THE CRAMPS: Big Beat From Badsville

18 09 2017

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Here comes record number seven with a blazing smack to the choppers. Big Beat From Badsville is the coolest sounding record I ever did hear. Does the record sound as cool as its name? It’s The Cramps! Of course it does! Now, let me give you a few hundred words about why this record will ease any mood, why this record feels like it could be up there as one of the best things you’ll ever hear.

The most important thing to note about this record is that it is the only record by The Cramps that doesn’t have any cover songs in. the brilliant thing about The Cramps is that they make you forget that a chunk of their songs are actually covers. They make it their own. They made whatever genre of music you want to lump them in their own. They are the loudest band you’ll ever need. Hell..they’re the only band you’re going to need.

Big Beat From Badsville came out in 1997. Its 20 years old, and it sounds like it easily could have been one of their first records. Maybe just after A Date With Elvis. The songs are as smutty as ever. They are wonderfully sleazy especially on songs like I Walked All Night, It Thing Hard-On and of course, Like A Bad Girl Should. This record has ALL the hits. It has the songs that you need to play at any party. Just play this record, and go have a great time. You can play it loud whilst at home by yourself, play it to a lover or force friends to listen to it. Whatever your mood, just play this record as loud as you can. If they turn their noses up at these genius-like songs, then kick ‘em out. Then kick out the jams!

This may be their second to last record, and it really doesn’t sound like a bad that had it in them to quit. I reckon if Lux was still here, they’d be busting up stages and giving the kids a seductive fright. Badass Bug is such a brilliant Rockabilly song. You can picture them recording this in the studio and possibly just having the best time imaginable doing so. It’s such a great song to let everything go to. Just flail your limbs about. Do whatever you want!

What I absolutely love about The Cramps is their ability to make you feel utterly free. You can be stuck in a situation that is ruining your soul, but as soon as you play this record it makes you feel so free. They just take you some place that nothing else can. Like A Bad Girl Should is such a filthy song, and if anyone else sang it- you’d probably just dismiss it but Lux does it in a way that just makes you smirk and probably think about the person you lust after. That lust shouldn’t ever fade if you’re with them. Like A Bad Girl Should is an unconventional love song.. I love how out there it is. I love how it sounds a little stalker-ish. Thing is, Lux doesn’t make any of this creepy. I love Devil Behind The Bush- you can easily tell what this is about. You’re probably a prude if you don’t get it. I reckon even the biggest prudes of them all could find a song by The Cramps that they love. Find one, and shock them with a song by The Cramps!

If I was ever looking for a record by The Cramps to reinforce or even justify (as if I need to) my love for them, I’d probably use this one. I love that it is all of their songs. I love how outrageous Lux got with the lyrics on this one. He truly lets it all go on this record, and you know what- it really makes you miss him.





THE CRAMPS: Flamejob

18 09 2017

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Record number six. What could The Cramps give us with their sixth record that they hadn’t already? They didn’t need to prove anything, they never did. Flamejob is one of their most underrated records, and it is easily one of their most boldest records.
If any song summed them up, it has to be I’m Customised. It just describes them fully. One-offs. Entirely rare. Nothing like them since. This is one of their most Rockabilly/Psychobilly sounding records. I think this might be evident the most on Sado County Auto Show. It’s a massively underrated record and it shows just how great Lux and Ivy were at producing records. Flamejob also came out on Creation. I didn’t know that and I feel that I should have. Silly me!

The Cramps took their time in between records, and it shows that a lot of thought, time and care went into these records. The magical thing about The Cramps records is that none of their records consist of fillers. Every single song deserves to be there. Every single song deserves to be heard loud and repeated over and over.

Yet again it is another record by The Cramps that shows just how underrated Poison Ivy is as a guitarist. She is one mean guitarist. Her style is so distinctive and raw. There is nobody else quite like her, and I adore her sound on Strange Love. With every record she just sounds stronger and more determined. Lux and Ivy have always had that. This determination they had together is shown on classic styled songs like Swing The Big Eyed Rabbit. There was something about them that made you realise instantly there was something special about them and what they were going to do.

I feel I haven’t discussed artwork to their records enough, and I know I could have easily done this with the records I’ve written about before. But, there is something about the artwork to Flamejob that really stands out for me. I love that Lux did the artwork, and took this photo of Ivy. I love her stance and how partially futuristic she looks. I love the orange and red giving off the fire background. I love her leather outfit and the way she looks like someone you wouldn’t want to mess with. Or you might. Depends on what you’re into. This cover is one of my favourites, and I just love everything about how you can tell a lot of thought was gone into it. It’s a precise piece of art- like everything they did. It’s nothing short of stunning.

You can’t help but really get into Mean Machine, Let’s Get Fucked Up, Inside Out and Upside Down (With You)- I could just list the whole record to be honest. Like I said, I reckon this might be one of their most underrated records. I love that Creation put it out also. I definitely need to find myself a copy of this record as soon as I get paid. Or ask someone nicely to get me it for my birthday. It’s got this feel to it that I hadn’t gotten before from their records. Maybe it’s sensing a heavier sound almost, I don’t know. But like I’ve mentioned before- The Cramps had a distinctive sound, and it is always a pleasure to just listen to them.

Flamejob again had Slim Chance on bass, but on drums there was the remarkable Harry Drumdini. The one thing I have always loved about The Cramps is that they always had loud drummers. I love drummers who are unapologetically loud and play with all they have.

Alright so that’s number six done! Go listen to it and make your Monday morning less painful.





THE CRAMPS: Look Mom No Head!

17 09 2017

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I’ve got a few reasons as to why I am excited to write about this record. The main reason being- Iggy Pop is on it! The Cramps AND Iggy?! Oh man..what a time to be alive! I also love the artwork to Look Mom No Head! I think it could be my favourite. This is definitely one of my favourite records by The Cramps too.

The record opens with the dominating Dames, Booze, Chains and Boots. It sounds a little different to what we’ve heard before by The Cramps. The guitar is a lot of heavier on this song, and it just shows how brilliant Ivy is. No one can really compare or compete with her, and she’s truly not given the recognition that she deserves.

There’s one other thing that I need to mention here. The drummer on this record is Jim Sclavunos. That’s right, THE Jim Sclavunos. You probably know him from being part of Nick Cave & The Bad Seeds. He’s up there as one of the greatest drummers of all time- ask anyone. In 8 days I will FINALLY get to see The Bad Seeds in concert. I’m so excited to see all of them. That’s the closest I’m ever going to get to The Cramps! Jim’s drumming on this record gave The Cramps a different and heavier sound. There is something about this record that takes you aback slightly. It feels like something got stirred inside the band, and Look Mom No Head! was born.

The record is made up of some brilliantly named songs such as Bend Over I’ll Drive, I Wanna Get In Your Pants and Eyeball In My Martini. These songs are just insanely great. Like I said, it’s definitely a heavier sounding record, but that sound of The Cramps that we all adore is still there. That sound never ever left. There was no way it could. They could have done an Opera record and you’d still know it was them. There is something so powerful and distinctive about The Cramps. No one else comes close.

Iggy features on the rowdy Miniskirt Blues. Their voices together is just ridiculous. It is such a fantastic song and the way their voices go together is just amazing. You can’t help but wish that they did more together. Imagine if they did a full record together and took it on tour. It would have been wild. It would have been so sordid and beautifully debauched. Lux and Iggy are two of the greatest frontman and singers of all time, and for them to do this song together is just such a great moment.

Look Mom No Head! is a wild record. Songs like Two Headed Sex Change and Blow Up Your Mind are so good. Two Headed Sex Change is such a ferocious song. I’d have loved to have seen this live. I really love Ivy’s guitar on this one. For me it is definitely one of those songs that make you realise how great The Cramps were. It really does show how amazing they all were and are, as musicians.

I adore how Lux’s voice sounds on I Wanna Get In Your Pants. I would have loved Iggy to have featured on this one too. It’s such a sleazy song, and you cannot help but laugh at some of the things Lux says.

Look Mom No Head! was ahead of its time, like everything The Cramps did. It’s such a filthy and smutty record, and I love it. It’s easily up there as one of my favourite. Not just by them, but of any record. I love how strong they all sound and how it has such a tight sound to it. I could happily play this record over and over. It definitely is the band at their strongest and strangest.