Tag Archives: Post Punk

SPRINTS: Letter To Self.

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Since its release, I have been quietly obsessing over the debut record by SPRINTS. It is easily one of the most beautiful records of the year, and honestly- I’ve not connected with a record like this in a long time. If I could personally thank them for making such a phenomenal record that has made my dumb brain feel less strange, I would. But alas, I’ll just rant about the record here.

SPRINTS have made a record that HAS to be played loud. But you have to play it loud whilst on your own so you can take it all in. Like really really ignore the world around you, turn your phone off or throw it in the bin- and play this record so loud. I plan on playing it a little bit louder when I go home later. I want to crawl inside this record and make it my home. The more I listen to Cathedral, the more I hear the absolute genius of this band. There is nothing else out there like them. Nothing before them and nothing after them- they are it. I liken it to falling in love with the person you’ve been waiting for and finally feeling at home. This record is a safe space and also, beautifully terrifying because you cannot help but click with every single word.

Letter To Self is one of those songs that make you feel like you’ve reached the point of self-acceptance and understanding. I reckon if someone ripped my insides open this song would start playing. But the whole record feels like the purest and biggest cathartic experience you can imagine. It’s just as if you’re hearing something life-changing for the first time, and my god this is so clear within seconds of listening to the record. It opens with Ticking which feels like a punch right in the kisser, but you go back for more because you actually feel something. The way Heavy is effortlessly next after Ticking- give this band every award, everything good in the world. I don’t care- fucking give them it. This record is IT. If I get hit by a bus tomorrow and this is the last record I hear- then I will die happy. It is perfect. My words don’t do this record justice; I hope anyone who listens to it feels the way I do because my god it is the most perfect record I’ve heard in a long time. Maybe years. I don’t know. I feel like I’ve never heard music before playing this.

There are records you will hear in your lifetime, and you know that they will change you. Or change parts of you. Maybe they’ll get to parts of you that a person couldn’t. They’ll say the things you couldn’t pull out- and SPRINTS have beautifully done this with the record especially on the song Cathedral. My god that song is lyrically a work of art. It’s just divine.

SPRINTS have everything I want from a band in their sound; the lyrics, the heaviness, the way you feel as if you’re having your head bashed into a wall whilst Karla screams out the words that just speak to you more than anything else ever has. Her vocals on Up And Comer are INSANE- you can hear every raw emotion on this song, and you just want it to take over your life. This record will. It’s absolutely done that with me, and I’m happy if I never hear anything new again because everything I’d want is in SPRINTS. They unleash hell in the most perfect and beautiful way- the chaotic sounds are a delight for the ears and good for the soul. I want it injected into my veins- would that even be possible?! It’s a record (well, band to be honest) that you cannot help but become obsessed with in the best way imaginable. I couldn’t imagine going a day without listening to them, and I’ve got a handful of bands that I love as much as this. Part of me wants to lock myself in a room by myself for the rest of time playing their music and the other wants every single person in the world to listen and love them as much as I do. In short, everyone should love this band. How could you not?

The record ends with the album title track, and it’s the most perfect way to end the record.  Again, lyrically it’s genius. There is not a bad song on this record. There’s not a bad lyric. Everything is so vital and delivered with such urgency that is so infectious. You want it around you all the time. 11 songs aren’t enough but it’s just the start- they are going to be one of the best bands we’ve ever been lucky to have. Let’s treasure them in the way they deserve.

I LOVE how SPRINTS have this energy that just makes you want to shut everything out and play their music as loud as possible. I love how their sound reminds me of a band I miss so much- Savages. Karla’s vocals has the same power as Jehnny Beth- that energy and raw emotion is nothing short of perfect. If I had even a touch of musical talent, this is the band I’d probably want to sound like. They’ve got this glorious way of giving you something positive when everything seems utterly hopeless, y’know?

I’ve just bought a ticket to finally see them in November; I’ve not been to a gig this year yet and I have no idea why, so if this show ends up being the only one I go to this year- so be it. It’ll be the best anyway.

OH, THE GUILT: Deadnames & Deed Polls.

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With today being a very important day (Trans Day Of Visibility) it’s only right that I write about the new (and gorgeous) record by the finest band from Bristol; Oh, The Guilt. Their new record came out on Friday, and it’s one of the most important records we will get this year. It is dark, heavy, and vital. It is a solid work of art that hits you right in the gut.

Firstly, you should know that the record was mastered by Ben Chisholm (of Chelsea Wolf) so that alone is a sign that the record is unreal. This is the band’s debut record, and to have someone like Ben master it shows you just how well loved, respected and talented the band are. I hope this record reaches the trans kid in the middle of nowhere and realizes that there is hope and a future out there for them. Even though the media (and government) continuously try to erase the trans community on a daily basis. We have bands like Oh, The Guilt who are so important and records like this show it gets better and you can be who you are, and who you deserve to be.

Every song on this record is entirely dreamy, and it’s evident on (my current favourite) Blue. I love how it sounds like a 90s dreamy number with touches of Shoegaze. In a way, it’s like Beach House meets Mazzy Star. That’s the general feel I get from this song and in parts, a lot of the record feels that way. Jules’ drumming on this is exceptional. It’s like waves crashing into rocks, but it’s balanced out with the calmness of the guitar. It’s like a dream swimming round your head on a loop. It’s a gorgeous song, and the vocals will soothe your soul. It’s perfect, and I think it’s one of those songs you play through headphones and close the world out to. Blue features Elijah’s vocals pre-transition, and I touch on further down his vocals on the re-recording of Darkest Days.

It then picks up on Bella, and this is where the bands Grunge influences really kick in. I love how the band can give you this wave of calmness but they can also hit you with this beautiful rowdy sound.  I know I said Blue is currently my favourite but I’m putt Bella as a close second. You can just imagine it going OFF when they play this live. It’s got this feel to it that makes you want to just throw things around without a care in the world, and move your body around in a way that you’ve not done in a while.

I’m going to skip to the end of the record for this part. The record ends with the euphoric The Path and features the Phoenix Song Project- which are is a music therapy project run by and for members of trans and non-binary communities in Bristol. This is the most perfect way to end the record; it is full of hope and love. Again, it’s the song I hope a trans kid (or adult) in the middle of nowhere hears and knows that there is a community out there for them that will love and support them endlessly. It is honestly the most gorgeous and perfect way to close their stunning debut record, which has been a long time coming.  I hope Jules, Kit and Elijah are aware of the impact that this record will have. It’s a truly powerful record, and it exudes trans and queer joy- something that is so needed right now.

There is a new version of Darkest Days on the record, which has post-transition vocals from Elijah. It is again another euphoric song, and musically it reminds me so much of The Velvet Underground. That drastic build on the drums and everything just coming together is so powerful.  It all clashes with this build and you can hear just how exceptionally talented Kit, Jules and Elijah are. You can hear perfectly on this record in general just how phenomenal they are, but the re-recording of this song shows you how far they’ve come as a band and as individuals on their own journey.

What I love about this record is that you can hear the growth of Kit, Jules, and Elijah. You can hear this beautiful confidence in every song and in a way, this doesn’t feel like a debut record. They’ve been making music for so long together, it’s hard to grasp that we’ve only just got their debut record but my god it was worth the wait. This record really shows how far they have come and I think from keeping vocals on some songs that were pre-transition, it really shows the importance of the record and how powerful they are as a band. You can hear the confidence too; as a band and as individuals and it is so inspiring and wonderful to hear it. I could spend hours and hours writing about this record, but honestly? It’s probably best you take the time to listen to it. Shut the world off, and just get lost in this divine record created by 3 beautiful human beings.

Every song on this record is a journey. Every song on this record is for a community that are constantly being pulled apart every single day. So, if you do anything this Trans Day of Visibility; support organisations such as NotAPhase and you know- buy the Oh, The Guilt record!

VR SEX: Hard Copy.

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There are some bands that just blow your mind every single time they release something, and VR Sex are one of those bands. Of course, if you’re also in the band Drab Majesty too- then you are only ever going to put out masterpieces, right? That’s what Andrew aka VR Sex has done yet again. I’ve had a copy of this record for about a month or so, and I’ve held off writing about it because I wanted to give myself time to obsess over it and figure out why it’s probably one of the most thrilling records of the year.

Now, I’ve never claimed to be good with words but hopefully you’ll pick up on how much I love this record and hopefully it will make some sense rather than utter nonsense. I’ve listened to Hard Copy enough times now to call it as one of my favourite records of the year. Definitely in my Top 3 if I was to make lists, but my brain hates organisation. The record smacks you immediately with the opener Dictionary Talk, and it immediately grabs you and makes you realise that this record is truly something else. The record is filthy, smutty, and just everything you’ve ever been warned against- it is a thing of beauty, and I cannot get enough of it. It is very easy to love this record and become obsessed with it. It’s dark, it’s creepy as hell and it is solid produced record that only a fool would find fault with. I want this record injected into my body.

Sure, the record touches on glue-sniffing escapades (Jenny Killer Glue; an absolute monster of a song) and if you’re of a certain age you maybe shouldn’t be listening to this record but whatever! You’ll find out anyway. What I adore about this record is that it sounds nothing like previous VR Sex records. You can hear something in this record that wasn’t in previous releases, and by no means is that a bad thing. It just shows how bloody talented this band are and having this fearless approach to the record truly makes it tower over anything else you’ve heard this year. I want it constantly playing in my ears, I want to fall asleep listening to it and I want this beautiful racket waking me up for work every morning. Utter bliss.

Hard Copy is the kind of record that would be perfect for a real smutty film that not even an arthouse cinema would show. There’s this enthralling weirdness to the record that hooks you in so quickly, and you cannot let it let go of you at all. For me, this is apparent on songs like Inanimate Love (the intro to this is SO good and the vocals remind me of The Cramps.) It’s a killer record, and I want everything I ever listen to to sound as heavy and strange as this. I love that the whole record touches on strange elements of lust, desires most would turn away from and in parts; isolation. The way this record has been produced is exceptional, and it’s probably the best produced record I’ve heard so far this year.

Most of the songs on the record hit the 5 minute mark, and this is another reason for me to love this record with all I have. Hard Copy is an exceptional record that is so easy to get lost in and let consume you in the best way possible. In some parts, the record feels like it could be a film soundtrack but at other times, you just know you are listening to something where everyone involved in this record hasn’t been afraid to really experiment with their sound and get a little strange, y’know? I feel the record gets heavier and darker on the second part of the record. Runaway Runaway kicks off the second part of the record, and it’s a heavy number that has tone to it that is unlike anything else on the record and honestly, unlike anything else VR Sex have done before. If you listen to their previous records before this one, it’s like listening to a different band- and by no means is that a bad thing at all. The band worked about 12 hours a day to make this record, and you can truly hear the dedication to their work on this record. You can hear the frustrations; you can hear the urgency. It’s just a dream of a record from start to finish.

There’s no point in wasting time on trying to find a genre to lump this record with- like all VR Sex records (and Drab Majesty too) it goes beyond that. Labels are useless anyway.  I think at the moment I am calling Jenny Killer Glue as my favourite on the record, but of course I will change my mind with every listen but this one has something about it that rather than play the record in order, I start with this and I then listen in order. It’s just such a great song and I hope they make a video to this because it would be wild. It might also get banned, but it’s fine!

I feel I could write thousands and thousands of words about why I love this record. And maybe I could have summed up how phenomenal the record is with just a short paragraph but when a band you love make something like this- you can’t help but ramble on. It’s a big sounding record with zero pretentiousness to it, and that’s so rare.

Hard Copy is one of those records that I know I’ll still be fascinated with in years to come, and I’ll keep finding new things to love about it. It is a proper work of art, and in every delicate and tough moments of the record- you find a home in it and that’s such a beautiful thing. It’s the kind of record you can play at any time of day and you’ll immediately be thrown in VR Sex’s world and you won’t want to ever leave. Let the record consume you in all ways possible.

HARSH SYMMETRY.

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Spooky sounds make my little world go round; and the perfect example of this is the effortlessly slick Harsh Symmetry. I only discovered their music the middle of last year, and I added them to a list of bands I needed to write about. On a cold, icy night here in Manchester- now is the perfect time to write about Harsh Symmetry.

My love for bands like Cold Cave, VR Sex and Drab Majesty knows no bounds. They’re like a holy trinity of mine, but my god you through Harsh Symmetry in there and you’ve got a pot of exceptional musicians that make music that just elevate the soul. I initially was going to treat this as a review of sorts of the record from 2023; Imitation but I feel I have too much to say about Harsh Symmetry to narrow it down to that.

You just know when you hear something that it’s going to leave a lasting imprint on you. You know it’s going to do something, but you haven’t quite figured it out yet- that’s where I’m at with Harsh Symmetry. I feel like I’ve found something truly sacred, and something I may never be able to explain. It’s like that rush of love or infatuation that hits you in the face. There’s something here that I don’t think I’ll ever find in another band or singer, and I’m absolutely okay with that.

Harsh Symmetry is Julian Sharwarko. One person making a beautiful noise that I simply cannot get enough of. His dark vocals over eerie sounds is glorious; his music was made to be heard by any and everyone, and even though that’s a typical cliché it is one that I firmly stand by. For me there’s hints of early Depeche Mode, slight hints of Killing Jokes and a bit of The Cure. The record Julian released last year (Imitation) is made up of 9 songs that to truly get the best of- you need to listen to with the lights off- in total darkness. You can use headphones or you can blast it out as loud as you want. The important thing here is to be in total darkness and with no room for interruption. It’s like meditation but without the urge to start yelling or bursting out laughing (it can’t just be me, right?!) Imitation is Julian’s second full length record but it honestly sounds like someone who has been doing this for decades. It is just a perfectly crafted record. I have ZERO musical talent but it sounds like something I wish I could make. That creepy graveyard cloaked in fog feel lights up the whole record. If you’re looking for something with an intense and atmospheric feel- then listen to Harsh Symmetry.

Before I move onto Julian’s debut- I need to tell you about his exceptional cover of Open Your Heart by Madonna. Early Madonna is divine- we cannot dispute that. The desperation in the original is painful and so vulnerable. It is just beautiful; so how on earth will it sound like when a bunch of synths and eerie vocals take over it? Perfect to be honest. It took a bit for me to realise it was a cover, and I think when someone covers a song it is so important, they make it theirs, and bloody hell Julian does exactly that. It feels like it’s his song. His take on it is beautiful, and you’ll keep going back to it because your brain won’t quite click that it’s a cover right away.

Display Model came out in 2022, and I wish I got into his music then but I didn’t and it’s an error I must live with. His debut record is just the perfect mix of everything I love about music and just makes me want to zone out in the dark and listen to his music. As much as I love loud and rowdy Punk bands; my heart belongs to this style of euphoric music too. I couldn’t possibly call it anything but heavenly. Display Model is a stunning introduction to how talented Julian is, and as far as debut records go- well, if I could go back in time, I’d go back to 2022 and declare it as the best debut of the year. He makes music that goes beyond anything I’ve heard before, and that ethereal and delicate yet melancholic sound is dramatic in all the right places. His music would be perfect for an obscure black and white film that leaves you part terrified and part inspired. I don’t know when I was last truly moved by something. Normally when I play music, my cat usually goes into another room to take a nap but she’s sat next to me on my bed gently drifting into sleep like the little angel she is. Mary’s got good taste!

I feel that the words I have written do not do Julian any justice at all, but I hope if you read this- you listen to his music and you love it as much as I do.

In a few weeks’ time Julian will be playing a few dates here in the UK- London, Liverpool, and Manchester. I cannot wait to see these songs played live, and to hear them in the way they should be heard.

BEIGE BANQUET: Animals

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“

“This petty urge, fills your mouth
Makes you sick, makes you sick. Animal.”

I can’t remember when I last wrote about a single, but sometimes you hear something and you just have to write down and try explain why it’s pretty great. London’s finest Beige Banquet are back with the killer new single, Animals and it’ll be stuck in your head for days.

The repetitiveness of “Animals” throughout the song will stay firmly lodged in your brain. You’ll find yourself singing it at any given time, and probably no one will know what you’re on about. Beige Banquet are one of the most thrilling bands around, and the sound on this single sees them move away slightly from that lo-fi/bedroom DIY sound they have. It’s still there of course, but this song is more refined. It’s more distinguished and it’s a firm insight into how this band are going to continuously blow us away with everything they do. Their second record is due for release next year and I cannot wait to hear it. I reckon it’ll be one of the highlights of 2024, and hopefully they will take over the world with it. They absolutely deserve it.

Animals is a darker sounding song compared to what we’ve heard on their debut etc, but that is never a bad thing. The darker a sound, the better it usually is (personal preference!) and the fact that Beige Banquet aren’t afraid to go beyond what they’ve done before and enhance their sound is just incredible to hear. There’s hints of bands we all love on Animals, but at the same time it’s a real refreshing sound and one to really get stuck into.

The drums on this are stunning, and they are part of the reason why this song will have you moving in questionable ways. Then you have the bass and the guitar over this; adding some fury and bite to it all. Top this off with the poetic lyrics and gripping vocals- well, you’ve got a hit haven’t you!

Animals is out now, and you can catch Beige Banquet at these two dates in November:

10th November – London – Oslo
11th November – Leeds – Hyde Park Book Club

SEXTILE: Push.

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On Friday Sextile will be releasing their new record PUSH via Sacred Bones Records. That label is home to some amazing bands and singers. Some of my favourite records have come from that label, and I’m so happy that they’ve picked up the new Sextile record.

I’ve written about the band a handful of times including the last time they played here in Manchester (they will return to the same venue in December which I’m so excited for!) Their live shows are something else, and when you listen to PUSH, you cannot help but feel it’s a record to be witnessed live. It’s a pure Sextile record from start to finish. Every song is in the right place. It starts with No Fun that goes right into the trance like Contortion. Imagine this live. When you get your hands on this record, this song will change everything you thought you knew about the band. This song is way out there- Sextile are just on another planet with this record, and especially with this song. They just take you somewhere else that no other band has, or maybe ever will.

I really love that this record still has a familiar Sextile sound but at the same time, it throws you into this underground trance world. Early 90s House music is the feel of this record mixed with everything that Punk is. That’s the band all over really, and it sounds SO good. When a band really push their limits and go beyond what even they expect from themselves, that’s when you know you’ve found something to really hold on to. It’s a joyful record that’ll put your mind right. I mean some songs may give your older relatives a headache, but maybe it isn’t for them. This record isn’t for those who love the gentle and quiet. It’s for those of us who want something a bit louder, and something we’ve not really heard before. The loudness will smack you in the chops and the intensity of this record is just heavenly.

Lost Myself Again sounds like dread kicking in that leads into some form of hangover. Whether it be an emotional one or otherwise; it really does something to the soul. All the dread you feel is released by the time you’ve finished listening to this song. I love how the whole record is beautifully chaotic. It’s a record to dance to- to really dance to, and I don’t think they’ve done this on previous records. Sure, you can move to their sounds, but this record offers something else. And it is that “something else” that has you hooked. It’s not a record that you play once and forget about it. That’s not how it works with Sextile- far from it. They’re a band that you go back to every time. I think with this record, it’ll be the one you go to when you want something that you cannot get from any other record.

For me, Crash shows just how talented the band is. This is one of the gentler moments on the record. It’s a real soothing part of the record. You can play this late at night, look out the window or go for a walk and just play this. Whatever you feel when you play it, just go with it. It’s magical in every way. Friend of the band Izzy Glaudini lends her vocals on this one, and it just sounds like an angel harmonising. It’s such a gorgeous song, and does fit in with the rowdiness of the record.

As far as Electro records go, this one is up there as being entirely different; if aliens exist- then I hope whoever meets them, plays this record to them because I reckon, they too, would embrace the weirdness and beauty on this record. You cannot help but adore songs like Basically Crazy, Crassy Mel and LA DJ. It’s just a feel-good record. You can dance your little heart out to this one. Play it whilst you’re at the gym, play it whilst you clean your apartment, play it at a queer house party. Play it wherever you can and as loud as you can.

If you’re looking for a record that oozes soul and passion, then all you need to do is get this record on Friday. It’ll get you to where you need to go.

BODY MAINTENANCE: Beside You.

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I think I may have found one of Australia’s most exciting bands around right now. Before I get into why I’ve fallen in love with them, I just want to let you know that the band are currently on tour in Europe and will be in the UK from this Friday- starting in Bristol.

Body Maintenance are one of those bands that make you feel like you’ve discovered The Cure, Bauhaus, Sisters Of Mercy- all that good stuff, for the first time. Honestly, if I could do the band justice with my words I absolutely would but all I can do is reiterate just how brilliant they are. I haven’t been to a gig in a long time, and I hope I can make the Manchester show next week because I feel they are a band that you just HAVE to see live. There’s so much to love about their music, but I’m going to focus on their debut full length record, Beside You. It’s what Post Punk dreams are made of. I’m besotted. Nothing and no one is going to come even remotely close. My god what a dream they are.

This is the kind of record you put on as the nights draw in. When daylight fades away quicker. A crisp Autumn day, stick this record on and go for a walk to wherever makes you happy and free. However, Summer seems to have passed the UK by so you’ll probably get the same feeling if you do this now! Why wait hey!

These 9 songs are perfect from start to finish- no filler here. Just pure Post Punk joy. Songs that’ll make you feel like a grey mist has cast itself over you, and you wander off into the night. Into the deep unknown. You remain a mystery, like everything and everyone around you. For me, the band remind me a little of Cold Cave- especially more recent Cold Cave sounds. That comforting Goth/Synth sound- it’s just out of this world. I cannot pick one song on this record to single out as my favourite. Every single song is a pleasure to listen to; and I think the best way to listen to this record to start with, is in order but then just let shuffle do it’s thing and let it throw at you these dreamy songs and let it take you up and away.

It’s Theatre is one of the most hypnotising songs on the record, especially the last minute or so- that instrumental ending is something else. Truly. You know when you hear a record for the first time, and you just want it to utterly consume you? That’s how this record will get to you. It’ll get under your skin, into your bones, your blood. Wherever it can go- it will. Let it. It’s one of the most exciting records I’ve heard so far this year, and it just perfectly combines everything I love about music. The production is something else too.

In just 9 songs, Body Maintenance show us exactly why they are one of the most thrilling bands around, and why you need to pay close attention to them. They have a rare sound, and that sound is one that will totally possess you, and you probably won’t mind. Their music would be perfect in a creepy Horror/Thriller where you are constantly on edge, but at that same time there’s this adrenaline that kicks in. The whole record is made up of moments in songs where you’re just taken aback in what you are hearing. I know I compare everything I listen to Seventeen Seconds by The Cure, and honestly to compare this record to the debut record by The Cure- I think it’s a fair comparison and compliment. Both records are so atmospheric, ethereal, creepy in the most beautiful way possible and gripping. There is something about this record that will stick with you for days on end, and I think again, that’s how you can tell that a band have created something so special and huge.

Body Maintenance just have this sound that you cannot get enough of; you feel like you’ve truly found something special when you listen to them. For me, it’s all I could want from a band. There’s this kick to their sound that just makes you feel like you’ve not heard anything like this before. Unreal, divine and perfect.

BEIGE BANQUET.

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I’ll never get why chaotic sounds seems to calm my mind. The louder a band is, the more relaxed I feel. Don’t get me wrong, I love quiet moments but sometimes you need to listen to something that just messes with your head and throws you into another dimension. Finding a band like this is such a thing to treasure and appreciate with all you have, which is why I’m writing about a mighty fine band called Beige Banquet.

They’ve been around for a few years now, and they recently went out on tour with Die Verlierer around the UK. I was meant to be at the Manchester show but I forgot I was still visiting home. There will be other times, I’m sure. Beige Banquet have a solid Post-Punk sound- if you’re into genres. There’s a very slight nod to VERY early Joy Division here. There’s a charming darkness to their sound, and I think their S/T record is such an energising record. You get to know their sound, and you fall in love with it.

Songs like Control, Hotel Room and Welcome To Rock Music are essentials for any music fan. This sound is infectious, and it’s hard to believe that Beige Banquet initially started as a solo project by Tom. Band members were added, a pandemic happened, excellent music was released- that’s all you need to know. With 5 members now in the band, there’s a loudness to the band’s sounds that lures you in. That loudness mixed with how divine the sound is just has you hooked.

There’s a dark 80s feel to their sound, and the debut release Beta nails this. It’s such a strong record and it’ll leave you crawling for more. You’ll be comparing everything you hear to their sound- a mighty fine distinctive sound that will have you dancing like Ian Curtis rugby tackling Iggy Pop. Is there really any other way to move? I hate how I have blips of where I don’t write about music, but bands like Beige Banquet make you want to do something. Anything.

In some respects, you can easily say there is a heavy influence of The Fall on the band, and by that I mean the delivery of lyrics and how you can sense how carefully crafted every element of the songs are. It’s like Mark E Smith joined Kraftwerk- perfect! The Beta record is a dream of a debut release- the level they are at on this record is something else. It’s been nearly 2 years since it was released, but with every listen, you feel like you are hearing it for the time. I also have this feeling that when I listen to the record, I’m not listening to a band from current times. They’re out of this world and in their own league for sure.

There’s heavy Krautrock influences here, and everything in between. The build up on the songs (especially on Cold Yoghurt) have this tension that makes you feel like you’ve walked in on something you probably shouldn’t have done. A truly exceptional record from a band that deserve all the praise possible. You can’t help but get excited for what can potentially happen next for this band and when a band can do this in a short amount of time- that’s when you know you’ve found something to keep very  close to you.

See this band live whenever and wherever you can. Buy their music and become obsessed with them- you won’t be the only one.

DIE VERLIERER

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Trying to find anything out about Die Verlierer is virtually impossible- but that’s fine! Most great bands have/had zero online presence- the music does all the talking.

The music is incredible- I feel like I’ve found a band from the past and brought them to 2023; but I haven’t. I’m not that good. They are just such a fascinating band. They have this really slick Post-Punk sound that so many try to copy but can’t grasp. This band do it their way- they sound like no one else. I think the band are from Berlin, and this record makes you want to move to Berlin and get lost in their music scene. I think I’ve carried that feeling around with me for some time if I’m honest!

Their sound is poetic, dark and hypnotising. The photo above looks like they’ve stepped out of the 80s but when you listen to songs like Intrige und Libido you feel like you’re listening to a Hardcore Punk band from the 90s. There’s a lot going on in their sound, but their sound is impeccable. I can’t think of any other band like this right now- there’s elements of Television (Plastic Life nails this) on this record. It came out last year, and it still feels utterly brand new.

Just because I don’t understand what they are singing about (I did a quick Google Translate so…) but from what i got off Google, this band write songs about the frustrations of daily life and also a song about a man in the moon who is spying on us. This one (Mann Im Mond) has that early sound of The Cure on this one. It’s the atmospheric sound that lures you in every single time. The record is about 40 minutes long, and the record ends with a euphoric number lasting around 11 minutes. The whole record is heavenly. Songs like Deadgirl have that perfect Punk sound- they’ve got the recipe nailed down, and honestly; they’ve got what it takes to be one of the greatest bands of all time. In my head, they’re already there. Deadgirl sounds a tiny bit like New York Dolls vocally, so it is pretty fair to say that Die Verlierer are the best. No debate there at all.

Sometimes you hear a record, and you just want to be completely wrapped up by it. You want it to consume every part of you- you want to hear it everywhere you go, and that’s exactly how Die Verlierer make me feel. I kind of feel like I’ve found a home of sorts in this record. On the journey to work this morning, I got a notification that they’re doing some UK shows so I immediately got myself a ticket for their Manchester show. You can just tell a band is going to be sensational live by how the record makes you feel- and this band completely back this up.

Again, this is another band who have a sound that I would aim for if I were musically talented/in a band. I feel like I gave up a bit on writing about music for a bit, but I hear bands like this, and the love comes back again. I just adore the raw sound they have and how raucous it is. This is the kind of noise that brings joy to my ears and makes me feel calm. I know most would settle for a cup of tea and some tranquil sounds- but give me something like Die Verlierer and I’m set.

Die Verlierer will be heading out on their first ever UK tour in May- grab a ticket. Grab all the tickets! The record is out now and was released via the always exceptional- Mangel Records.

GHUM: Fac251, Manchester 18th November 2022.

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There are bands that you could watch live countless times, and you’ll never ever get sick of seeing them. Last night was only my second time seeing GHUM, and I think it was their second time playing Manchester (I might be wrong there, sorry if I am!) They played the legendary venue that is FAC251, and I can safely say that no other venue in town could have suited them more (maybe Soup Kitchen.)

GHUM’s debut record, Bitter came out in June this year and not a day goes by where I’m not playing it. It’s a perfect record, and a stunning debut. How does their live show favour? Exactly the same! GHUM are a band that you just have to see live. Their music was made to be witnessed in a live setting; especially in dark basement venues.

Although their set was cut short slightly- it did not change how amazing the gig was. Every single song was performed in a way that made to be heard in this setting. A small, intimate venue. Even if someone was being a bit overzealous with the smoke machine with the first few songs! Honestly, GHUM are a band that you know will keep getting better and better with whatever they do and whatever sound they have. Songs like California and Some People rip right through, Perro is electrifying live. Deceiver and Bitter was out of this world. Bad Brain is played with this fire and urgency that sticks with you well after the show is over. The whole set is an exploration of how and why they are one of the most exciting bands around. You cannot compare their live shows to anything else- it goes way beyond anything else you may feel from hearing them on record. They create this world that you just want to live in. This dark yet comforting world.

There’s this energy they all have that just lures you in, and every song they hit you with makes you feel like you are listening to them for the first time. For me they have got that same presence as the likes of TwoFiftyFour, Crows, L.A. Witch and Warpaint (basically just named bands I love and adore but y’know!) They make you wish you had even a tiny fraction of musical talent. GHUM are the best at what they do, and if you ever get the chance to see them live- you have GOT to take it. They make it seem so effortless. I mean Jojo is one of the greatest guitarists I’ve ever seen, Vicki is one of those drummers that just leave you in awe and Marina is such a slick bassist. Laura’s vocals will stay with you- she’s got this gentle tone but when she delivers songs like 1000 Men; there’s this beautiful growl to it that just stuns you.

Like I said, this band are the best at what they do. Nothing and no one comes close. The venue may not have been totally sold out but that didn’t matter at all- they made you feel like it was just you and them. Nothing around you mattered. There was an older couple near me, and they were dancing and moving in ways that most of us could dream of. For me, they summed up the euphoria that live music gives you and that GHUM gives you.

There are bands that you discover over time that become a massive part of you. You look at your record collection, and you wonder what it’d be like if you never heard them. There’d be a gap for this band, but you’ve yet to find them. I hope that anyone who ever listens to GHUM or discovers them for the first time feels like they’ve found the missing piece to their music jigsaw. I’ve not been to many gigs this year, but I can definitely place last night’s show up there with one of the best. Compared to their show in Manchester from 2019, you can definitely see and hear the growth in confidence.

GHUM are an absolute joy to listen to and when you see them live, that joy quickly turns to euphoria. The kind of band that makes you want to disregard your daily responsibilities and just follow them on tour. Hopefully it won’t be 3 years before they next come back to Manchester, but it was most certainly worth the wait!