Tag Archives: Debut

SLICERRR.

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Well, it’s happened. I’ve broken my word to myself where I vowed to never buy tickets to a show at Victoria Warehouse in Manchester. It’s a 5/10 minute walk from my flat but it’s also the worst venue in this city. I’ve not seen some bands there because I hate it so much BUT Amyl And The Sniffers are playing next month, and I cannot ever not see them. I saw them at a small venue in 2019 and to see them play a place like this is just WILD. Deserved but wild. Also, the support bands are insane. The Menstrual Cramps were a band that Raz loved so I’m partly going for him. And my girlfriend is desperate to see Amyl And The Sniffers too- I don’t think anything I tell her is going to fully prepare her for the experience!

Alright so, here’s a bloody great band from Helsinki for you-SLICERRR. Their debut EP came out in February and trust me it’s a ripper of a record. No part of it sounds like a debut record- it sounds like something a band deep into their career would make. It’s a fantastic record, and it’s one I am proudly obsessed with. If you can’t play a record on repeat relentlessly, then why bother?! This is everything I want from a record and more. It’s a proper rowdy Garage Punk record. It’ll make you want to down cans of lukewarm beer, throw empty cans at passing cars and run off into the night (I don’t advocate for throwing shit at people, but you get my point!) It’s a record to waste the day to and it’s a record that’ll make you wish you could go to their live shows every night. The energy throughout the record is divine.

I don’t know what the Punk scene is like in Helsinki but if there are more bands like SLICERRR out there- send them my way. This is incredible. The record touches on tough subjects such as the difficulty of modern life all the way through to the hectic nightlife of Italian cities (as a slightly more than half Italian human being, I welcome this!) The EP is a work of art; it’s just everything you could want from a record and these 5 songs are made to played loud and on repeat.

The record opens with Losing My Grip which perfectly sets the tone for the record and is a perfect introduction to the band. You really feel immediately what the band are about and right away fall in love with their sound. There’s probably a bunch of bands I could liken them to, but that’s not fair and comparisons serve no one at all. All you need to know is that the last minute of this song is a furious and shows you exactly why SLICERRR are one of the most exciting bands around. In some ways though, the song reminds me a little of Bored by Crows and that’s probably why I love this band so much. That’s the only comparison that’s needed, and I think it shows exactly how and why SLICERRR are so good! I know I say this a lot, but if I had ANY musical talent, I’d want to be in a band that sound like this. They just have this perfect Garage Punk/Garage Rock sound, and it just makes you want to MOVE. I feel like SLICERRR can only add positive things to your life and record collection. Who do I need to ask to demand a UK tour?! This is the kind of sound I absolutely adore with everything I have.

The EP is a perfect insight to the band, and I’m so excited to hear what’s next from them and to just get more and more music from them. SLICERRR are a joy to listen to, and I really hope that if you listen to them, you love them as much as I do. They deserve any and every bit of success they get because they really have such a strong sound and it’s a sound I can’t get enough of. They’re an incredible bunch of musicians and definitely deserve your attention, and love.

If you’re a fan of Küken- then you’ll love SLICERRR. Both bands have the same urgency to their sound and it’s just divine! (Sorry about the comparisons I said I wouldn’t make!)

Check out the EP (released via Dödstil) here:

BACKYARD RITUAL: Small World.

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Small World by Backyard Ritual was released last summer, and I’m a dummy for not writing about it sooner. Backyard Ritual is the project of Ian Campbell- the main songwriter of a band I’ve written about many times and love a hell of a lot- Pop.1280. Ian reached out to me about this record, and I genuinely never thought someone from a band I love so much would ever do that! The first person (and only besides this) I told was my uncle because he too, has an impeccable taste in music and is also a fan of Pop.1280. If anyone was going to know how big of a deal this was to me, it was him! Anyway, story out the way. Time for the music.

Small World is a tense and atmospheric record. It’ll keep you on edge but at times it will calm you down. I love how dark the record and how it feels it could easily have been used in an early John Carpenter film. There’s a lot to love and take in on this record, and I really appreciate how you can take in the minimalism approach on this record. Interboro reminds me of The Vacant Lots- there’s that New York feel to the record. I’ve said it before that some bands/artists make you really pick up on where they are from. You can really put a place to the music, and Backyard Ritual do this so well. You feel like you are scoping the alleys of New York late at night when you listen to this record, and you even get that when you listen to Pop.1280 but I’m not here to compare old bands to current.

The debut full length record is dark and eerie; the best records usually are. There are Industrial and Post-Punks influences on this record, and it doesn’t feel heavy. I know I mentioned above that you immediately feel you are in NYC when you listen to this record, but you still pick up on other feelings on this record. It’s perfect for if you are feeling lost and want to be found. There’s an urgency to it, and there are also slight laid-back moments too on this record. It’s a gorgeous Electronic record if you are in need of genres to be thrown around. But honestly? It goes beyond that. It’s a solid record. A really captivating debut record as Backyard Rituals, and there are moments on this record that are truly heavenly. For me, the gentleness in the middle of the record on Circumstance shows just how brilliant Ian is as a musician. The record does start powerful and it is then toned down here, and it then picks up. You don’t know how to feel, but you take it in any way because it’s such a big record. For me, I feel you could easily put your headphones on and soak up this record whilst wandering the street late at night or on the night bus to get you wherever you need to go. It’s a late-night record, and they are usually the best ones.

There’s something about this record that makes you feel like you’ve gone back in time but also stepped foot into the future with it. In its own effortlessly slick way- Small World is timeless. There are nods to Ian’s previous projects on this record, but there is also something brand new here. Something we’ve not heard before, and it truly comes to life on songs like Amateur Journalist and Proxy. At the moment, they are my two favourite songs but we know that the more I listen, the more likely I am to find a different song to love. In short, it’s a bloody remarkable record and one I am so glad I have been made aware of. Imagine going through life, and not knowing about this record?! How boring! How unfortunate!

If you love bands like Cold Cave, Harsh Symmetry, The Vacant Lots- then you’ll fall in love with this one. In just 9 songs, Backyard Ritual have created something really long-lasting and important. There’s urgency throughout this record and there’s so much to appreciate. I don’t think I’ve even touched the surface on describing how great it is, but hopefully if you listen to it too, you’ll hear it. You’ll pick up on how vital and slick this one is.

COUCHGAGZZZ: GOSPORTS!!!

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Some great things have come out of Italy: my guy Del Piero, mozzarella (that hurt to type because I’m vegan and my god I miss mozzarella!), Litfiba and just the country in general is delightful (okay was because the government like everywhere else in the world, is shit!) There are some incredible bands from Italy too, and one in particular is couchgagzzz. Their only fault is their obsession/love for Man United but hey- we all have our faults. The band are from Bari (my dad’s side of the family are from Puglia, so maybe it’s not all so bad!)

Last year the band released their debut record, GOSPORTS. The band have described themselves as being “obsessed with steroids and sports.” And you know what? Absolutely checks out when you listen to the record. This is the kind of record you’d listen to whilst at the gym, and I think I’ve now found my new favourite band to listen to whilst I work out.

The band have also been influenced by Australian rock bands such as Gee Tee, and honestly, they’d fit in perfectly next to bands like The Chats, CHEAP-SKATE and Gee Tee. They’ve got that Pub Rock sound nailed, but there’s also this excellent 60s Psych Rock feel which is the most apparent on Bad Holes. The record is only 8 songs long, but those 8 songs matter. Every single song shows why this band HAVE to be heard. You want fast Punk songs? They’ve got you covered. It’s like being in a questionable bar where years’ worth of beer has ended up on the floor and walking on it to get to the bar is like an obstacle course. The band formed only in 2021, and the debut came out last year. In that short amount of time, they have genuinely created something worth listening to and becoming obsessed with. Again, they’re a band you need to see live. There’s something about their sound that just screams it. The songs are fast and heavy, and you’ll have them on repeat for days. Hours. Months. Eternity.

They may say that Man United are the strongest team in the world (which we all know they aren’t!) but this band are one of the strongest around. To have perfected a sound like this in just one record- what else could they possibly do next? Probably take over the world to be honest, and rightfully so.

couchgagzzz are a solid Punk band with something to say. They’ll have you hooked with just one listen, and before you know it- you too are hooked on steroids and heading up to Old Trafford on match days with a dodgy burger and overpriced bootleg scarf round your neck (I live close to Old Trafford, and I see this A LOT.) *Note- please don’t take steroids. The songs are made to be yelled back at the band in a football chant type of way. They’ve captured the beautiful backbone of Punk with their sound along with generously fuzzy vocals- this band are so easy to love and just be obsessed with. The songs are meant to be played loud and loved- the sheer speed in the songs is addictive especially on Burak Won. The way this song smacks you right in the face is heavenly!

For me, they’ve got that same energy as one of my favourite bands dr chan. There’s this hyper energy that is just off the scale on this record, and one listen isn’t enough. I want their music playing in my ears on repeat all the time. In fact, once I finish my break at work- I’m going to have the band on repeat in the hopes I focus because my brain does not do too well when it comes to concentrating!

THEBIGHELL: Horrendous Friends.

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The best records will either break your heart and having you sobbing for days, or they will melt your face and burst your eardrums. TheBigHell record will do the latter, and it will do it in the most brutal and best way possible.

Their debut record, Horrendous Friends came out on Friday. I can confirm that the best way to listen to this record is at the gym, and lifting weights that are heavier than you intended to lift. Does my body feel broken? Yes. Will I do it again? Yes. This is no “new year, new me” nonsense. This is the band that are going to soundtrack my gym time, which is the only time my brain shuts off! It’s such an exceptional record, and if you like your music intense and possibly louder than your ears can handle- then this is the record for you.

11 songs in under half an hour. Bliss. The whole record absolutely rips, and in some parts the record reminds me a little of Heavy Lungs with hints of JOHN and METZ, which is pretty much ideal. It’s an intense record, and that intensity is what lures you in. You’re curious as to what the hell is going on. I’ve played it a lot of times since Friday, and I can’t tell you what’s going on, but I can tell you that this record will leave a lasting impact. For me, even though my brain does need and want quiet; the comfort I find in bands like this is probably why I’ll never know quiet! From the Intro right into Rich Lads, and smack into This Hell- the record is just loud punchy anthem after another. There’s no relaxed moments on this record at all; this is one for playing dead loud wherever you can. Whenever you can. It’s a record that is probably best experienced live, but you can hear on record just how exceptional it is. The production is a solid 10/10. Best band from the Midlands right now? No denying that.

Lip Service Puppy is another ripper of a song; it feels like someone is drilling into your skull and whatever escapes is just launching itself at the ground. It’s one of those songs that feels like a bit of a meltdown, and by that, I mean you can picture it being used in a film where a character just loses their shit and this song is playing in the background, and it gets louder and louder. It’s one to drown out the noise to in a short amount of time. Tell Ya Wha and Am I Alive are also the band at their best. There’s only 3 of them in the band, and they sound louder and bigger than a band with only 3 of them in. I think that’s how you know they are doing something right.

The title track is the one for me (right now) it’s 5 and bit minutes of insane build-ups, shouting and just general wonderful noise. I think this is the one that’s the most intense live, you can just feel it. The last 2 minutes or so of it are wild, and you feel like you’re being catapulted all over the place. I think that’s part of the charm with this record- you have no idea what’s going to happen next or where you’ll end up. That unknown is what keeps you hooked on this record. You can have it on repeat for days, but there’s part of you that doesn’t know what’s about to happen.

This is one of the most exciting records around, and it reminds me of listening to bands like Bruise Control and Table Scraps for the very first time. You know you’re listening to something really special and unlike anything you’ve heard before. Your ears may be crying out for a rest, but don’t listen to it. Just play these songs loud- you’ll get used to it soon enough.

jasmine.4.t : You Are The Morning.

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On Friday, one of the most pure and honest records will be released. This is a record that holds so much weight in the most divine way possible. It is vulnerable and vital. It’s a record I wish I had growing up so I could navigate being queer better than I did. I think most of us wish for that and thank god this record exists because it gives so much hope. The hope is in the title of the record. The hope is in all the songs, even the sad songs. I hope anyone who is LGBTQ+ that listens to this record finds a home in it and feels safe and loved. Because you are. You absolutely fucking are- don’t let anyone ever make you feel different.

Passionate rant over. Well, maybe not.

A few months ago, I heard Elephant by jasmine.4.t and my god the way I cried when I heard it. I sobbed. I wasn’t an adult listening to the song. I was a little queer teen who didn’t know what was going on listening to it, and every emotion possible came flying at me. Now, I listen to it with a lot less tears. The tears are reserved for the rest of Jasmine’s debut record. I think if the songs don’t make you cry, then you’ve not given it the attention the record deserves. If the title track (You Are The Morning) doesn’t break you or if Breaking In Reverse don’t make you sob, then god knows what you’ve been listening to!

I’ve played You Are The Morning a number of times, and every listen just gives you so much reassurance and hope. There is so much love on this record, and it represents queer friendship in the most delicate way possible. Jasmine has dedicated the record to queer friendships, and they saved her life. There are moments of love, joy and hope on this record- and given how brutal the world is at the moment, our community need this record more than ever. There’s so much innocence but hints of hurt on the record. Best Friend’s House will ruin you. It defines finding safety and acceptance and just being able to be. That’s all we want- we just want us to be. It’s not even a minute and a half long, but the song is SO powerful. The whole record is powerful, and I hope Jasmine knows just how much of a powerful record she’s made here.

Before I touch on other songs, I want to highlight the importance of the closer, Woman. On this song, Jasmine is backed by the Trans Chorus of Los Angeles, and much like our Jasmine, they use their voice to elevate the trans community. The song defines knowing who you are and being secure, and happy in that. That’s all any of us can hope for. It’s what we all deserve. It’s the perfect way to close the record, and it’s the perfect ending to make you play the record all over again. And again.

I thought I could find words to sum up just how wonderful this record is, but honestly? I don’t think anything anyone writes about this record will do it justice. No words are good enough. You just need to sit and listen to it. I absolutely LOVE Jasmine’s vocals on Guy Fawkes Tesco Dissociation. Her vocals on this are raw. The whole record has a DIY/lo-fi feel to it. And sure, snobs out there will say “THIS ISN’T PUNK!” But they’re idiots. Punk is more than a Ramones record, and they probably would have said the same. It’s going against what’s expected. It’s about not being a sheep or being how everyone wants you to be. It’s about being secure in who you are and being unapologetically yourself amongst other things. At the heart of it, this is a Punk record for the queer community. We need it. My god we need it.

There are so many tender moments on the record, and it really comes alive on New Shoes, which is the oldest song on the record. The song was originally made for Jasmine’s ex-spouse. It touches on problems early on in a relationship but has optimism to it. It’s such a beautiful song, and when the guitar hits with the piano? My god. The goosebumps! Another tender moment is Roan. It’s such a gorgeous song. The whole record is beautiful in every single way.

I’d be utterly foolish to even try tell you what the best song on this record is, I couldn’t do it. I don’t see how anyone could. It’s just an open book, and it’s the purest record I’ve heard in a long time. I honestly don’t think we’ll get anything as fragile as this record again- it’s such a rare record. It’s the kind of honesty that stops you. I’ve tried to listen to the record whilst at work and do whatever I need to do, but my attention goes straight to every word that Jasmine sings. What I’m trying to say is- this isn’t a record you stick on and go about your day. For the first few listens, let the record just totally take over you. Don’t do anything. Just sit and listen to it. Play it to someone who means something to you. Make them listen, and maybe they’ll understand. I’ve got so many thoughts about the record, and I don’t want to be too personal because no one needs to hear my thoughts ha! Not even I want to hear my thoughts most of the time! Elephant and Breaking In Reverse are the ones that really hit me in the gut. They’re the ones I know I’ll lean into the most. God help my cat when the record arrives this week and I blast it out- she’s going to want to leave. Sorry little Mary, you’re getting You Are The Morning on repeat!

I love how the tone of the record is set with the soft opener, Kitchen and that softness stays throughout the whole record right up to the closer, Woman. I feel this is the type of record that, when I listen to it again in say, 6 months time, I’ll still feel this way about it but something new will hit me. I can only liken it to the record by NoSo (Stay Proud Of Me) with how sensitive and joyful it is. There are sad moment, there are joyful moments. It is a masterpiece. A tender masterpiece that gives you so much hope. Skin On Skin is up there with being the most paper-thin songs I’ve ever heard; it’s gorgeous. I love everything this song represents. And it goes right into the hauntingly sensitive Highfield- truly one of the most beautifully created songs we will ever hear.

When Jasmine came out as trans to those close to her, some accepted her. Some didn’t. I will never understand how you cannot accept someone for being who they are, but maybe that’s because I don’t believe in loving someone with conditions. And maybe it’s because I’m lucky to have a very accepting mum. But I’ll never understand how you can turn your back on someone just because they are being themselves. Anyway- it’s THEIR loss. Always.

The record may have stemmed from dark moments in Jasmine’s life, but my goodness she has created something so full of love, full of hope, full of joy and full of light.

I feel I have so much more to say about the record, but I think it’s best to wrap it and mention that Jasmine is a huge supporter of Trans Mutual Aid Manchester. They do amazing work here, and if you want to support them to, please go here. They do brilliant work in our community, and they are a joy to support. Thank you.

*(I think Breaking In Reverse may be song that owns my heart because I’m too sensitive for my own good!)

SNARLING DOGS: S/T LP.

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Craving some loud, rowdy music is like wanting a pizza or something else that’s apparently bad for your gut. You want the music to hit you in the gut and give you tummy cramps right after you’ve consumed too much of it- utterly gluttonous but exactly what you need at that time. This is where the debut record from Snarling Dogs comes in. It’s the kind of music that, if it came out when Dead Boys did- your folks probably would have been disappointed or kicked you out. I’ve got a cool mum, so she’d probably say this wasn’t for her, and let me carry on.

As far as debut records go, this one is a real ripper of a record. It feels like a thousand kicks to the face in the most majestic way possible. Snarling Dogs are the kind of band who you just KNOW put on a hell of a show. They’ve got this beautiful and rowdy feel to their sound. Does it feel like you’re listening to Dead Boys for the first time? Yes. It’s got that edge to it, it’s got that bite of Young, Loud and Snotty. One of the finest records of all time. Perfect from start to end. That’s exactly what you get with Snarling Dogs. Put on your battered leather jacket and go cause some trouble! This record, although it came out in November, is the antidote to those January Blues we’re all hearing out. Hey, don’t let anyone tell you that you need to have a bad time- or good time for that matter!

Only one song just goes over the 3 minute mark, and if you’re like me and have a really bad attention span- this band will give you all you need. I’m playing it quite loud, and my cat is happily sleeping away next to me. Is this what joy is? I think it just may be! If she can sleep through the noise and not run off scared, then it’s fair to say that Snarling Dogs know where it’s at. They’ve got such a chaotic sound, and honestly, this record makes it hard to accept this is their debut. It’s truly something else.

I’m An Animal has a real Stiv Bators feel to the vocals mixed with David Johansen (New York Dolls) to it. There’s a lot going on on this record, but that’s not a bad thing. Every song serves a purpose, and that purpose is to play the bastard really, really loud.

The adrenalin on this record is divine; imagine being in the same room as the band as they recorded this monster of a record?! I love the ferociousness of every single song, but the one that oozes it the most has to be Sniper and it then goes smack into Highway Of Hurt. Come on now! This is so good; it should be illegal! I feel they’re a band that need to be seen live, and this record was made for two things- to be played loud and to be seen live. Can someone get this band to the UK? It’s so easy to love a band like this when you’re already obsessed with Punk. As someone who does need/like quiet in their head, having music like this go through my bones and soul calms everything. Do I know why? No. Do I want to know why? Nope. Snarling Dogs have been influenced by so many bands I love and have taken that inspiration, and made something really remarkable. It’s the kind of music you’d chain smoke to (I don’t smoke but go with it) and probably down about 20 beers (I can only drink one before I feel sick!)

You can easily imagine bodies being thrown about in the pit at their shows, and people leaving covered in beer and sweat- none of which may be their own. I just love the sound they have, and I hope whatever comes next for them is just as big as this record. Like I mentioned above, this doesn’t feel like a debut record but you can tell it’s been a long time coming this record, and that hard work has truly paid off.

The record is filthy in the best way possible. It’s rebellious, it’s loud, it’s smutty, it’s all the things we were warned against. It might even be bad for our health, but that just makes us want it even more. And louder too. Their debut record is like a rabid dog gnawing at your leg, and will not let go at all. This band won’t let you; they need you to listen.

LOST ANGELS: Away We Go.

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A number of years ago I wrote about a band called The Creeping Ivies. I think I wrote about them a hell of a lot, and they’re a band that I loved so much and I was gutted when they ended. However, Becca is back and her new band is equally as great so I’ll evidently become equally as obsessed.

Lost Angels only formed last year, and have FINALLY put out 3 brand new songs which I’ve fallen in love with. Becca has SUCH a distinctive voice, and her guitar playing is something else. Massively underrated but maybe Lost Angels will change that. In just 3 songs, they’ve created something that I cannot wait to hear more of. There’s comfort in hearing Becca’s voice again and I cannot wait to hear what else the band put out but for now- these 3 songs are what I’ll play on repeat.

The 3 track EP opens with the title track, Away We Go which is a beautiful way to get us hooked on such a great band. The EP is currently available on Bandcamp only but I think it’ll be up on Spotify etc. on the 14th so there’s no excuse for anyone to not get hold of the record in any way. The hook on Away We Go is a simple Punk-esque chant, and you cannot get enough of it. Imagine seeing the band live, and just yelling this back at them and as you leave the gig-you’re probably still yelling it.

And we get right into Midnight In The Graveyard which reminds me so much of one of the best songs ever written- I Just Wanna Have Something To Do by the Ramones; it sounds like it but there’s something beautifully creepy about this song and it’s easily my favourite. It feels like a Vincent Price film in the form of a song- perfect in every single way. I could listen to this on repeat and find more things to love about it. Obsessed? Always. It has such an eerie feel to it, and I just want to have it on repeat. I LOVE Becca’s vocals on this and in some ways, it does remind me of The Creeping Ivies and that will always be a good thing. I love the loudness on this song, but I love how the EP ends on a gentler note too.

The Only One closes the EP, and if you love Johnny Thunders- this is the one you’ll fall in love with. I love how you can pick up on the influences on this record, and it makes you feel like you’re hearing the Ramones or New York Dolls for the first time. Imagine never knowing such perfection, then it just hits you. You accidentally listen to the Ramones or NYD for the first time. Is that what sheer joy is? It’s up there. The Only One is a beautiful Punk love song, and they are the best love songs. These 3 songs are a perfect introduction to what Lost Angels are about, and they are clearly one of the best bands around from Glasgow right now. I really hope that more music comes from this and a tour too because these are the types of songs that you need to see live, right? They were made to be witnessed in sweaty dive bar.

I love this EP a hell of a lot and I love that I can hear parts of bands I love in every song. It’s a glorious EP and again, makes me wish I had even a fraction of musical talent. There’s nothing pretentious or over the top here- just beautiful Rock ‘N’ Roll from the heart and gut. I can’t wait to hear more from them because I know it’s going to be insanely brilliant and just effortlessly slick.

OH, THE GUILT: Deadnames & Deed Polls.

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With today being a very important day (Trans Day Of Visibility) it’s only right that I write about the new (and gorgeous) record by the finest band from Bristol; Oh, The Guilt. Their new record came out on Friday, and it’s one of the most important records we will get this year. It is dark, heavy, and vital. It is a solid work of art that hits you right in the gut.

Firstly, you should know that the record was mastered by Ben Chisholm (of Chelsea Wolf) so that alone is a sign that the record is unreal. This is the band’s debut record, and to have someone like Ben master it shows you just how well loved, respected and talented the band are. I hope this record reaches the trans kid in the middle of nowhere and realizes that there is hope and a future out there for them. Even though the media (and government) continuously try to erase the trans community on a daily basis. We have bands like Oh, The Guilt who are so important and records like this show it gets better and you can be who you are, and who you deserve to be.

Every song on this record is entirely dreamy, and it’s evident on (my current favourite) Blue. I love how it sounds like a 90s dreamy number with touches of Shoegaze. In a way, it’s like Beach House meets Mazzy Star. That’s the general feel I get from this song and in parts, a lot of the record feels that way. Jules’ drumming on this is exceptional. It’s like waves crashing into rocks, but it’s balanced out with the calmness of the guitar. It’s like a dream swimming round your head on a loop. It’s a gorgeous song, and the vocals will soothe your soul. It’s perfect, and I think it’s one of those songs you play through headphones and close the world out to. Blue features Elijah’s vocals pre-transition, and I touch on further down his vocals on the re-recording of Darkest Days.

It then picks up on Bella, and this is where the bands Grunge influences really kick in. I love how the band can give you this wave of calmness but they can also hit you with this beautiful rowdy sound.  I know I said Blue is currently my favourite but I’m putt Bella as a close second. You can just imagine it going OFF when they play this live. It’s got this feel to it that makes you want to just throw things around without a care in the world, and move your body around in a way that you’ve not done in a while.

I’m going to skip to the end of the record for this part. The record ends with the euphoric The Path and features the Phoenix Song Project- which are is a music therapy project run by and for members of trans and non-binary communities in Bristol. This is the most perfect way to end the record; it is full of hope and love. Again, it’s the song I hope a trans kid (or adult) in the middle of nowhere hears and knows that there is a community out there for them that will love and support them endlessly. It is honestly the most gorgeous and perfect way to close their stunning debut record, which has been a long time coming.  I hope Jules, Kit and Elijah are aware of the impact that this record will have. It’s a truly powerful record, and it exudes trans and queer joy- something that is so needed right now.

There is a new version of Darkest Days on the record, which has post-transition vocals from Elijah. It is again another euphoric song, and musically it reminds me so much of The Velvet Underground. That drastic build on the drums and everything just coming together is so powerful.  It all clashes with this build and you can hear just how exceptionally talented Kit, Jules and Elijah are. You can hear perfectly on this record in general just how phenomenal they are, but the re-recording of this song shows you how far they’ve come as a band and as individuals on their own journey.

What I love about this record is that you can hear the growth of Kit, Jules, and Elijah. You can hear this beautiful confidence in every song and in a way, this doesn’t feel like a debut record. They’ve been making music for so long together, it’s hard to grasp that we’ve only just got their debut record but my god it was worth the wait. This record really shows how far they have come and I think from keeping vocals on some songs that were pre-transition, it really shows the importance of the record and how powerful they are as a band. You can hear the confidence too; as a band and as individuals and it is so inspiring and wonderful to hear it. I could spend hours and hours writing about this record, but honestly? It’s probably best you take the time to listen to it. Shut the world off, and just get lost in this divine record created by 3 beautiful human beings.

Every song on this record is a journey. Every song on this record is for a community that are constantly being pulled apart every single day. So, if you do anything this Trans Day of Visibility; support organisations such as NotAPhase and you know- buy the Oh, The Guilt record!

ANGEL FACE.

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There are so many records that have been released by Slovenly Records that are just incredible, and one of their most recent is debut by one of the best Japanese bands around- Angel Face. This is a proper rowdy and loud record that will totally annihilate your eardrums.  A glorious Punk record and a solid debut record.

The record kicks you in the kisser with You Ain’t My Angel and immediately you can hear that snarly tone that Stiv Bators had on this record. This is everything I could possibly want from a Punk record and so much more. They make the kind of music that would have your neighbours making noise complaints about. I’m pretty sure it’s scared off my cat too but to be honest, she’s scared of the spray mop I bought so I won’t trust her judgement here.

This record is something else. If you love bands like Bruise Control, Pancakes, Dead Boys- I could go on. If you love them, then you’re going to love this. Angel Face will make you want to sell whatever you own that’s of worth so you can fly off to Japan and immerse yourself in the Punk scene there. This is some rowdy shit that you cannot get enough of. I want everything I listen to to be as loud as this.

They’ve only been making music together since 2021, but this record sounds like something from ’76 or ’77- it’ll make you feel like you are discovering Punk for the first time, and you’ll wonder how you made it this far without it. How did I make it this far without this record? Every song on this record will make you feel like you’ve snuck into somewhere you shouldn’t have. Bad Feeling and I Can’t Stop are the ones that’ll have you waving your limbs about the most. Then you’ve got the ferocious Bring Me Back; the vocals on this are SO good. That proper gritty and menacing style; it’ll make you feel super tough when you listen to it, even if you’re just a delicate little flower.

Everything about this record screams PLAY THIS LOUDLY. There are no quiet or dull moments on this record; and it just makes you want to unapologetically lose your shit. This is the kind of band that you just know will destroy their live sets- the crowd will leave feeling bruised all over in the most pleasing way imaginable. They make the kind of music that has to be witnessed live. The urgency on this record is nothing short of vital and divine- you cannot help but get caught up in it. How else can you tell that this band are something else? The lead singer is called Hercules- that alone should sway you into digging this band.

Angel Face is anything but angels, and that’s part of the charm. Their sound is dark, raw, and loud- you cannot get enough of it. One casual listen just isn’t enough- you want to just let it consume every part of you, and when you find bands like that you have to hold onto them. Even if they are on the other side of the world and they’ll probably never end up where you are! But hey, we live in hope, don’t we?! It’ll get us through, as always. They make the kind of music that makes you think you’re part of a motorcycle gang or something. I honestly can’t think of a band who are making noise like this right now, and if this is what one record can do, then the world is theirs.

LEGAL NOISE: Legal Noise.

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Some bands are just made to make songs that stick in your brain. And boy oh boy do Legal Noise make the kind of music that sticks right in there! I’ve written about this band before, so my feelings towards their music is pretty clear. But, as there is a new record out…actually, hold on. As their DEBUT record is now here, it’s only right I go into more detail as to why this band are pretty damn great!

As far as debut records go, this one is perfect. That was always going to be the case- what else do you expect from a band as awesome as this? Every song was made for you to thrash your body around to as if something has possessed you. The kind of songs that are destined to be heard in sketchy basement bars. The kind of songs you play when you feel happy or fed up- there’s a song for every mood and more on this record. These 8 songs are wild and a solid way of getting us to know Legal Noise much better. Whatever you’ve heard from them before- but it to one side, and dive headfirst into this record. This is a great record with nothing sounding out of place or forced. You can really hear their passion, and that passion makes you wish you had some musical talent. Imagine being in a band as cool as this!

The band sent me the record a few weeks before it was released, and I wanted to wait a while before I wrote about it. I’ve found this is the case with anything new I listen to now. Normally it’d be one listen and devour it. Now I’d rather listen to it over and over, then work out what I want to say. Joel mentioned that the first half of the record is a more of a Garage feel, then the second half is a lot heavier. That’s the best way to describe this record. The second part kicks you in the gut with Dracula, and it’s my favourite on the record by far. I love the heaviness of it, and how the heaviness smacks you right out of nowhere. Then it keeps on going on the second half of the record. It’s honestly a perfect record and for me, that balance of this sort of Stoner Rock coming in halfway to kick you in the face is just divine.

There’s only 3 of ‘em in the band, and by god they make a whole lot of noise. The kind of noise that needs to heard full whack 24/7. Time is just over 5 minutes long and you know what? We need more of it. This song could easily sound as perfect if it was 3 times longer. It’s such a great song, and it’s honestly a joy to listen to. Every single song is a joy to listen to. The record ends on a 10-minute number (Try To Hide) and the second it finishes; you’re playing the record all over again. And again. Legal Noise are a band that you know you HAVE to see live. I really hope this record is the one that brings them over to the UK and they sell out every place they visit. It’s a record that needs to be heard in all its heavy glory. We all form bonds with records whether immediately or over time; this record is one you fall in love with immediately.

I just urge anyone who reads this to play this record loud and throw your body wildly around as you let every song get into the depths of your soul.