BULLET GIRL: Talking Pony EP.

Good Friday has now taken on a whole new meaning because the debut EP from Bullet Girl is FINALLY here. It feels like we’ve been waiting forever for this. And yes, as that old saying goes- good things come to those who wait. I mean I was pretty impatient for this one, but I stayed up well past my bedtime last night/this morning and at midnight, I played the EP. I’ve been playing it all day (I’ve taken a break from listening to CROWS for the time being.) Good Friday? More like a BRILLIANT Friday. If you’re looking for something that is powerful, will burst your eardrums, give you a swift kick up the arse and make you feel something- then I URGE you to check out this EP. It’s incredible.

In 4 songs, Bullet Girl show us exactly what they are made of. They are a political, honest, focused and a poetic bunch. The songs are insanely brilliant. It opens with The Hunt, then we go right into Paper Guns which is just a treat for the ears. The whole record is. Of course, you want more, but what they’ve given us is a work of art that oozes passion, dedication and determination. You can truly feel the hard-work that has gone into this record. Everything about Talking Pony just screams every fury you possibly feel right now. Paper Guns nails this more than most. The despair and hurt on this are so raw, and you’ll probably be made of stone if you don’t connect even a tiny bit to this one.

With one EP they have firmly put their sound out there. There’s nothing like this around and thank God because no one can do it like Bullet Girl. They make you want to cast aside your daily responsibilities and just follow them on tour or something equally fun. They’ve got this energy to the songs that just makes you punch the air in agreement and yell the songs out. Nothing will hit as hard as the into to McViolence. That intro just gets me every single time. Pretty sure I could be having the worst day possible, and within seconds of that intro being blasted out- I’ll feel better. I love the sheer rage in the song. The whole record has this brutality to it that just makes you really connect to the band and what they are about. Again, it’s all about picking up on that drive and determination in this EP- it’s wild. I honestly didn’t know what to expect when listening to the record. Like, I knew it was going to be great of course, but I didn’t know how the songs were going to hit and how it’d feel to finally hear this body of work that they’ve worked so hard on.

The love and drive gone into this EP is evident on every single song. If you want music that will make you feel like you are being thrown about or if you want lyrics that are just an accurate social commentary that are sung with such vulnerability and urgency- then this is the record for you. These 4 songs were made to be heard by the world and to be treasured. The record ends beautifully on Parasites but it doesn’t have to end there. Simply play it over and over again. It’s the only way. The last 20 seconds or so on this one is just incredible. The screaming of “Better days will come” just hits you right in the soul.

Talking Pony calls out everything shit with the world, but it’s delivered in a way that givers you hope. Hope that it’ll get better. It has to, right? With bands like Bullet Girl telling it like it is, it’s a sure fire way of making us all feel less alone and less helpless.

Tour dates for May are:

7th May: Retro, Manchester (R-Fest)

8th May: Hyde Park Book Club, Leeds

9th May: The Washington, Sheffield

10th May: The Old Blue Last, London

11th May: Bedford Esquires, Bedford (supporting Personal Trainer

14th May: The Black Lion, Brighton

CROWS: Beware Believers.

In 2019 I wrote about the debut record from Crows. It was full of love and admiration. I was in awe of what I was listening to, and I found it hard to believe that it was only their debut record. Crows are a band that I’m constantly in awe of, and I love how they make me feel like I’m discovering the likes of The Birthday Party for the first time. They are loud, they are raw and they are criminally underrated. Their second record Beware Believers was released last Friday, and trust me- it’s unreal.

11 songs make up this record. 11 heavenly songs that will send you off into some odd dystopian dream/nightmare (I mean you could just take a look outside for this, but let me be a bit dramatic here.) There’s nothing more annoying than someone mentioning the second record curse when writing about a bands second release. Ease off the pressure and stop assuming everyone will release a shit second record. Crows are a band that do not make bad songs nor do they put fillers on their record at all. They make the kind of music to completely let loose to. If something is stressing you out or if you’re carrying some frustrations you just do not need- play this record as loud as you can stand. I’m not playing it as loud as I normally would due to being a little deaf from seeing METZ last night, but I’m brave. I can do this.

This year is clearly the year for exceptional records, and Crows can add their name to the list of bands contributing to this. I don’t think we’re going to hear a record as driven as this one. I don’t think it’s possible for anything to even come close to this record. Crows have been around for ages, and yes, it’s hard to get your heard around the fact that this is only their second record but what’s more difficult is that they haven’t taken over the world yet. Come on now! This needs sorting. I’ve listened to the record a lot the past few days, and I love the way every song flows perfectly into the next. I love how Only Times goes right into Slowly Separate. For me, that’s one of my favourite moments on the record; I love how beautifully chaotic this record, and I love that every song is delivered with such importance. These songs are vital, and you can tell just how much it means to the band.

I’m so excited to see them this week, and to see these songs live. I love when you hear a record, then you finally get to witness it live. You can really feel what the songs mean to the band and you can be part of how they are meant to be heard. Every song on this record, much like their debut, will make you want to trash any room you step into. Do it. Live a little. Throw some shit around, go wild. 

There’s a song on the record call Healing, and there’s a line that goes “I know that everything hurts, and I know that everything can heal” and it probably one of the most important lyrics I’ve heard in a while. Something so simple, but is projected in a way that really gets you right in the gut. I think Healing might be THE song for me on this record. I think it’ll probably be one of the most vital songs I hear all year. I love the vulnerability in the song and I love James’ vocals on this. I feel I could write an essay on this song and why it’s just so important. If they play this on Friday, I’ll probably have a bit of a cry or I’ll be too in awe of what’s happening and just stand there like a gormless twat! I cannot tell you how euphoric the song Room 156 is. This again is one I am so excited to see live (hopefully they play it!) For me, this record has this strong sense of urgency. It feels like the band just HAD to get this record out. Every word, every note played had to be released into the world. Thank God it finally has been.

Every song on this record shows us exactly why Crows are thrilling and a joy to listen to. The darkness but hopefulness in the songs will leave you feeling fragile but okay. There’s something about this record that makes you feel like maybe, maybe, it’ll all be okay. The record ends on Sad Lad which has this beautiful yet eerie feel to it. It’ll break you but by the end of it, you will feel healed. I really hope Crows know how important they are, and how important their songs are. There’s a lot of healing in the lyrics, and the way the it all comes together and just soothes your head and soul is divine. I’m just in awe of how loud and gentle this record is. Sometimes, you just don’t know how much you needed to hear something until it hits you right between the eyes.

Crows start their UK tour tomorrow, and you can get yourself tickets here: https://www.ents24.com/uk/tour-dates/crows-1-1

Go see them and let the healing begin.

GHUM: Some People.

I feel like I have waited FOREVER to write this, but I am SO excited to write that GHUM’s debut record, Bitter will be out THIS YEAR. I am so so excited about this. I can’t put into words. I’m just stupidly excited to hear this record from a band I’ve loved for so long. There’s really no better feeling is there? When a band you adore get to finally put their debut full length record out

Bitter is made up of 9 phenomenal songs; I am confident in saying this because I love this band and going by what they’ve already released so far- it’s a pretty fair statement to make. Today they have also released their new song, Some People which is also accompanied with a pretty great video too. The new song is heavy, but the video is the polar opposite of it and it works so well. The video is directed by the wonderful Lydia Garnett who has blessed the world some wonderfully Queer art. When you take that and mix it with a song from a band you just love- it creates something that just makes your heart burst with utter joy!

There are some bands that when you listen to them, the impact just stays with you. Just this morning I was listening to the band on my way to work, and I felt like I was listening to them for the first time all over again. I’ve got a handful of bands that make me feel like that, and GHUM are easily one of them. I know that their debut record is going to blow our minds and from 17th June onwards- I probably won’t listen to anything but that record. I cannot wait!

The band got together about 6 years ago, so this full length record has been a long time coming. Their two EPs (self-titled and The Coldest Fire) are works of art and you know, it’s a fair call to make to say that Bitter will too be a masterpiece. I’m just so excited to listen to the record.

Check out the artwork here for Bitter:

For me it kind of gives you a hint to how the record will sound; a bit spooky, a bit dark but with tender moments. The band are made up of the best musicians around, and with this strong and distinctive sound they have- they will probably take over the world. Let’s dream big! They deserve it.

It’s an honour to write about a band like GHUM and to see how their sound has strengthened, and also how fearless they are with what they do. This morning I finished reading the book In The Miso Soup, and there’s part of the song that reminds me a little bit of the book: “We’re just ‘some people.’ But I want you to know; there’s some evil in me.” Really makes me think about the book and the ending of it. The book will mess with your head, and so will GHUM’s music to be honest- but all the best art does, right?! The magic in this song is all the way through. You’ve got the sheer intensity of Laura’s vocals that go right into Vicki’s drumming. Then you’ve got MJ and Jojo on bass and guitar creating this eerie atmosphere that pulls you in. You just can’t get enough of this song, of this band.

You can pre-order Bitter here: https://ghum.bandcamp.com/ and the record is out 17th June via Everything Sucks.

GHUM will also be playing a headline show in London at the Sebright Arms on the 22nd April.

ZOLA JESUS: Lost

That feeling when one of the singers you adore so much comes back with new music; there’s truly nothing quite like it. The first time I heard Zola Jesus, was actually the song she did as Nika + Rory. The song was I’m Not Going Anywhere. I played it almost religiously. I then heard Nika’s work as Zola Jesus when brought out The Spoils, and that was it. My obsession was blooming and I didn’t want it any other way.

There are a few bands/singers that just stick with you, and the any announcement of new music from them just immediately hits you right in the heart and you feel alive again. Since 2009 I’ve had this admiration and love for Nika and all she creates. I cannot think of anyone else who does what she does, who makes the sounds she does, who has a mind like hers. She’s the only one, and let’s be honest- there won’t ever be anyone else like her ever again. Her voice is so haunting and so comforting. I’m not ashamed to say I’ve bawled my eyes out to some of her songs, but my god there are songs that just give you this euphoric feeling and nothing can come close to it.

Lost is the new single, and is taken from Nika’s new record Arkhon which is out 20th May via one of the best labels ever- Sacred Bones. If you’re a fan of Nika/Zola Jesus, you know exactly what to expect but at the same time you are ready to be thrown into the deep unknown. Lost is such a beautiful and open song, and so easy to connect with. We all feel lost. Some of us feel it more than others, some of us are just constantly lost. For some, it may be all we know. But it’s a feeling that so many can connect with; and the way Nika writes about it here is just divine and right to the core.

The percussion, the sound of breathing (at the start- I think) it’s got this reassuring feel to it. The start sounds like a panic attack coming on (something I know far too well) but then everything calms down, and you are centred. Everything is okay, and you feel reassured again. There’s something about that chaotic feeling of being lost that allows you to just go at your own pace and eventually find what you need. I think that’s something we probably need to cling on to more than we care to admit.

The video for Lost is stunning. It will leave you breathless and just in awe of this magnificent creation. It sums up the feel of the song so well, and it is shot in the most gorgeous way imaginable. I don’t want to write too much about the video; I want you to take some time out of your day to watch the video. Maybe a couple of times in a row, and just take it all in. The song is a masterpiece and if the whole record has this feel to it, then I think we may have found the most beautifully put together record of the year.

CHUBBY AND THE GANG.

Hello, I am an idiot. An idiot who has had a piece written about Chubby And The Gang saved in my drafts, and never finished it. I read over it, deleted it and now- I’m starting again. There’s nothing worse for me than having to read over what I’ve written. Awful. Anyway, now seems a good a time as any to write about one of the finest bands around- Chubby And The Gang.

Their most recent release came out on Valentine’s Day (Labour of Love) and if reading this is your first time hearing about the band- then it’s probably the ideal introduction. CATG are one of London’s finest Punk bands. They are loud and electrifying. They are the kind of band you find yourself seeking out so you can just become more and more obsessed with them. Even more impressive is that they are supporting The Chats on their tour soon! That’s a lineup to get really excited about!

CATG have that 70s Punk feel, and when you listen to them you cannot help but feel you are roaming the streets of London with them just searching for something to do in a time when there was nothing. That feeling of hopelessness and nothingness is something that’s been quite vocal in Punk, but it’s something that makes the listener feel less of a deadbeat. I love their sound so much, and although I didn’t write about their debut record in 2020 when it came out- let it be known that is is a phenomenal record and one I still play the shit out of! It’s way too good to not mention.

Their debut record, Speed Kills is made up of 13 proper Punk anthems. Play it in any order, play it loud and play it religiously. For me it captures the real spirit of Punk and I love the brutal tones on the record. These 13 songs will go down in Punk history as being some of the most rowdy anthems ever written. And of course, you can’t talk about their debut without mentioning how great their second record, The Mutt’s Nuts is. If you’re wanting something louder and more in your face- this is the one for you. This is a proper rowdy record, and you can really hear how feral their sound is on this record. It’s just as mind-blowing as their debut, but The Mutt’s Nuts has a little bit more bite to it.

Both are clearly magnificent records and you cannot help but play one after the other. I’m probably pissing my neighbours off by playing this stupidly loud. Their second record has hints of Black Flag and Dead Kennedys about it- fast, to the point and makes you just want to scream along. The band excel themselves with everything they do, and I think the song that really sums this up is the second track on the record, It’s Me Who’ll Pay. Pay close attention the lyrics. The Mutt’s Nuts consists of 15 songs that shout “fuck off” is different ways. Utterly brilliant.

CATG are that band that you just need to see play live- on record you can definitely hear the passion and pick up on the urgency in the music, but to see them live would be heightened beyond words! There is just so much energy in the music, and it’s the kind of energy that just makes you feel part of something that matters. If you’re moved by bands like Amyl And The Sniffers, The Speedways, The Chats- all that good stuff; then you’ll absolutely find a home in Chubby And The Gang.

DITZ: The Great Regression

Well, here we are. Another phenomenal record to become obsessed with. Nearly 9pm on a Sunday- the perfect time to play some music that is hectic, beautifully loud and wonderfully aggressive. If like me, you know nothing about the band DITZ, then well, we can go into this journey together. This twisted and eerie journey. You might need to lie down after this one.

DITZ are brilliant, and that’s putting it lightly. There probably aren’t enough words to describe how great they are and how glorious this record is. I love writing about bands I know nothing about. This is their debut record, and with just one listen, I’m finding it hard to believe that this is their first record. I know you get snobs out there who are all “it takes a lot for a record to move me.” Stay away from those people. They’ll make you feel bad for enjoying the music you love. It takes a lot for me to really really obsess over a record. I can listen to something a few times, then I listen to something else and it’s stored in my mind for another day. But every so often, I’ll hear something and I just KNOW it’ll become part of my daily listening. DITZ are probably going to be added to that. I reckon playing this record tomorrow morning on my journey to work blasting in my headphones will set me up nicely for the day. I love my job so there’s no dread there at all. It’s just getting on public transport and some people not being aware of personal space. You know how it is.

DITZ are a band from Brighton, and they have hints of heavy bands like PIGSx7(they’re supporting them in Brussels in May!) , JOHN (John Newton does appear on two tracks on the record) , METZ and maybe a taste of Sly and The Family Drone. Their debut record is a mighty fine masterpiece that will melt your brain. In just 10 songs, they fast become your favourite new band. How could you not fall in love with this sound? I love the sheer chaos in this record, and I love how it really smacks you in the face- especially on Three. That song is something else. It takes on a different direction midway, and it just blows your mind. I reckon this live will be a mental experience. The whole record was made to be witnessed live. You can just feel the sheer intensity on this record, and you just know it’ll be even more intense live. There’s something about this band that just makes you zone out from your surroundings and all you can do is let the record completely take over your brain. I don’t want to listen to anything else right now. I just want to soak up this record and play it at any chance I get. Trust me- it is beyond all I’ve described. My words don’t do it justice at all.

The band have been together since 2015, so this record has been brewing for years. They do say that good things come to those who wait, and that is so apparent with this record. They honestly couldn’t have made a better record, it’s just glorious. You’ve got the stunning single, I Am Kate Moss on there and it sounds even better as part of a full record. That song was just a taste of what DITZ are capable of. The record just shows us in 10 songs what they are made of and why they need to be heard. They must be heard. The record ends with the No Thanks, I’m Full which is just under 7 minutes long. Again, this is another song that will be ridiculous live! It closes the record, but it also makes you smack the play button and play the record from the start all over again. With every listen, you’ll pick up on new things to love about the record and the band

Something I really love about the record is that each song gets heavier and heavier. Halfway through and you’ll be right in thinking your eardrums have burst. That heaviness is part of why I really love this band, and why this record is just a real gem. It’s definitely one to treasure and it’s one of those records that you know in years to come, people will be talking about how great it is. Everything from the production to the sound to the vocals to the artwork is just divine. A flawless record that you just cannot get enough of.

There’s something truly special about this record. Although it’s a record that is so easy to love, it’s definitely difficult to pick one solid favourite song. I think if you’re looking for something really heavy, the latter part of the record will appeal to you. I just adore the record. Every single song on The Great Regression is perfect, and it’ll make you wish you could join the band. Imagine being in a band like this, and creating music like this. The band may have gone through some line-up changes over the years, but this record is a solid statement as to who they are and why they deserve to be heard.

BULLET GIRL: McViolence.

Given the state of the world at the moment, a song like this seems, sadly, very apt. It’s hard to avoid the news and it’s even harder to not feel helpless. All you can do is hope it all gets better, and that feels like such a throwaway comment to make. I know. I know. Sometimes you just look at the state of the world, and words fail you don’t they. I guess when words fail you, you can turn to music in the hopes someone else can say what you’re carrying round.

Bullet Girl are a band I’ve written about previously, and will be a band I carry on talking about for as long as they make music. They are back with a new single/video called McViolence and like I said above, this song is pretty apt write now. The dual vocals with Aaron and Dylan on the chorus is exceptional- I reckon this song live will be something else!

As I write this on my lunch break at work and have the song on repeat, I can’t help but think that Bullet Girl are quite possibly, from another planet. How can a band be this good?! Well, I only write about music I love and when I listen to Bullet Girl, I can’t help but get excited for what they’ll do next and for their future. McViolence is a heavy song in every sense of the word; taken from the press release, “The song was inspired by an unprovoked attack on two of the band members from a group of teenagers in their hometown.” Remember when My Chemical Romance sang, “Teenagers scare the living shit out of me.” That fear is something that never goes. But, we must remember that regardless of age, gender, race etc- there is good and bad in everyone and everywhere.

McViolence is a hard look at this horrible culture of toxic masculinity, and Bullet Girl aren’t a band to shy away from topics most would try turn away from. The song is extremely powerful and a beautiful piece of noise. The video shows violent clips (which you’re advised to proceed with caution) but these clips really show the essence of toxic masculinity and how it is something that’s always been there. We can live in hope that it dies out because it’s just such an ugly way to be. Although a heavy topic, the song is insanely brilliant and shows us what we can expected from their debut EP, Talking Pony which will be released on the 15th April via Blue Organ Records and has been produced by the brilliant Daniel Fox from Girl Band. I cannot wait to hear it and to play it religiously. That’s the only way to listen to Bullet Girl- constantly.

Around the release of the debut EP, the band will be playing some dates:

17th March: The Good Mixer, London

7th May: R-Fest, Manchester (Retro Bar)

24th September: Post Punk Strikes Back, Porto

Further dates will be announced soon!

BAMBARA: Love On My Mind.

Before I get into how remarkable this record; I just want to touch on how I nearly missed out on tickets for their UK tour. Fortunately, the venue for Manchester got upgraded to Gorilla so I managed to get a ticket. No one should miss out on seeing this band live, so do the right thing and grab a ticket from here: https://www.seetickets.com/tour/bambara (also use Twickets if any have sold out!)

Right, the record.

There’s no set way to describe the sound and style of Bambara that does them justice. Nothing and no one can define them- they are THAT good. ‘Good’ isn’t even strong enough a word to use. Can you tell that I love this band a hell of a lot? I love how their music feels like a Henry Miller novel brought to life. I love the seediness in the songs. I love the poetry. I love the romanticism. I love the way the songs sound. I love how Reid’s voice can sound like a snarl but gentle at the same time. Everything about this new release just oozes perfection. I’m obsessed with every single song. If you don’t get goose bumps from this record, then turn the volume up a bit more!

Feelin’ Like A Funeral is a masterpiece (every song is but this one right now sticks out) and you find yourself going back to it, over and over. Just to really pick up on how stunning the lyrics are. You want to live in the world they have created with this song. In fact, you’ll pretty much feel that way when you listen to all of their songs. You’ll feel like you’ve been downing really strong whisky in a dive bar and you then stumble into the night, with no set place to go. The songs will echo in your brain and you won’t feel alone. Or, you could just stick your headphones on and see where your mind takes you.

The record ends on the euphoric Little Wars. The last minute or so of this song is divine. It becomes heavier and heavier (sound wise) but the vocals add this beautiful softness. It is such a glorious way to end the record and it’s no surprise that you’ll end up playing the record all over again. This mini LP is just a joy to listen to. The lyrics are more personal than on their previous records and that’s just one of the many reasons to not just love this record, but the band. They constantly evolve. The song writing is just a stroke of genius, as always.

What I adore about Bambara is that you simply cannot put their sound next to someone else’s. It is a completely different and unique sound, and I know that is so cliched and bloody typical, but there’s really no other band around that are like them. That’s what makes the band a real joy to listen to; with every listen it is like you are discovering them for the first time. I love the heaviness in their sound and I love the occasional gentleness in the vocals. Put that together and you get a really exciting band. For me, this is the band at their absolute best and of course like any great band- they leave you wanting more and more.

Love On My Mind may only consist of 6 songs, but it is the perfect step into what we’ll get next from them. But before all that, it just makes you so excited for the tour that’s coming up. These songs are going to absolutely rip live. Can you imagine hearing Point And Shoot, and Feelin’ Like A Funeral live? Holy shit!

BIG DIPPER: Just Love.

What sounds like The Cramps and The Count Five, and is a masterpiece? The new song by Big Dipper of course! The new single from Mr Big Dip himself was released on the 14th, and you can treat the song as a little Valentine’s gift for your ears and soul. The song is divine.

If I was one for genres, I’d probably make one up and call this Cowboy Punk. I love this song, and I love his vocals. I love the woeful lyrics and how you really feel for him. Sad cowboy blues- the Dip has sure got ’em on this one.

One of my favourite lyrics from the song has to be, “But at the end of the day it’s just a fart in the breeze.” I don’t even need to quote the line before it to point out how great it is. It basically just poetically tells you how rubbish/pointless some things can be. But there’s a lot of sadness on Just Love that is so beautifully written- it’s that last verse; it’ll rip right through you especially this part; “When I really start getting to thinking about it, it all becomes so clear. See, I cut my fingers so I can’t touch her no more. And I cut my arms off so I can’t hold her no more.” There is something so painful and beautiful about this part, it just really hits you in the gut.

The romanticism in the song has a proper storytelling feel to it; you cannot help but be reminded of Tom Waits, Nick Cave, Leonard Cohen, Scott Walker (I’m just naming my favourites but the point still stands.) The longing and heartache in the song will ruin you but my god it’s beautiful. If a song can’t take you on an emotional and spiritual journey- then what’s the point? You just want to get completely lost in this song and feel the way Big Dip does. When you listen to the song, you feel like you’re sat outside on a step with him, a little bit drunk at 2am when the bar has closed and you’ve been thrown out and he’s just pouring his heart out. We’ve all seen sights of people doing this on a Friday night, and usually with sick on their shirt and a questionable burger in their hands, whilst bits of lettuce and mayo fall to the floor. This however, is different. There’s class to this drunken breakdown.

The longing and hopefulness that turns to hopelessness in this song really gets to you, and it also shows you how great a writer/singer/musician our Dip is- but also the other musicians on this song are exceptional. With every listen, you soak up little details and they fast become vital to your appreciation of the song.

Whether you’re loveless or full of love, listen to this song and let it grip you.

LEGAL NOISE: Flashback/Static Knife.

A year after the remarkable, Tough As Nails was released- the loudest band from Australia are back!

Legal Noise are one of the best bands around, and if you’re looking for something to burst your eardrums or make the room shake- then they’ve got TWO brand new songs for you.

Flashback/Static Knife was released on Friday, and both songs are perfect for blocking all noise out to. Incredible. Highly addictive and rowdy.

Let’s start with Flashback:

This one goes in right for the gut. It’s unapologetically loud; it’s got this insane fuzzy sound- the reverb mixed with some kind of psychedelic feel. Then you’ve got the drums that are just a constant bash to the skull. It’s just such a joy to listen to. If you’re a fan of Birmingham’s finest, Table Scraps, then you will be fall madly in love with Legal Noise. Hell this noise is so good it should be illegal! (I’m probably not the first person to say that, I’m sorry!) There’s this heaviness to Flashback that reminds me so much of Sleep and another band that I’ve totally forgot the name of. There’s a lot going on, and a lot to take in but that’s what makes it a masterpiece. Playing this gem through headphones is the only way. Tune out from all around you, and let Legal Noise corrupt whatever is left of your mind and take over. Would you even want it any other way?

Now, let’s move onto Static Knife:

This is wild. It starts with this hypnotising drum that goes smack into this electrifying guitar that just fries your brain and makes your body feel like it has been beaten. If music doesn’t make you feel like that, then what is the point? This is the kind of song (to be honest, all of their songs do this) that makes you wish you could be at a Legal Noise show. This song sounds a little rougher than Flashback but that isn’t a bad thing at all. It’s a great thing! This feels like it was done in one take, and all they intended to do with this song was taken care of immediately. It’s a real heavy number and the vocals on this- oh man, you can just imagine chanting this back at the band. I just love how this song sounds like a drunken brawl at 3am.

Both songs are wonderfully chaotic. All over the place in the best way possible. Legal Noise know EXACTLY how to make songs that are made for playing ridiculously loud and take you right to your happy place. Nothing makes me happier (music wise) than music like this. Beautifully loud, rowdy and almost like a panic attack for the ears. As someone who does have anxiety attacks, I should probably not want to listen to music that makes me feel on edge. but I won’t change my music taste to fit my mind. No way! Legal Noise are just a dream to listen to, and they make you want to trash any room you go in like an uncontrollable toddler who can’t get its way.

If the new Legal Noise record sounds anything like these two songs, then we’ve probably found ourselves the record of the year haven’t we.

If you’re lucky enough to live in Australia, then check the poster below for tour dates for next week!

May be an image of text that says "TOUR! ON LEGAL NOISE HSVO HSVThe The Eastern FEB Ballarat 12th Supporting Barracouta Letuce Pray Ivy Streep FEBi3th W Great and Chance LastChance Roll Rock Australian Melb Bank FEB 14thW The Bad Randy' The olaBar Bar Fitzroy VIC TOUR 18+"