HAXON.

 

HAXON

 

 

When I left London early last year, I know I was going to miss something in particular. I wasn’t going to miss the city at all, but I was going to miss my favourite venue ever- The Shacklewell Arms. I’ve seen some of the best gigs of my life there. I’ve seen TwoFiftyFour play to about 10 of us for an acoustic show, I’ve seen L.A Witch and Tall Juan’s first ever UK shows there. But I’ve missed out. I’ve missed out on seeing a whole bunch of bands, and I’m going to write about one of the most exciting London based bands around (aside from GHUM who are playing The Shack tonight, but I’m seeing them on Monday so it’s alright!) HAXON. Remember the name. HAXON make music to terrify you. Ready?

HAXON have members of bands I LOVE (Lovers Club and Night Shades.) If you’re looking for the coolest band around, then look no further than HAXON. They played The Shack last night, which is a venue made for bands like this. They sound like The Cramps mixed with Screaming Lord Sutch and The Birthday Party. Basically, fucking weird and absolutely off the wall in the best way imaginable. The kind of music you’d hear in a Vincent Price film. Perfect. They are a band that just need to be played really loud so you terrify your neighbours, In my apartment block, we’ve got some really annoying neighbours so for me, HAXON are the ideal band to use to drown out their noise.

 

 

If you’re looking for a band to blow you away and to leave you covered in goose bumps, and I don’t mean goose bumps just for the reason of them being brilliant. I mean for them scaring you- then you need HAXON in your life. You need to just play them, and go crazy to the songs. The songs sound like a mad-man rambling, and I love that. I love how possessed Alec’s vocals are. He’s easily one of my favourite singers of late, and with HAXON he really pushes his vocals and gives us something that is so insane and powerful. The songs will make you move in all kinds of ways. It’s just perfect.

 

Their debut EP, Haxoff, came out in May. It consists of 5 songs that will leave you salivating for more, and more. If you have seen them live, then I can only assume that it was one of the best shows you’ve ever been to. However, if anyone would like to bring them up here to Manchester- I’d really appreciate that! The EP is nothing short of stunning. It sounds like nothing else, and I truly mean that. I know I mentioned The Cramps, The Birthday Party and Screaming Lord Sutch earlier, but this EP is truly something else.  There is something about it that will freak you out, but at the same time you’ll just be beautifully overwhelmed by what you are hearing. Sometimes I’ll hear a band, and think “this is why I still write about music, this is why I love music.” For me, I can happily add Haxon to that list. With just one EP they have definitely left their mark, and I do hope that there is a lot more to come from them because 5 songs just isn’t enough.

I’m A Tree is like a drunken rambling, and I absolutely love it. I love how manic and ferocious it is. I love how it twists and turns, then slides into Lucky John which has the same tone to it. It’s just an excellent EP that will make you want to make your own noise, it’ll make you want to down a bottle of Bourbon in a saloon bar and cause a fight. It’s got this infectious rage to it, that I just cannot get enough of. It’s everything I want from music, and more. They should be hugely proud of what they have created here, because it is out of this world.

 

 

It’s a real sleazy and seductive EP that’ll make you feel a bit dirty and in the need of a shower after listening- and that’s always a great thing. Honestly, if you get the chance to see them, please go. Let the music take you over, let it freak you the hell out and let it put everything you’ve ever known to shame.

 

WOMEN OF THE NIGHT: Pastel Colors.

 

Some time ago, I wrote about the New York band, Women Of The Night. Obviously if you look the band name up, you might get something suspicious but it’s okay. You’ve probably got worse on your internet history.

Pastel Colors is a body of work that is to be played almost religiously and without any distractions. It is an ethereal and beautifully sordid record. It is gentle and it makes you feel like Jim Morrison has come back to make a Post-Punk kind of record. It is such a effortlessly cool record that just makes you want to sit in the dark, with your headphones in and just slip into a different world. Alternatively, it also makes you want to wander the streets late at night and take everything in that’s around you.

I love the song White Lighter which reminds me slightly of The Velvet Underground. Jords has something about him that reminds you of Jim Morrison and Lou Reed. It’s that snarl in his voice and delivery of the songs that make you feel like you’ve headed back in time. They mix everything I love about music, and create something that you just can’t get enough of.

 

 

It is such a soulful record that makes you completely lose yourself in every word, every song. As someone who has been a fan for some time now, I love hearing how they’ve developed their sound and created something truly magical on Pastel Colors. It’s got that seedy alleyway sound that you just want to be completely immersed in. I love the unconventional romantic tones in the songs (think Nick Cave, Leonard Cohen) and how they are unafraid to be so stripped back with the lyrics. Songs like Brighton Beach give you this cloak of comfort that you freely wrap yourself in.

I have no idea what genre you’d put them in, but why do they need one? This record goes beyond- it cannot be restricted in any way. I love how this record appears to the loner in us all, and makes it romantic. There’s nothing wrong with this  at all, and sometimes it does the soul good to be alone. Pastel Colors is the ideal record to just take time out to.  Quiet Nights is a beautiful example of this. The vocals and the relaxed guitar sounds just soothe the mind. It is almost like a lullaby for the mind. I’d say it makes me want to take a nap, but I could take a nap anywhere at any time. Solitude can be bliss, and Pastel Colors is one blissful record.

You feel like you’re living these songs out with them, and to be this connected to the songs is something to truly admire. They do it with so much ease. Regular Day exposes how mundane everyday life can sometimes be, and there’s slight humour in the lyrics. I guess it’s only funny if you can relate, mind!

 

 

I think one of the main things that I adore about this record is the dark mood in the songs, but also hints of hope and love. These 13 songs are just gorgeous, and it is entirely criminal that Women Of The Night are massive. I’m also desperate for them to tour the UK. I’m a fan of music that gives us an escape route; something to just get lost in, you know? Women Of the Night do it in a way that is beautifully addictive. You can’t leave it alone. Then again, why would you want to?

 

 

THE CHATS.

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As I write this, I have my housemate’s dog next to me snoring his head off. It’s a good job he’s cute, because the sound would annoy me. Besides, the pup is a champ- he can sleep through anything and me blasting out The Chats isn’t interrupting his slumber. Maybe he’s dreaming about starting his own band. He’s cool enough to do it.

The Chats are one of the best new(ish) bands from Australia, and the honesty and relatable content in their lyrics is what massively drew me to them. They have the kind of lyrics that anyone can relate to. If you’re constantly skint- you’ll probably identify with most of their songs, especially Bus Money. I can relate to having nothing- I’ve been without a bank card since last Friday. I guess it’s good that I haven’t wasted any money. Anyway. The Chats are the kind of band you play when you absolutely need to let the draining emotions of the day go. They’re the ideal band to just play hella loud and scream along with. Their songs were made to be screamed back. Right at the top of your lungs until you nearly pass out.

They go beyond being a Punk or Garage Rock band- they’re just relatable, and have this way of making you smirk with some of their lyrics. Their mishaps in Mum Stole My Darts is a prime example of this. I really admire that they sound like nothing and no one else. It’s easy for a band of a certain style to just sound like everything you’ve heard before, but The Chats are a huge exception.

 

 

I adore the fury in their sound, and I love this passion in the vocals. The lyrics are witty and relatable- I know I keep saying that, but listen to them and you’ll get it. They are loud in all the right places, and I love the urgency in their song Temperature and how the lyrics are a little mischievous too. There’s the wonderful impishness in the lyrics, and it’s all part of their charm.

They’re heading out on a headline tour here in the UK in December. As soon as I get my bank card, I’ll have to get a ticket. They’re the kind of band you just HAVE to see live to really get a feel for their music. Records are great and all, but live music is something else. Songs like Nambored and Pub Feed just NEED to be seen live. You need to see the energy they put into the songs and their live shows. Being sucked into this sweaty atmosphere screaming out the songs that get you through the day; there’s nothing better. Nambored is one of my favourite songs (so far) and I’m happy to have it on a loop for sure.

They’ve only got a couple of EPs out, and I cannot wait to see what else they’re going to hit us with. With just a couple of EPs, they have created something that’s not been done before nor can anyone touch them. Songs like VB Anthem, Yeah Nah and the anthemic Smoko just show us why they are one of the most exciting bands around, and why they have the potential in the future to be citied as the next generation’s bands influences. The three of them create this effortlessly cool noise that eases the soul, and just makes you want to waste the summer months away doing a whole load of nothing.

 

 

The Chats make songs to lounge around to, sing a long to and to just really enjoy in the purest way possible. I can honestly say that they are one of the most exciting bands I’ve heard in a while, and I’m super excited to hear more and to watch them deservedly, take over the world. These rascals are exactly what I and the world need. VIVA THE CHATS!

BIKES: s/t III

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About three years ago I wrote about BIKES. I went on about how I love their rugged Garage Rock sound, and how they just moved me with their sound. A few years later, I’m happy to be writing about their new (okay, it came out in April…) record. A record that is effortlessly cool, and firmly cements my love for this exceptional Berlin band. This record is not short of powerful and raucous moments that you just cannot get enough of.

Ten songs make up this record, and it just below the half hour mark. But  as someone with a bit of a crappy attention span- it works just fine! Sure I want the record to go on forever, but what they’ve created with this record is something that you have on repeat all the time. I adore everything they offer up on this record. I love how the sound is slightly more refined now, but at the same time it is still raw.

 

 

With no apologies (and why should they anyway!?) BIKES give you songs that hit you in the gut. There’s something about this record that has more boldness to it, and the song Friday Night was made to be played whilst alone, and bored. Just to get some feeling out, you know? It’s got a bit of a Bluesy feel to it, and I really love how they’ve taken this early sound that The Rolling Stones had, but dug really deep into the lyrics with it. It’s one of my favourites on the record and will probably be the one I gravitate to the most.

Something else I love about this record is that it has been put out via Alien Snatch!Records. They’re the best at what they do, so it is no surprise that they got their hands on this record and put it out. It’s the label that will cause me to be endlessly broke, but it’s fine! This is the kind of record that ruin your speakers to. You can’t help but play it super loud, that’s the only way to listen to a band like BIKES. You’ve just got to really push yourself with how loud you (and your neighbours) hear this record. It’s a wild record, and these songs are just a glimpse into how phenomenal the band are. Go back and listen to their records, and you’ll hear that this is a band that are focused and aren’t afraid to push themselves, and their fans/anyone who listens to this record.

There’s a relaxed feel to this record, and it kind of makes you feel that the best way to play this is without anyone else around you. Sometimes you need that, and records like this are perfect to do it to. All you can do is play it loud and sing along as loud as you can. All the best records make you feel this way, and BIKES most certainly give you that feeling.

This record has hints of The Gruesomes and The Rolling Stones in it, and that’s nothing short of an excellent mix. There’s a real Rock ‘n’ Roll feel, and the rawness of Garage Rock. Everything I adore about music is in this record, and in BIKES. They are a band that once you listen to, you’re just hooked for eternity.

If the inside of your head feels like a warzone at times, then this record will soothe it slightly. Or that’s just my personal take. I could have this record on repeat and feel alright, which is strange but always needed.

 

 

This is definitely one of the best records we’ll hear this year; it’s got everything you could possibly want from a record. And if you’re someone who likes the odd catchy bop or two, then you’ll find them for sure on this record.

Play it loud, block out everything around you and maybe, play it a little louder.

PS: Can someone PLEASE book these guys on a UK tour (specifically Manchester)

 

LOST CULTURE.

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Surf Rock isn’t dead. It’ll never die. It might be a redundant name for a type of music, but it isn’t so bad. For the most part, you know you’re going to get something that’s carefree and will set you up for the day. It’s the kind of music that can you take you away from a place that is grey and rainy, and transports you to a beach wherever in the world.

As someone who love lyrics, and uses that as a focal point for most things I listen to- I’ve made an exception. Or maybe the exception found me with this one. Lost Culture are predominantly a band without vocals. This isn’t a bad thing at all because the music is enough to get you to create your own story. They put a record out last month called Weirdo Beach, and it’s enough to have you hooked. These songs are so good, and you know what, you don’t always need words.

 

 

On this record they give the listener the chance to create something of their own. Maybe you feel like you’re in a Spaghetti Western film or maybe you feel like you’re at a local skatepark, or maybe you’re just wandering around soaking it all up. Maybe you’re doing all three, and respect to you if you are- that makes you pretty cool.

Weirdo Beach is 8 songs of instrumental bliss. The way they absolutely annihilate their instruments, and just send you into a frenzy is something to truly be in awe of. At times they remind me of The Mummies, then they hit you with The Cramps guitar style (Poison Ivy will always be the greatest of all time!) These three buddies from New Jersey sure know how to move you, and they give you this feeling that their live shows would be even wilder. If they ever make it to the UK, then I’ll be happy. Until then, I’ve got the music.

Go back a year, and their first self-titled release is equally brilliant. Weirdo Beach has slight more edge to it, and shows that they aren’t afraid to be louder and rougher with their sound. I just love that they create real happy music without it being awfully tacky, you know? They do it in a way that makes you okay with hanging around doing nothing. It’s okay to waste your days, it’s okay to have a self care day. When you have these days, this is the perfect band to relax to. I don’t know where they take me with their sound, but I know it’s some place really magical. I could happily spend hours and hours just listening to their songs. They don’t have the heaviness of lyrics, and sometimes you need that. Sometimes you just need the sound, and that’s enough to make it all alright!

Their song Pistols at Dawn makes you definitely feel like you’re in a saloon bar and some fool is trying to start something with you. They’ve got something about them just leaves you wanting more and more; they’ve not been together long (I don’t think, but I could be wrong) but they have such a together sound. You can really hear how they are experimenting and how their instruments are weapons. The drums sound like a smackdown. The bass sounds like something guiding its way through your soul and the guitar is this cool, jangly sound that just moves you. A real slick sound that I cannot get enough of.

 

 

14 songs in total, and they are 14 songs that you cannot help but stick on repeat. If you live in New Jersey, support this band with all you’ve got. Get them over to the UK. Supr happy I found this band. I love that they have a laid-back sound, but at the same time just leave you in awe with how brilliant they are.

Play it loud, always.

PINKY PINKY: Turkey Dinner.

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This Friday sees the release of the debut record by LA’s Pinky Pinky. Their debut record is 11 Surfer/Garage Rock songs for you to waste your days to. They’ll make you want to laze about and do a whole load of nothing. Sometimes you just need that, and sometimes it is a band that can drag this feeling out of you.

There’s no point in me trying to give you bands as comparisons to Pinky Pinky. They have something you haven’t heard before, and this delicate sound they have just soothes you. We all need something to ease the brain at times, and Pinky Pinky do it in a way that just helps you gently drift off with them. The songs give you a beautiful summer mood.

 

 

The songs have a lovely storyteller feel to them, and I think this is really evident on Lady Dancer. You can imagine the person they are singing about in your head. I love when bands can create something that makes you think, or takes you off somewhere. You can just imagine meeting this kind of person on Lady Dancer, and being totally consumed by them.

You’ve got your lo-fi sound that makes you feel you’re listening to them play in their garage (I’m all for this sound, by the way) and they project daily insecurities and anxieties so well- better than I probably could. The band grew up together, which I feel is part of why they have such a tight sound. It’s like you can feel their bond come right through in their songs. They played some shows here in the UK last month, and I reckon the next time they come back to us it’ll be at bigger venues, with more of us singing and swaying along to these laid-back songs.

Something which I adore about the band is Anastasia’s love for Fiona Apple. I can’t praise Fiona enough, and her debut record is probably one of the best records of all time. I’ll stop before I go off on one again. You can sort of hear Fiona’s influence flowing through some songs, and I think it makes you really appreciate how great the band are. To be able to pick someone like Fiona and add this Surfer Rock feel to it is just something I love. It’s something I love a hell of a lot, and it makes me excited to hear more from the band. Pinky Pinky have this sound that hits you with a wave of reassurance. Even if you’re having a shitty day, you can put their record on and you’ll feel better. Or maybe you’ll just want to trash your room then take a nap. Any of this is okay.

With a few EPs to their name, it is safe to say that Turkey Dinner is the record that is going to win over new fans for Pinky Pinky, and it’s hopefully going to please a number of fans. There is a lot of growth in this record, and they have not been shy in experimenting with different sounds. If you’re not going to be courageous with your art, then what is the point?

 

 

As the record comes to a close on Loose Change (I hope this ends up being a single) it is fair to say that this record has a lot of attitude to it and wisdom. It’s a record to grow to, identify with and just become obsessed with.

Turkey Dinner comes out on Friday (14th June) via Innovative Leisure.

WALLOWS: Manchester Academy 2. 7th June 2019.

 

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The crowd at tonight’s show consisted of mainly teenage girls. As soon as Wallows stepped on the stage, the venue was deafened with screams that could rival a One Direction concert. There would have been a time where this would have annoyed me, but tonight it was beautiful to hear. A couple of hundred kids in this room watching a really great band. A lot of them were with their parents, and it may have been their first ever show. A pretty cool first gig if you ask me. I was stood behind a dad and her daughter. The dad was wearing a t shirt of The Smiths (which alone is great!) and was singing and dancing along with his kid. It was a beautiful moment. Some kids would be embarrassed, but there was so much love there. It was beautiful.

Nothing Happens is the band’s first full length record. It is made up of songs that sound like The Smiths meets The Cure and dives right into The Strokes. Personally, I love it. Three bands I love, and Wallows have created a sound that is equal parts L.A. and 80s Manchester via New York and the South of England. Maybe that’s why this crowd were absolutely brilliant. There’s something about Manchester, and given it was Wallows first time playing here- it most certainly was a night to cherish. Manchester crowds never disappoint, and they created such beautiful moments tonight.

 

 

The set opened with Do Not Wait which is by far my favourite song off Nothing Happens, and probably my favourite Wallows song. I love the depth in the lyrics, and I love the angelic yet grand sound in the song. Dylan’s vocals on this one are something else, and he truly does it justice live. To have them open with such a big song was great, and it only got better.

Songs like These Days, Pictures of Girls and Are You Bored Yet? are probably sung louder by the crowd than the band- but everyone is just so taken with it. There is something about Wallows that makes it so easy to fall in love with their sound. I loved how the crowd sang Clairo’s part on Are You Bored Yet? Braeden and Dylan share vocals throughout the set, and their voices compliment each others so well. When they need to be gentle, they truly hit you with the fragility in the tone. But when they need to ramp it up and be rough with their tone, they deliver it effortlessly.

With only one full length record and an EP to date, they had no problem selling out shows. This show was originally at the Deaf Institute but got upgraded. To be honest, they could have easily sold out The Ritz or the main Academy next door. That’s for next time though, and there definitely will be a next time.

Wallows give you more than a show. They are the best at what they do, and let it be known that Cole is one of the best drummers around. The band have got a lot of soul, and a lot of heart in their music. Their lyrics are relatable and their songs are just blissed out gems that you can’t help but continually to fall in love with.

The set closes with Scrawny. This song has my favourite line of the year, “I can still have wisdom and look like a child.” I can wholeheartedly relate to this, and it’s such a great song. To see it live just gave me a new appreciation for it. I cannot wait to see them again. I really can’t. My only downer is that they didn’t play Uncomfortable, but hey- the show was just perfect and the set just showed us why they are not only a great band and musicians, but also one of the most exciting performers around. They all have this beautiful energy, and create this atmosphere that you cannot help but soak up.

 

 

I hope kids that were at this show end up starting their own bands or something, and use this show as their blueprint or something. It was perfect. Manchester truly embraced Wallows tonight, not just because it was their first time here but because this is the best city in the world!

ZIG ZAGS: Soup Kitchen, Manchester 21st May 2019.

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Last night I got the chance to see one of the loudest bands ever. There’s only a couple of bands that have left me partially deaf after a show, and Zig Zags are one of them. They are LA’s nosiest band for sure.

They played my favourite venue here, the Soup Kitchen. The only bad thing about this show was that there was hardly anyone there. I’m disheartened about this because Zig Zags are a brilliant live band. However, although the turnout was poor that didn’t stop them and maybe subconsciously they decided to play louder than usual? I don’t know, but I do know this- it was one of the standout shows I’ve been to this year. It was their first time in Manchester, and I really hope it isn’t their last because they are a band that you’ve just GOT to see live. There’s something about them that just spurs you on.

They recently released their new record, They’ll Never Take Us Alive. I wanted to write a review about the record but, I kind of wanted to see their show first before taking it on. I wanted to see how it’d come across in a live environment because it has such a big sound. So, this is part live review/part record review/part me just going on about how great they are. I don’t know where any of this will go, but it’s out of pure admiration.

 

 

The new record is full of anthems, and I as I watched them in awe last night I couldn’t help but feel that their songs would be perfect in a stadium. They have this wonderful, grand sound but it isn’t overpowering. They are amazing musicians, and I swear Dane is one of the greatest drummers of our time. Although the venue wasn’t full, last night he played as if it was a huge fucking stadium and for me- that just sold it. The way they played last night just cemented my respect for them.

Zig Zags remind me of the Misfits mixed with the Melvins and Sleep; with a hint of Noothgrush. Basically, a perfect sound On record, sure you can hear loud they are but when you see them live, something else happens. The songs are heightened and they have this bigger feel to them. Considering they played a small venue, they made it sound like you were somewhere quadruple the size of where you were. For me, that shows you just how great a band is.

With three records into their career, each one is a step bigger and louder. They evolve in a brilliant way, and I really hope I get to see them live again because this was some show! I don’t think there’s a band around right now that are like this, and I just love how they can just annihilate your eardrums in the most beautiful way possible. They’ll Never Take Us Alive is definitely one of this year’s most out there records, and one that oozes fearlessness and this ferocious energy that you just cannot get enough of.

 

 

Zig Zags are the best at what they do, and not only do their records prove this- but their live shows do too. I’m pretty much going to live in the two shirts I bought last night!

CROCODILES. Soup Kitchen, Manchester 17th May 2019.

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How do you write about a band that you have seen 11 times live without repeating yourself? Who cares! Friday night was my 11th time seeing my buddies, Crocodiles and they played my absolute favourite venue in Manchester- the Soup Kitchen. It’s a sweaty and dark basement venue; just how it should be.

End of April 2009, Crocodiles released their debut record. A record I bought by accident on the day it came out and since then, I’ve just fallen in love with everything they’ve done since. Every record has blown me away, and every show has done the same.

However, there is something truly special about their shows in Manchester that stand out. This was my 3rd time seeing them in Manchester, and I just love how you can see how much this beautiful city means to Brandon and Charlie. There was even a nod to local hero, Pete Shelley with their Buzzcocks cover which I’m sure he would have been proud of.

I stood directly in front of Charlie, and was in awe of his pedal set-up. It’s a piece of art, and he swings his guitar around like a machine gun whilst looking like a young Scott Walker. Brandon and Charlie have this way of just changing how you feel about their music when you see them live, and it is always a wonderful thing to witness. They are just of the most talented people I’ve ever met, and they just put their all into their shows.

 

You can’t help but shift your eyes across the stage to watch them all annihilate the stage. Brandon sings with this passion that is just astounding, and Charlie matches it with his effortlessly cool way of using his guitar as a weapon. As cliched as it is, they are just the coolest cats around, and it just shines through perfectly in their songs and their live shows.

The energy in the crowd is typical of a Manchester crowd, and just an absolute pleasure to be part of. The love that Crocodiles have for this city is just admirable, and something us fans here truly treasure. They feed off the crowd, and this crowd were reciprocating it. 10 years in, and they are still making music to lose your shit to. Songs like I Wanna Kill and Marquis De Sade, and new songs such as Exit My Head come more alive. I can’t ever get enough of hearing I Wanna Kill, and the crowd are the same. It’s one of those songs that just do something to you, and once you hear it. It’s an anthem.

Crocodiles are a band that you just don’t ever get tired of listening to, and watching. They have this way of just making you forget the real world for the time they are on stage. They make you want to start a band, they make you want to always be in the moment of being at a live show. As a fan, this is what I absolutely adore about music and how powerful it is. Also, Brandon and I had Bad Brains shirts on which anyone else would regard as a wardrobe clash. However for this, it’s just two people who love one of the best bands ever!

There’s a good balance of songs from all of their records, and sure I’d want them to play all of them but hey- that’s too much, I know! This was my first time seeing them on my own, and as someone who suffers with depression and anxiety I full on prepared myself to have some form of panic attack. I was wrong, I just felt totally safe at this show. Trivial I know, but small things like this help. Anyway, smushy stuff aside- it was just a brilliant show.

 

They are a band that just need to be seen live. Their live shows allow you to see even moreso just how fantastic they are. If I could, I’d see them on every tour at every date. But shows like Friday’s in Manchester are treasured dearly.

Crocodiles new record, Love Is Here is out now and they have 2 more UK dates left before a couple of shows in Paris this week.

 

DR CHAN: The Peer Hat, Manchester 3rd May 2019.

 

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It’s obvious how much I love French Garage Rock Gods, Dr Chan. Any chance to write about them or tell someone about them, I’ll do it. You know when you hear something, and you can’t help but think, “Yep, this is the band for me.” Well, that’s what I got from them a couple of years ago when my obsession began.

I last saw Dr Chan live last year in London at the Lock Tavern. It was the last show I attended before I left that city and moved to Manchester. A move that I should have done years and years ago. It was the last show I went to, and it was the perfect way to leave that city. The room was packed and full of love; it was just a brilliant show. Last night, there was no more than 10 of us watching them. I don’t even think it got to double figures. I felt bad for the band because I know just how brilliant they are, and how they are the best at what they do. It didn’t dishearten the band though, they still played as if the room was full.

They blazed through songs from Southside Suicide and Squire. I’m pretty sure that these are my most played records. I love how they just take you somewhere with their music, and give you that opportunity to zone out and forget everything. Yesterday I had a pretty stressful day, but as soon as Dr Chan hit the stage- I was calm again.

I really loved hearing the songs off their most recent record, Squire, last night. Growing Up is probably my favourite off that record and it’s an absolute joy to see live. They play with this effortlessly cool stance, and you can tell how much they love doing it. When you get that from a band, you know that you have found something really beautiful. It’s just an absolute pleasure to watch them.

Dr Chan make the kind of music that I’d want to make. It’s a raw Garage Rock sound, and they are unafraid to really push their sound. For instance, their record Southside Suicide sounds nothing like Squire- but you still know it is them. They have a distinct sound, but aren’t afraid to change it up. They do this so well in their live shows, and as sad as I am that not many of us were there last night, I’m just happy that they played a show here in Manchester. They’re playing the Shacklewell Arms in London tonight I think, and if I still lived there- I’d have been right at the front again.

There’s a handful of bands I love that I would happily go see live every night, and Dr Chan are easily one of them. On record they are brilliant, but something remarkable happens during their live shows. They transform songs like The Sinner and Bloody No$e into something else live, and it’s just a pleasure to watch.

For me, I can easily say that Dr Chan are one of the best bands I’ve seen live and are most certainly one of my favourite bands in general. I love how they can take you to the streets of Paris or make you feel like you’re hanging out at a skatepark. They’ve got something about them that comforts you within the lyrics (this is really apparent on the Squire record) and the music alone just does something to you. Alexin is a great song-writer, and to see the growth into their new record is just astounding.

I can’t tell you enough just how great they are. My only advice is, listen to them and if you see that they are playing a venue near you- go see them!