a General Lack of Confidence which the title alone is relatable. The song takes you deep into your mind and makes you really connect with Courtney’s wordplay. It’s a record that should top every list and win every award possible based on her writing alone.

Hopefulessness has a line that will resonate with anyone that hears it, “Your vulnerability is stronger than it seems. Y’know it’s okay to have a bad day.” It feels like a mantra that you can echo to yourself when it all seems a bit too much. It’s okay to have days where you feel terrible, and the thought of being around people is just too much. All you want is to be in the safety of your room and shut the world out. This happens. It can happen to anyone, and it is nothing to ever be ashamed about. The way in which Courtney delivers this vital lyric is so humbling, and makes you so proud to be a fan of hers.

I’ve been a fan of Courtney since I first heard the I’ve Got a Friend Called Emily Ferris EP back in 2012. I know I’ve said it loads now, but it was the words that got me. Then it became the way she fearlessly and ferociously played the guitar. I honestly believe that she is most certainly going to be someone that inspires many to pick up an instruments and write songs about what, and who is around them. The fact that she is so easy to relate to provides a cloak of security that well need at times. You can find it anywhere, or sometimes- it’ll find you.

Sometimes I can call out what my favourite song is with first listen, but over the weekend I’ve listened to nothing but Tell Me How You Really Feel and no part of me can choose a song that stands out the most. I can’t possibly let you know which songs stands out for me because every song is a stroke of genius. Everything about Courtney and her band on this record is a true masterpiece.  There is a moment on Nameless, Faceless that if you’ve seen any live clips of Courtney singing this, you’ll notice her voice becomes more gravely than on record. The way she sings, “I hold my keys, between my fingers” on the record is quite tame, but when she plays this live it is like she is releasing a wealth of fury. We’ve all walked home clutching our keys between our fingers, and it’s really sad that this is something we can relate to. It really shouldn’t be like this.

Tell Me How You Really Feel has songs that show Courtney using her way with words to mock an internet troll to adding reassurance to those going through a tough time. There are moments where you truly connect with how fragile a person can be and there are moments where Courtney makes you feel brave. I don’t know if she knows it, but she’s a bloody genius. Musically and lyrically- she’s a genius. There’s no one else quite like her, and no other record is going to move you like this. It is really nothing short of exceptional and relatable.

Buy it. Play it loud, and tell someone how you really feel.

 

 

 

COLD CAVE: You & Me & Infinity.

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Some bands stay consistently good, but there are a select few for me that are just always mind-blowing. My love for Cold Cave will be approaching its tenth year next year, but my love for Wesley Eisold and his words go back further. Cold Cave are a band that have always been a lifeline for me, and I can honestly say that their fans are the best. There is something so remarkable about Cold Cave fans, and I think it really does come from Wes’ glorious way with words. Yesterday they released You & Me & Infinity- a four song EP that has a similar sound to their Love Comes Close record.

You & Me & Infinity is yet again another brilliant release by Cold Cave, and is one I can say I will hold close to me. It is a combination of Wes’ words, the musicianship and the urgency and passion in his voice. The sound is dramatic but not in an irritating or bland way. It is deeply passionate and deeply moving. For me, and probably most fans of theirs- I regard Wes as a poet. His got the same way with words as Baudelaire and the eeriness of Poe. Musically, lyrically Cold Cave are beyond all I have ever heard. Cold Cave are a band that I can listen to irrespective of my mood, and they will stir up feelings like no other. There is so much hope, love and lust in the music but they aren’t afraid at all to touch on despair, rage and destruction.

This EP has four songs that just utterly reinforce my love for Cold Cave and it also shows how in the near decade of their existence that they have become one of the greatest bands ever. I know this is all my opinion and is obviously biased, but when it comes to Cold Cave I only know how to write one way- and that is with sheer love and devotion. For the past month I’ve been wanting to find a piece of music that sums up how I’ve felt about leaving a city that broke me to moving to a city I should have always been in. The move has been calm, and this record is calming. It feels like home. That’s how Cold Cave have always been for me.

Glory and Nothing Is True But You are perfect love songs. They are full of love and deep admiration. You can keep your generic flowers and sunshine love songs. I’ll stick to Wes’ words- they hit deeper and mean so much more. I feel like Cold Cave have been such an important part of my life, and I am constantly in awe of what they do. I love the relationship between Wes and Amy. I love how their love for each other merges into their music- it makes it easier to connect with and believe in.

The record ends on My Heart Is Immortal, and it is the best song to close the record on because it immediately makes you start the record all over again. The wonderful synth sound with hypnotic and the way Wes and Amy’s work together is nothing short of perfect and pure. There is something truly wonderful and magnetic about Cold Cave. I found a home in Wes words and my own take on peace in the music

I feel as if words do not do Cold Cave justice. I guess that’s why so many of us that love them have tattoos showing our love for them etched upon our skin. The love is forever, the music is forever, the words are forever. Cold Cave are eternal.

Buy and stream the record here: https://coldcave.bandcamp.com/album/you-me-infinity