Tag Archives: Warpaint

The Importance Of The Debut Album.

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After 3 attempts write this, this is my last go. Trying to sum up the importance of a debut album isn’t easy, nor is it easy trying to think of the best debut albums ever. There have been so many phenomenal debut albums, some people just overlook and others are regarded as highly influential.

Over the past 3 years there have been some amazing debut albums released such as Lungs by Florence And The Machine to Cults self titled debut which was released this year.

The hardest thing about putting out such a great first album is following it up. How many bands have managed to set such a high calibre with their first album and pull it off with every release? Of course The Smiths managed to do it, and in my biased opinion, more recently The Horrors have evidently done it. More on Strange House later. I always have strong affection towards debut albums as you can truly feel and understand what an artist is trying to do. It’s always good to listen back to a debut album when a band has released 3 or 4 albums into their career. You can really hear how an artist has grown and changed their sound.

My personal favourite debut album of all time has to be Psychocandy by The Jesus And Mary Chain. I love the reverb sound, the intense subject matter and of course Jim Reid’s stunning vocals. I adore the production on the album, it has influenced so many bands that I love such as The Horrors. There has never been a debut album as gripping and as brutal as Psychocandy. Although the band have released some fantastic albums, this is the one that stands out for me- it is timeless and just everything an album should be. It’s dark, it is passionate and honest. If more music was to this standard, well, the music industry would be in a better place I suppose. The Jesus And Mary Chain is a band that inspires me in ways no other band ever has, and probably ever will. Of course The Smiths are the band that owns my heart, but I feel The Jesus And Mary Chain own a part of my mind. The heart is greater, that I know. I just love the feeling I get from listening to Psychocandy, it just feels like the first time I am listening to it every time I do. It’s just a perfect debut album from start to finish. I don’t think any album has single-handedly started its own genre in a way Psychocandy did. It’s just everything, and anything after it has just lurked in its shadows.

Last year two debut albums came out that just instantly blew me away. I felt like I was in a different time whilst listening to it- personally, that’s what makes a remarkable album. Regardless if it is a debut album or an artists fifth album.

The two albums are Best Coast’s debut self titled release and of course, The Fool by Warpaint.

Best Coast’s debut was the soundtrack to summer 2010, there’s no denying it. The album instantly became a piece of art that I treasured so much, I still play it every single day. There is not one song that bores me. I don’t really hold any personal situations to the album, give it time I guess. It’s just an album that makes me feel like I am sitting on a beach, staring out to sea and forgetting everything. It’s the perfect form of escapism. I love Bethany’s vocals especially on Our Deal. There’s something so heartbreaking about that song, but you just can’t stop listening to it. Oh her cat, Snacks is quite possibly the cutest animal ever.

Where do I start when talking about The Fool by Warpaint? Anyone who knows me a tiny bit will know that album is one of the most important albums in my life, ever. Of all the albums I own, this one is one I hold very highly. I love how every song makes me feel like I am floating on water towards something better. There’s always something better. Warpaint’s music makes a hopeless person like myself quite hopeful.

Songs such as Lissie’s Heart Murmur and Shadows are so important to me. The way Emily sings on Lissie’s Heart Murmur just moves me in a way I didn’t think could happen. I adore Theresa’s vocals on Shadows, so much frustration in the line,” I feel like the shadows, I don’t even bother for any more than that.” It’s an album to lose yourself in, and probably find parts of yourself too.

I remember seeing a copy of an album with five men wearing high-heels and make-up on the cover and just being in awe of the cover. I found the album in the drawer in the living room at my mum’s house when I was around 15/16. I took the album to my room and just played it. I didn’t move. I was entirely transfixed with the sounds that were coming out of my temperamental CD player.

New York Dolls are quite possibly one of the most important bands ever. They’ve influenced so many artists that I adore with every fibre of my being. Yes, I mean Morrissey. Their debut album has one song on it that just means the universe to me, Subway Train. I adore everything about the song, especially the lyrics. Frustration with a twinge of angst- mixed with longing. They are the best kinds of songs and Subway Train is one of them.

The album is the blueprint of what would later emerge from New York City.

Although Live It Out is my favourite album by them, Metric’s debut release, Old World Underground, Where Are You Now? is such a fantastic piece of art. The album starts with IOU, and right from the start you fall in love with Metric’s sound. They have a specific sound that I have never ever heard in any band. Whether it be in a band I love or a band I dislike, their sound is something that has never been replicated- thankfully. I highly doubt anyone could. Songs such as Wet Blanket, Combat Baby, Dead Disco and The List are just stunning. I’ve been fortunate to see them live, and the energy they have on record is just the same live. Just with a bit more sweat. The production is just stunning. I’ve been a fan of Metric since they started out and their sound is so distinctive. What I love about their debut is the Punk and Riot Grrrl feel it has- two genres that mean a lot to me, and for a band such as Metric to combine those two genres to create Old World Underground was just brilliant.

I have two more debut albums to write about. Both have this brutal sound to it and contain such a force that just shakes your world and your whole being. I know that the albums I have mentioned and are about to mention are probably odd choices for some, but they are debut albums that just mean a lot to me, and to others I’m sure. I could mention the usual such as The Smiths debut album and Is This It by The Strokes, both albums of course are masterpieces and mean a lot to me. I have Is This It tattooed on me. Some may think it’s a morbid thing to have tattooed, it isn’t- it’s a declaration of love for such a phenomenal album.

Strange House by The Horrors is a frickin’ amazing take on Garage-Rock. I remember skipping a lecture at University to go out and buy the album. I did it a lot whilst at College and Uni. My priorities have always been based on music; it’s a good and bad thing. Good for me, and it probably pisses others off. They don’t get it, I don’t expect them to.

I feel Strange House has been overlooked by so many. Guaranteed it sounds nothing like Primary Colours and Skying- none of The Horrors albums sound like their last one at all. That’s why I love them. Their music means a lot to me, I cannot describe why. Strange House reminds me of my first year of Uni. Probably the happiest I have ever been. Everything was new to me and I was becoming the person I always wanted to be. The sound on Strange House just instantly took over me. From Faris’s screams to Rhys’ mental keyboard skills. I remember going back home during the holidays and my mum telling me she loved Count In Fives. I’ve played her all three albums by them, and she too is in awe of their sound. I’ve got a pretty cool family. My auntie and uncle both adore The Horrors.

The way The Horrors dressed during the Strange House era was just beautiful. If I was a guy, or hell, if I was skinny I’d probably dress like that. I know they will never create an album with the same sound as Strange House but each album still has that raw, brutal feel. A feel that is not evident in a lot of music right now. A lot of people are getting into The Horrors based on the single Still Life. However, I urge you new fans to please listen to Strange House. It’ll do you a world of good if you do.

The last album that I am going to bore you with, if you are still with me is, Keep On Your Mean Side by The Kills. The title alone is bloody great. The album defines the whole sound of The Kills. Unapologetic brutal, dark, intense, raw and powerful sounds. Everything about this album is sheer perfection. From start to finish the album has you in a chokehold. The Kills music feels like a pleasurable punch to the face. It hits you over and over- you don’t care if it hurts, it is the best feeling ever. The music has this hold over you. Alison’s beautiful and vengeful voice twinned with Jamie’s genius guitar playing steals your heart away. It takes you to a place that is dark, poetic and sublime. I love how they have captured the same feeling people must have got when they first heard The Velvet Underground when they started. They are my generation’s take on The Velvet Underground. The dark lyrics with harsh guitar sounds, it’s just everything that music should be.

I adore Alison’s vocals on Wait and Gypsy Death & You. It is so pure, just enthralling. I love the aggression in their music- songs such as Cat Claw, Fried My Little Brains and Kissy Kissy just pour out such aggression that overwhelms you and leaves you thinking and feeling “The hell have I just exposed my ears and soul to?!” It is hands down, one of the most brutal debut albums I have ever heard and probably will hear. It’s brutal in an Iggy Pop sense, true Punk ethic. The Kills are a band that I look up to; I love the connection Alison and Jamie have with each other. I love that just two people have created a sound that so many need so many others around them to create and just cannot get it right- The Kills just need each other to make that sound. I admire them so much; I’d say they are quite possibly the hardest working musicians around. I cannot praise them enough nor can I express my love for their music in good enough words. Each album they put out has the same level of intensity and frustration in it- with no apologise or explanation. It just is. And what it is, is truly beautiful.

I know there are so many albums I could have written about such as The Long Blondes debut album, Scott Matthews debut solo album, Richard Hawley, Ramones- the list is endless. I just wrote about the ones that mean something to me.

Recently my mum posted me a Morrissey book and Scott Matthews debut album. She knows of my love for The Walker Brothers and I was familiar with Scott’s solo work. It’s a beautiful debut album. As are debuts from others such as Zola Jesus, The xx, Aaliyah, Jay-Z. Honestly, the list is endless and the more I mention the more I want to write about these albums. It just shows how vital the debut album really is, and a lot of the time- inspires others to pick up an instrument and start their own movement. I’ve written over 2000, I think I’ve bored you enough now haven’t I?!

2011- Musically, you weren’t that bad.

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I know it’s only August, but I feel I need to write this down now. Was 2011 awful? For music? No. For other things? More than likely. Yes this year was shit due to Gaga putting an album out, Amy Winehouse’s tragic death and ITV still allowing X-Factor to exist. Why it exists, I have no idea. But it is does, for those who don’t know any better.

I’m going to attempt to think of 10 reasons (in NO order because I will want to change my mind if I do that) as to why music this year was not shit. I may rant, I may not be able to think of 10 reasons.

-The Kills : Finally my favourite duo EVER released the flow-up to Midnight Boom. Blood Pressures is probably my favourite album of the year. However, come 7th November and I will say Florence’s album is. The Kills are a band that I will always love. They could (I know they won’t) make the most wankiest record ever, and I would still find something to love about it. Blood Pressures has a bluesy feel to it but still has the same raw vibe No Wow and Keep On Your Mean Side have. The Last Goodbye is the saddest song I’ve heard this year. If a song could break your heart, that would be it. The lyrics to Baby Says are stunning. I just ove how Jamie and Alison’s voices fit together. I think their bond is one of the greatest things ever. Everyone needs a friendship like that. “Send your love on a rampage, give her everything you’ve got. And when you come to hate her, show her more than just a spark” is one of the best lines off the album. However, not just from The Kills but my favourite line from a song that I have heard this year is easily, “How can I rely on my heart if I break it, with my own two hands.” The way Alison’s voice sounds on this is so beautiful but it just tears you up so much. I’m just happy to have another record by The Kills in my collection.

-The Horrors: I still want to slap people who dismiss The Horrors. Just like I want to slap those that think Skying sounds like Simple Minds. I think those that are saying these things are actually deaf. Or just extremely fucking stupid. Skying is the best album put out this year by an English group. I am still in love with the sound they had wth Strange House. But, I love how they have developed with each album. You cannot deny how much of a masterpiece Primary Colours was and still is. They’re just everything a band should be. They don’t justify what they do to anyone. They make music for them. That’s how it should be. They haven’t bought into a gimmick and gotten famous based on that. They are ALL fantastic musicians. Joshua is genius on that guitar. There aren’t enough words for me to describe my love for The Horrors.

-Zola Jesus: Quite simply one of my favourite female musicians ever. Her voice is so haunting. It takes over you and before you know it, you have been thrown into a world that you never thought existed. I love how dark and eerie her music is. I have every faith that her new album, Conatus is going to be nothing short of amazing. I love that her music just blows me away with every listen. I listen to songs such as Trust Me and Run Me Out, and this wave of amazement just takes over me. She has this force within her music that I’ve never heard in anyone before, she’s only 21 years old! I love the build-up in all her songs. It’s like this intense and euphoric takeover. Why didn’t this year suck because of Nika? Well, just listen to Vessel.

-The Weeknd: Of all the artists I found at stupid o’clock in the morning due to not being able to sleep, The Weeknd is hands down, the best thing I have discovered this year on the internet. I love his voice so much. So soulful. I love that he’s sampled Aaliyah’s voice on one of his songs and he’s also sampled Siouxise & The Banshees too. His Mixtapes are utterly mind-blowing. Trust me, you need this guy in your life. Head over to his wesite and get his Mixtapes. You’ll here amazing songs such as THIS TRACK!

-Cults: Okay, so I heard about this duo last year but their debut album came out this year so it’s allowed. What I love about this duo is their 1960s feel they have to their music. Never Saw The Point means so much to me, “I never saw the point in trying, ’cause I would only let you down. And I just couldn’t take you down there with me, I couldn’t stand to see you drown.” It’s just such a gorgeous and fragile song, I suppose that is why I adore it so much. Since its release lat year, Best Coast’s debut album has been played every day- I’m clearly going to do the same with Cults. I love that it doesn’t sound like anything around now. A fantastic debut album.

-Seapony: Seapony make me want to leave everything and everyone behind and just go live on a beach. I can’t swim, so I guess it’d be boring after a day or so. However, there is nothing more peaceful than looking out to a strectch of water listening to your favourite music. I’d love to do that to Seapony. I love the summer vibe they feel. Is it chillwave? I don’t know, I reckon they fit under the dream-pop genre. They remind me of The Drums mixed with Beach House and a hint of The Raveonettes. I just adore the whole sound and the gentle vocals. Especially on ongs such as Dreaming and Late Summer.

-Blood Orange: This year Dev Hynes released the first album of his current project, Blood Orange. I love everything he does. Whether it’s for others (Solange Knowles), as Lightspeed Champion or Blood Orange. Coastal Grooves is a MUST-HAVE in your collection. It’s such a strong album. It feels like New York City must have felt in the 1980s. It has a brilliant feel to it. It’s music you can just relax to and walk round the park  in the sun to. There is no denying the genius that Dev is. He kills the guitar, he’s got such a distinctive voice. I just love love love him. Anything he does is just perfect.

-Summer Camp: Another duo that have won my heart over this year. I love everything about their music, however it is one song in particular that since first hearing it in February this year I have played every day. Not a day has gone by where I haven’t played it since. The synths kick in during this song and it is is SO good. Elizabeth’s voice is stunning. The lyrics to I Want You are so dark, and slightly brutal. But hey, all comes with liking someone, right? I don’t know. I like to think I don’t know. “You’re so smart, you break my heart” if someone said that to me, I’d be so flattered. It’s probably my favourite song of this year. If I was a DJ I’d play this all the time, and if no one danced to it- I’d bar them from the club.

-Morrissey: I could write an essay on this man until my hands were numb from typing. I’ve probably done it before to be honest. This year on Janice Long’s show, she played three new songs by my god, Morrissey. Every single song was perfect. For me, I fell more in love with Action Is My Middle Name. The lyrics are typical Morrissey- witty and oh so bloody charming. People Are The Same Everywhere- well, the title speaks for itself really. So true. What I love about Moz is that he has always done what is real and honest to him, he’s never answered to anyone. It’s something I admire and love about him. It’s why I love him. We should ALWAYS do things for us, that makes us happy- because the day you let others rule you, you are no longer a person. I saw him twice this year- and yes as soon as he walked on stage, I bawled. I’ve seen him 4 times so far, and each time I have gone with my mum. She loves him as much as I do. I could never ever go to a Moz gig with anyone but my mum, it’d be wrong. I told her this, and she agrees. Hopefully he wil release his new album soon. “Biting my initials into your neck. You are my possession, you don’t realise yet. Am I moving too fast for you? Am I begining to confuse you?” Only Morrissey could say such a thing. Hero. Absolute hero.

-Florence & The Machine: I really couldn’t make this list without mentioning Florence could I. After hearing What The Water Gave Me (studio version) I cannot ait for 7th November. I just know that her second album will blow my mind. My last article on Florence just sums up my love for her, so I won’t bore you with another essay. Her album is out in time for my birthday (HI MUM!!!!) and I am hoping there’s a tour. The sound has a more soulful and gospel feel to it which I love so much. I’m beyond happy that the album is out this year, some said that it would be out the start of 2012, I guess it’s too good to make us wait. Besides, she’s worked with Paul Epworth on it- you just know it is going to be THE album of the year.

As I feel like I have missed so much out, here are some tracks by artists that have made 2011 less shittier than it was:

Yuck.

Washed Out.

Anna Calvi.

CocknBullKid.

Marina And The Diamonds.

Love Inks.

Sleigh Bells.

Youth Lagoon.

Warpaint (Video Of The Year.)

Widowspeak.

I’ll stop now because I could carry on with about 50 more artists.

Warpaint-Interview.

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Last year, the day before their debut full length album came out I was fortunate to meet and interview Warpaint.

I’ve met some really good people in my time- both famous and non famous; however no person has ever been such an honour to speak to as Theresa Wayman. She is well and truly one of the most loveliest and genuine persons I have ever met. Her answers to my questions were passionate and hilarious. The way she tells you a story just captures you so much. I was just in awe of everything about Theresa. I took in every single word she said as I sat next to her on the sofa. Oh and she has the best pin-striped trousers and boots ever. In fact, all members of Warpaint have amazing boots. Extremely well dressed indeed.

I’ve pretty much taken procrastination to a different level by only typing the interview up until now. However, I am not going to type it as a typical Q&A. Those Q&A articles are boring, you need substance with an article and that’s what I am going to try to do. Besides, you need to know about my love for Warpaint and why I love them. If someone sat me down and said, “Olivia, tell me about your love for Warpaint” they would probably leave as I could go on for hours, days as to why I love them.

I first heard of Warpaint around 2 years ago. I heard Billie Holiday and it just threw me. I loved how bare and stripped it was. I was utterly enthralled by the vocals and how it just flowed. I loved how they sang “B.I.L.L.I.E H.O.L.I.D.A.Y” it just sounded so perfect, so relaxing. Almost like a lullaby.

Fast forward to about a year after I heard of Warpaint, I then heard Undertow. Well, that was it really. Nothing mattered at all. It was my song of 2010, and The Fool was my favourite album of 2010 also. I just couldn’t believe music like this was being created. More importantly, I was so happy that a female group was creating music as powerful as this.

I’ve seen on various websites and blogs that girls are inspired by Warpaint to pick up an instrument and start bands. It’s good to see an all female group using talent rather than relying on gimmicks to sell their music to people.

Warpaint are easy to “get.” There’s no pretentious feel to their music, you don’t have to come from a certain background to enjoy their music, and you don’t have to be anything or anyone to be a fan. You can’t look at someone and think, “Oh they’re a Warpaint fan.”

I get it all the time, just because I wear black all the time I’m supposed to listen to Cradle of Filth or some shit. Fuck that.

I asked Theresa where the name Warpaint came from. I’m always intrigued as to where bands get their names from. Emily came up with it. Other names they had were, Notes From The Underground, and my personal favourite I Love You. I suppose if they stuck with I Love You it could get confusing as I told Theresa. “Who are you going to see?” “‘I Love You.’ ” “Thanks, but who are you going to see?” It’d just cause people getting confused and thinking someone was declaring their love to them, and they’d just feel foolish wouldn’t they really.

Aside from how bands get their names, I always love hearing stories on how bands meet. Some meet in bars, some reply to ads in music publications, some are just thrown together in school and the rest is well history as they say.

So, how did they meet?

“Through friends, and living in the city. Pretty quickly actually. After we all moved there, we met each other (LA). You spot people, especially in LA, in Hollywood that are like you in a crowd, like-minded. I think it’s safe to say we’re not typical LA girls. The way we live now, we are typical and we’re not typical.”

She then mentioned how she, Emily, Jenny and Stella were staying in a hotel in Dublin- the hotel was connected to  a bar and restaurant, and they came downstairs at around 6pm ish for some food and to use the internet- dressed in sweatpants and pyjamas. It then turned into a nightclub and it was full of girls everywhere in mini-skirts. Theresa went into the bathroom, and there were some girls in bathroom re-applying make-up and talking about boys, and she said, “They were definitely giving me some looks. I looked like a slob and I didn’t have my hairbrush so I had a big knot in the back of my hair.”

Let’s be honest here, I doubt Theresa and the others could ever look like slobs. Besides, I’d rather see them than a bunch of girls in mini-skirts.

One of the many things I love about Warpaint is the length of their songs. I love songs that last over 5 minutes and send you off into this relaxing place where the real world cannot touch you. Nothing matters as you just totally lose yourself in the world that this piece of music taken you to. Songs like Beetles and Elephants just send you into a whirlwind. Songs like Baby and Lissie’s Heart Murmur feel like a lullaby. Every song of theirs fills you with such grand emotions and the ability to take you anywhere, it is that powerful. You can make your own meanings up to the songs.

I still use Undertow as the song I go to when everything just seems too much, the line “I laid on the floor. Pressing in my eyes, seeing little lights. Please light these decisions that only one could make. I wanted to stay home but I went running running running running from the troubles.”  I could never find words good enough to fully express what this verse means to me, no words could do it justice. The amount of times where I have found it impossible to sleep, so I just play Warpaint on my headphones in the dark- listening to Undertow is ridiculous. It’s like some kind of comfort blanket most of the time. I know I’m making myself out to be a wuss, maybe I am.

Anyone who has seen Warpaint live (I have yet to) has witnessed the little jam sessions they have at the end of Beetles and Elephants, it’s just utterly mind-blowing.

As frequently pointed out in various publications, Warpaint are SURPRISE SURPRISE female. Shock! Horror! Girls….playing instruments! I asked Theresa if the band had experienced sexism in the music industry at all. Some may think people are more open-minded now, but trust me- they’re not.

“I have noticed that in-house soundmen, when you first arrive are grumpy. It’s funny. I’m not trying to diss them, I love soundmen, but it’s true. I’ve noticed on more than one occasion people are dismissive of that maybe we don’t know what we’re doing. But after the show, for the most part their tune is changed.”

I hope anyone who thinks Warpaint cannot play or know what they are doing based on their gender feels like a massive idiot.

Warpaint are more than band-mates and best friends. They are clearly like family. I remember walking into the venue to meet them, and the way they were with each was just beautiful.

They love each other, and they have so much love for what they do. This lacks in a lot of bands (past and present). When you can see how much a band love what they do, and each other it just transpires into their music. The way they just get lost in the music that they play is inspiring, it makes you get lost in it too. It makes you feel the music even more.

With just one full length album Warpaint have done so much. Their acoustic performance on BBC3 last year for Reading gained them a fair amount of attention and this year’s performance at Glastonbury and Coachella just blew people away- both old fans and people just wandering around seeing who was on.

Bands such as Warpaint don’t come around often, but when they do it is important you just embrace it. Accept that this band will change your life, they will be your life. As a music obsessive, this is entirely how I feel about Warpaint. Without their music, I have no idea what I would do. Warpaint’s music just breathes life into you when you feel, well, shit I suppose. It makes you feel alive and it makes you want to change everything for the better. That’s the remarkable thing about music, it gives you strength and courage.

For me, Warpaint are more than just a band. I just feel so honoured to have met them and to have spoken to Theresa about the band and music. It was truly one of the best things that has ever happened to me.

I’ve always heard people say you should never meet your heroes, I’ve met mine several times and they’ve all been brilliant experiences. However, with Warpaint it just felt like everything made sense. Any feeling of wanting to give up on being a Music Writer just went away. Of course there are times when I just want to stop doing it due to my own harsh self criticisms and self frustrations, but I just play some Warpaint songs and my love for music and writing about it comes back. Things like that are priceless. Things like that just keep me going. Again, more proof that music is such a powerful force that I don’t think many recognise.

Warpaint- Lissie’s Heart Murmur.

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“On the edge of the water where the ships pass by,
And the sound of your laughter in the endless sky.
Tips my head back, full of swimming thoughts,
Beneath deep breathing that sinks so far down.”

Such a beautiful verse. The way Emily sings this over the piano is enough to make the strongest person in the universe have a bit of a cry. When I first played The Fool, this was the song that I felt this weird connection to. I felt like something had gripped me and launched me somewhere. I cannot describe where.  Then I played the album again and again- and every single song began to have exactly the same effect on me. Whenever I go out, I always seem to play The Fool and I pay attention to nothing. I’ve probably nearly been run over a few times due to putting all my thoughts and concentration goes into what I am hearing. I find new parts of songs to fall in love with every single time I listen to Warpaint.

Lissie’s Heart Murmur has this delicate yet euphoric build up. Certain words that Emily sings just really hit you. I get feelings of loss, uncertainty, love, release and such from listening to this song. It’s just so beautiful. It sounds slightly like a lullaby, so comforting to listen to when you cannot sleep at 4am and it’s raining outside.  When it’s just Emily’s voice and the piano it sounds so angelic and pure. You feel like you are floating and nothing can touch you. That is, essentially the beauty of Warpaint. You just feel free, fearless and care free when you listen to them. For me, that’s the most powerful and amazing thing any band or artist can do.

Why I Adore Warpaint.

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It’s no secret that I am in total love with Warpaint. From the way they play to reading their interviews. I just find them utterly fascinating and a band that I hope, will influence others (especially females) to pick up an instrument and start a band. They make me want to start a band, but alas, I am not musically gifted. I’ll stick to writing songs that nobody will ever see (or needs to see for that matter.)

Although my love for Emily, Stella, Jenny and Theresa doesn’t need justifying- it’s an excuse to link you to a few videos that just make me love them more than one probably should.

I love this clip of Stars so much. I think Theresa’s voice here is stunning, and Stella’s drumming as usual blows my mind.

The jam at the end of this is brilliant. I think it’s probably my favourite performance of Undertow. When I first heard this song I think a whole world of nonsense just filled my head. I couldn’t believe something so perfect could be created. I love EVERYTHING about this song. I love the way each instrument is so played so clearly. I love Emily’s vocals on this. I could probably write thousands of words as to why this song is one of the greatest things I have ever heard. I won’t. Not yet anyway….I must add, my favourite part is when Emily sings “I went running running running running” and Jenny comes in and harmonises. I think it’s gorgeous.

This is the most beautiful song off The Fool. It’s so simple but powerful By powerful- I mean the lyrics hit you in the gut. “Don’t you call anybody else baby, ’cause I’m your baby still.” It is impossible to hear this song without thinking of someone you don’t want to think about. However, I can fortunately listen to it and have no emotional connection to it anymore. I think if I let a person get close enough to ruin Warpaint for me, I’d be a mess! This song is so moving. This and Stars are the two songs I play when I can’t sleep. They just ease me into sleep and off into a dream. Beautiful.

When I interviewed Theresa, I told her this was my favourite song off the album. There’s something about this which everyone can relate to. You know what it’s like- you have something, you think you want and need it- then you think about it, and it’s not for you. It’s just not right. Everyone has felt like that at some point. “When it all falls into place, could it be that I don’t want it anyway. Could it be as sad as that.” The sheer honesty and directness of this feeling here is overwhelming. I love this version of it. Acoustic Warpaint is always wonderful.

The intro to this is out of this world, then Emily’s haunting voice kicks in, “I’ll break your heart….” I adore this song SO much. Whatever I write about this does not do the song justice. Again, like Undertow- I could write thousands of words about this song. I’m sure the song speaks for itself. It’s brilliant.

This song feels like a monster emerging from water. It has this grip over you as soon as you hear it. Everything about it is amazing. I love how each band member shines here. It’s a personal favourite.

I feel this song and Lissie’s Heart Murmur are highly underrated. The atmosphere these two songs create is inexplainable. You just have to lay down, close your eyes and truly listen. Cut the world off, and fall into your own.

Is there really a more peaceful song? I don’t think so. The vocals here are perfect. The song is perfect. Also, naming the song after one of the greatest singers ever is a plus too. It’s truly truly wonderful.

This is a beast of a song. It is so heavy, dark, cryptic and just everything I want in a song. You can totally lose yourself in this song. Nothing else really matters. Just play it and lose your mind. You’ll feel better. Then have a glass of water afterwards- you’ll probably need it.

I think I’ve exhausted most of their amazing live performances. However, there is one performance by Warpaint that I will always remember where I was when I saw it. I will remember watching it, mouth open and in awe of the performance. In awe of the talent- especially Stella using a studio prop (a box) as a drum. I think that performance showed them to be passionate performers that needed you to allow them to take you in. To take you into this magical, mystical world of Warpaint. It’s been over 2 years since they did that to me- I never want out. Ever. So, the final video is Warpaint performing Undertow acoustically at Reading from 2010.

On the off-chance that Stella, Emily, Theresa and Jenny should see this- thank you. Just thank you for creating something a music lover like myself can believe in.

 


 

 

 

Is Anyone Worthy Of Looking Up To?

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If there’s one thing that irks me mire than anything- its people overlooking those who deserve respect and admiration. It annoys me when artists that are ever so bland and recycled are held up so high- that we are forced to idolise them. At aged 24 fast approaching 25, I can see right through these people those younger than me are forced to look up to. Even when I was in my teens, I always looked up those nobody really cared for. I suppose I felt some kind of connection. You know, being the odd one out etc.

So, Gaga frequently says she is FOR THE GAYS. Gay men, but not lesbians it seems. She declares she is for the freaks. Am I missing the point, or is she claiming us gays to be freaks? Call me a freak all you want, but I’m not the one going on about a disco-stick or wearing a meat dress. My mum used to play a lot of kd lang around the house. Constant Craving was one of my favourite songs when I was younger- it still is. Her voice is so powerful but at the same time, extremely delicate. She doesn’t use her sexuality to sell records. She doesn’t bang on and on about being a lesbian to sell records. She doesn’t go on about doing it for the gays. She does her job- she sings, she performs, and she entertains.

Obviously I understand that when you are launched into the public eye you are given this unwanted responsibility to be a role model. One person who I feel should be looked upon more than anyone else is- a family member. The one you are closest to. That’s the first person you should look up to. For me, I’d take looking up to my mum more than anyone else in the world. She raised me on her own, she is constantly there for me, her wise words make me feel less useless and her humour gets me through the day. The bond I have with her is one I know I could never ever live without. She’s not just my mum- she’s my rock and best friend. She’s pretty much everything to me.

There are so many people I admire in music and in literature- they have created work that just blows my mind and makes me wish I could create something so powerful and inspiring. I hope one day I write something that will make someone feel how Morrissey and Patti Smith make me feel with their words. However, I’m not a genius so this is just another empty aspiration of mine.

So, what kind of person should we look up to? Should it be someone who sells millions of records? Should it be someone who promotes hair products? Someone who mimes on stage? Someone who sings about being the only girl in the world? Someone who creates a false reality for others to foolishly attempt to follow in? Personally, none of these reasons are as to why I would look up to someone. I admire those who have struggled on the way to the top. Someone who doesn’t sell out. Someone who stays true to them and doesn’t give a shit what anyone else thinks. Someone that isn’t a gimmick. This is why I look up to those such as Morrissey, Patti, Lester Bangs, The Kills, Hunter S Thompson- I could list others, but these are the main ones. Those who have been around long enough (or were) to create something memorable. Their art is something I hold very dear to me.

Morrissey’s words, the way Lester put all his passion into a review, the way The Kills play- it’s just all so inspiring. Words are a huge thing for me with music. I love lyrics. Words are the most beautiful thing in the world. The way things are said and sung can instantly change how you think and feel. See, I cannot feel any connection at all with Gaga’s lyrics to Born This Way at all. I feel nothing towards her music. Give me a song by The Kills, and I will feel something I cannot put into words. For instance, when I hear Alison sing on The Last Goodbye, “Can’t quite see the end. How can I rely on my heart if I break it, with my own two hands.” It just rips me apart inside but at the same time this wave of comfort takes over because it feels like someone understands. Never rely on your heart, it’ll crush you.

Then I listen to Warpaint and I feel like I am being thrown into some kind of magical whirlwind. Music is the best way to escape. Warpaint’s music has done this to me for the past 2 and a bit years. Their sound catapults me elsewhere. Everything I want a piece of music to make me feel- theirs does. As for Morrissey? What can I say. That man is a life saver. He gives one hope in a hopeless world. I’m not the only one who feels this way about him. His fans are so passionate and loyal. I think if you like Morrissey- that’s it for life. You love him no matter what. He’s not really someone you can enjoy just the odd song of. You love him with all you have, and even then it doesn’t feel enough. His live shows reignite your soul and give you something to hold onto. The times I have seen him, as soon as he walks on stage the tears just fall. No other artist has ever done this, or will do it. Why? Well, the just don’t mean as much as he does.

I pretty much grew up on Morrissey and Bob Dylan (told you I’ve got the best mum in the world) and I think that’s what instilled my love for words and how they are presented in various forms. I am not saying looking up to someone like Rihanna is wrong. Well, I personally wouldn’t because I don’t feel any connection to her music nor do I think she’s done something worth looking up to. Neither do I think Gaga is worthy- but sadly, millions do. If I have to look up to someone, I want it to be someone who has been around long enough to leave a mark.

Patti Smith. Where does one begin when talking about this beautiful human being? She is the Godmother of Punk. Punk for me is one of the most important genres ever. The rawness and sheer honesty in this genre is ever so vital. Most say you had to be there to appreciate it- maybe that’s the case. But I understand the frustration and rage these people felt- because I feel it most days. There is something better, and you can’t get out because nobody will give you a break. I’ve got a degree and over 4 and a half years worth of experience with freelancing. Does anyone want to know? Do they bollocks. Do they want to pay me to write for them? Not at all. But I love writing and music too much to give it up. That is why I love Patti Smith and The Kills amongst others. They’ve come from nothing and they have created something so beautiful. They have created art that just leaves you wondering, covered in goose bumps, in awe of what they have done. That is something worth looking up to.

I’m not one for using my sexuality at all as a way to define who I am. I personally feel me being a lesbian to be something that doesn’t define who I am at all. It’s not important to me. However, I feel that there is a distinctive lack of lesbian representation within music (and other art forms.) When a lesbian is played in a TV role- she always seems to be quite butch and/or emotionally damaged. Trust me; we are not all like that. Do the media care for this? It seems like it doesn’t. A lot are portrayed as woman who cannot commit. It does nothing for the lesbian community. Then you have the music side. Elton John and George Michael- two highly successful gay artists. Who do lesbians have? Kd lang isn’t as “commercially” known as those two. Holly Miranda isn’t as big as she deserves to be (her voice is gorgeous, give her a listen.) The Organ was one of the best bands ever- they split up a few years ago, but their album Grab That Gun is amazing. Obviously a musician- or anyone should not be defined by their sexuality.

But sometimes the community want a voice. A voice that can be trusted. Gaga isn’t a lesbian- so how could she possibly know what it’s like to be a lesbian? If anything, she seems to be like some kind of massive “fag hag.” A phrase that I detest so much. I find it highly offensive and I have no idea why someone would want to call themselves that. Yes, I understand why people admire her- but let’s be honest, she’s not doing anything that hasn’t been done before. Before her- we had Madonna, and before Madonna- the beautiful Grace Jones. Nothing is different anymore. If you want to look up to someone- look up to those who have done it before, and before them. Everything seems to be a carbon copy.

Being an individual isn’t about throwing glitter on your face and yelling you are a free bitch. Being an individual isn’t about embracing who you are- that should be automatic. Someone shouldn’t have to tell you to accept yourself. It’s your skin and your bones- you are the one who has to accept it without being told.

Look up to whoever you want- but make sure in 20 years time, it is someone you’re not ashamed of doing so.

Warpaint- Undertow.

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There are so many songs that give me this feeling inside my stomach, my heart and cause my brain to just explode. It just blows my mind. I listen to a certain song, and I notice different parts of it. I study the layers of it intensely, to the point where I just annoy myself and think, “Olivia can’t you just listen to a song without wanting to pull it apart and analyse every part of it.” Well, most of the time I am not so obsessive. If I’m out and I hear a song I love, I will have a bit of a dance (by dance I mean my limbs just decide to do what they want.) I don’t stand arms folded thinking about key changes and the way a word is sung. Far from it. But, when I’m on my own listening to music- especially through headphones, I just notice so much. When I close everything off and concentrate, I notice so much. Maybe too much, and this doesn’t just apply to music. However, as this is a music based blog- I will keep it on music.

This song I want to write about is Undertow by Warpaint.

I had been a fan of Warpaint before Undertow. It was Billie Holiday that got me hooked. Heart first. It was like falling in love, but better. Better because there was no hurt. I heard Undertow last year and I have no idea what happened. All I know is that nothing mattered. I felt like I was being thrown into a dreaming state. Warpaint’s music makes you feel like you are constantly floating. It makes you feel so weightless yet at the same time invincible. There’s something about their music that grips you. When you listen to them, you are in this trance. You are in a state that you never want to leave. It is euphoric, it is divine. To feel this is to love Warpaint with all you have- and that I do.

What is it about Undertow that makes me feel this way? I have no idea where to start so I will start with….THE LYRICS! The lyrics when I first heard the song, well they just caused me to stop what I was doing. I thought “Fuck……” I was in awe of such words. How could a band put forward how I felt in such a mindblowing way? Simple really. When a band is THAT good, they can do anything. “Your brown eyes are my blue skies. They light up the rivers that the birds fly over.” That is just so poetically gorgeous. Someones eyes can either make you feel entirely loved or disgustingly broken. “Open your eyes and there was someone else.” We’ve all felt like that. We have all, at some point felt like someone or something other than ourselves. It’s like your reflection just isn’t you anymore, but it is okay.  There is one part of the song that, lyrically, I find to be so beautifully stunning. Every time I hear it, I just find a part of me break yet fix itself at the same time: ” I lay on the floor, pressing in my eyes. Seeing little lights. Please light these decisions that only one could make. I wanted to stay home, but I went running running running running from the troubles.” There is something about how Emily sings this line, the words, that just make it feel like a blanket of reassurance covering me. This part just makes me feel, as daft as it sounds, alive. I’m not saying I feel dead or anything- far from it. But there is something about this song that just wakes up a dormant part of me.

Now for how the lyrics are sung. The way Emily and Theresa sing with each other is stunning. It sounds so pure and angelic. I love the clarity in Emily’s voice. I love how certain words are sung. I love how at the end Theresa sings over Emily. It’s just so so beautiful. It is inspiring. Warpaint are inspiring. They make me wish I could play an instrument so I can start a band. A girl can, as ever, dream. The way Emily sings is like something just falling so freely and gracefully. The way she signs the chorus and Theresa’s voices echoes underneath is beyond description. I feel that whatever I write about this song, or anything to do with Warpaint just does not do them justice. I hope dear reader, if anyone actually sees this, you go and listen to the song after you’ve read this. Just so you can see what I mean.

I have so many favourite parts of this song. I’ll try limit it. I bloody love at 2.44 when Emily sings, “Nobody in my mind.” and Stella’s drums really kick in. The drums on this are perfect. You know how sometimes you think, “Oh maybe if it was done that way….” NO. Not here. This song is utter perfection, nothing needs adjusting at all. It is so perfect. Oh god, Jenny’s bass playing. It’s so free. It is like a waterfall. In fact, that’s how I wish to compare Warpaint’s music- like a waterfall. So beautiful, so relaxing. From the 3 minute mark, it just becomes so euphoric. You feel like your head is tripping out. You can’t control yourself. Yet the best way to listen to Warpaint is to just lay in the dark in a room with your headphones in so you can hear everything so clearly. Theresa’s guitar on this is heavenly. It’s astounding. From 4.44, HOLY HELL! Emily’s voice, Stella’s drums, Theresa’s guitars and Jenny’s bass just come alive. They reach a point where you are stunned. Jaw dropping, euphoric and electrifying. I just don’t think a song has done anything like this to me in such a long time. The way the vocals are layered over each other and the music is so, I hate the word, but it is so “dreamy.” It’s a dreaming state. That’s the only way to describe it.

So there you have it, over a thousand words to describe how this one song just stole my heart. How one song has affected me in a way that I’m not sure even I understand. The album has done something to me that I only thought Morrissey and The Kills could. But Warpaint? Oh Warpaint, you have caused a whirlwind in my heart, body, mind and soul. You’ve given me faith in music and maybe in myself.

I will leave you with this version of Undertow that won so many hearts last summer, enjoy!

My Singles Of 2010.

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Again, in no order aside from the last track.

Marina And The Diamonds- Shampain- I would have picked Oh No! due to my love for the lyrics. However, I have gone with Shampain as it reminds me of roadtrips to Manchester with my friends and singing a long very loudly, providing amusement for other drivers. Then again..Oh No! reminds me of dancing to it and reciting some of Marina’s moves in the video.

Zola Jesus-Night– So bloody eerie and mind blowing. The album is stunning. This song is just fucking out of this world. The intro just..I don’t know, the song leaves you paralysed- unable to move- in awe of what you’ve just heard.

New Young Pony Club- Lost A Girl- Sounds very 80s- but they do it in a good, credible way. It isn’t ripping anyone off nor are they copying any other 80s band.

Ou Est Le Swimming Pool- The Key- This band are mine and my best friend’s band. When we heard about Charlie we were inconsolable for ages. We went to Chazzstock in London and it was so moving. So sad. OELSP will always be one of my favourite bands, and luckily I saw them live. I have no idea what they’ll do now..it’s just a shame.

The Vaccines- Wreckin’ Bar (Ra Ra Ra)- They also played at Chazzstock and were joined by Faris and Tom from The Horrors. Yes, I had a massive fit of excitement during that. This song is the shortest song performed on Jools Holland- FACT! It is also one of the best songs of this year. I hope they’re massive in 2011.

CocknBullKid- Hold Onto Your Misery- Everyone knows how much I adore Anita Blay. She’s amazing. Her album is FINALLY out in February. I’m aware it’ll be one of my favourites of 2011.

Florence & The Machine- Cosmic Love- I know Lungs came out last year, but this single was released this year..so I can list it :p My love for Flo is massive and..yeah, you know. She’s THE ONE isn’t she. This is my favourite Flo song. Live is just tears me apart. I cannot describe it.

Ellie Goulding- Guns And Horses- I loved the demo of this, and I’m sure the video cured me of my phobia of horses slightly. I say it’s a phobia- I just really dislike horses. I could’ve listed Starry Eyed but I only like it when it’s done live. Under The Sheets was last year so…I’m going with Guns And Horses. She looks beautiful (as ever) in the video.

Warpaint- Undertow- This song lyrically blew my mind. Did you see them do this acoustic on BBC3 during Reading/Leeds Festival? That was something. Stella drumming on a box. How many would do that, and do iut well? This band were the best band of 2010. I love Jenny’s bass playing on this, it’s so relaxed. Theresa kills the guitar and Emily’s vocals are stunning. Stella is the best drummer around. Easily. And Undertow shows exactly why.

SONG OF THE YEAR.

Foals- Spanish Sahara- The build up in this song is beautiful. Yannis’ voice on this song is gorgeous. The lyrics are stunning. It lasts just over 6 minutes, perfect to play on repeat when on a long train journey.

My Albums Of 2010.

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Attempting to put this down to 10 is going to be frustrating, and I will want to constantly change my mind. THIS IS IN NO ORDER. Apart from the last album I mention, that’s my favourite of the year.

Marina And The Diamonds- The Family Jewels.- This album means the world to me. Especially the song, Guilty which I was lucky enough to tell her this on the 31st October. Marina is amazing live. How she is with her fans is just lovely. She spent about 45 minutes with us. Just a lovely person. I don’t think this album got the recognition it fully deserved.  I remember first hearing about her well over a year and a half ago and just being in awe of her. Favourite track : Guilty.

Ellie Goulding- Lights/Bright Lights- I’ve mentioned Lights and Bright Lights because the extra tracks on Bright Lights are brilliant. She has to release Animal. The drum breakdown is mental. I love the production on this. Her and Starsmith are incredible. Her live shows are insane. I saw her play Academy 3 then 2 then 1 in Manchester…watching her gorw- you can see the transformation in her when she performs. During Your Biggest Mistake she just goes crazy. Not to mention her drumming during Salt Skin and Starry Eyed. I was a massive fan of Ellie before she got signed, like with Florence and to see her go from being a girl with a guitar with no record deal to a household name just made me feel so proud. A lovely person who I was lucky to meet at the start of the year. She’s just amazing. Favourite album track : from Lights : Salt Skin. from Bright Lights: Believe Me.

New Young Pony Club- The Optimist- Highly underrated. This album was amazing. Much better than their debut. The lyrics, the production- everything just sounded bigger yet darker. I love how dark the album sounds. Perfect from start to finish. Favourite album track: Chaos.

The Drums-The Drums– I love how they captured the dark lyrics over lively music. I love everything about this band. The way Johnny moves on stage reminds you of Morrissey mixed with Ian Curtis. Favourite album track : Down By The Water.

Mystery Jets-Serotonin- This year after  waiting so long to see them live, I finally did. I can safely say watching Flakes live was one of my favourite things about 2010. Stunning.  Making Dens and Twenty One are remarkable albums. Serotonin is just as stunning. Mystery Jets are one of the best UK bands around. Easily. Favourite album track : Alice Springs.

Best Coast-Crazy For You- For me, this album was the sound of the summer. Boyfriend was constantly on BBC 6Music, hearing it just made the day better. Anyone who owns or heard this album knows how speciual it is. It’s just got that summer vibe through and through. Favourite album track : The End.

Zola Jesus-Stridulum II- Haunting, sad, dark, remarkable. I fell in love instantly with this album. Everything about it is evberything I love about music. The lyrics made you want to break down and cry- but you couldn’t cry because you were in awe of how stunning this album is. When I bought his album, I played it whilst cooking and as I was giving my attention to the album- I nearly burnt myself. That’s how good it is. It requires all your attention. If you don’t own it- please go out and buy it. Favourite album track – I Can’t Stand.

Lightspeed Champion- Life Is Sweet! Nice To Meet You- Massvie fan of Dev and all he does. Whether it is as Lightspeed Champion or Blood Orange. He’s a musical genius. This album, along with a few this year, just did not get the recognition they fully deserve. Favourite album track- Faculty Of Fears.

Foals- Total Life Forever- VERY nearly was my album of the year- but most lists have claimed it to be the best album. By a UK band, yes it is. It’s an amazing album. Like all the albums I have listed- it catapulted me into a different world. Total Life Forever is sheer brilliance. I loved playing this album whilst on the train to work every day. It’s an album that I know I will listen in 10 years time and feel the same way about it as I did the first time I heard it. Favourite album track – After Glow.

ALBUM OF THE YEAR :

Warpaint-The Fool- When I first heard Undertow I knew that Warpaint would be putting out some of the best music of 2010. Their EP Exquisite Corpse (brilliantly titled) just left you wanting more. A year later and The Fool was released. I still want more. They were a pleasure to interview, probably my favourite band I’ve interviewed. They love what they do and they love each other. You can tell that music is their everything. They’re not in it to make money. They do it because music is that important to them. I remember listening to the album online (streaming not illegally downloaded) because as hard as I tried, I couldn’t wait a week to buy it knowing I could listen to it. The album broke my heart, made me happy, threw me into a different place. It did everything an album should do. I adore Warpaint, and have done for some time- so to see them become massive this year was amazing. Favourite album track – Majesty