Tag Archives: 2022

THE BATTERY FARM: Flies.

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I’ve been listening to The Battery Farm’s debut record for well over a month. I had something written, but I kept going back to it. Over and over. Then I decided to delete it and start again. Everything I wrote was done in haste and a record like Flies deserves so much more.

The record has been years in the making. It is a labour of love. It is blood, sweat, tears and fears. It’s brutal and gentle. It is vital. It’s the heartbeat of society. It’s one of the most important records of the year. Bands like this are rare and when you find them, my god you love them. Everything they release will always leave you in awe. You’ll feel every emotion possible when you listen to this record. There is hope on this record and there’s also despair. There’s fear and uncertainty but there’s also fight and determination.

From the title track/intro through to In The Belly Of The Beast and right into Everything Will Be Okay. The whole record is just a firepit of hard work and passion. There are zero compromises on this record; it’ll make you feel less alone. It’ll make you take every ugly feeling you own and make into something worth feeling and carrying around. That weight on your back will feel lighter once you’ve played this record. It truly hits you on the opener FLIES. The way in which Ben’s vocals sound possessed is just out of this world. That fury and passion is throughout the whole record from all of them.

The more I play this record, the more I’m in awe of the band. There is no bad song on this record but I wouldn’t go looking for that anyway. Every single song has the potential to be screamed loud in stadiums but screaming the songs back in small sweaty venues holds the same amount of power- if not more! It’s a proper Northern record. A band from anywhere else could not make a record like this- this record is Manchester and it makes me proud to call this city home. Wooden Spoon Number is euphoric. I mean the whole record is, but this one stands out at the moment for me.

Everything Will Be Okay will rip you apart. I struggle to listen to this one just because of how close to the bone it is. It’s so beautiful and vulnerable. If you’ve made it this far in the record without crying- this will be the one that breaks you. I’ve had to stop writing a few times to pull myself together listening to this, but it’s fine to not have it all together isn’t it. Why does it matter if you do or don’t? It’s such a reassuring song and the way you feel like the band are singing this to you and only you is so powerful. I wonder if they know how influential they are? Honestly, this is the kind of record I hope some lost kid in school finds and finds the band that speak to them, and they find their way. Maybe they’ll be a writer, maybe they’ll form a band- but this band will be the root of their influence. You can’t listen to this record and not be moved to do something. Anything.

The second half of the record (Poet Boy onwards) is loud. Unapologetically loud. The whole record is but it goes up a level on the second half. You can’t help but be stopped in your tracks like, “okay this is serious now. Really serious.” Honestly, they just know how to make songs that steal a part of your soul and become like the blood in your veins. I’m basically giving you all the descriptions of how important the band are and how their words are just so vital. I can’t think of another band who are creating music like this.

DisdainGain is a proper teeth kicker. Don’t play this if you’re scared of every losing your hearing. Bloody hell! The way this goes right into it is just insane. INSANE. It’s one of my favourites. I change my mind with every listen but this one is constant. I love the rage in the song. The rage in every element of the song- not just the vocals. Everything feels like a protest on this song and it’s unreal. I adore it. I love the unfiltered rage on this song. If any song sums up what the band are about- it might just be this one. I Am A Man shows vulnerability and stigma around men talking about their mental health. No one should ever (regardless of gender) feel like they can’t talk about how they feel. But unfortunately, it happens. I hope someone hears this and it gives them what they need to find the strength to just speak out and speak up about what’s going on.

Flies is a poetic Punk record from the gutter and poured into the universe for everyone to listen to. Everyone to pay attention to. To feel something, to stand for something and to not give up. This band are what we need. They just have something that stops you in your tracks, and before you know it- you’ve become obsessed. Nothing wrong with that.

I feel like there is more I could write about this record, but the main point is- this record is a lifeline. It’s urgent. It’s important. It’s what is needed right now. It’s what we’ve always needed. It goes beyond being a debut record. Way, way beyond.

SLANT.

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Whilst at work today, I accidentally found the loudest band from South Korea. That band is SLANT. They are proper rowdy. A real hardcore Punk band with a lot of bite and a lot of energy. Short punchy songs that make you feel like you’ve discovered Minor Threat or Bad Brains for the first time.

Now, I know next to nothing about the Punk scene in South Korea but if we are going by how SLANT sound- then it’s pretty safe to say that it’s a decent scene. A scene that you want to completely immerse yourself in. Except, I’m in Manchester and they’re in South Korea so I’ll have to mentally transport myself there. It’s a good job that SLANT make you feel like you’re right there in Seoul with them. They have got this ferocious sound that I’ve not heard in any other band before.

See, with bands like SLANT- you feel like you’ve heard a proper loud band before. But once you hear SLANT everything will completely change. You’ll think everything you heard before them sounds like ambient background noise. SLANT is something else. I have no idea how they do it, I don’t know who they are or their story but I know this- they are incredible.

When I was listening to them at work today (no one was around so I was playing them pretty loud) I felt like I was in some basement Punk venue in Seoul watching them. I totally felt I was right there with the band. They’ve got 3 releases on their Bandcamp page, and I think their latest record came out in 2021 and it’s called 1집 and it’s a record that is not for the faint hearted at all. It’s for those who crave the loud, the out there and the unheard of. Their sound is hard to pin-point and that’s just another part of the charm.

There’s 5 of them in the band, but you feel like there’s a huge gang of them. Their sound is like a secret weapon. You don’t mess with this band at all. Will they ever tour the UK? Who knows. But if they ever do, I’ll make sure I’m at the front taking it all in. A band like this and with this energy don’t come around often. They are made up of members from other South Korean Punk/Hardcore bands, so knowing they have created music similar to this before makes you quickly realise how powerful the Punk scene is there. They’ve released a couple of EPs/demos prior to last year’s debut, and the stuff they’ve put out leading up to their debut is ridiculous. You’ll be hard pressed to find anything else like it.

Take some time out and watch this live set from 2019. It’s mind-blowing!

If like me you can’t stand Christmas songs, then do yourself a favour and check out SLANT. Play them as loud as you physically can- and maybe push yourself to go louder. Scream along and become immediately obsessed with one of the most exciting bands around.

THE VACANT LOTS: SOUP, Manchester 3rd December 2022.

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Finally going back to SOUP to see a band I absolutely adore after a tiring week was just what I needed. I can’t count how many times I’ve seen The Vacant Lots live or how many times I’ve written about them. They are a band that I hold very dear to me- they’ve got me through hell and back. They just have something about them that makes you feel like you’ve escaped to another world. Music is there to be relatable and to give us some escapism.

The Vacant Lots open their set with the euphoric Departure.  This makes you feel like the band are about to guide you into their world with this one- the perfect way to open their set. Departure has such a soothing energy to it; it does make you feel like you’re ready for takeoff.

The set is a blissful mix of old and new- showing us exactly why they are one of the best bands you’ll ever see live. The set has all the greats; Mad Mary Jones, Fracture and 6AM, and the thing that just leaves you in awe is how talented Jared and Brian are. Brian is like s Scientist on stage and Jared is the Punk who holds the guitar like a weapon. No blood was shed this time (if you’ve seen them play live before, you’ll know what I mean!) The only downside was that the venue wasn’t packed. It rightfully should have been packed. It should have been a sweatbox, but those who were there evidently loved what they were witnessing.

I’ve got a handful of bands I could happily watch play live forever and not get bored of them- The Vacant Lots are one of them for sure. Every single time I’ve seen them play I’ve just been left in awe of what I’ve witnessed.

The way 6AM goes right into Mad Mary Jones was ridiculous. The whole set is slick, but this transition was something else. Noise after noise. My hearing right now isn’t great but I’m not bothered about it- you expect it from their shows. Especially if you stand by the speaker!

Never Satisfied is a prime example of Jared and Brian’s songs are sheer poetry with a bite. There’s parts of the set where Brian unleashes hell on the cymbal and drum, and Jared styles out annihilating the guitar in a way that you rarely witness. They take their turn in vocally delivering the songs, and the chemistry they have is evident on record and it’s truly something else when you see it live.

For me, The Vacant Lots are just exceptional live and the show tonight fully showed that. There may have been less than 20 of us in the room but they played their hearts out, and as if they were playing to a stadium full of people. That’s when you know a band truly have it. They’re just a pleasure to see live and if are ever given the chance to see them- take it.

GHUM: Fac251, Manchester 18th November 2022.

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There are bands that you could watch live countless times, and you’ll never ever get sick of seeing them. Last night was only my second time seeing GHUM, and I think it was their second time playing Manchester (I might be wrong there, sorry if I am!) They played the legendary venue that is FAC251, and I can safely say that no other venue in town could have suited them more (maybe Soup Kitchen.)

GHUM’s debut record, Bitter came out in June this year and not a day goes by where I’m not playing it. It’s a perfect record, and a stunning debut. How does their live show favour? Exactly the same! GHUM are a band that you just have to see live. Their music was made to be witnessed in a live setting; especially in dark basement venues.

Although their set was cut short slightly- it did not change how amazing the gig was. Every single song was performed in a way that made to be heard in this setting. A small, intimate venue. Even if someone was being a bit overzealous with the smoke machine with the first few songs! Honestly, GHUM are a band that you know will keep getting better and better with whatever they do and whatever sound they have. Songs like California and Some People rip right through, Perro is electrifying live. Deceiver and Bitter was out of this world. Bad Brain is played with this fire and urgency that sticks with you well after the show is over. The whole set is an exploration of how and why they are one of the most exciting bands around. You cannot compare their live shows to anything else- it goes way beyond anything else you may feel from hearing them on record. They create this world that you just want to live in. This dark yet comforting world.

There’s this energy they all have that just lures you in, and every song they hit you with makes you feel like you are listening to them for the first time. For me they have got that same presence as the likes of TwoFiftyFour, Crows, L.A. Witch and Warpaint (basically just named bands I love and adore but y’know!) They make you wish you had even a tiny fraction of musical talent. GHUM are the best at what they do, and if you ever get the chance to see them live- you have GOT to take it. They make it seem so effortless. I mean Jojo is one of the greatest guitarists I’ve ever seen, Vicki is one of those drummers that just leave you in awe and Marina is such a slick bassist. Laura’s vocals will stay with you- she’s got this gentle tone but when she delivers songs like 1000 Men; there’s this beautiful growl to it that just stuns you.

Like I said, this band are the best at what they do. Nothing and no one comes close. The venue may not have been totally sold out but that didn’t matter at all- they made you feel like it was just you and them. Nothing around you mattered. There was an older couple near me, and they were dancing and moving in ways that most of us could dream of. For me, they summed up the euphoria that live music gives you and that GHUM gives you.

There are bands that you discover over time that become a massive part of you. You look at your record collection, and you wonder what it’d be like if you never heard them. There’d be a gap for this band, but you’ve yet to find them. I hope that anyone who ever listens to GHUM or discovers them for the first time feels like they’ve found the missing piece to their music jigsaw. I’ve not been to many gigs this year, but I can definitely place last night’s show up there with one of the best. Compared to their show in Manchester from 2019, you can definitely see and hear the growth in confidence.

GHUM are an absolute joy to listen to and when you see them live, that joy quickly turns to euphoria. The kind of band that makes you want to disregard your daily responsibilities and just follow them on tour. Hopefully it won’t be 3 years before they next come back to Manchester, but it was most certainly worth the wait!

GRAVE GOODS: Tuesday. Nothing Exists.

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This record came out just over a month ago, and I had something written in my drafts. Looked over it, and deleted it. How I felt about the record then and how I feel about it now is different. Not by much, but there’s a difference. This isn’t a bad thing; I’ve had the record on repeat and can safely say that it’s up there as being one of the most flawless and interesting records of the year. It’s everything you love about music, and more.

If you’ve never listened to Grave Goods before, then you are in for a treat with this record. Grave Goods are made up of members from three bands that I’m a huge fan of: PINS, Girls Names and September Girls. If you mix up their sound and influences, and style- then you’ve clearly got a perfect band haven’t you. This is such a fantastic record from that slick sounds to the way the vocals are delivered. It’s got so much excitement to it; there’s this pure thrill you get from every listen because every single listen feels like you are being exposed to something new every single time. I reckon the ideal setting to listen to this record is on the top deck of a double decker bus, in the pissing rain and watching the world go by.

These seven songs are powerful, and songs like Story are a perfect listen on a grey and rainy day in Manchester. The whole record is a huge comfort, and with just seven songs the band completely and utterly show you what they are made of. The songs are digs are what society expects, thoughts, feelings and unspoken narratives. It’s just a phenomenal record, and I honestly feel like it’s a record that just needs to be heard. There’s an urgency to this record that just gives you a kick up the arse.

Listening to this record full whack through headphones or in your room is such a great sensation. You can’t help but take in the lyrics- Miles is a perfect example of this. The storytelling on this is just divine; it’s dark and humorous. The whole record has a dark sound but the lyrics/vocals add this gentleness. It works so well. It’s a heavy record, but it’s done in such a way that leaves you in awe. That’s all there is to it really.

The record ends with Die, and although it’s probably a morbid title for some- it’s a bloody lively song. The last minute of this song is euphoric and it just makes you start the record all over again. That’s when you know you’ve found a record that’ll you keep going back to over and over. You’ll use it as a reference. You’ll compare everything you now hear to this. Every song on the record fits perfectly. They sound as if they are made for this moment and whatever Grave Goods create next will be another masterpiece like this. You just know don’t you, when you listen to a band, and you know that regardless of how much music they put out, it’ll always be mind-blowing. They evidently a band that could never ever make a shit record. They’ve got this ideal sound that I just want to constantly hear. I bloody love this record.

Tuesday. Nothing Exists. Not only is the title of the record great, but you know how Tuesdays are probably the most boring day of the week? This record adds excitement. Play this record every Tuesday on repeat to add some spice to your life. It’ll make waking up less exhausting.

THE VACANT LOTS: Closure.

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There are a handful of bands that, no matter what they release or however it sounds- I’ll always write about it. I may or may not instantly love it, but I’ll find the words to write about why I love the band. A band in particular that always stand out for me and just mean the world are The Vacant Lots. I absolutely adore this band and have done for what seems like an eternity. I feel like they are a band I’ve grown up with and just ended up loving them more and more with each record. They’re a band I could happily watch live forever, and not get bored of it. They take elements of everything I adore about music and make their own sound. It’s everything I love about bands such as Suicide, The Jesus And Mary Chain and a Henry Miller novel. Highly poetic, dark and gripping.

It’s no surprise that record number four, Closure, is a masterpiece. All they do is churn out genius works of art every single time. I’m in awe of the sheer talent that Jared and Brian have. Just the two of them. The two of them make these gorgeous sounds. Closure is everything their previous three records have been leading up to. If you’ve listened to them before, you’ll be familiar with this dark and hypnotic sound they have but on Closure they go a little lighter on the song Eyes Closed. It’s a synth-based lullaby. It’s gorgeous. Sound wise- this record isn’t as heavy as previous, but don’t let that fool you. The lightness on this record may be something slightly new, but that typical sound from Jared and Brian is still there. It’ll always be there.

Their previous work at times felt like you were stumbling out of a New York dive bar at 2am in the cold. This one feels like you’ve let that fresh Autumn air hit you in the face and you feel like you can possibly take on anything. That’s the powerful thing about music and bands you love- they can be your armor and guide. For me, Closure is one of the most enthralling records of the year. It’s chaotic and calm in all the right places. It’s just everything you could possibly want from a band you love.

The only downside to the record is that it lasts only 23 minutes but, these 8 songs will blow your mind. They’ll caress your eardrums. They’ll hit you right in the heart and soul. They’ve totally outdone themselves again, and I cannot wait for the tour in a few months. These songs live will be something else. Hearing the likes of Eyes Closed or Chase live will be insane! I cannot wait.

With a record like this, it’s hard to pick a favourite. I’ll end up changing my mind a lot but at the moment I think it has to be Red Desert that’s my number one. It reminds me of Darklands by The Jesus And Mary Chain. There’s this delicate sound on this song that reminds me so much of that whole record. It’s a joy to listen to, and it builds up perfectly the ending of the record. In just over 20 minutes, The Vacant Lots truly grip you on this record. If this is your first time listening to them; well, it’s not a bad place to start at all.

As the record comes to a gentle close with Burning Bridges, you cannot help but reflect on how remarkable the record is. Everything about the record is joyful and personal. From the lyrics to the production to the sounds and all in that is in between- Jared and Brian have yet again created something that us fans of the band will treasure for eternity.

With every record they just get better, and Closure fully backs that up. A real joy to listen to and an even bigger joy to be a fan of such an incredible band.

THE BATTERY FARM: A Working Class Lad.

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I have made my love for one of the finest bands from Manchester known many times. But this time, The Battery Farm have completely and utterly outdone themselves. Everything they have done to date has been nothing short of vital, ferocious, and delivered with this passion that you wish most bands would. A Working Class Lad towers above everything they have done to date. This is the kind of song that makes you want to pin down tory scum and blast this song in their ears. Imagine if they would listen. Imagine…. But until then, we have got bands like The Battery Farm who are beautifully expressing how difficult life is and how shit it’s going to get until people listen to us. There’s beauty in it all, and that is what they express so wonderfully.

The hook where Ben screams his lungs out is such a pivotal moment in the song, and every time he unleashes that distinctive bellow of his, you cannot help but scream back and let his voice absolutely destroy your eardrums in the most perfect way. It is one of the best songs he’s written so far. The man is a poet. A proper storyteller. This is song for those who understand how tough everything is right now and how the majority of us are struggling. The comradery in this song makes me so proud to call Manchester my home.

The bassline on this, mixed with THAT drumming is out of this world. The guitar is electrifying, and it adds extra bite to the vocals, and drills home the importance of the lyrics. Bands like The Battery Farm are rare, and that’s why it is SO important that we treasure them. They tell our stories; they release our furies. They’ve got courage, heart, and passion. They’ve got the wisdom that you wish you had, but in time, you’ll get there. If you’re looking for a real Punk anthem- this is it. This is totally it. It’s the song that you play when the world gets a little too much, and as soon as this kicks in- you’re reminded that someone out there fucking understands. This band are way ahead of their time. Or maybe we are all behind and need to catch up. Whichever way you look at it, this band are the future.

What I adore about the band is how they can take painful daily life topics and make them beautiful. They make everything relatable, and you know they mean every single word that comes out of their mouths. Their words are so important, and I don’t say this lightly. There is so much power in this song and it is really is the best thing they’ve done to date. Their debut record Flies is out in November, and I cannot wait to hear it. Going by the previous 8 singles they’ve released and now this single- I think it is pretty safe to say that it is going to be one of the most thrilling records of the year. Nothing will touch it. Nothing will come close to the sheer importance of it.

There is so much heart in this song, and the way every ounce of this anthem hits your mind, body and soul leaves you wanting more. You cannot help but play this on repeat. You cannot help but scream along. Thank god we have bands like The Battery Farm around. They unleash every feeling surrounding identity and the shame we sometimes feel. Sometimes that shame is thrown onto us from others, so we turn that shame into something that means something- Art. That’s what The Battery Farm have done here, and will always do. It’s in their blood. We need them.

They’re playing the Dublin Castle in London on the 2nd September and will then be back home to tear the roof off Gullivers on the 10th September. Go see them. Buy the record in November and let this band get out everything you feel you cannot.

You can check out their upcoming gigs here: https://www.facebook.com/thebatteryfarm/events

MAD DADDY: The Road Racer EP

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The exceptional new EP by Mad Daddy has been on my list of write-ups for ages, but I’m rubbish at keeping up with what I need to do. I’d rather take a nap but that’s no excuse! I’m going to use my words wisely and tell you all about one of the best bands to have ever come from the Isle of Man. The other being my uncle’s band, The 13th Pillar and the other being Voodoo Bandits.

This EP is ridiculous. They should serve time at Jurby’s finest hotel on the Isle of Man for making something this good. Should be a crime! But hey, it isn’t! The EP is made up of 4 fast, ferocious and f….ing incredible songs. Every single song will indeed make you feel like a road racer. Get your leather on and hop on your bike. Go as fast as you legally can and go out into the unknown.

Be Bad is Mad Daddy at their best- it’s filthy, beautifully obnoxious. It’s like Lux and Stiv Bators got into a fight with Iggy Pop, and this song came out. It’s my favourite at the moment, but with a record like this- you cannot settle with just one song. It’s the kind of song that you have to play as loud as you can and snarl along with Dolyn as he unleashes one of the best Mad Daddy songs to date. It goes beyond anything else they’ve done. It is one of the slickest records of the year, and the production is a dream!

Everyone on this record truly shines. Matt’s drumming on this EP is just *chef’s kiss* and again, it smacks you right in the face on Be Bad. The record ends on Here To Stay- Liam and Elvis on this one smash your eardrums on this. Every song on this EP sounds like a band trying to get to the finish line to prove their point. Their point being? Well, that they are one of the best bands in the world. But. you already knew that didn’t you. This is Mad Daddy at their loudest, their best and rowdiest. This EP really does feel like you are on the TT Race Course on Mad Sunday, and no one can keep up with you. It’s such an energetic record. Even though we’re just over a year from their debut record- this EP is another taste of what’s to come from this band.

Mad Daddy have ripped apart bands up and down the UK with their recent shows, and now they are back to mess up your hearing with their rambunctious Punk anthems. Iggy Pop is a huge fan, so that tells you just how special this band are and how remarkable this record is. Every song on this EP was made to be played full volume and with the wind in your hair as you drive and drive, with no destination in mind. It’s a proper gritty record, with songs that’ll have you craving live music, craving more from Mad Daddy. I started writing this review nearly 2 months ago, but for some reason, I’ve not had it in me to finish this or write about music. I’ve got enough records I need to write about so that’ll keep me going! But, if you need something to keep YOU going- go ahead and listen to this record. Isle of Man friends-ride the TT route playing this EP over and over.

Just when you think Mad Daddy have done it all, they unleash a heavy and gnarly record like this on us. It may only 4 songs long, but those 4 songs will ricochet through your eardrums, mind, body and brain at full pelt. Take it all in and play it loud!

GHUM: Bitter.

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This might be all over the place because I am SO excited to write about the debut record by GHUM. It’s out on Friday, and once you hear this record- nothing will be the same again. And in other news, I now have a cat so I’m going to do my best to make a little Punk out of her. I think she’ll tolerate the beautiful noise I play. Speaking of beautiful noise, let’s get into the best record of 2022, shall we?

You know about my love for the band GHUM, that’s been apparent for a long time now. They encompass everything I love about music, everything I want from music and have a sound that I’m just obsessed with. When I listen to them, I get that same rush I did when I first heard TwoFiftyFour, L.A.Witch, The Kills and Warpaint for the first time. That same kick I got from hearing Seventeen Seconds by The Cure. That same rush I got when I heard The Cramps for the first time. In short, this band have that same thing about them that just makes me fall in love with music all over again. With a debut record, a lot can be expected. As a fan, you just want to finally hear the finished product. I can’t imagine the stress that comes with it from being in a band waiting for the world to hear it.

The record opens with Some People- the first big release for this record. The video to this is incredible, and listening to it in an album setting gives a bigger meaning and feeling to the song. I’m all in. I’m hooked. The record makes you want to take a road trip round Europe and forget the world you’re part of for a little while. There’s a lot of escapism on this record, and it’s down to their incredible way of giving you these dark and euphoric anthems. There is something to spooky and special about this record, and when you listen to the likes of Bad Brain, it really does hit you how incredibly talented this band is. Bad Brain may be my favourite song from the record at the moment, but my mind will obviously change. It is just a beautiful record, and I’m not just saying it because I adore this band. I think, if you’ve never listened to GHUM before, this record will blow your mind. They’re just the perfect band and even though they’ve only played Manchester once, it was one of the best gigs I’ve ever been to. They’re a band that you just HAVE to see live, and my god I’m so glad I have. With this record, you can quickly imagine how they will sound live. Songs like Over And Over, Bitter and Deceiver have this sound to them that make you long for a GHUM gig.

The way Laura sings “I hate you” on Over And Over is so gut-wrenching. You really feel the disdain and disappointment in her voice, and for a singer to project their emotions into a song like this is truly something to admire. You’re just fascinated by how she delicately sings of her hate- that fragility is a rare moment on the record because for the most part, she delivers the songs with this toughness- not intimidating at all, the opposite. She kind of gives you some of her strength. All of them make you feel empowered in a way that you didn’t think a band/record/song could. This is a truly special record from start to finish, and all that’s in between.

Every single song on this record deserves your complete and utter attention. Not only will you fall madly in love with the songs, but you’ll end up being besotted with how exceptional they are as a band. Jojo is one of the best guitarists you’ll ever hear. The way Jojo plays is remarkable, and the way MJ perfectly compliments her with her bass playing is just stunning. They both add this mystic groove to every single song. This is perfectly fitted with the drumming skills of Vicki- and on the song Echo, that’s where you really REALLY hear this glorious marriage of sounds. There’s chaos but there’s calmness on this record, and that’s part of the appeal.

The main reason as to why this is the best record of the year? Because it sounds like everything, you’d want your favourite band to sound like. If you’re looking for a record to get lost in or a record to listen to whilst you try tame your mind- this is for you. Stick some headphones on and blast this record in your ears. There is so much to love and cherish about this record. From the lyrics, to the way the drums sound like waves crashing against your soul and the bass and guitar bringing you back down to provide comfort. It’s just a glorious record and a joy to listen to.

I can only write about this record/anything I write about as a fan; that’s all I know. But trust me- this is the record of the year. Everything you could want and more. I cannot wait to play it religiously as I go to/from work. I can’t wait for the days to get shorter and let the songs take on a different meaning in different seasons. I can’t wait for the world to hear this record. It may be a debut record, but this band know exactly how they want to sound. This sure sound is just a dream to listen to. At times the songs are ethereal and there are times where this fury in Laura’s voice (the ending of Shallow where she belts out “You don’t know me” is SO powerful) every song has moments built into it that stick in your brain. The record ends with a 7 minute delight- Rivers. I won’t spoil it for you, but this may just end up being one of those songs that they use in films to really heighten the suspense.

They’ve done it. So easy. So effortlessly. So slick, so cool, so perfect.

AMYL AND THE SNIFFERS: Albert Hall, Manchester. 31st May 2022.

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Of all the gigs I’ve ever been to at the Albert Hall, I can say with as much confidence as possible, that last night’s show courtesy of Bruise Control and Amyl and The Sniffers, was the best. From the atmosphere, to the sound to the bands, to the crowd. Everything about the bands last night and the crowd was just divine. I don’t think the Albert Hall will EVER see a show like this again.

This was the first time I’d ever seen Bruise Control live, and my god they made you feel like it was THEIR headline show. Give it time, and they’ll be playing venues like this all the time. The band had their family in the crowd and seeing the singer’s mum have the time of her life whilst singing and dancing her heart out to the phenomenal sounds her son’s band makes was just beautiful. Looking at the crowd and seeing so many people lose their shit to this band was everything we all needed and more. At one point Amy and Gus were stood behind me watching Bruise Control, and to see everyone in the room just lapping up this exceptional band was a sight to behold and treasure. You could see how much this meant to Bruise Control and those that adore them.

Around 9pm, Amyl and The Sniffers bounced onto the stage and immediately tore the roof off the Albert Hall. The energy from their set was an extension of what Bruise Control gave us. Punk music with a bold message and a sound loud enough to deafen you for days. As soon as they opened with GFY (Go Fuck Yourself) the crowd downstairs turned into a sea of bodies swaying, sweating and throwing themselves and each other around. In just 50 minutes, I can’t begin to tell you how many people were being pulled out of the crowd. One being Bruise Control’s singer- who I think was pulled out 5/6 times. To see everyone have this much fun and more importantly- being kind to each other when someone fell or wasn’t too steady was a true sentiment as to what Punk is.

The setlist was a healthy mix of old and new songs. So many songs were a highlight for me. Their performance of Maggot, Got You, Some Mutts and Security were INSANE. There were tamer moments, for instance the song Knifey, that showed a different side to Amy’s vocals. Yes, she belts those proper Punk anthems out, but on Knifey she tells the frustrations of just wanting to walk home peacefully without feeling threatened. She does it in a way that just simply explains the frustrations but delivers it in a way that breaks your heart.

The energy this band have is infectious. The crowd feed off them and vice versa. I saw Amyl and The Sniffers play their first Manchester show at the Deaf Institute a few years ago, and it blew my mind but last night’s show was something else. Maybe it’s because we’ve been waiting years for this or maybe it’s because seeing this band live is the most liberating feeling you’ll get. Amy bounces round the stage like the Duracell bunny who has had too many lemonades; at one point she takes a shirt thrown to her from the crowd and wraps it round her face, like a makeshift balaclava.  She also brings out the bodybuilder stance as well whilst Gus, Dec and Bryce deafen the crowd with their sound.

Every single song is screamed back at the band, and it is the most beautiful sound you’ll ever see. The band totally own the stage, and you can really feel the love they have for their fans, music and each other. The bond they have is just wonderful to watch and being able to see this is a real honour. Some songs are belted out louder than others- from the crowd; such as Guided by Angels, Hertz and Gacked on Anger. The whole set is perfect and I could have happily watched 12 hours of this. Bliss. Absolute bliss. You cannot help but want and need more.

You know how everyone claims to be at the Sex Pistols show at the Free Trade Hall, then went on to form bands? I’m pretty sure that the show at the Albert Hall will have the same impact. There is no way you could have attended the show last night and not been left with a fire in your tummy. Watching them last night, I felt like I did when I first Iggy Pop and The Stooges for the first time. Amy has the same effortlessly slick manners as Iggy on stage. Gus is one of those bassists that make you wish you were as cool as him. Bryce is up there as being one of the best drummers I’ve ever EVER seen live. Dec absolutely rips as a guitarist and controls the crowd effortlessly with his sound.

Two of the most exciting bands in the world ripped the Albert Hall a new one last night, and nothing and no one will ever be the same again.

Punk is not dead. It’ll never die.