Tag Archives: Manchester

PURPLE HEART PARADE: Lonestar EP.

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If two bands I idolise collided and created a record together, it would sound like the new Purple Heart Parade record, Lonestar. They sound like The Stone Roses and Beach House all in one. Although my biggest love is Punk, hearing something this laid back and nothing short of ethereal is just beautiful. I’m going to do my best to explain why this is such a gorgeous record, and what makes it so wonderful.

Manchester is home to some of the best music that this country has produced. There’s this underlying sound within Manchester bands that give them this distinctive style. It’s something no other city could ever replicate, even though I am sure they try. I don’t blame them. In March this year, I finally got my shit together and moved to Manchester after waiting for a hell of a long time. Being able to call this beautiful city home makes me so happy. Listening to bands that come from this city is just as great. What Purple Heart Parade have done with this record is create the most daring and atmospheric record of the year. It just makes you feel really good. We all need something to take us away from real life for a bit, and Purple Heart Parade take you on this euphoric journey into another dimension. Everything you want is there, and more.

Lonestar is made up of four songs. Four songs that will rip right through you. Four songs that’ll make you feel ten feet tall. Four songs that will feel like a massive bear hug. It’s such a gentle and soothing record. I want to talk about the song, Butterfly House quickly. This song is just over six minutes long, and it is one of the most beautiful songs I have ever heard. When I listen to this, I feel just like I did when I first heard Beach House many years ago. There’s this glow to this  song that just makes you so happy. The instrumental moments on this record in general just make you realise that everyone in this band is a genius, easily. Everything about this band is effortlessly cool and so slick.

The most important song of all on this record is Mission Hills. The bands explanation of the song puts it perfectly: “The song is about emotional distance in a relationship but also the loss of a close friend, a victim of the tragic Manchester Arena attack. The band don’t just capture the sound of their hometown but also carry a part of it with them in a very personal way.” I don’t know of anyone who lives here that doesn’t think of the Arena attack every day. It’s always at the back of my mind, some days it’s right at the front. It is such a stunning song, and although it oozes sadness you feel like you are watching a bunch of shooting stars soar right across the night sky as if they are sending you secret messages. You can take what you wish from it. It’s such an important song, and as I listen to it I can feel a lump forming in my throat. It’s just such a delicate and beautiful song. It may make you sad to listen to it, but my god it is a work of art.

Lonestar and The Room make you feel like you have fallen into a deep slumber. Everything around you feels like a dream. You have no worries and no fears. All is okay. There is a heavy feel of reassurance in this record that makes you feel okay, like it’s all going to be okay. It is such an emotional record, and Peter’s vocals are so relaxing. Purple Heart Parade just make you feel at ease with all that’s around you. For a band to give you this much comfort is a thing to treasure. It’s obvious that Purple Heart Parade are one of the best bands around. They’re the Kings of Manchester, that much is clear too.

My praise for this record isn’t enough, so please go out and buy it- and listen to it religiously.

#Bemoremartyn.

 

GARBAGE: 20 Years Paranoid Tour. 9th September 2018. Manchester Academy.

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There are some experiences in life that can never be replicated. There are some moments where words do not do what you have been through justice. Last night I saw Garbage perform a record in full that came out 20 years ago. This is the record that saved my life. This isn’t an exaggeration; it’s the truth. Music has, and always will be my crutch but Version 2.0 helped me in ways, and still helps me in ways nothing else has. Or could.

This isn’t a typical review of a show. This wasn’t just me going to see a band play live. This was something else. This was an outer-body experience. It was part healing, part saving, part something that I do not know how to put into words.

There were a few songs I knew would break me. I tried listening to one in particular a few days before the show and I couldn’t make it through. How was I going to cope seeing it live? As soon as the opening notes to Medication kicked in, I suddenly wished I was on a higher dose of sertraline. My mind and body couldn’t really come together to fathom what I was experiencing. The brutal truth; Medication got me through being bullied all through secondary school, it got me through the years and years of self-loathing and what comes with it. Just read the lyrics, it’s fairly obvious how I coped. Do I regret it? No. Am I ashamed? Not at all. We all cope differently. So when I heard this song last night, I went back to the days of feeling like I did then. But something happened- it wasn’t just tears of sadness. They were tears of relief knowing that I don’t have to carry that feeling around ever again. Sure I have to face depression and anxiety every day- but certain feelings aren’t there no more.

A moment that truly stood out was Shirley crying at the response we gave the band. But, what else could they expect? People that were there last night were people who idolise the band, who have had their lives saved by them, who use the strength in the band make it theirs. Last night’s show was the best show I’ve ever been to- the main reason being what the record means to me. However, the reaction from everyone was just so beautiful, and totally backs up my theory that crowds in Manchester are just the best.

I loved when Shirley went into Personal Jesus during Wicked Ways. It went perfectly, and was something I just wanted to last forever. I also loved Dreams by Fleetwood Mac being sung by Shirley towards the end of You Look So Fine. That song has always made me cry for reasons I’ll never understand, and to hear Shirley sing You Look So Fine and expose just how vulnerable the song is was just something else. Push It sent everyone nuts- it was incredible. I was stood right at the back, but to see everyone go off for this song was so beautiful. The crowd was made up of every background you can imagine, and it was just a beautiful sea of people coming together to see the band that they adore. There is no better feeling.

Every B-side was played, and my personal favourite was Solider Through This. It’s been a song I have loved since I heard it years and years ago. I loved the fragility in it. I loved Shirley’s speech before she went into it. She said relationships shouldn’t be difficult, that they should be easy. I truly felt that- I was stood next to my girlfriend, my best friend as she said this. There was no one else I’d want to see my favourite band with, and allow them to see me ugly cry like that. Although a difficult song for her to sing live (the lyrics justify why) Shirley’s voice on this was one of my favourite moments of the show. Shirley’s voice at this show was nothing short of mind-blowing. I have never heard anyone sound so tough and powerful. There’s a note in this song near the end that she totally annihilates and every single part of me is covered in goose bumps. She does this numerous of times throughout the show, and I think it’s us, the crowd that make her sound louder than she ever has. I was just in awe of her voice and how Butch, Eric, Duke and Steve play with this energy that puts newer bands to shame.

The Trick Is To Keep Breathing was the song that made me cry the most. I’ve never ever cried like that at a show before, and I never will again-unless it’s seeing this song. This song was my lifeline for so long, and it still is. It’s my go to song when everything is too much or when I just need some form of reassurance. I used to repeat the chorus in my head as I walked the corridors at school and had this feeling in my stomach knowing what I was about to face. This song got me through it, and I am forever in debt to Garbage for this song.

When you go to a Garbage show, you are enamoured by all of them. You focus on Shirley stalking the stage like a hungry panther, Butch makes you wish you could play the drums, Duke is the coolest person on the planet, Steve has this laid-back stance but you know he is playing with everything he’s got and Eric drives the band on. I’ve never seen such a perfect bunch of musicians like this before. They fit together. Their bond is just so beautiful.

Excuse the pun, but it was such a special show. Every song made me feel like I was going back 20 years ago to hear this record for the first time all over again. I loved that there were little kids at the show wearing massive headphones-imagine that being your first show you ever go to! Those kids have cool families. I love how this show just brought so many people together all for the same reason. I loved hearing The World Is Not Enough,  Dumb and their cover of Can’t Seem To Make You Mine. Temptation Waits blew my mind a stupid amount! I wanted the show to keep going forever. In my head, it still is. I’m emotionally exhausted from it and I’ve had about 5 hours sleep. I feel like I am still at the show. I want to always stay in that moment.

The show ended perfectly on their cover of Starman. That song has always made me cry (what doesn’t… I know!) and to hear them sing this song, it kind of felt like the band were saying “Stay weird and don’t let anyone take it from you. Ever.” Just like Bowie always did. The way Shirley sings this makes you realise she has definitely studied his performances, and she did the song justice. They all did. They made this song theirs but in a way, you knew it was a tribute and it was so perfectly done.

I never thought I’d see/hear the songs live that saved my life. I never thought I’d experience it. It meant more to me than these words I’ve written can express. If on the off-chance they read this- thank you. You helped this kid deal with more than they could carry, and make it to adulthood.

BLEACH BODY.

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Manchester. Home of many amazing things, places and people. The amount of exceptional bands that have come from this beautiful city is something to be hugely proud of, and adding to this grand list is Bleach Body. Three musicians who make delightful noise.

For those wanting something a bit obscure and something incredibly loud, I give you Bleach Body.  This Manchester based band make the kind of music that’ll make you feel as if your bones are shattering and your mind is being blown. They’ll posses you with their sound and cause an earthquake (of sorts) inside of you.

They’ve been going for over a year now, and they released a couple of new recordings about a week ago. It’s just two songs, but those two songs are enough to make you see just how great they are. I love the sheer urgency in the song Guts. I love how it is delivered with such rage and like I just mentioned, urgency. There is something about this song that just oozes the need to be heard. It’s not even three minutes long but in a short amount of time, you really get what Bleach Body are about on this song. The insane instrumental for the last 50 seconds of the song is out of this world. It’s so ferocious and something to keep going back, and just keep on hitting repeat- or to just cut to that moment because it’s so good!

They are unapologetically loud and a delight to listen to. They’re in the same league as a band I will constantly champion- Table Scraps. They’ve got something about them that just makes you stop what you’re doing. Nothing else can take your attention away from them, there’s something in the music that just revives you and makes you aware that you’ve really never heard anything like this before. This is with just one song. Can they do it with another? Come on now, you know they bloody well can.

Happy Is The New Healthy is just as loud and just as brutal. The slight distortion in the vocals mixed with the shit-kicking drums is something I really love about them. I love when a band obviously pushes themselves with their music and how they always have this admirable raw sound in the music. I have huge love for Bleach Body because they are able to just put everything I love about music in their sound, and have created something that towers over most. Happy Is The New Healthy is most certainly a song that feels like you’ve been beaten black and blue by the end of it, and I’m pretty sure that their live shows will have you feeling exactly the same.

I’ve found a number of new (to me) bands to love this year. Bands that have definitely justified my love of music and my love of writing about bands I absolutely adore. I can easily but Bleach Body up there. They are one of the most remarkable bands I’ve heard this year, and I’m so excited to hear more from them. In just two songs that have created something truly spectacular and something to definitely pay close attention to. For a band to leave such an impression in just two songs is really worth investing in. I love how loud they are, I love how utterly fearless their sound it and I love that they sound unlike anything/anyone else. I really cannot wait to hear more from them.

Manchester. Home of many incredible things, places, people and bands. Bleach Body are in that list of incredible bands from this wonderful city that I am so proud to call home.

METRO VERLAINE: Band On The Wall 11/05/2018.

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On Friday evening, my girlfriend and I went to see one of the best bands from France. In fact, they are probably one of the best bands I have ever seen. Metro Verlaine make music for the dark romantics, music for those who love the eerie side of music. When you see them play, you will immediately be drawn in and hooked forever. A 30 minute set wasn’t enough, and quite frankly- they should have played for another hour!

Metro Verlaine consist of four band members, but during live shows they have my generation’s greatest guitarist- Charlie Rowell (from Crocodiles) who has produced their debut record, Cut-Up. The record is nothing short of phenomenal and brings together everything I love about music. There are resemblances to The Cure and Joy Division. They are definitely influenced by English bands that posses a dark sound but they make it their own.

Raphaëlle  is easily one of the best singers you will ever see. She has such a powerful and amazing voice. She made us feel like we weren’t in a tiny room, she made us feel as if we were in a stadium or in a cathedral. She has such a grand voice, and although you get hints of it on record- it really gets you in the gut during their live shows.

I absolutely adored how the drummer doesn’t use a full kit (think Bobby G when he was in The Jesus And Mary Chain) but makes this incredible noise regardless. He’s louder than most, and I loved that so much. Something that is worth paying attention to with Metro Verlaine is just how effortlessly together they are and how in tune they are with each other. I’m not sure how long they have known each other prior to starting the band, but when you watch them on stage you pick up on this incredible bond. Most of the time they don’t need to say anything to each other, a simple look says it all. Sure I hate the word but the band are just so cool. Maybe it’s because they are French and they have this class to their sound and style that makes you wish you were like them. If I could sing, I’d want the power and range that Raphaëlle possess. I sincerely hope she becomes someone who singers to come cite her as an influence because she’s truly something else. She dances on stage so freely and takes that deep into the crowd. All you can do is watch on in awe.

Cut-Up is a mighty fine record and to hear these songs in a live setting makes you appreciate the record even more. Of course they are criminally underrated, but in time they’ll probably take over the world. They’ve already taken over mine.

Something I really loved about them is their love for Manchester. They are vocal about this and their song, Manchester is a beautiful ode to the greatest city in the world. Everyone on stage plays such a vital role in making the crowd move, each of them leave you wishing you were as cool as them. The only downside was the venue cutting their set way too short. They played for just under half an hour; they could have easily headlined and/or played for another hour or so. Even if they didn’t have enough songs to play for hours, I’d be happy to hear it all on repeat.

Metro Verlaine are the coolest band you’ll hear. They make music to get lost in, and to also find parts of yourself in. Sure you may not understand what they are singing about at times, but who cares?! The music and vocals are enough to keep you hooked for eternity.

VIVA METRO VERLAINE! JE T’AIME!

LEATHER PARTY: Tired Ize (EP)

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I am proud to finally call Manchester home (I’ve been here a month already, I know) and one thing in particular that I adore about this beautiful city is the music scene. There are so many bands to discover, venue floors to stick to and record shops to blow your wages in. There’s a new-ish band in town that I have to write about. If you’ve heard of Brown Brogues then you’ll probably be aware of the genius that is Mark Vernon. He’s had other projects such as Machiine, Peace And Love Barbershop Muhammad Ali, has toured with The Underground Youth and is now giving us the effortlessly sleazy and cool; Leather Party.

The full EP was launched into the world via bandcamp a few days ago but if you follow the band page on Facebook, you’ll have seen that Mark has accompanied the songs with a short story. I’ve read the stories and now I’m taking the stories away from the music to write about it. I’ll put a link at the end, as the best way to listen to this record is to read the stories with the music playing. Then listen to the record in full with no distractions.

Mean Like A Snake (which was a PALBMA song) has been re-worked sort of. It gives a different meaning to the song, and it really makes it sound quite sinister. The brilliant thing about Mark is that his vocals more often than not sound really smutty and decadent. I described Brown Brogues as that a few years ago, and I just love the way in which Mark does it. He’s massively underrated as a musician and as a song-writer. I just think the amount of work he puts into his music is admirable, and makes him definitely stand out.

Something I really love about this record is that it has the uneasiness of Lou Reed’s Metal Machine Music. The songs will make you feel a little uncomfortable and on edge, especially on No Smoke Bout Fyr which at the moment is my favourite but as we know, I’ll change my mind after several more listens. I’m doing a radio show in June and I’m tempted to just play this record on a loop for 2 hours. There is so much to love about this record and there is so much to admire about it. It’s wonderfully noisy and just an excellent body of work.

It has that industrial sound found in the likes of Suicide mixed with something I can’t quite get my head around, and I think that is part of the appeal. Because it sounds like something you really haven’t heard before but as someone who loves all of Mark’s musical projects to date, there is something a little familiar in his sound. But like I mentioned, there is something that definitely keeps you on edge. It’s part excitement, part nervousness.

This record is so easy to love and is an absolute joy to listen to, and the record closer Thick 2 is the kind of song you’d want to hear on the radio (especially if you’re tired of the mundane.) I love how this record sounds like someone who is really pushing themselves to create something that towers over what they have previously done. I love the passion and dedication in this record. I cannot compare this to anything Mark has done previously, everything he has ever done always sounds different and although there may be familiar sounds at times, he really does make music that stretches beyond labels and what is expected. I have no idea what Mark set out to achieve with Leather Party, but I can safely say that, as a fan it is nothing short of perfect. Sure I’d love more songs but what Mark has created here is something to treasure, play loud and snarl at your neighbours to.

You can buy/stream the release here: https://leatherparty.bandcamp.com/releases

Check out Mark’s stories for the music here also: https://www.wearerawmeat.com/posts/leather-party-tired-ize Start with part 1, and allow yourself to be captivated by Mark’s words and music.

DORIAN: Just What Is It That Makes Dorian So Different, So Appealing?

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When I was at University back in 2006, there was one band in particular that saved me from loneliness and homesickness. A band that I would listen to almost religiously- The Long Blondes. I think them splitting up was one of my biggest heartbreaks I’ve ever encountered. But, we must move on. I still listen to them. Certain songs are still my crutch. Kate Jackson’s solo record blew my mind and know it is time for Dorian Cox to step up and show us what he’s made of.

Dorian has been involved in a number of projects over the past few years, and his current one is heavily and wonderfully influenced by two of the greatest bands of all time- Suicide and The Velvet Underground. I can accept a lot of things in life, but I have a hard time accepting that someone wouldn’t be a fan of Suicide or The Velvet Underground. Their dirty and raw New York sound is something I have always been in love with, and I love finding music that has been influenced by one or the other, or both. Dorian’s debut release is wonderfully titled Just What Is It That Makes Dorian So Different, So Appealing? It sounds like an early title from a song by The Smiths doesn’t it? Bloody great.

This EP reminds me of early Suicide with a massive nod to the genius, Mark E. Smith. The distorted vocals over the synth and drum machine work so well. I’ve listened to this a few times now since it came out at the end of January and I can safely say that the lyrics to Forever Is My Favourite Cliché possess some of Dorian’s finest work, lyrically. I have always adored Kate and Dorian’s song writing skills both separately and together. I love the sheer sleazily and dirty feel in the songs- it stays true to that eeriness of Suicide and darkness of Lou Reed’s words. Sure it’s an acquired taste, but I think those who love Suicide will adore this. It takes you back to the first time you heard the likes of The Fall and Suicide, and it stays with you. That feeling builds and builds with every listen. These aren’t songs you’ll hear in a club- these are songs you’ll hear at house parties at 2am when everyone has emotionally crashed and needs something to lift their spirits. It’ll spark up conversations with potential love interests, it’ll bring together people who wouldn’t probably talk to each other at any other time.

It is has got this quality and feel to it that can ignite feelings, thoughts and wonder. You can play it at any given time and it’ll make you feel like you are elsewhere. I first played it when it came out. I was sat at my desk at work and I just played it a few times to try understand what was going on and what Dorian wanted to achieve with this record. I feel that if he wanted to create this real raw and dirty sound then he has done it easily. No problem. I love music that makes your ears feel a little violated and your mind warped. I love anything that’s a bit dark and sinister. Just What Is It That Makes Dorian So Different, So Appealing? is a brilliant EP and one that is probably best enjoyed around 3am when you can’t sleep. When it ends, allow yourself to drift off and have insane dreams. Maybe Alan Vega will come visit you with Mark E. Smith in tow.

Dream baby dream.

You can listen to/buy the EP here:

https://dorian.bandcamp.com/releases

MARK E. SMITH

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I was about to settle down with a book and play The Fall when I read that Mark E. Smith had died. My hands are shaking. Hitting the keyboard to try type out some sense is all I’ve got.

I’ve been into The Fall for close to 16 years. I worshipped Mark E. Smith. His words were like religious scriptures to me. His words were to the point, honest and hilarious. Observational and vital. Pure and unapologetic. Genius, genuine. Northern. My hero.

Some dismissed him. Those who dismissed him didn’t get him. Those that got him adored him and like me, clung onto his words. For me, his words were my crutch when I was on the dole for a while and his words have rang true whilst I struggle living in a city that I just do not want to be in. His words, his voice, him. The hell do we do without him? I thought he would outlive us all, in a way he will. There will never ever be anyone like Mark E. Smith. There was no one else like him before. No one else will come close to him. He’s one of those people who are just so rare and so precious. I feel like someone has repeatedly punched me in the stomach. Can this just be a joke? Come on now.

His autobiography is my second most read book (my first being Just Kids by Patti Smith.) My copy is well read. It’s been everywhere with me. I’ve taken it on trips, I’ve used it to provide laughs, I’ve quoted it at appropriate and inappropriate times. I’ve clung onto it like a baby holds a blanket for comfort. Mark’s words were a safety net. They always will be. An escape route from the mundane.

The way he used his words was nothing short of brilliant. The guy was a genius. A proper poet. The people’s poet. He had this way of just getting in your head and making everything fall into place. Sure he had a reputation of being difficult or whatever, but he probably had his reasons. People can be idiots at times and he was probably rightfully annoyed at their stupidity. We can all relate to that.

I have this weird ritual that any time I leave London to go home/north, I have to play Hit The North a certain amount of times. When I hear this song, it gives me butterflies because I know I am going to see people I love. It reminds me of home. I don’t know why, but it always has. I used to listen to it at uni when I got homesick. The Fall have always been my band. Everyone has that one band that is theirs (I don’t mean in a “I love them more than you” way at all) They were a band I found on my own. By on my own, I mean staying up late to listen to them on the radio when John Peel would play something by them. I was hooked instantly. First listen and I knew I had found a band that would be a massive part of my life. A band that I would come to rely on over and over again.

Mark E. Smith was undoubtedly the most hardworking person in music. He was my superman. He had this ability to just make you connect to his words in a way that no other could. I know I love Morrissey with all I have, but Mark E. Smith was the King of Manchester. He truly, truly was. He made you want to have a pint with him in his local and just talk about anything and everything. He was so fascinating. I can’t get my head around writing this in past tense. It just doesn’t make sense at all.

I remember finding a copy of The Wonderful and Frightening World Of… in Oxfam on the Isle of Man and thinking I had won the lottery. In my head, it was my version of winning the lottery. It is one of my most played records. A couple years ago my mum got me a bootleg live record at a car boot sale on the Isle of Man along with Captain Beefheart and The Pretty Things.

I know this is all over the place, and there is so much more I could write. Maybe I will another time. For now, I have to let this settle in my head. How most felt about Bowie leaving us is how I feel about Mark E. Smith leaving us. The greatest frontman of all time, one of the greatest writers of all time. Entirely genuine and effortlessly charismatic. His humour and intellect was apparent in every single song, every single record, every single word he spoke, sang and wrote- it was all there. Always.

Mark E. Smith could make you belly laugh, he could make you chuckle at his observations, he could leave you in awe with his wisdom. He made you feel and think so much. He made you see things differently, and it was such an honour. The Fall weren’t a band that you listened to once in a while. They were, and are…fuck they ARE a band that just become so important to you. The amount of times I have had a panic attack and used Hip Priest to calm me down. It’s over 7 minutes and it’s one of the few songs that can calm my mind down. I can zone out, and all is okay.

Maybe it is pathetic, but I genuinely feel like someone has ripped my heart out and punched me in the gut over and over. It’s one of those things you dread. What do you do when your hero goes? I’m at a loss with this one. Like I said, there is so much more I could write and maybe I should have left it longer to get this out so it was written in a better way.

He had this laugh that was like a naughty schoolkid. I can hear it now as I blast out Hip Priest. His cheeky smile was infectious too. He was one of the good ones.

Thank you, Mark E. Smith. Forever my hero. Safe trip x

NICK CAVE & THE BAD SEEDS: Manchester Arena- 25/09/2017

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Never in my life did I ever think I would see Nick Cave & The Bad Seeds live. I treated them like mythical god-like beings that I would worship but never see. It all changed last night. Everything changed last night. I know I always say it but, I can honestly say that Monday night’s show was the best gig I had ever been to. Nothing is ever going to top it. I don’t want anything to ever top it. It was something I thought I could prepare myself for, but honestly nothing can prepare you for ever seeing your idol.
I’ve allowed a few days to pass so I can process what I saw and felt on Monday night and to be honest I think it is one of those things I’ll never get my head around. Prior to Nick Cave & The Bad Seeds arriving on stage, the atmosphere was tense. A lot of people had picked up on it and it was just so heavy. I heard people mention what had happened and how they could sense it. It was an odd environment but as soon they stepped on stage, everything changed.

As soon as they graced the stage, tears fell from my eyes. The tears were from years and years of waiting. Years of admiring this poster I remember seeing to having the man himself stood in close proximity. It was entirely surreal.

The bulk of the set was Skeleton Tree. I’ve only listened to the record a handful of times. It’s such a gorgeous record but the circumstance surrounding it is heartbreaking. However, seeing these songs live changed it all. The emotion was there but more so- I was in awe of all of them. Every single person on that stage is a genius and the best musicians I have ever seen.

For me, the way Warren takes an instrument like the violin and turns it into this wild weapon like a machine gun blew my mind. He took something calming and whipped up a heavenly storm. It felt like the inside of my head when I have a panic attack, except I felt totally at ease with it all.

I know it is utterly expected but I need to write about Into My Arms. It’s a song that has come to mean everything to me. It’s always reminded me of someone, and to finally be able to hold her close as they performed this perfect dedication of love meant the world. And I could see just how much it meant to everyone in the venue.

From Her To Eternity sent me off on a whirlwind. If I could live in the moment of any song, it would have to be that. It’s one of the most important song to me by anyone. From the lyrics, the music, the title and Nick’s voice- it is just a perfect work of art that I always remember being one of the first Bad Seeds songs I ever heard. Those moments stay with you, and so does seeing it live. It’s a moment that you want to always stay in.

From Her To Eternity went right into Tupelo. It was like a storm arriving. It was wild and it was untameable. Every little detail just made you fall deeply in love with the band. More than you already were, and to think it wasn’t possible!

One moment in the set made me cry harder than most. I really didn’t think Jubilee Street would make me cry at all. It’s a song I’ve loved but never did I think I’d get myself in a state. Towards the end of the song when Nick powerfully and beautifully  (I’m getting goosebumps writing this) sings “I’m transforming, I’m vibrating, I’m glowing. Look at me now!” If I could describe in a way that does this moment justice, I would. But if you were there or if you’ve ever seen them do this live, I hope you understand what I mean and what I’m getting at.

Higgs Boson Blues felt like a punch to the face, like your soul was being shaken up. There are songs I wish they did but honestly they could have sung the weather and I’d have been happy, and still declared it as the best gig I’ve ever been to.

As I watched Nick be propped up by the crowd with their hands reaching out to him waiting to be touched and held- I kept thinking it was like a sermon. The stage is their altar and we are their dedicated followers. At one point Nick announces how gorgeous Warren is and he also discusses his purple socks with a guy in the crowd. At the encore, I think he hands him one of his socks. There was also an idiot who twice yelled at Nick, “Get your dick out!” I don’t condone violence, but I wish Nick found the doofus and smacked him in the choppers.

I’m not a religious person, but this gig felt like a religious experience. I’m totally fine with Nick being my god and my teacher. I clung onto every word he sang with such hope, love and admiration. Nothing has felt the same since. I feel as if I could be okay with never going to a gig again after seeing them because let’s face it, nothing in this world is ever going to top it. As I gazed up at the stage, I felt 3 years old again staring at the poster on my uncle’s wall with curious eyes and anticipating what would happen if I delved deeper.

I loved when Nick walked into the crowd in the seating area. He stood like a majestic creature. Controlling the crowd with hand claps and silencing us when he wished. We would do anything he wanted. The stage invasion was such a beautiful moment. To see that many people on stage with the band they adore was just beautiful, and as the set ended with Push The Sky Away everything felt alright. What comes next is going to be okay, no matter what.

I’m sure I have missed out many things that happened, but I’m still trying to stay in that moment of seeing them live, finally. Of course if I had the money I’d have happily done the whole tour. The crowd were wonderful, the band were phenomenal. There are so many reasons as to why this is the best gig I’ve ever been to and if you were there, you’d understand.

Nick Cave. The Bad Seeds. From Them To Eternity….

PINS: Bad Thing EP.

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In some ways, I guess I could just say this blog is dedicated to the same bands over and over. That probably makes me boring, but I don’t care. It’s not my fault that a solid few I love put out excellent music that deserves being written about. I’ve been writing about PINS for a long time now, and every time I write about them it is as if I find something new to love about them. Everything they put out seems a step above what they previously did. They have a really strong sound, and aren’t afraid to be different and more importantly, create a sound that is so important.

As part of the Bad Thing EP, PINS have worked with the King of Punk. The Godfather of Punk, Iggy Pop on the lead track Aggrophobe. The partially spoken word track captures why we love him- his voice. Speaking or singing, Iggy has such a distinctive voice and with Faith’s voice merging with his on the hook, you kind of want Iggy to be a permanent member of PINS. It’s such a brilliant song, and the video to it is equally great.

Bad Thing is a handful of songs that show perfectly just how great PINS are and how their sound and beautifully evolved. I need to touch on their stunning cover of Dead Souls by Joy Division. Not many people can work a cover and add something to it. I think if someone is going to cover a song, they should do something that makes it theirs. That makes you believe it is their song and doesn’t belong to someone else. They’ve done it beautifully with Dead Souls. When I first heard PINS a part of me heard familiar hints of Joy Division in their sound, and I’m so happy they chose this as the Joy Division song to cover. It’s one of their best ones, and PINS make it their own but still leave parts of Joy Division within the song. It is 4 minutes and 35 seconds of ethereal darkness. It’s comforting and sacred. For me, PINS are made up of 5 excellent musicians who are the best at what they do. If you’ve seen them live, they’ve probably all left you wishing you could play an instrument. I firmly stand by Sophie being one of the best drummers I’ve ever seen.

After spending my morning at work listening to Bad Thing, I’m pretty much set on In Nightmares being my favourite song. Faith’s voice is gorgeous on this song. There are a number of songs by PINS where her voice just sounds so haunting yet angelic, In Nightmares is easily one of them (Everyone Says is another, from their last record) In Nightmares is the song you go back to and play constantly. Irrespective of your mood, it’ll make you feel like you’ve got a safety net and well, we all need that at times and sometimes it takes form in the shape of music.

All Hail is a song they have already been putting in their shows, and it is so good to see. It’s got this wonderful gang-like feel to it as they sing, “All hail.” It’s like a protective circle around the band and those who love their music. PINS are one of those bands you wish you could join. You’d start a band if you could, but you know you wouldn’t be able to get a sound like this. There is something familiar about their sound, which makes you know it is them but there is something else that lies within their sound that makes you unsure if it is a band from decades and decades ago, or if this is really a band from 2017 making this ideal sound.

To be honest, PINS have got the ideal sound. But that’s just my opinion. For me their sound is everything I want from music and from a band. I love their lyrics but I also love watching their live shows. I’ve seen them at pretty much every London show they’ve done. They’re playing up the road from my house next month, and I’m so excited about it. They are a band that you have just got to see live. Each show they’ve done that I’ve seen just shows how much they have grown. Not just on record, but on a stage too. The confidence is properly there now, and I am so proud of them.

Bad Thing is out now, but limited copies are available.

BANKS: Albert Hall, Manchester. 10th March 2017.

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One of the best feelings you can experience is waiting years and years to see a band or singer you adore. Not only do you adore them, but they’ve undoubtedly saved your life and made it easy for you to face those days where getting out of bed seems damn near impossible. You’re not brave, but the music and words give you this strength that you never thought you could possess. You don’t know what to do with this strength, but when no one else is around at 3am when you wake yourself up from having a panic attack, the music keeps you safe. The music keeps you sane. You have a small support network but those people aren’t close by. You cling to what you can, when you can.

Since 2013 I’ve been obsessed with Banks. Her words got me through something that in some ways, I put myself through a few years before. A situation I was too immature and fucked up to handle. The songs on Goddess made me see how badly I had hurt someone I loved and adored. Fast forward a few years, and we’re together. The songs don’t hurt as much. We’ve both healed. Time can heal. Goddess is built on songs that ooze hurt and pain, but they give you strength. The Altar is a body of work that shows honesty and vulnerability in a way that again, gives strength. That’s what Banks embodies- strength and love for yourself. Her songs are a form of healing and clarity.

Her set opens with the chilling Poltergeist. Using two microphones to distort the vocals, Banks has this stage presence that hits you right away. The way she focuses on the dance routine during this song is nothing short of hypnotising. Your eyes are hooked on every mood she and her dancers make, and the songs suddenly take on a whole new meaning. Banks moves like nothing else I’ve ever seen. Her moves are so delicate and well thought out. She reminds me so much of Aaliyah with the way she carries herself and glides across the stage.

There are so many stand out moments from the show last night that made me realise that her songs are more than just words and music. To see them come to life like this was mind blowing. Every part of me just wanted to sing a long, but all I could do was gaze in awe. The person I’ve been using as a crutch for so long was right there. One of the most beautiful points of the show was her asking everyone to put their phones away, and she performed a fragile version of Better. This song performed this way just changed everything. It took the song elsewhere, and you just connected in a completely different way. Mother Earth was the song I feel broke and fixed hearts and minds. Lyrically, it is probably one of the best songs Banks has written so far. The way she is so open and so pure when she performs this song just melts your heart. I knew it would be the song to break me and make me cry, it just has this power but in the best way imaginable. You just feel when you hear it that you can possibly take anything on and that she is right there with you going through it all. She gives you so much hope with this song, and I cannot thank her enough for it.

This Is What It Feels Like is one of the songs I was massively looking forward to. It was one of the first songs I heard from her, and she dedicated it to all those who had been there from the start. The way she choreographed her hands as she sang This Is What It Feels Like is so captivating. Drowning also left me hypnotised. I couldn’t tear my eyes away from the stage and it was sung with such determination and power. Beggin’ For Thread was just absolutely one of my favourite songs from the set, and it just made me so happy to see this song come to life like this. Her dancers add this eerie feeling to the whole set that just lures you in, deep into this world in the most comforting way.

A large part of the show was songs from The Altar which was easily one of the best and most underrated records of last year. Since September I’ve played it religiously. It’s been a record that has eased me out of a state after I’ve had a panic attack, and her voice just soothes my head. Trainwreck is performed with such attitude as is Gemini Feed and of course, Fuck With Myself. The way she performs these songs just gives you this belief that you’re as tough as her. Weaker Girl is again, another mind blowing performance. The way everyone shouts “I’ma need a bad motherfucker like me” is incredible. Every song is just screamed back at her, it makes you feel like you’re in an arena not an old church in the middle of Manchester. She has the crowd right where they should be, and none of us want to ever leave.

Judas and Haunt again bring out this bold and brave side. Judas especially is performed with this venom that makes you feel the hurt she’s experienced from whoever or whatever has hurt her. I know I’ve said it countless of times before about her, but when she does this you just truly connect to the music. She’s so easy to connect with and to feel, and believe in every single word. I don’t even know what I did before I had her music.

The set ends with 27 Hours followed by This Is Not About Us. Of course there are other songs I would have loved to have heard but that’s just for my own personal sentimental value. The set was nothing short of perfect, and if anything, I’d have just wanted her to stay on stage for hours. Her dancers, her band, and her stage presence- just everything felt like something that came purely from the heart and soul. Wherever she goes when she performs these songs, she takes you with her.

It didn’t end just there. Before we went to the show, I wrote a letter to give her. The letter consisted of me telling her how much her music has helped and healed. How it still does, and how it gets me through my own hell. I handed the letter to her, and as we hugged, I had to tell her something I had needed to say for so long. I told her that she had saved my life. A bold and big statement that is entirely the truth. This was more than just a concert. It did something that no other show has ever done to me. I’ll keep its meaning close to me and go to it when it all seems too much. There is so much more I could say about the show last night, but if you were there or if you’ve seen her live- then you’ll understand exactly what it is that her music and her presence does.