Tag Archives: Garage Rock

THE CRAMPS: Big Beat From Badsville

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Here comes record number seven with a blazing smack to the choppers. Big Beat From Badsville is the coolest sounding record I ever did hear. Does the record sound as cool as its name? It’s The Cramps! Of course it does! Now, let me give you a few hundred words about why this record will ease any mood, why this record feels like it could be up there as one of the best things you’ll ever hear.

The most important thing to note about this record is that it is the only record by The Cramps that doesn’t have any cover songs in. the brilliant thing about The Cramps is that they make you forget that a chunk of their songs are actually covers. They make it their own. They made whatever genre of music you want to lump them in their own. They are the loudest band you’ll ever need. Hell..they’re the only band you’re going to need.

Big Beat From Badsville came out in 1997. Its 20 years old, and it sounds like it easily could have been one of their first records. Maybe just after A Date With Elvis. The songs are as smutty as ever. They are wonderfully sleazy especially on songs like I Walked All Night, It Thing Hard-On and of course, Like A Bad Girl Should. This record has ALL the hits. It has the songs that you need to play at any party. Just play this record, and go have a great time. You can play it loud whilst at home by yourself, play it to a lover or force friends to listen to it. Whatever your mood, just play this record as loud as you can. If they turn their noses up at these genius-like songs, then kick ‘em out. Then kick out the jams!

This may be their second to last record, and it really doesn’t sound like a bad that had it in them to quit. I reckon if Lux was still here, they’d be busting up stages and giving the kids a seductive fright. Badass Bug is such a brilliant Rockabilly song. You can picture them recording this in the studio and possibly just having the best time imaginable doing so. It’s such a great song to let everything go to. Just flail your limbs about. Do whatever you want!

What I absolutely love about The Cramps is their ability to make you feel utterly free. You can be stuck in a situation that is ruining your soul, but as soon as you play this record it makes you feel so free. They just take you some place that nothing else can. Like A Bad Girl Should is such a filthy song, and if anyone else sang it- you’d probably just dismiss it but Lux does it in a way that just makes you smirk and probably think about the person you lust after. That lust shouldn’t ever fade if you’re with them. Like A Bad Girl Should is an unconventional love song.. I love how out there it is. I love how it sounds a little stalker-ish. Thing is, Lux doesn’t make any of this creepy. I love Devil Behind The Bush- you can easily tell what this is about. You’re probably a prude if you don’t get it. I reckon even the biggest prudes of them all could find a song by The Cramps that they love. Find one, and shock them with a song by The Cramps!

If I was ever looking for a record by The Cramps to reinforce or even justify (as if I need to) my love for them, I’d probably use this one. I love that it is all of their songs. I love how outrageous Lux got with the lyrics on this one. He truly lets it all go on this record, and you know what- it really makes you miss him.

THE CRAMPS: Flamejob

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Record number six. What could The Cramps give us with their sixth record that they hadn’t already? They didn’t need to prove anything, they never did. Flamejob is one of their most underrated records, and it is easily one of their most boldest records.
If any song summed them up, it has to be I’m Customised. It just describes them fully. One-offs. Entirely rare. Nothing like them since. This is one of their most Rockabilly/Psychobilly sounding records. I think this might be evident the most on Sado County Auto Show. It’s a massively underrated record and it shows just how great Lux and Ivy were at producing records. Flamejob also came out on Creation. I didn’t know that and I feel that I should have. Silly me!

The Cramps took their time in between records, and it shows that a lot of thought, time and care went into these records. The magical thing about The Cramps records is that none of their records consist of fillers. Every single song deserves to be there. Every single song deserves to be heard loud and repeated over and over.

Yet again it is another record by The Cramps that shows just how underrated Poison Ivy is as a guitarist. She is one mean guitarist. Her style is so distinctive and raw. There is nobody else quite like her, and I adore her sound on Strange Love. With every record she just sounds stronger and more determined. Lux and Ivy have always had that. This determination they had together is shown on classic styled songs like Swing The Big Eyed Rabbit. There was something about them that made you realise instantly there was something special about them and what they were going to do.

I feel I haven’t discussed artwork to their records enough, and I know I could have easily done this with the records I’ve written about before. But, there is something about the artwork to Flamejob that really stands out for me. I love that Lux did the artwork, and took this photo of Ivy. I love her stance and how partially futuristic she looks. I love the orange and red giving off the fire background. I love her leather outfit and the way she looks like someone you wouldn’t want to mess with. Or you might. Depends on what you’re into. This cover is one of my favourites, and I just love everything about how you can tell a lot of thought was gone into it. It’s a precise piece of art- like everything they did. It’s nothing short of stunning.

You can’t help but really get into Mean Machine, Let’s Get Fucked Up, Inside Out and Upside Down (With You)- I could just list the whole record to be honest. Like I said, I reckon this might be one of their most underrated records. I love that Creation put it out also. I definitely need to find myself a copy of this record as soon as I get paid. Or ask someone nicely to get me it for my birthday. It’s got this feel to it that I hadn’t gotten before from their records. Maybe it’s sensing a heavier sound almost, I don’t know. But like I’ve mentioned before- The Cramps had a distinctive sound, and it is always a pleasure to just listen to them.

Flamejob again had Slim Chance on bass, but on drums there was the remarkable Harry Drumdini. The one thing I have always loved about The Cramps is that they always had loud drummers. I love drummers who are unapologetically loud and play with all they have.

Alright so that’s number six done! Go listen to it and make your Monday morning less painful.

THE CRAMPS: Look Mom No Head!

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I’ve got a few reasons as to why I am excited to write about this record. The main reason being- Iggy Pop is on it! The Cramps AND Iggy?! Oh man..what a time to be alive! I also love the artwork to Look Mom No Head! I think it could be my favourite. This is definitely one of my favourite records by The Cramps too.

The record opens with the dominating Dames, Booze, Chains and Boots. It sounds a little different to what we’ve heard before by The Cramps. The guitar is a lot of heavier on this song, and it just shows how brilliant Ivy is. No one can really compare or compete with her, and she’s truly not given the recognition that she deserves.

There’s one other thing that I need to mention here. The drummer on this record is Jim Sclavunos. That’s right, THE Jim Sclavunos. You probably know him from being part of Nick Cave & The Bad Seeds. He’s up there as one of the greatest drummers of all time- ask anyone. In 8 days I will FINALLY get to see The Bad Seeds in concert. I’m so excited to see all of them. That’s the closest I’m ever going to get to The Cramps! Jim’s drumming on this record gave The Cramps a different and heavier sound. There is something about this record that takes you aback slightly. It feels like something got stirred inside the band, and Look Mom No Head! was born.

The record is made up of some brilliantly named songs such as Bend Over I’ll Drive, I Wanna Get In Your Pants and Eyeball In My Martini. These songs are just insanely great. Like I said, it’s definitely a heavier sounding record, but that sound of The Cramps that we all adore is still there. That sound never ever left. There was no way it could. They could have done an Opera record and you’d still know it was them. There is something so powerful and distinctive about The Cramps. No one else comes close.

Iggy features on the rowdy Miniskirt Blues. Their voices together is just ridiculous. It is such a fantastic song and the way their voices go together is just amazing. You can’t help but wish that they did more together. Imagine if they did a full record together and took it on tour. It would have been wild. It would have been so sordid and beautifully debauched. Lux and Iggy are two of the greatest frontman and singers of all time, and for them to do this song together is just such a great moment.

Look Mom No Head! is a wild record. Songs like Two Headed Sex Change and Blow Up Your Mind are so good. Two Headed Sex Change is such a ferocious song. I’d have loved to have seen this live. I really love Ivy’s guitar on this one. For me it is definitely one of those songs that make you realise how great The Cramps were. It really does show how amazing they all were and are, as musicians.

I adore how Lux’s voice sounds on I Wanna Get In Your Pants. I would have loved Iggy to have featured on this one too. It’s such a sleazy song, and you cannot help but laugh at some of the things Lux says.

Look Mom No Head! was ahead of its time, like everything The Cramps did. It’s such a filthy and smutty record, and I love it. It’s easily up there as one of my favourite. Not just by them, but of any record. I love how strong they all sound and how it has such a tight sound to it. I could happily play this record over and over. It definitely is the band at their strongest and strangest.

THE CRAMPS: Stay Sick!

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The thing about The Cramps that I have appreciated more and more as I’ve listened to them and also written about them is that with each record; they got more and more weird. If that was even possible! They did it but by no means did it every sound like they were trying too hard- so far from it. It was just natural progression for them.

I spent a bit of time today watching some live clips, and I honestly don’t think anyone could actually compete with them. Apart from them obviously sounding great, Lux was just the greatest frontman. If you want to put someone up against him and how got the crowd going, that’s fine. But you will lose. He was and always will be the greatest.
Let’s now get into record number four- Stay Sick!

The way Lux controls his voice on The Creature from the Black Leather Lagoon is one of my favourite moments on the record. I love that infectious shake he had in his voice. You can just imagine him recording this song, and typically deep-throating the mic to give out certain sounds. He’s the only person who could do it, and not seem like a creep in doing so.

This record is peak smut and filth. God Damn Rock ‘N’ Roll is the perfect song to emulate this, and it’s the way in which Lux sings and the Ivy’s glorious sounds she annihilates on her guitar that make it so perverse in the best way. It’s not the lyrical content in this one, it’s just how it all sounds. I love how Lux just takes down how bland Rock ‘N’ Roll had become. It took guts, especially then and Lux had guts by the tonne. Stay Sick! was produced by Ivy, and it was also the last record that Nick would appear on.

I love All Women Are Bad, and I absolutely love the line; “Save me the label of that perfume on the table. So I can remember what made a wreck of me.” If anyone else sung this, they would just sound utterly whiney. But Lux does it in his own charming way. A way that is evident in every single song/record. When I listen to The Cramps, I can’t help but imagine what it would have been like to have seen them create their records. To see what the atmosphere was like in the studio, to see them perform the songs in an intimate setting and what inspired the lyrics. They are a band that I am constantly intrigued by. For me, and probably everyone else that loves this band this constant wonder and admiration seems to grow and grow with every listen. I always feel like I am discovering them for the first time when I listen to them, and I think that is one of the reasons as to why they are just the best. No contest.

Everything Goes sounds like a sordid affair. It sounds like the aftermath of a bar fight. It’s a totally wild song. If you just read the lyrics, it reads like a beat poem. You can imagine these words being spoken as part of Beat Generation. As a song, it’s so far from that. It’s just a massive insight into nothing being held back. It’s brilliant.

Stay Sick! was released in 1990. If you listen to a lot of the music that came out then, The Cramps easily could have just thrown in the towel or given into the trends. They didn’t. They never ever did. They maintained just how relevant and influential they really were, and for a record like this to come out then was just incredible.

Stay Sick! showed that The Cramps were still going to dominate in a way that only they could- and boy, did they!

 

THE CRAMPS: A Date With Elvis

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Prior to this record being released, The Cramps put out numerous compilations and live records. Maybe I’ll go back and write about them, but for now I am sticking with studio albums. Now we’re on record number three. Three is the magic number, and although I said I could never pick a favourite record by The Cramps- I’m pretty sure that this one is my favourite. So here we go.

This record is just phenomenal. It’s got all the classics. I’ve got a copy on vinyl that my girlfriend got me this Christmas just passed. It was probably one of the best things I’ve ever been given (she’s also got me a record by The Mummies which massively blew my mind! I think she got me it because I told her there was no way she would ever find a copy.) A Date With Elvis came out in 1986. A really good year for records. And you know, some of us were born in that year! A Date With Elvis only has Ivy, Lux and Nick on- again, three is the magic number. Of course the likes of Bryan and Kid Congo Powers are missed here, but the content of this record is nothing short of genius. There is something about Lux’s voice on this record that sounds super strong. The strongest it has ever been, and the way the three of them had put this record together is just amazing. It’s a record I am constantly playing. I don’t care if it annoys my housemates and neighbours- everyone has THAT one record they just need to put on after a tiresome day. This is my one.

The brilliantly named Kizmiaz (say it slowly) is my favourite on the record. I love how it is slightly slower than a typical song by The Cramps and Lux’s voice isn’t as deep here. There’s a different tone on this song, and I just adore it. I could play it over and over, and fall back in love with it all over again. The whole record has some greatly named songs on such as The Hot Pearl Snatch, What’s Inside A Girl? and Can Your Pussy Do The Dog? Read into the songs however you want, but the humour is subtle but the genius is obvious all over.

People Ain’t No Good may sound pessimistic, but it’s a great song. Lux, Ivy and Nick just make it fun. Their second record had that Horror film to it, but A Date With Elvis has this really laid-back atmosphere to it. The songs won’t make you jump out of your skin, instead you’ll just want to throw a party and play this record on repeat. Although a party consisting only songs by The Cramps would probably guarantee my attendance, and I’m not a fan of parties!

We all have records by bands we love that justify why we love them so much. Sometimes it may just be a song, but for me this record totally explains and shows why I love them so much. It’s one of those records you cannot help but go back to. If I was telling someone who hadn’t listened to The Cramps before where to start, I’d say this one. Then I’d shock them with Psychedelic Jungle. Just to see if they can handle it.

Writing this has just made me want to go home and blast this record out. I’m pretty sure that’s how I’ll spend my evening. Then I will delve deeply into record number four and see what kind of world that takes me to.

Like all records by The Cramps, this one needs to be played loud. And often,

THE CRAMPS: Psychedelic Jungle

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With a line up change, I guess anyone would question a little if The Cramps could maintain the magic and weirdness they created with their first record. Of course they could, and did. Exit Bryan Gregory, enter Kid Congo Powers.

Psychedelic Jungle is a brilliant record. We all know that. The smut and filth levels are upped here and by no means is it for shock value. It’s just how it is. Gloriously perverse. Others still try and do this but they just sound like creeps. Certain bands have done it since and have kept with the similar tone as The Cramps but others, like I said, are just creepy.

Caveman has this aggressive sound to it. It sounds like a motorbike chase at times. The whole record is one wild ride that you never want to end. It’s got the perfect mix of filth and strange. You have to really listen to pick up on specific references. But hey, if your mind is wired to head that way anyway, you’ll have smirked instantly within the first note.
This is such a great record to lose your mind to. Sure they made some records that make you want to dance but this is one to just lose your mind to. Yeah there are songs that will make you move such as The Crusher. But maybe don’t take the song so literally. Unless you’re a zombie perhaps. This song would fit perfectly in some 70s Horror B-Movie. You know the kind. Don’t be a snob, those films are great! In fact, the whole record feels like it is a handbook for ghouls, vampires and zombies.

For me, The Cramps are that ultimate band. They were just consecutively amazing and always brought out mind blowing and ear bending records. The influence they had and evidently still there. Bands like this don’t come around all too often and sorry to be that person but, they don’t make them like this anymore! The more I write about them and the more I listen to Lux’s earth shaking and hip swaying voice, the more I miss him. The more I miss The Cramps. I could say we need another record as insane as this but do we? This wasn’t the blueprint, it was perfection the second they released it. The haunting werewolf like cries on Primitive is one of the most enticing moments on the record. This song stays with you all damn day.

I love how The Cramps made the artwork to their records fit with what was going on in the record. Sure you can dance to their records, but if you take some time and look at the artwork as you play the record in full, you may see the theme of the record. You may truly feel what’s going on in the record and pick up on the stories being told. It’s genius and totally mind blowing.
I could easily say that this is their greatest records, hell I could say that about all of them to be honest. And you know, it’d be pretty difficult to actually pick a favourite- right? They are one of those bands that blow you away each time, and the thing is, they still do it now. Going back and listening to this record solidly was nothing short of fun. I loved being able to hear new things with each listen and to pick up on different reasons (and new) as to why I just absolutely adore this band.

Maybe behind the filth and sleaze are tips on how to survive the end of the world but hey- Don’t Eat Stuff Off The Sidewalk!

THE CRAMPS: Songs The Lord Taught Us.

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I had an idea earlier today to listen to every studio album by The Cramps and write about them. I’ve done this with several bands in the past, and it’s only right that I do this for the most important band of all time- The Cramps. An iconic, timeless and just brilliant band. What they did for music and us weirdos is priceless. Let’s go back to 1980.

Although their first release was the EP, Gravest Hits in 1979 The Cramps released their first full length LP in 1980. Songs the Lord Taught Us consists of 13 brain shattering, life changing, and limb flailing songs. These songs were made to creep out anyone who hear Lux’s voice. His voice is Halloween all over. It’s creepy, utterly spooky and something you cannot tear yourself away from. Although they made music that some may have turned their noses up at, it is their live performances that probably had the raw shock value. When you listen to The Cramps for the first time, it stays with you.

The Cramps are that kind of band who within the first listen, the first note make you instantly realise that they are going to rule your mind. Their music will be something you constantly turn to. Ivy and Lux were the most perfect couple. Everything they did was a reflection of them, and although I never a show- we have dodgy YouTube recordings that somewhat capture the atmosphere slightly. Ivy had this demeanour on stage that made you idolise her. Lux was all kinds of outrageous, and that is why we adore them so. Songs The Lord Taught Us was an in depth look into the journey that The Cramps would take their fans on.

One thing I’ve realised from being a massive fan of the band is that there is no such thing as casually listening to them. There is no such thing as just listening to a few songs and being content with that. Far from it. Songs The Lord Taught Us and the rest of their records are addictive. You play one- you end up spending your day listening to all of them. And probably more than once too.

There are a couple of covers on the record, and the one that obviously stands out is Fever. Lux manages to really take this song somewhere else. Fever has been covered by so many, and the most notable is probably Peggy Lee’s version. Her version is lustful and seductive. The Cramps take the lust and the seductive tones, and turn it into something gloriously smutty. Hey, if you’re going to cover a song- you might as well do whatever you want to it. The Cramps created something truly remarkable with their first record, and this went on with everything they did. Nothing they did could be repeated. A band that were consistently great and managed to keep their fans hooked for decades with all they did. There’s no denying at all just how influential they were and still are. Songs The Lord Taught Us was just a small taste of what was to come.

Brian and Ivy made their guitars sound like weapons, Nick’s drumming was a glorious thump to the head and Lux just stole you away. If we were going to talk about the greatest frontman of all time, I’d probably say that Lux was up there. The way he moved, the way he managed to make the universe feel as if it was quaking with his voice. He just had something about him. They all did, and for it to come across so prominently on their first full length record is nothing short of fascinating and straight up incredible.

What I love about this record is that you can imagine bands you love listening to this, and wanting to start a band. It’s got something about it that just drives you on. It’s got something about it that leaves you in awe of how fantastic this debut (full length) record is.

Their songs are wonderfully smutty, filthy and humorous. I guess the Lord taught them well.

STEAL SHIT DO DRUGS.

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What’s in a name? Nothing? Everything? Something? Who cares! Steal Shit Do Drugs (SSDD if you like censorship!) are one of the most exciting bands around, and they are currently a couple days into a month long tour of the UK and Europe. They’re playing some neat sweaty venues, which is perfect for their brilliant degenerate sound.

I think they’ve only been around for maybe 2 years and I think last year was when their first record came out. I could be wrong though. The record consists of 11 in your face Punk/Garage Rock songs that are made to be screamed back at the band out of fury and love. Find your passion and yell. I’ve read nothing about Steal Shit Do Drugs, so I have no idea who they are being compared to. It’s lazy to make any comparisons, so I’ll stay away from that. But in all honesty, I can’t really think of anyone that they sound like. They sound like a band from the Punk era but they also sound like a band that are slightly ahead of everyone else right now. We need more rowdy sounds in our ears to unleash the frustrations of daily life, and Steal Shit Do Drugs are the best band to do it to.

I don’t know what the Seattle music scene is like, but I’m going to declare Steal Shit Do Drugs as the best band from there. It’s not really a bold statement, more like an honest one. But, it’s just my opinion and that’s never counted for much. I love how their sound can just capture the true hell of a daily routine that eats at you, surrounded in a place that you are desperate to get out of. You’re in a version of hell that others would probably be okay with, but it’s your hell and this is the comforting soundtrack to it. I can only imagine that their live shows portray this in a fantastic way. They strike me as a band that you’ve just GOT to see live to really dig the sound.

Lead singer, Kennedy has this glorious charm that comes across beautifully on record and he allows you to imagine him strutting about on stage. Getting in the face of the crowd and screaming the words at them, just waiting for someone to scream them back at him. There’s a real urgency to this sound, and they are band that just need to be heard. There’s simply no denying how great Steal Shit Do Drugs are, and I’m pretty sure this month long tour of the UK and Europe is going to win a number of people over

Organdie is my favourite track so far. It’s a real loud number that echoes sounds of The Stooges in the best way imaginable. It’s got a real dirty Punk sound, it’s the kind of Punk that shocked parents like the Dead Boys and The Stooges. It’s flamboyant and it’s in your face. There are quiet moments and all of a sudden the last 2 minutes of the song are just a massive yelp-fest. It’s brilliant! I can’t get enough of it. I think it’s the one that’s going to really get the crowd going at their shows, if they play it,  of course.

They’re the kind of band that you’d want to tour with, that you’d want to go record shopping with, hang out with, join their band and the kind of band you MUST go see live at any given chance. Buy the music, play loud, learn the words and yell with them as loud as you can.

DR CHAN: Southside Suicide.

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Last night I wrote about how much I love Dr Chan and how excited I am for their new record, Southside Suicide which comes out tomorrow on Stolen Body Records. I’m going to attempt to now write about why it is one of the finest records around and why if, you’re into making lists, it should top your Records of the Year list come December.

I tried to listen to it at work but I realised something would lose my attention and I didn’t want it to be Dr Chan. Within first listen I feel like I am at one of their shows or watching them rehearse in some cramped room. It’s definitely not an overproduced record nor is it one that sounds like they’ve tried too hard to sound a certain way. It sounds like a very honest and brutal record that stems from frustration and the sheer passion to make music. That’s how it should be. If all bands sound like this in Paris, then let’s runaway there right now and cast ourselves deep into it. The songs on Southside Suicide sound like they are for those who are fed up with what’s around them or those who just need some form of escapism. I can relate to all of that. For me, it’s everything I’d want from a modern Garage Rock band but at the same time it would fit nicely next to The Vagrants or even The Mummies.

Currently my favourite track off the record is BLANnnK$$$ (Bloody No$e) I love how unapologetically loud and rowdy it is. It feels like a drunk person losing their shit in a bar. They start ripping up a pool table, throwing glasses and punches. Going absolutely nuts for no valid reason. There are no calm moments on this record, and that’s why I love it. BLANnnK$$$ (Bloody No$e) is such a hyperactive song and it’s so addictive too. I find myself going back to it, just constantly hitting repeat. When it kicks it, it just sounds like a thousand riots and gunshots in the mind. It goes completely off and it’s easily one of the best moments on the record, but even that is hard to pick. It’s a solid record from start to finish, and I can’t get enough of it.

A real party for the ears this record is. It deserves to be played on a loop and as loud as you can possibly stand. It’s got something remarkably special about it, and I have no idea how big they are in France or out of France, but I know that I just love them and their sound is for me, entirely perfect. It’s like finally meeting your soulmate or breaking in a pair of Dr Martens or eating a really great pizza. It just makes you feel really good, and right now- I fucking need that.

I honestly cannot compare this record or this band to anything else I’ve heard before, and that’s such a rare thing to be able to do now. Everyone wants to buy into some pissy phase that means nothing and holds no meaning. Bands like Dr Chan are rare. You pick up on every tiny detail in the songs and it makes you want to go see some live music, it makes you less afraid of your own shadow, it makes you want to start your own band.

The songs are short like a real Punk song, but they have something else to it. It’s such a fantastic record and if I had the words, I’d easily write hundreds and hundreds more about why I love it so much. I like certain sounds, and sometimes I just need a certain sound in my ear but Dr Chan are unlike anything else. Buy the record this weekend and play it loud. Damage your hearing to make Monday less of a drag, just so you can block everything out.

DR CHAN.

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Music should freak you out. It should corrupt and warp your mind. It should make you think outlandish things and make you behave wonderfully irrationally. But within reason, of course. It should take you somewhere no one can touch you, it should be all kinds of sordid, gentle, poetic and like a thrash to the body. It should heighten everything you think and feel. It should make you feel ten feet tall.

Here come Parisian greats, Dr Chan. They make this Psych infused Garage Rock that sounds like The Doors meets Wavves. You feel like you could be on a beach in California but in the same thought, you feel like you could romantically be wandering around a cemetery in Paris then onto some dingy alleyway trying to find your way home after dark. Their sound is brilliant, and once you start listening- you’re hooked good and proper.

Sometimes you hear something really bloody great and you know that whatever you write about them just isn’t going to be good enough. I’m not going to dwell on my inabilities right now. This Friday, Stolen Body Records are going to put out their new record, Southside Suicide which again is probably going to be a right I fawn over constantly. I can’t wait to hear it and play it obnoxiously loud in my ears.

Dr Chan aren’t the kind of band you play quietly in the background and every now and then, you pick up on key moments in their songs. Far from it. They’re a band that you play as loud as you can stand and totally lose yourself in their music. Last year they put out Mental Dhead which was one of the most underrated records of the year. It was everything I wanted from a band- it was loud, snotty and deliriously great. It sent you off into another world. You didn’t know if you were in a daze or truly floating round the streets of Paris with these guys. There’s something about them that just makes you want invest all your time into their music, and to go to every single show they do. On record they’ve got this brilliant energy that makes you wish you were in a band. I’m pretty sure their live shows are equally as infatuating.

These guys truly send you off into a whirl. They’re every part Psychedelic but not in your typical way. They’ve taken it, and made it their own. Dr Chan are going to blow minds again with Southside Suicide on Friday, I’ve not heard it but I just know. I know I’m never right about anything, but we can let it slide this time.

Mental Dhead is a mighty fine record, and as far as debut records go it is most definitely a really tough record to top but I’ve got every bit of faith that they can do it. If all bands in Paris sound like this, maybe we should all move there and just lose our minds at their shows. There is something effortlessly freeing about the music Dr Chan make and that’s something to alone, be admired. I’m still hooked on their first record, but I can’t wait to hear their new one on Friday.

If you’re looking for a band to set the mind free and to just forget everything for a while, go give them a listen. Play as loud as you want and cancel the world out for a while.