Tag Archives: Hardcore Punk

TURNSTILE @ Depot Mayfield, Manchester. 3rd November 2025.

Posted on by

I think the happiest place on earth could well be a Turnstile show. Now, I’ve waited a ridiculous amount of time to see them live, and I’m just glad the venue wasn’t the Victoria Warehouse. If you ever make a list of shit venues- that one should be top. Anyway, the venue was alright last night. Stood at the back on a platform with a pretty much perfect view. The sound was solid, but the band were truly something else. Part of me wanted to cry because I was just so happy. But all I could do was stand and stare and just be in awe of one of the best bands around. They could easily sell out arenas over here, and maybe that’s next. But for now, these decent sized venues are it.

Turnstile start the show with Never Enough, and for the next hour and a half- the crowd are theirs. They are ours. Everything is alright in the world. The set is mainly the new record, but they through some gorgeous oldies in there, and it’s pretty much a perfect setlist. In an ideal world, Generator would be in there but who cares?! When you’ve waited what seems like an eternity to see a band you adore live, you don’t care what you see so long as you’re there. Every song played is screamed back from the crowd, and there’s not a still body in the crowd (apart from the person stood next to me for a bit who was with her partner- he was having a great time, but she was having none of it!) As far as crowds go, this one felt utterly safe and just full of love. You could really feel how much everyone loves the band, and every song just meant the world. You’ve got a band right up there in front of you, playing with everything they have and to see everyone around you give that same energy back was just divine.

Much like Amyl and The Sniffers set up- the projector on the screen shows the crowd on stage, and also the band. To see the amount of love and joy on everyone’s faces was just beautiful. I know some have said it was a shit venue, but maybe we got lucky from where we were stood. I think Turnstile may just be up there as one of the best bands I’ve ever seen live, and last night’s show is definitely in my top 3 favourite gigs of the year. It was just such a beautiful atmosphere, and it felt really safe. That’s all you can ask for (although, it should just be a given!)

The energy the band have is beautiful. Brendan leaps around the stage doing leaps and star jumps, and you just feel how much he loves being on stage. Meg is one of the slickest guitarists around, along with Pat. Franz is one hell of a bassist and Daniel is one of the best drummers I’ve ever seen. Turnstile are made up of the best of the best, and the way they play together on stage is honestly such a joy to watch. The just exude pure love for what they do, and for each other. I genuinely miss them right now and wish I was at a Turnstile show. I think I’m going to carry that feeling around for a long time, and I just know I’m going to get that same feeling next year when I finally (finally!!!) get to see Deftones. I’ve waited over 20 years for that; it’s going to be something else- I don’t think I’ve mentally prepared myself for it. But for now, I’m going to stay in the moment of being at a Turnstile show.

The only bad thing about last night was the cost of merch. A hoodie does not need to ever EVER be £100- especially when they are selling them on their merch online shop for £50. It doesn’t need to be that much at all. I got a bootleg one outside of the show for £30. Come on now, £100 for a hoodie is insane, there’s just no need for it.

Back to the show.

If you ever want to experience sheer euphoria and a sense of freedom, go to a Turnstile show. The crowd were just heavenly, and you could see how much it meant to everyone. Seein’ Stars is a billion times better live, and I feel when I listen to it on record now, I’ll just have to sulk because it isn’t live. Blackout and Mystery were a joy to witness. Closing the show with Birds was WILD. The amount of times I probably annoy my cat but picking her up and singing this to her is a lot! Turnstile are her favourite band. I’m raising her well.

Off the new record, Light Design was the one for me. There’s something about this song that just hits me and to see it live meant the world. Hearing old ones like Pushing Me Away was insane too, and it was just a dream to witness. I genuinely don’t think I can fully put into words how special a Turnstile show is. Like, I can try write about it but it’s one of those things where you HAVE to see for yourself. You can watch all the footage online or on YouTube but being there, being right there is something else.

Holiday saw a group of lads in front of us go absolutely apeshit, and it was wonderful. Just to see a band bring so many people together, and to see how happy everyone was….you can’t define that, ever. All you can do is soak it all up and truly be grateful for the band that mean the world, and so much more to you.

PSYCHIC PIGS: S/T

Posted on by

If you’re looking for say, 10 really loud Punk songs to knock you out or burst your eardrums- then you need the debut record by Psychic Pigs. A band fronted by half of one of my favourite bands in the world, Brandon from Crocodiles (a write up on Charlie’s Crush Of Souls project is coming) has created Psychic Pigs with his buddy Jonah Falco (yep, from Fucked Up) and made one hell of a rowdy record.

I won’t liken the record to anything Brandon has previously done (but if you loved one of his many bands such as Flowers Of Evil, then you’re going to adore this) but if you are a fan of Crocodiles, then you will love this delightfully loud record.

The record was made in London, and you can hear hints of UK Punk in the record all the way through. With Jonah on production and drums, Brandon is responsible for the vocals and guitar. Put these two together, and you’re of course going to be blessed with something truly incredible. These 10 songs were made for you to trash a room to, break stuff, throw yourself around a room and really get wild. I live on the 8th floor and it’s tempting to throw the TV off the balcony whilst listening to this record (I won’t!) This record was made in only 4 days, and you can really hear the rush and urgency on it. Songs like Everyone Pays massively sounds like it could have been born from early Hardcore days; you can hear what has influenced Brandon a lot on this record and his writing yet again will blow your mind. Charles and Brandon are two of the greatest writers of our time, and their genius shines always- whether together as Crocodiles or separately. I just adore them.

This record by Psychic Pigs is beautifully filthy and is there for you to totally immerse yourself in- in every way possible. It’s a record that’ll cause or cure a hangover; it’s a record to play really loud when you’re on your own. It’s a speedy and mucky record, and only good things can rise from the dirt, right? This is a record that goes beyond being a side project- it’s got this drive and bite to it that makes you feel like you are hearing Brandon’s voice for the first time, and also, you get exactly the same feeling from Charlie’s Crush Of Souls project. In short, they make beautiful music regardless.

The songs on this record don’t really hit over the 2-minute mark, so it’s pretty easy to just have this on repeat constantly. I love Hello Oblivion the most right now, but I’ll change my mind in a few hours and find a different song on the record to adore. I just think Brandon and Jonah have created something really important here, and it goes beyond being a rowdy Punk record. It feels comforting in some ways and maybe that’s because for me, Crocodiles have constantly (since 2008/9) been my ultimate comfort band. Every record is associated with something or has got me through something, kind of like having a buddy there right in your corner, y’know? There are so many hints of Hardcore bands on this record mixed with something that’s utterly nameless, and I think when you find something that you cannot describe, you’ve probably found something to treasure for a long time.

The lead single off the record (self-titled) was the perfect introduction to what we were going to get on this record- that snarly Stiv Bators attitude flows throughout the record and is so prominent on the lead single. It’s a brilliant song to get us all hooked on the Pigs. If I won the lottery, I’d pay for Brandon to bring a Psychic Pigs tour to the UK because this is a record that’s got to be witnessed live. New Dark Age

venue where you don’t know where the stage ends or begins-everyone just merges into one, and personal space doesn’t exist. Beer and sweat falls on you, and neither is your own. Perfect.

For me, the second half of the record is where the rowdiness really kicks in and songs like Masochist oozes a real Punk attitude that may have once scared your mum but she will tell you she’s seen and knows more than she lets on- so who’s scared now?! I know this is a great record because even though I have it playing super loud, my cat Mary, is happy to still be asleep next to me. She’s a Punk at heart- she didn’t really get a say in it.

Cool Society is a dig at how awful politicians are and how those who live in the real world know exactly what’s going on and how politicians aren’t in touch with any of us. How could they ever be? The frustration on this one is glorious and Brandon really lets the world have it with this one. This is another close favourite but truth be told, the whole record is a real masterpiece. The frustrations, the truth and all that goes along with it is what makes this record divine. The record ends on I’m On Drugs, and it’s fair to say this record is a wild trip that you won’t be able to get enough of. Inject these songs right in and let them consume you.

Psychic Pigs are released out of the dirt and into the wild tomorrow via Slovenly Records. And if you live in L.A, they will be playing a release show tomorrow (23rd) at Permanent Records Roadhouse with Tenement Rats

THEBIGHELL: Horrendous Friends.

Posted on by

The best records will either break your heart and having you sobbing for days, or they will melt your face and burst your eardrums. TheBigHell record will do the latter, and it will do it in the most brutal and best way possible.

Their debut record, Horrendous Friends came out on Friday. I can confirm that the best way to listen to this record is at the gym, and lifting weights that are heavier than you intended to lift. Does my body feel broken? Yes. Will I do it again? Yes. This is no “new year, new me” nonsense. This is the band that are going to soundtrack my gym time, which is the only time my brain shuts off! It’s such an exceptional record, and if you like your music intense and possibly louder than your ears can handle- then this is the record for you.

11 songs in under half an hour. Bliss. The whole record absolutely rips, and in some parts the record reminds me a little of Heavy Lungs with hints of JOHN and METZ, which is pretty much ideal. It’s an intense record, and that intensity is what lures you in. You’re curious as to what the hell is going on. I’ve played it a lot of times since Friday, and I can’t tell you what’s going on, but I can tell you that this record will leave a lasting impact. For me, even though my brain does need and want quiet; the comfort I find in bands like this is probably why I’ll never know quiet! From the Intro right into Rich Lads, and smack into This Hell- the record is just loud punchy anthem after another. There’s no relaxed moments on this record at all; this is one for playing dead loud wherever you can. Whenever you can. It’s a record that is probably best experienced live, but you can hear on record just how exceptional it is. The production is a solid 10/10. Best band from the Midlands right now? No denying that.

Lip Service Puppy is another ripper of a song; it feels like someone is drilling into your skull and whatever escapes is just launching itself at the ground. It’s one of those songs that feels like a bit of a meltdown, and by that, I mean you can picture it being used in a film where a character just loses their shit and this song is playing in the background, and it gets louder and louder. It’s one to drown out the noise to in a short amount of time. Tell Ya Wha and Am I Alive are also the band at their best. There’s only 3 of them in the band, and they sound louder and bigger than a band with only 3 of them in. I think that’s how you know they are doing something right.

The title track is the one for me (right now) it’s 5 and bit minutes of insane build-ups, shouting and just general wonderful noise. I think this is the one that’s the most intense live, you can just feel it. The last 2 minutes or so of it are wild, and you feel like you’re being catapulted all over the place. I think that’s part of the charm with this record- you have no idea what’s going to happen next or where you’ll end up. That unknown is what keeps you hooked on this record. You can have it on repeat for days, but there’s part of you that doesn’t know what’s about to happen.

This is one of the most exciting records around, and it reminds me of listening to bands like Bruise Control and Table Scraps for the very first time. You know you’re listening to something really special and unlike anything you’ve heard before. Your ears may be crying out for a rest, but don’t listen to it. Just play these songs loud- you’ll get used to it soon enough.

DEATH GOALS: A Garden Of Dead Flowers.

Posted on by

Death Goals have released some incredible music over the years, and instead of writing about how great they are in general- I’m going to try put into words why their latest release A Garden Of Dead Flowers (released in May) is one of the most exciting records of the year, and why it is the perfect Queercore record. These angels truly know how to make incredible noisy music to piss off your neighbours!

The fact that my cat is able to sleep whilst the washing machine goes full pelt and I’m blasting out Death Goals ridiculously loud makes me question if she can hear in general or if like me, probably has selective hearing! Pet welfare aside; A Garden Of Dead Flowers is way ahead of its time. It’s a magnificent Hardcore record that isn’t intimidating, and it is ahead of everything else around and it’s one of those records that just amps you up. I sometimes have a hard time focusing on things because my brain likes to go 500 miles an hour and think about everything at once- but when I listen to bands like Death Goals- my brain can calm down and focus.

It’s weird because say if I have an anxiety or panic attack, certain bands or songs can ease my mind and for the most part- it’s really loud bands that do it. I don’t get it, but I go with it. Loveless is one of the many highlights for me on this record; I could have it on repeat for hours and not get tired. Harry’s vocals have some serious bite to it; how they can belt out those vocals is beyond me- imagine being able to do that! The sheer range!

Everything about Death Goals blows my mind; there’s only two of them making this noise, and my god it sounds like there’s about 20 of them. That’s when you know you’ve found a band to really fall in love with and adore. I love the unity around them band, and how their music is for everyone. All too often we can feel like we can’t connect with something because it doesn’t speak to us, but there’s something so beautifully different about Death Goals, and how exceptional they are is truly shown on this record. They’re the kind of band that’ll easily influence others to make their own filthy, noisy music that appeals to us misfits. We need more of this.

What I love about this record is that it gets heavier with every song. There may only be 11 songs on this record, but every single song is delivered with such urgency and a fury that makes you feel every single note and word. Harry is a beast on guitar and vocals. Nothing can compare to the noise they make. And as for George; well, if you’re looking for someone to burst your eardrums with their ferocious drumming- George is the one for you! There are so many moments on this record that will blow your mind, and everything perfectly comes together on Faux Macho.

Death Goals just quite simply, reinforce my love for duos. Duos always seem to make more noise and deliver it with more urgency. The sheer loudness of their sound, the comfort in the lyrics and the general insane talent Death Goals posses is worthy of anyone’s time. One of the most exciting bands around, and A Garden Of Dead Flowers truly shows us all just how bloody brilliant they are.

SLANT.

Posted on by

Whilst at work today, I accidentally found the loudest band from South Korea. That band is SLANT. They are proper rowdy. A real hardcore Punk band with a lot of bite and a lot of energy. Short punchy songs that make you feel like you’ve discovered Minor Threat or Bad Brains for the first time.

Now, I know next to nothing about the Punk scene in South Korea but if we are going by how SLANT sound- then it’s pretty safe to say that it’s a decent scene. A scene that you want to completely immerse yourself in. Except, I’m in Manchester and they’re in South Korea so I’ll have to mentally transport myself there. It’s a good job that SLANT make you feel like you’re right there in Seoul with them. They have got this ferocious sound that I’ve not heard in any other band before.

See, with bands like SLANT- you feel like you’ve heard a proper loud band before. But once you hear SLANT everything will completely change. You’ll think everything you heard before them sounds like ambient background noise. SLANT is something else. I have no idea how they do it, I don’t know who they are or their story but I know this- they are incredible.

When I was listening to them at work today (no one was around so I was playing them pretty loud) I felt like I was in some basement Punk venue in Seoul watching them. I totally felt I was right there with the band. They’ve got 3 releases on their Bandcamp page, and I think their latest record came out in 2021 and it’s called 1집 and it’s a record that is not for the faint hearted at all. It’s for those who crave the loud, the out there and the unheard of. Their sound is hard to pin-point and that’s just another part of the charm.

There’s 5 of them in the band, but you feel like there’s a huge gang of them. Their sound is like a secret weapon. You don’t mess with this band at all. Will they ever tour the UK? Who knows. But if they ever do, I’ll make sure I’m at the front taking it all in. A band like this and with this energy don’t come around often. They are made up of members from other South Korean Punk/Hardcore bands, so knowing they have created music similar to this before makes you quickly realise how powerful the Punk scene is there. They’ve released a couple of EPs/demos prior to last year’s debut, and the stuff they’ve put out leading up to their debut is ridiculous. You’ll be hard pressed to find anything else like it.

Take some time out and watch this live set from 2019. It’s mind-blowing!

If like me you can’t stand Christmas songs, then do yourself a favour and check out SLANT. Play them as loud as you physically can- and maybe push yourself to go louder. Scream along and become immediately obsessed with one of the most exciting bands around.

BAD BRAINS: The Yellow Tape/Debut Record.

Posted on by

badbrains

 

There are records that become vital to you the second you hear them. The first note, that first lyric- stays with you. Something about it just does something to you, and you seek that same feeling in everything you listen to. This record that becomes your world can be one from decades ago that you’ve only just found, or it can be something brand new. It doesn’t matter. With this, time doesn’t matter. All that matters is that you find it or rather, it finds you.

 Anyone and everyone could talk about what the greatest Punk record of all time is or who the greatest bands are. It’s all a matter of choice. Some people don’t dig the Ramones (don’t ever trust these people) and some people might think that bands like Dead Boys served no purpose (again, don’t trust these people either!) Every band has made an impression. Some did it with one record then disappeared whilst others have lasted and are still being cited as an influence to this day. Again, it’s all choice.

 

 

 

I haven’t gone back and listened to old records I love and written about them in a while. Whilst seeking something new to listen to, I keep gravitating back to Bad Brains, so I’m taking it as a sign that I need to write about their debut record (The Yellow Tape if you want to go that way, it’s your call.) What Bad Brains did on their debut record is something truly remarkable. They merged two hugely vital styles of music- Hardcore Punk and Reggae and made something that just blows you away. Sure, it isn’t for those who may want lovey dovey soft songs, but it’s for those who are frustrated, who want change and are on the outside looking in. Outside of society but aren’t all too mad about it. Bad Brains will ALWAYS be one of the most influential bands of all time. When the record came out in 1982, many were shocked that the band members were African American. When you think about that now, you think “Why the fuck would it matter what they look like or where they are from?!” But sadly, that’s what it was like and to a degree it still happens to this day doesn’t it. All too many times we will see someone express their concerns for someone who is a certain race doing a certain style of music, and they will question it. But here’s the thing- music doesn’t have a race, gender, religion, or sexuality. Bands like Bad Brains are the prime example of music just going beyond labels and whatnot. Their debut record was ahead of its time, and to this day we still haven’t heard anything quite like it. Attitude and Banned In D.C. are just an example of two of the best songs ever created, and if you’re looking for something else to smack you in the kisser then blast out Supertouch/Shitfit as loud as you can. The whole record is a Hardcore masterpiece.

 H.R. has to be one of best frontmen of all time. There’s no one else who had that energy and power, and when you mix that with Darryl, Earl and Dr. Know- then you are going to get a wealth of trouble. They all played their part in creating one of the best and most important records of all time. Leaving Babylon is one of those songs that just play and escape the world; it’s got this power that isn’t found in anything else. Some songs we have H.R. screaming his lungs out, then we have him on this song pouring his heart out. If this song and the lyrics don’t break your heart, then you’re not hearing it right. It is one of the strongest songs of all time, and it’s political without it being all in your face. It perfectly shows injustice, and sadly it is something that still exists. This song, and the whole record are still so relevant.

 

 

Bad Brains are made up of some of the best musicians you will ever hear, and the fact that you can pick up on their distinctive sound, and their own individual style instantly full justifies why this band are nothing short of influential. They go beyond being a band that merged Hardcore Punk and Reggae. They go beyond anything in music could ever compare to; they gave us something that will never ever die out. Their debut record is easily one of the greatest records of all time, but when you go deep into their discography and even solo work, you will truly see that everything they did was just a mind-blowing experience. The way they mess with your head on songs like F.V.K. and are then able to just mellow you out on I Love I Jah (contender for my favourite Bad Brains song ever) is just a testament to their greatness.

 Bad Brains are a band that I’ll never tire of listening to or talking about. They’re one of those bands that have evidently brought people together and created a community with their sound. When I see bands like Ho99o9 (who I fucking love SO much and do amazing covers of Bad Brains songs) I can see another band who will have exactly the same impact Bad Brains did on a new generation. Bad Brains created a monster with their debut record, and that monster will never sleep nor will it fade away.

THE RATZ: After The Blackout.

Posted on by

 

theratz

 

Ready for something to knock you out in matters of seconds? Alright then, well you need to listen to the new record by New Haven’s The Ratz. The songs aren’t meant for you to slow dance, instead they are made for you to smash your body into someone else, bounce off a wall and leave you battered and bruised. Perfect, right? Of course. Their new record consists of 8 songs that were made to blow the roof off and melt your brain.

 The Ratz are the kind of band that take you back to when Black Flag and Fugazi were ruling the world and weren’t afraid to speak out and speak loudly. The gang mentality that The Ratz have makes you want to be part of what they are giving you. They are insanely talented, and prior to listening to their new record I went back and listened to some of their older stuff, and my god this band know how to play. After The Blackout (seems apt right now) is their new record, and it is full of hyperactive Punk songs that don’t even come close to hitting the 2 minute mark, and although I can be a sucker for songs that hit over 5 minutes, what The Ratz do in so little time is just so vital. You could easily imagine this band ripping apart venues like CBGB years ago. They’ve got that gnarly and raw Punk sound that just makes you want to lose your mind. Destroy You just gets to the 2 minute mark, and it’s one of the best songs that they have ever done. I love how they are unapologetically raw with their sound and are just so brutal. Ines is a fucking incredible guitarist, and she makes you wish you were as cool as her. The way she plays is just *chef’s kiss! *

 

 

You cannot get enough of this band; I just love them. The artwork for the record is so cool, and it really gives off the feeling you get when you listen to the record; you feel a little bit dirty but in the best way possible. It’s a brutal record, and it’s got this rambunctiousness to it that you simply cannot get enough off. Put it in a drip and hook it right into my veins!

 After The Blackout is the record you play to hype yourself up. It gives you that boost, that spring in your step so you feel alright in going outside and facing up to whatever you need to. As far as Hardcore records go, this is some top level shit. I’m not a pro at Hardcore Punk, but I know what I like, and I know what I’m not a fan of, and it’s fair to say that The Ratz are definitely a band to adore and play loud. I love what they do, and I just love their whole style. Each of them brings something unique to the band, and it is so obvious on this record. Like I said, I went back and listened to earlier stuff to get mor familiar with their sound, and what they’ve done on After The Black Out is firmly let us know what they are about and they have truly shown us what they are made of.

 The Ratz are the kind of band that you psyched up to see on a weekend after you’ve had a tough week. I’m one of the lucky ones where I love my job and I love the people I work with, but there are people who work and hate their surroundings, and when the weekend hits then BAM they can unleash it all. As someone who suffers with depression and anxiety (who doesn’t! But this isn’t from a Buzzfeed quiz, I actually went to a doctor) sometimes a lot gets pent up, and my release comes from music. Finding music, listening to it and writing about it. I am so fucking grateful when a band reaches out to me and asks me to write about them because it keeps me focused on other things. I think that’s part of the reason as to why I’ve never been paid to do this, and never want to. If someone in a band ever says to their friend, “Hey, send your music to Olivia, she’ll probably write about you because she loves music!” then that’s fine by me, that’s all I want. I’m happy with that and having bands like The Ratz reach out is just the best! I love this record, and I love how it’s got that raw sound that you find in bands like Flesh Rag (Canadian Punk band that we all know I’m in love with!) After The Blackout deserves to be played insanely loud and as often as you can. Take it like a vitamin to keep you nice and healthy.

 The atmosphere that The Ratz have created on this record is one to completely wrap yourself up in. You can really picture yourself at their show with a bunch of people around you who equally love this band, your arms around each other shouting the words back. It’s a real Punk mentality with a sense of unity (see bands like my beloved IDLES for the same feeling) and this sense of unity is what Punk is about. No one gets left behind. The loudness on the record may intimidate some, but please just play the record. Soak up just how amazing they are as musicians, and you will truly hear one of the best Punk bands around. In fact, let’s leave genres out of this and soak up how great they are as a band.

 

 

 If you’re looking for a wild record to lose your shit to or if you’re looking for something new to just give you a kick- then The Ratz are for you. Immerse yourself in the record and play songs like These Streets and I Don’t as loud as you want. These 8 songs will enhance your life and make you and your record collection look that much cooler.

XENU & THE THETANS

Posted on by

 

xenu

 

 

Here is something to invest in and play super loud: Xenu & The Thetans. You are welcome.

If you want fast and raw Punk, then get this record in your ears. Their debut record is everything you could possibly want from a Punk record; in fact, it is just everything you’d want from music. It is the kind of music you’d play to impress your cool uncle (basically, I’d play this record to my uncle and I’m pretty sure he’d love it, because he’s cool!) Every song feels like a smack in that face in the most euphoric way imaginable.

Xenu & The Thetans are a supergroup based in Mexico. Punk and Mexico go hand in hand, and the scene there should not be ignored. I’d go there if 1- I wasn’t scared of flying and 2- My passport wasn’t expired. I need to sort that, but I keep spending money on other things. I like to put things like this off because there’s always something better to do isn’t there. Anyway, the record. Yes.

 

 

I have no idea what the songs are about, but I’m not going to let that stop me from enjoying the record. Besides, hearing music in another language is just fine! This is the record you get drunk to and trash your room to, isn’t it? Guess my weekend plans are sorted. I jest, I’m going to sleep. A lot. Hopefully. What I love about this record is that I don’t feel like I’m listening to a band from now. I feel like I’m listening to a band that could have been buddies with the likes of Die Böslinge, Kraut or Bad Brains. They’ve got something about them that’s just effortlessly timeless and so, so cool. You cannot deny that Tee Crees Mejor Que Yo is probably one of the best Punk songs you’ve heard in a long time. It’s such a great record, and it’s probably a really great way to learn/improve on your Spanish.

You can always tell when a band plays with a lot of passion, and this band most certainly do. You’ve got one of the best humans around, Brandon Welchez ripping this record apart beautifully, and members from Davila 666 and Descartes A Kant (Johnny and Cristi) going apeshit on this record too. It is everything you’d want from a real Hardcore Punk record. Only a couple of songs go over the 2-minute mark, and it is enough time to just make you throw your body around in an insane way and probably smack someone in the face during it. Careless dancing- we’ve all done it. Xenu & The Thetans are the band you want to hear when you should really be heading home, but they pull you in and once they’ve got you- you’re done for. There is absolutely no denying just how excellent this record is. It’s fast, ferocious and loud- it’s the Punk record we all need. Like I mentioned earlier, it really doesn’t sound like a record from 2019 and that’s by no means a bad thing at all.

This tough and raw sound just makes you fall in love with the sound instantly. Every single song sounds like it should be chanted back at the band. Alternatively, you can just do it at home and have a great time. There’s only one way to play this record, and that’s loud. Super loud to the point where you wonder if you’ll ever hear again. You know how it is. The singer of this insane band, Julián Name keeps up ferociously and effortlessly with the intense drumming of Cachi. I love the sheer colossal sound on this record, and how you can hear influences from their own bands, and like I mentioned, Bad Brains etc. too. The songs are fast and powerful; a true Punk record to let blister your ears.

 

 

Sometimes I just hear something, and it makes me want to carry on writing about music; Xenu & The Thetans have created a record to keep going back to and appreciating every single time. Nadie Por Quién Morir is one my favourites to play on repeat and louder than the others, I love the slickness to it and how it just sounds like a drunken bar brawl. This record could have worked in the (greatest film of all time) The Warriors- it’s got that feel to it. I just really love this record.

Anyway, I’ve gone on enough about this record. Go listen to it, religiously.

ISSUE: Cross The Line.

Posted on by

issue cover

 

 

If you’re looking for a band that sound like KRAUT mixed with VOID, then you’ll find it in Paris’s finest Punk band, ISSUE. One of the greatest guitarists of all time are in the band also (Charlie from Crocodiles, of course!) Cross The Line, their debut record, came out on Friday and let me tell you, it’s obnoxiously loud and really cleanses the soul.

Cross The Line is a proper rowdy record. Every single song, all nine of them, will blow your mind and eardrums in 16 quick minutes. The record is over far too soon, but there is no harm in playing it all over again, and again. And again. It’s record to trash shit to, it’s a record to just go completely wild to. It’s everything you want from a raw Punk record. Play it as loud as you can, then try a bit louder. Only a couple of the songs are over the 2 minute mark- how it should be done with this kind of music. The songs are full of this rambunctious energy that makes you want to just play it so loud, and throw shit out of the window. I mean, maybe don’t do that but you get what I mean. They have this ability to make you feel like you are right at their show taking it all in with elbows hitting you in the face and lukewarm beer being thrown about.

 

 

This is definitely one of the most enjoyable and out-there Punk records I’ve heard in a long time, and it just makes you feel like you’re experiencing bands like KRAUT for the first time. As soon as I heard this record, I automatically likened it to An Adjustment To Society by KRAUT (which is one of the greatest records ever made.) The same level of excellence is there, and I can’t get enough of it. By no means am I comparing the bands in a lazy way. I’m just holding them up as highly as each other because they are fucking incredible.

25 and Spit Mask are currently my favourite songs on the record, but my mind does change quite a bit. I’ve found that the record sounds best if you play it in order but the thing is, when you play it in no particular order you still get that “OH SHIT!” feel- like it’s hitting you for the first time. There is so much to love about this record. The production is perfect; the sound is something that’s been well thought out and you can definitely hear how much effort has gone into creating something so powerful. Mirror is a song that is meant to be play a hell of a lot, and definitely at a deafening volume. It’s a record that makes you want to start your own Punk band or just immerse yourself in as much live music as possible.

In terms of touring, I have no idea where they are going but if someone could get them to the UK that would be really much appreciated by me. They definitely have a sound that is made to be heard live. I love how the songs feel like an animal that’s been trapped for years, and is now being released into the wild. It has this brilliant untameable sound that I adore so much. In the best way possible, this record is so chaotic and brutal. I can’t get enough of it, and songs like  I Surrender just annihilate your eardrums in the most perfect way.

 

 

Cross The Line is out now via Third Coming Records; and the record artwork is by Nicky Rat.

FLOWERS OF EVIL: City Of Fear.

Posted on by

a1413880006_10

 

A couple years back, a super group formed in New York City. Flowers Of Evil erupted and tore up eardrums, and limbs alike. Made up of Young Boys lead guy, David and also Brandon and Charlie from Crocodiles it’s pretty obvious that Flowers Of Evil are going to end up putting one of the best records of the year, right? Their first release was brilliantly loud and pleasantly dangerous. Where have they headed with City Of Fear?

City Of Fear is a real Hardcore Punk record. It can easily stand up against the greats, and wouldn’t look out of place next to a Black Flag record. It’s got this effortless raw and brutal sound that so many try to perfect, but it just sounds overdone. Flowers Of Evil make it look so easy and they make it sound exactly like it should. This record is a collection of songs that need to be played in a sweaty dive bar with everyone yelling the words back at the band as David screams them in your face. There is this glorious urgency in the songs that makes you wish you could do this. The alternative is okay- playing it as loud as you can without a care in the world.

It’s nice to allow yourself to be exposed to gentle sounds but sometimes you just need something obnoxiously loud to satisfy what certain parts of you need. If I could, I’d go on about my favourite song on City Of Fear but it’s pretty tough to pick one. Each song comes in just under 2 and a half minutes- the perfect amount of time to get a point across. The lyrics on every song are extremely poignant, especially with how society can be and certain world leaders being absolute shitheads. You need an escape. Every day music is my escape. We’re all getting away from something.

https://www.youtube.com/watch?v=y5jZDy54_K0

David’s snarl on these songs is brilliant. He has this demeanour that comes through wonderfully on these songs, and it probably makes him on of the most underrated singers/frontman of our generation. City Of Fear is an excellent portrayal of the world we currently live in, and the way in which Flowers Of Evil have exposed it make it much easier to digest.

I know I said I couldn’t pick one particular song, but I’m really into Sedation Vacation. I love how furiously quick it is, and will just make you want to rip shit up. MAN also has David’s infamous snarl on it that like pretty much the whole record, again, will make you just want to destroy stuff.

Play the record loud and throw stuff out of your bedroom window. Unleash that fury you’re carrying around. I love the rage and beautifully deafening sounds on City Of Fear. It sounds real nice right after playing their first record. These 14 songs deserve to rule the rest of your year. The colossal sound on this record is something that just makes you want to pick up a guitar and make a mass amount of noise. Sure 14 songs don’t feel enough, but just go back to the start and let yourself get utterly immersed in the record all over again.

There’s really no point in trying to compare Flowers Of Evil or this record to anything or anyone, it’s totally pointless. The songs truly speak for themselves and must be played as loud as possible. They’re worth losing your hearing over.

You can buy City Of Evil via the Deranged Records bandcamp page: https://derangedrecords.bandcamp.com/album/city-of-fear