Tag Archives: live music

THE JESUS AND MARY CHAIN- Psychocandy Shows.

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“But you break me in two
And you throw me away
And you spit on my head
You trip me up.”

After spending more money on gig tickets, travel and accommodation – it is with a slight bout of deafness and sheer joy that I can say, I have finally seen The Jesus And Mary Chain live. Twice. In the space of a few days. Not sure how I am not totally deaf, but it’s fine. It is an excuse to not listen to anyone (not like I do anyway.)

I don’t want to turn this into a comparison of Manchester vs London. I’m siding with London because I was at the front, I can’t hear and the venue was a lot nicer. The Troxy is one of the most stunning venues I’ve ever been to. I’m usually a fan of venues that look like they’re about to fall down and are the size of a shed, but I like to make an exception. Instead, I’ll just go on about how TJAMC are one of the best bands I have seen live, finally.

I knew it was going to be loud. I knew it was going to feel like my ears were going to burst and bleed. I wouldn’t have bought tickets if I wasn’t alright with that. The crowds at both nights (and I’d imagine for most dates/all) consisted mainly of middle-aged men having the time of their lives. Some crying onto their best friend’s shoulders, most shouting the words back at Jim as if he’s some modern-day Messiah (he probably is, let’s be honest.) For me, it felt like a Morrissey show but with a bit more bite. How these guys react to TJAMC is how grown men are at a Morrissey show, without the stage invasion. There is something beautiful about seeing this. TJAMC appeal to those who are awkward, unsure but carry the weight of daily feelings like no other. They are for those who do not mind the darker side of having emotions, what they do mind is being told how to offload it all. How do you offload it? You stick on TJAMC and you think of someone or something that is really eating you. This is how you come alive.

I wasn’t even a mere thought before Psychocandy came out (I was born a year and one week later, always late.) but it has become one record that I quite simply, cannot live without. Is it a bold statement? Is it foolish? There a few thousand from over the past week or so who will probably agree with me. United. It’s a record that means more to me than anything else I’ve ever heard. I’ve felt every ugly and passionate feeling Jim sings on that record, and fuck me I am not ashamed. I’m sort of proud that I am able to relate to such a remarkable record. See, I just can’t live without it. To see it live in its entirety was something no part of me ever thought I would see. I never ever thought I would see TJAMC live, ever. I have a tendency to like bands that have most members dead or they hate each other. Sometimes both. Thank you Jim and William for getting your shit together.

I expected nothing from the shows, all I cared about was seeing TJAMC. The excitement I had was probably borderline irritating, I don’t care. If you get the chance to see your favourite band in the whole wide world live, go. Just go. I don’t care how you fund it, just go. Treat yourself. You need to.

There was an atmosphere at both shows that I sincerely hope was at all of them. It was a mixture of relief, absolute happiness and shock that it was about to happen. I know this isn’t a live review, all it is is something unleashing how it feels to see their favourite band of all time live. Finally. There was nothing wrong with these shows, every element of it was perfect. Last night, William played a bum note during a song and Jim just turned to him as if to say, “typical” shook his head and grinned. William was like the mad scientist surrounded with amps and pedals. Jim was every bit the brilliant frontman I knew he was. There was no need for painful conversation between songs. I’m not a fan of that. And I don’t think they are either.

Seeing You Trip Me Up and My Little Underground live meant more to me than I thought they would. Those songs hold more sentimental value to me than a song probably should. More than I want them to, but seeing it all live was like a release. A sigh of relief, yet I didn’t want it to end. TJAMC have been missed, so dearly missed. I hope they never leave us again because we needed it. Live music needs bands like them. Being brutally loud and not apologising for making you feel as if your ears are bleeding. If I don’t get injured or go a little deaf at a gig, I probably didn’t have a good time.

TJAMC’s music is the polar opposite to me, sound wise. They are brutal, somewhat sinister and loud. I’m too shy for my own good, but I’m alright with clinging onto that. Psychocandy is a release of all sorts, and to finally see it live goes beyond the words I have written.

They opened with April Skies. A song I thought would be too much for me to witness, but my god it was beautiful. To just watch that over and over would be something else. Maybe they’ll do a tour for Darklands…that’d be nice. There is no doubt in my mind that TJAMC are the best band, ever. How Jim Reid feels about the Velvet Underground is how I feel about them. Ultimately I do feel the same about the Velvet Underground, obviously. I think that’s quite clear. One of the true special moments last night was Miki Berenyi joining them on Just Like Honey. Oh, and Kevin Shields was sat upstairs too. Shoegaze heaven.

The shows I went to were euphoric and loud. Seeing middle-aged men take their partners with them as if to say, “This has been me for the past 30 years, this is who I am” was just beautiful. The songs are as important as they always were, much like the band.

VIVA THE JESUS AND MARY CHAIN!

2:54. St Pancras OId Church. 19th November 2014.

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“Nobody here can make the feeling new.”

Second time seeing 2:54, second time seeing them in a church. It is fair to say that their eerie and ethereal sound is bloody glorious in a church, and I would fully back them playing these kinds of venues. Why? Because there is something quite beautiful about seeing a band like 2:54 in a church. I can’t actually put it into words what it feels like, but if you’ve listened to them you know what kind of environment they are perfect for.

Last week they released their second record, The Other I. As someone who is pretty much still obsessed with their debut record, I wasn’t sure if I was ready to let it go and move onto the next. Turns out I am, and I’m of course, obsessed with it. There is something about their music that makes me want to write about music constantly. Maybe it is because everything I adore about music is in their sound. Do I want it to sound a little creepy? Yes. Do I want lyrics that not only I can relate to, but are in awe of how they are placed together and sung? Yes. Do I want music to sound like I’m not where I currently am? Yes. Do 2:54 do all this and beyond? Of course.

The PA system blares out Tender Shoots. A delicate song to listen to through headphones, but through a PA in church, it’s haunting. I cannot remember the setlist, but I remember moments (made use of a happy hour in a bar beforehand, so go with me on this.)

I loved the little jam at the end of Scarlet which went straight into Sugar. Sugar for so long was a song that I played on repeat, then they made a video to it and it just went insane. It’s a song that’s got so much going on in it that my little head can’t get itself around. The drums on it. Oh man. More on the drumming in a bit. Some songs are met with a beautiful smirk from Colette who, on stage seems like this powerful being stalking the stage and commanding it with rapper-esque hand movements. Off stage, she seems the opposite. One of the most genuine souls I’ve ever met, but more on that later. The new songs are adored by the 120 or so of us in the room. I thought, how can they still be playing small venues like this? But the thing is, this is where they sound perfect. Last night’s show was the first of their tour, and anyone who has a ticket is in for a real treat.

The drumming. Alex is pretty much the best drummer I’ve seen live, and one of the best drummers I’ve heard on record. If you’re looking for a group of musicians to influence you to start a band, listen to 2:54 then go see them live. Church or no church, just please go see them. I hope a 14-year-old kid somewhere hears this band and starts something magical of their own. I’m however, 28 with no musical talent, it’s probably why I do this. Ha. Alex has this ability to make the songs sound more brutal live. 2:54’s sound is delicate but mixed with bold moments. Moments that just make you hit repeat all the time. He makes the drums sound like waves crashing around you, a prime example of this is during Creeping. I wish I had the money to do all of this tour just to see him drum. He’s nothing short of brilliant.

Hannah and Colette play No Better Prize together. Just Hannah on guitar and Colette’s blissful vocals. Her clarity when she sings is gorgeous, and you pick up on the lyrics much more. You pick out certain lines, and not only do you identify with them but you’re bloody grateful someone has said it. My favourite part of the gig was a cross between No Better Prize and South. I think I’m sold on South being my favourite off The Other I. It was Pyro but I’m sticking with South. I think the new bassist is called Rich? Sorry if I’m wrong. Anyway, he’s bloody brilliant. Bassists don’t get enough credit I don’t think. For 2:54, the bass really adds something haunting to their sound.

Their heavy sound mixed with gentle vocals is really what appeals to me. It’s like beauty and the beast (none of the band are beasts, I just mean mixing something ferocious with something tame.) There are a small number of bands I could quite happily watch for the rest of my time, 2:54 are evidently one of them.

At the end of the show, I hung around to buy myself a t-shirt (as always, I do my clothes shopping at gigs don’t I.) In complete shock to me, Colette recognises me. “You’re Olivia aren’t you?!” My ability to say something awkwardly daft thankfully past me by (thank you Happy Hour, thank you!) Her words about my writing meant a hell of a lot to me. Firstly, I never expect a band to read anything I write about them and secondly, if they do read it I wouldn’t expect them to remember! She said I write beautifully about the band. It’s easy to write about them because I just love them and I have done for ages! When you really believe in something, it is easy to put that across. I’m just someone who loves music in all its possible ways. Balls to the genre, I just want it to make me feel something. Her kind words are staying with me, and when I feel like stopping writing, I’ll replay them in my head.

I told her I sold my ticket for The Jesus And Mary Chain to be there last night. “I hope we were worth it” she said. You have no idea. Can February hurry up now please?!

CAT POWER- Union Chapel. 11th November 2014.

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There are many ways to celebrate getting old. There is crying into your  pillow, enjoying some whiskey or my favourite- seeing a band/singer you love. An early (day before) birthday present to me was a ticket to see Cat Power last night at one of London’s most gorgeous venues. Union Chapel is down the road from me, which is pretty cool. It is a venue that could make the most horrendous singers sound amazing. But for the likes of Cat Power, it just shows how brilliant they are.

Previous to this show Chan had canceled a few due to being sick, however if I could sing the way she did last night when I’m sick then I’d be bloody happy. She means to me what the likes of Patti, Bobby, Morrissey and Lou mean to me. She’s someone who can put across what I think/feel better than I can. She’s got a beautifully brutal way with words. Her honesty is gorgeous and endearing. How someone couldn’t be a fan of hers, I have no idea.

Her songs for the most part flowed right into each other. She went way back with some of her songs, and for me hearing Great Expectations (second record, Myra Lee) was perfect. I saw her in 2008 and it was around the time Jukebox was released. Her set consisted of songs from that record and The Greatest. To hear some older songs last night was amazing. She started her set on guitar. Just Chan and a guitar. She seemed to be quite nervous and unsure, but as she made her way to the piano, everything fell into place. She came alive and her beautiful sense of humour came out. If Chan ever packs in music,  I sincerely hope she goes into comedy as her sense of humour is wonderful. Her laugh is infectious. When she starts, you go with her.  She’s delicate when she speaks, and when she sings you pick up on the hope and strength in her voice that comes from a dark place. She got through some bad shit, and she’s still around. I know people look up to others far too easily, but hand on heart- she’s one of my idols.

Although it is obvious in her lyrics she’s a fantastic storyteller, it becomes much clearer when she tells stories to the audience ranging from her cracking her head open to creating a single-mum house cleaning device to Instagram blocking her. Her humour always shines through, and she’s someone you really couldn’t tire from listening to. She just leaves you in awe. She really has that Patti Smith quality about her. It is so rare to find, but Chan truly has it.

At the end of the show, she is greeted with  a message from an iPad that reads END. Maybe from an iPad, or maybe from some god telling us all to get out. She played 2 seconds of 3 songs including my beloved Metal Heart. She finds humour in everything, and you know, from all the struggles she has had it was bloody wonderful to see her on that stage smiling and joking. At the piano, she said something along the lines of “I’m just happy to be having fun for one minute.” Moments like this make the setlist seem like a minor thing. She fell in love with piano at Union Chapel, and although she seemed mad at herself for forgetting some notes/songs, she played it beautifully.

If you’ve read about Chan’s shows you’ll see how people said she can be hit or miss. She apologised a lot last night for getting things wrong, but I didn’t care. I don’t think anyone in the room did. All that mattered was that Chan felt well enough to play for just over 2 hours last night. It felt like a real private moment, and one anyone who was there will remember for a long time. For me, I’ll remember the stories she told and not the songs she played. Her presence on stage is hypnotic. She’s a woman who stands for everything the world lacks and needs- peace, love, compassion and freedom. She has the bravery to speak up and to be honest. Her songs are vulnerable which is what makes her so easy to fall in love with. Seeing her in such an open place (I guess you could say vulnerable) last night made the songs carry even more weight. I held back some tears as she softly played I Don’t Blame You.

I’ve probably missed out a bunch of things, but I can safely say this is one of the greatest (sorry…) shows I’ve ever been to. Her music gives you hope and her words are a comfort blanket. The Greatest made me teary eyed and hearing Hate so clearly was something I”ll always treasure. She could sing the phonebook with just a guitar and it would make me cry. She’s powerful and I really don’t think she understands just how inspirational she truly is. Last night’s show is one I’ll remember for a long time, but then again, you don’t really forget seeing your heroes. I think hearing seeing Maybe Not was the moment I let some tears fall. That song along with Metal Heart are my favourites by Chan. I love how open they sound and how safe they make you feel. The lyrics to Maybe Not are so pure and gorgeous, I wish I could write something as brave as that.

Also, one last thing- her friend and guitarist, Nico Turner opened for her. Listen to her music. She’s on the same level as Chan. Her cover of Something In The Way by Nirvana is brilliant.

CROCODILES- LONDON FIELDS BREWERY. 11TH OCTOBER 2014.

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With every review of Crocs I write, I always say the same thing. I always say how bloody great they are, and as someone who is rarely right- with this, I know it to be true. They are probably the best band I’ve seen live and are bloody lovely guys.

Last night they played as part of the Hackney Wonderland. I paid £10 just to see them and didn’t go see anyone else. Maybe that was foolish, but my girlfriend and I went to have pizza. As an Italian, I can’t turn down pizza. Also living right near the venue is always good!

If you’ve ever been to see Crocodiles in London you will have probably seen the guest of honor and all round brilliant guy, Omar. Omar stole the show at the end, but more of that later. He should be their hypeman. Shouting abuse at the crowd to get them moving. If you’re not moving at a Crocs show, then something is wrong with you. They aren’t a band you stand still to. No way pal.

Crocs treat us to some new songs off their new record, and judging by how good they sounded live I am confident again with declaring their new record to be the best thing to happen in 2015. The last new song they did in the set was my favourite. No idea of song names, but this one was my favourite. Crocs are one of those rare bands that sound better and different with each release. Summer Of Hate is the record that owns a large part of my heart, but each of their records just proves how marvelous they are.  Severely underrated, but the best ones usually are. Of all the times I’ve seen them, last night was possibly the best and it could be down to the magnificent stage invasion at the end to I Wanna Kill.

Personally the best moment for me was them playing Summer Of Hate. I can’t remember if I’ve seen them do it before, but last night felt like it was the first time. It’s my favourite song by them,and if you’ve ever seen a band you love play your favourite song by them live you will understand what that moment means. You don’t feel as if anyone else is around you, and you’re completely and utterly immersed in the moment. It’s a beautiful feeling and maybe, just maybe you haven’t lived until you’ve experienced it.

They opened their set with the anthem for perverts, Marquis de Sade. An anthem you’ve just got to sing a long to. Also, if you read a Marquis de Sade book on public transport, people don’t want to sit near you. It’s brilliant. He was also a fantastic and twisted writer that you need to read. His mind was obscure and perverse, and wonderful. If you don’t like conventional things, go read his work.

The last two songs were insane. They did their cover of Jet Boy Jet Girl (which I am so happy they now play) and were joined by the majestic Omar on vocals. When he isn’t yelling “ASS CLOWN” at Brandon, you can find him near the front loving life. Crocs ended their set with I Wanna Kill which was greeted with a beautiful stage invasion. It was a glorious state of chaos, and every band should do this. I don’t care who you are, you should let your fans get on stage with you and belt out a song. This bit in the set pretty much showed how much they are loved and how their fans really appreciate it when they come to town. In an ideal world I would have the funds to go to a full tour and write words like above about it. They aren’t a band you see just once and that’s it. They’re a band that you have to keep on seeing because the atmosphere at their shows is something else. They are one of the few bands that make me want to just write about music forever. It annoys me how underrated they are, but last night truly showed how loved they are and those that watched them know just how brilliant they are.

Each of them are bloody mesmerising to watch. Charlie flings his guitar about and holds it like a machine gun, Robert beats the living shit out the drums in a glorious fashion, their bassist David (he’s in Hatcham Social, a band I fell in love with at uni many moons ago!) seems to be in a trance as he plays and you fall into it also, Brandon’s voice creates this atmosphere in the room that takes you back in time. I can’t (but will always try to) emphasise enough just how bloody great they are. And also, they are the most loveliest and kind guys you’ll ever meet. I bloody well owe them.

Anyway, obligatory photo with BW and CR :

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JESSIE WARE. Roundhouse. 18th September 2014.

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Exactly a year ago I won tickets to see Jessie Ware at Abbey Road Studios, a year later I win tickets to the iTunes Festival. This meant selling my Fat White Family ticket, but it was fine- it went to a good home.

Anyone who has seen Jessie Ware live (and I don’t mean via the internet) will know she has this indescribable presence that just makes you want to keep seeing her perform live. I don’t know what it is, but as soon as she starts singing even if the songs are heart-breaking, you just feel alright. She has this effortlessly gorgeous voice that doesn’t hit the music industry very often. I know I’ve said it many times but she’s got the soul/passion that I’ve only heard in Sade and Aaliyah’s voice. All three of them have this soft, gentle and reassuring quality to their voice and music. It is a pleasure to listen to.

She opened her set with Running which everyone pretty much went nuts to. But the new songs are really something else. Sure everyone loves Wildest Moments but can we PLEASE just declare Want Your Feeling as the best thing to happen all year? If you don’t dance, even just a little bit to it, then you should see a doctor about your joints. They’re not moving right, go sort yourself out. Her new songs sound beyond brilliant live, so I think we have all reached a mutual understanding that Tough Love is probably going to be one of the best records out this year. We’re all okay with this aren’t we? Good. Every year I find at least one song that I could quite happily play on repeat, all day every day and Want Your Feeling is that song for me this year. I love every little thing about it. The lyrics may be a little sad, but the song just makes me massively happy. My moves to Groove Is In The Heart (my girlfriend will say they are embarrassing, and they probably are) are pretty much similar to what Want Your Feeling makes my limbs do.

Her songs just make you want to turn to the person you love/adore, and to just tell them that. Her songs, even when heart-breaking just ooze a wealth of love that isn’t conveyed enough. Or maybe it is, and Jessie is the only one doing it in a real way. A way that is relatable. However, my attention was lured away from Jessie a few times when I saw a man doing incredible dance moves up in the seating area. His moves were seriously influential and they’ll be taking over dancefloors soon. Hopefully. He was having a ball, and his moves really showed that. Anyone who saw them enjoyed the little hand gestures he was unleashing. I’ll probably be using them.

I read a few reviews of last nights show, and some were bashing the fact that her set consisted of new songs. Her album is out in a few weeks; surely it makes sense for her to use a platform as massive as this festival to play them? Some people are never satisfied, so we ignore them. Her new songs sound gorgeous live, and it is fairly obvious that Tough Love is going to sit nicely next to Devotion as being a fine piece of work. When she performs live, she is someone who really puts their all into it without being forced. You can see just how happy she is to play these new songs, especially Kind Of…Sometimes…Maybe which pretty much makes you want Jessie and Miguel to work with each other all the time. For me, I really loved Cruel and Pieces. You And I (Forever) is brilliant also, basically it is all excellent and you’re daft if you don’t buy her new record.

Last year when I saw her, she had just got engaged to Sam and now when she talks about her husband this captivating glow just takes over her, and you really feel a sense of pure and unconditional love. That’s how it should be. The fact that she is happy but can write painful and heart-breaking love song really shows how brilliant she is. And I do think one thing about Jessie is that she really doesn’t know how good she is. She’s better than good obviously. This humble soul is a credit to the music industry, and I do stand by the fact that she’s my generation’s Sade. She’s a genuine soul whose voice just takes you somewhere else. I wish I had the words to describe just how wonderful she is, but those that love her know.

She’s not released her second record yet, but last night proved that Jessie Ware is easily the best vocalist around. No one else comes close.

 

DUM DUM GIRLS/CROCODILES. Scala. 1st May 2014.

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Live music is a powerful thing; seeing your two favourite bands live on the same night is truly something else. You don’t always think it will happen, but when it does you immediately feel part of something. And as an unsure and uncomfortable 27-year-old, I can safely say that music makes me feel part of something. I’m not sure what, but it’s just me and some music. I guess it’s not really anything at all, but we cling onto what we have because we’ve been without for so long.

Before the show I interviewed Dee Dee in the toilets backstage and we shared some whiskey. I’ll write it up over the weekend, when I feel like I am able to do so. It’s one thing to have a quick photo with a band you admire but it goes beyond words when you get to talk to them for half an hour about their music, Patti Smith amongst other things. I’ve spent part of today wishing I had asked Dee Dee some other things, but maybe next time. Who knows.

Both bands are very dear to me, and to finally see them live together was a beautiful experience. Crocodiles set was just Charlie and Brandon, just like how they first started. I never got to see them live as a duo, so this was really special. What did it for me was Jet Boy Jet Girl, a cover song originally done by Elton Motello. The song oozes sexual decadence and sinister wit, themes which sometimes flow through songs by Crocodiles. A brilliant cover and sounds even better live. They even played one of my favourites from Sleep Forever; Hollow  Hollow Eyes. Their shows as a duo is equally as passionate and as bold as it is with a full band, and for me it was a pleasure to witness live as I fell in love with their sound back in 2009 when they were still performing as a duo. It was honestly like falling in love with your favourite band all over again. I’m fairly sure I could have worded it better, but if you were there and you love them as much as I do- then you’ll know exactly what I mean.

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Watching Charles play the guitar is totally mesmerising, he just makes you wish you could hold a guitar and play it in the most brutal way possible. Throw Brandon’s haunting voice in there, and you’ve got a solid duo that have a sound that towers over the mundane shit you are exposed to. Crocodiles music really comes to life when you see them live. They are quite simply, a band you’ve got to see live. Brandon and Charlie make you want to find a like-minded individual and make your own noise; it’s never too late. Remember that. It’s so good to see both of them lose themselves in the music; Charles throws his guitar about and Brandon gloriously flails his limbs on stage. I just love their sound.

photo 1*My photo but not my hand.

I don’t know where to begin when writing about Dum Dum Girls, but they take to the stage and open with the gripping Mine Tonight. End Of Daze was (and of course still is) a truly beautiful EP. An EP that makes you want more and more from the band, but is also the perfect way to follow-up on previous releases. The setlist from their Scala show was nothing short of perfect; from the enthusiasm that echoes throughout Bedroom Eyes to the sheer romanticism flowing through Rest Of Our Lives. What I adore about Dum Dums is that when you see them live, you really do witness a band that love what they do, and of course, they love each other. The thing Dee Dee wanted the crowd to take from this show (and the rest of the tour) is love. Love for each other, for their fans and for what they do. As you watch them on stage each of them fall into the music in their own way. Malia moves freely on the stage with the bass, Sandy beats the shit out of the drums and leaves you in awe of how someone can play like that, Andrew sways at the back in an angelic fashion (and has beautiful hair), Jules smiles at the crowd as she sees those who are really feeling the songs and Dee Dee prowls the stage like a wild cat. Each of them lure you in with their sheer passion for what they do. If you don’t love what you do, then don’t do it.

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Like Crocodiles, Dum Dums are a band I would (and won’t) ever grow tired of seeing live. The way the songs come to life on stage is enough to make you have a little cry. I’m not ashamed to admit I got teary eyed during Are You Okay (it’s the “I’m reckless at night, I’m sorry for days”line that really hits me in the heart) and of course, the last song of the night Coming Down does something to me that not many songs do. Anyone who has heard this song knows which part exactly that does something to them. As soon as Dee Dee hits that high note, you feel weak but also a wave of strength hits you. Coming Down is a song I turn to when everything just seems askew, and to finally witness it live and to sing it back to the band is a gorgeous experience. If you’re going to do a review of a show, you might as well put your all into it. I really don’t get why you wouldn’t. I wish I had the money to have gone to more than one show, because they really are one of the strongest bands I have seen live. To see them lose themselves in the music and to bring it all to life is nothing short of inspirational.

photo 1(1)*Again, not my hands!

One thing I have noticed (okay so I’ve only seen them twice) is that those who attend a Dum Dums show make for a lovely crowd. There is no dickish or loutish behaviour. People are there for the most important thing; the music and the love for it.

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BAD GRAMMAR. Hoxton Bar & Grill. 21st March 2014.

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I’ve not been aware of Bad Grammar for long, but it is spiraled into the need to see them live at any chance I can get. I first saw them live when they supported PINS at The Old Blue Last. That gig was proof that the best things in life are free. Who doesn’t love a free gig?!

Bad Grammar are two people (Ben and Lucy) making a lot of noise. Noise that really really needs to be heard by as many people as possible. When I saw them support PINS, I was instantly blown away by how furiously they play. Not with rage, but with a sense of purpose. A lot of bands like to stand around bored, but Bad Grammar really get into it. Ben also broke a guitar string within seconds. I think that sums up how they play really. They make you want to break stuff and will melt your face.

Last night they played Hoxton Bar & Grill. I really like that venue, mainly because I first (and finally!!) saw Dum Dum Girls there in December. I’ve only been to one gig where there was about 10 people there, and it was when S.C.U.M played The Sugarmill in Stoke. I was annoyed because I felt more people should have seen them because they were a bloody good band. The same goes for Bad Grammar. They played supporting Shiva And The Hazards (we left after their first song) and Abjects, who were on after Bad Grammar. Abjects were really good. They reminded me of Camera Obscura mixed with The Shirelles. They play shows in London quite regularly, so go see them if you can.

So, Bad Grammar played to about 10 people but it felt as if they were playing to about a thousand. I’m usually in awe of drummers than can sing and drum at the same time. However, Lucy does the damn near impossible- she can smile and beat the living shit out of the drums. She’s one of the best drummers I’ve ever seen, and manages to look wonderfully happy doing so. Ben sings every song as if his life depends on it- that’s how you believe in a band. I watch him play his guitar, and I can’t help but think he’s going to hack a finger off from playing like that. It’s brilliant to watch; to see a band give it everything they have when around 10 people are watching them. I’m sure there are arrogant wankers out there who would refuse to do so, but they’re not worth listening to. Bad Grammar obviously are.

Their energy is like a toddler that’s eaten a load of Skittles and washed them down with some cheap lemonade (Cresta Lemonade, that’s the best one.) A lot of bands claim to have the essence of Punk in their music, when really they just sound like Paramore and it makes you want to throw up and cry. Bad Grammar have the kind of songs that would make Iggy Pop proud. They’ve got short punchy songs like the Ramones- but they play a little bit harder than them. Their sound is a little bit louder- but they play with a proper Punk attitude. It makes you want to start a band.

I was sad that there weren’t many people here to see Bad Grammar yet they all piled in for the main band. I hate missing support bands because for the most part, they are really fucking good. I sincerely hope that Bad Grammar become one of the biggest bands around, because this duo have something a lot lack. If you see them live (if you live in Manchester, you swines will get to see them more than most! Jammy gits!) you will understand why I’m pissed off at those who missed out last night and also, why this band aren’t fucking huge.

Their EP, Forced Fun is out 31st March on Flatpack Recordings. Buy it.

Have an action shot:

BG

Sorry about the quality, I don’t have steady hands it seems!

PINS. The Old Blue Last. 25th February 2014.

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I’ve said it so many times now, but Manchester is truly the home of great music. It is obvious who the great bands are, and PINS will probably be named amongst them in a few more years.

I will mention their support act in a separate post because they are incredible and I’ll just ramble otherwise.

This was the third time I had seen PINS, but the first time seeing them headline their own show. They are a band I could quite happily watch live over and over again, and find different parts of their music to adore. PINS remind me of all the bands I love, but I don’t mean it in a rip-off kind of way. Far from it. They also remind me why I love music so much.

Aside from the gig being free (which was bloody good as I had lost £10 on the way..and as someone who has £5 in their bank account, this was pretty shit) PINS got their visas to go to America. I sincerely hope America falls in love with them because they are a band that just need to be heard by everyone. I think it is obvious that PINS are going to have no problem with being loved in America.

For me, it is always going to be LuvU4Lyf that causes me to move the most. I guess it is because it was the first song I heard by them a few years ago now, you always cling to the first song you hear by a band you love don’t you? It doesn’t matter if they’ve put out a record full of brilliant songs, you always go back to the one you first heard. I love seeing Girls Like Us live because Faith and Sophie beat the shit out of the cymbal in the intro (cymbal bashing is always welcome, just watch Oliver from The XX do it during Infinity.) Mad For You is brilliant live, and the way they all sing together in unison just really shows how tight the band is.

The night before I saw Brody Dalle live, and I’m pretty sure she burst my eardrums, and PINS pretty much did the same (as did their support band, Bad Grammar.) PINS are easily the most exciting bands around because they have this indescribable sound that makes them stand out from everything else that is going on. If you’re fed up of what you’re supposed to be listening to, go listen to PINS. Go see them live and kick out your frustrations because they are truly something else.

On record they are perfect, you cannot fault them and to look for fault would make you an ass. However, when you see them live it is something else. They sound tighter live and the way they sound live is even more perfect, they are simply a band that deserve every ounce of success they get. I’ve seen them support two bands I love; Warpaint and Dum Dum Girls, and to finally see them headline their own show was a memorable experience, especially in a venue so small. They are the kind of band you need to see in a small and sweaty room. They are the best kinds of shows, and only the best kinds of bands play these kinds of venues.

I’m not really sure what the crowd was like, I was just happy to see PINS but I saw some creepy guy taking photo of Faith’s legs throughout the show which was pretty stupid. Then again, some people are just idiots aren’t they.

PINS have this way that, after seeing them live making you wish you had some musical talent so you could start a band. They are the kind of band you wish you could join. They just have this way of playing together that really makes you believe in their music, and I think when you see a band live and you can tell they love playing together, it pretty much makes you love the band even more. If they stood on stage looking as if they didn’t care, you wouldn’t be moved by it. PINS are just an absolute pleasure to watch live because they each lure you into this weird world they have made with their eerie sound. Sophie makes you wish you could play the drums. Anna is a hypnotic bass player. I’ve never seen anyone enjoy themselves on stage as much as Lois does. Faith’s voice is enviable, I wish I could sing like that! You can tell that they have the best time playing live, and that is what makes you want to keep seeing them play.

The sinister undertones in their music really comes alive when you see PINS live, and it is just a beautiful thing to witness. I’m pretty sure this is how people felt when Siouxsie And The Banshees first came out. Oh and also, I know it has nothing to do with the music, but Anna’s hair looked amazing last night. I had hair envy.

If you get the chance to see PINS live, GO. Don’t think twice about it, just GO. To anyone who thinks music is boring or lacks that “something” then go listen to PINS. Oh and if you are a fan, the band have got a treat for you on Record Store Day (this day is better than Christmas.)

BRODY DALLE. Hoxton Bar & Kitchen. 25th February 2014.

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I read somewhere (probably an unreliable source, as ever) that London crowds are pretty shitty. I won’t say this statement is entirely true, but to a fair extent it is bullshit. Last week when I saw Warpaint, I was in awe of how the crowd were. Maybe it is the band and not the place. Anyway, the moral of the tale is- don’t believe anything you read in the papers.

If there was a Holy Trinity of female musicians (I’m not including Patti Smith because we all know she’s the greatest) it would consist of Courtney Love, Shirley Manson and Brody Dalle. Those 3 are responsible for the songs that got me through my teenage years and part of adulthood that I still can’t get my head around. They made it alright to be pissed off at what was around you; and when you’re 14/15, you’re pissed off at a lot of stuff.

I was never lucky enough to see Brody when she was in The Distillers, but I saw her when she had Spinnerette and I used the photos I took as part of a Photojournalism module I did at university. Pretty sure her “Fuck Off” tattoo helped me get a good mark. Hoxton Bar & Kitchen is one of my favourite places to see bands, more than likely for sentimental reasons (you probably know by now.) I’m still slightly deaf from last night, and I think that’s a sign that I had a good time.

Brody’s setlist consisted of a beautiful mix of solo, Spinnerette and The Distillers songs; as I’d never seen The Distillers, this was as close as I was ever going to get. Roaring through the likes of Dismantle Me, Ghetto Love and Sick Of It All; you feel the same rage you did when you first heard them. There aren’t many musicians around that are as powerful as Brody. She doesn’t need to mouth off to be heard, she doesn’t need to engage in awkward conversations on stage for you to feel some form of connection to what is going on. She’s just naturally got this presence that makes you drawn to her. Her effortless ways on stage justifies fully why you’re a fan, and why this show at Hoxton last night was is probably going to be one of the most important moments in music this year.

The new songs are brilliant. Meet The Foetus is amazing live. Of course if Shirley Manson and Emily Kokal turned up on stage with Brody that would have been magical. A few hours before the video premiered online and to see Shirley and Brody doing a music video together is what dreams are made of. It’s massively twisted and strange, but that’s the best way and sometimes only way to do it.

Brody’s cover of The Misfits Hybrid Moments is pretty special, as is her request for yellow socks. I have no idea. Maybe it was to go with her fluorescent orange t-shirt. It’s Brody Dalle; you don’t question why she wants yellow socks. Back to the new songs; if anything her solo songs pretty much shut up anyone who thinks “guitar music” is dead. You can find out for yourself when her record comes out at the end of April. Or you could go see her live and experience a bunch of people go ape shit to bloody good music. I advise both.

For me, Brody symbolises the same things as Courtney Love and Shirley Manson do. I wish I could explain it eloquently or even in a coherent way, but what I’m trying to get at is that, they are powerful. Powerful in ways that most dream of. I don’t want to make a big deal out her being a female musician because your gender doesn’t define what you do and who you are. It’s just a thing really. A lot of female musicians do however, struggle in the music industry due to archaic mindsets of sexist idiots. With the likes of Brody Dalle making this kind of music, it pretty much shuts up any critic really. She’s still the woman those who grew up listening to wish they were as tough as, but deep down we probably already are.

WARPAINT. Koko. 18th February 2014.

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“I’ve got a friend with a melody that will kill.
She will eat you alive.”

Everything I’ll ever write about Warpaint will just be a poor attempt at saying something I haven’t said before. Even that sentence is weak. To me, I think they are everything a band should be. On record they send you to a different world. When you see them live it is like you’re in a dream- the reality after all of this is of course, pretty shit. But Warpaint have this beautiful way of making you feel something truly precious as you watch them sing the songs that make you shut your eyes, sway and dream. See on record I suppose it is quite easy to do but to able to do it live, must take some work right? Not if you’re Warpaint. They make it look so easy, and if you’re like me and musically untalented- you will leave a Warpaint show wishing you could play something.

Before I get into the magical world that Warpaint led the crowd into last night, I must mention that their support act All We Are are bloody brilliant. As I was listening to them I immediately thought of Baltimore’s finest, Beach House. Last time I saw Warpaint the brilliant PINS supported them. Their ferocious and sinister music was the opposite of what Warpaint offer, but I loved it. Then again, I just really love PINS and would happily watch them live over and over again. All We Are have this gorgeous ethereal sound, and I truly hope that the crowd left as fans if they weren’t already. They too, like Warpaint make you shut your eyes and sway to their delicate sounds.

Warpaint’s setlist is a wonderful mix of new and old tracks. Their new record is stunning live. Disco/Very live is one of the best things I have ever seen. Warpaint aren’t really a band you can dance to; they are a band to dream to but Disco/Very is a song that just makes you jolt your body about in whatever way you want.  I just LOVE the lyric, “Only in the sound of the voices I scream.” If anything, Warpaint stand for freedom. They make you feel entirely free as you watch them. I don’t think I’ve ever watched a band and had a constant smile on my face, until last night. There is something special about Koko that just made it perfect for Warpaint to play here. I saw them play Brixton Academy and I honestly think their show at Koko had a lot more soul to it. I don’t know what it was to do with, all I know is that it was a pleasure to watch and be part of.

For some reason I decided to have a little cry when they played Undertow. I wasn’t expecting it, but it just happened. There is a lot of sentimental value to that song for me, but I have no idea why I had to bloody cry! They played Billie Holiday which was like being guided through a dream and into the unknown. I just want to go back to Disco/Very because I REALLY love Jenny’s voice on this. All of their voices together sound like haunting chants; as of they are calling you towards something quite eerie but you go alone with it because it feels right. Drive is powerful to witness live; the lyrics are beautiful to this one and I think it is the way that Emily sings this song that makes it feel quite sacred. Apparently Baby was down as part of the encore, but it didn’t happen. I wish it did but they closed the set with Elephants which is pretty much one of the best moments of musical history….EVER. The song on record is a forceful thing, but to see it live is something else.

Watching Warpaint live is like watching a band play in their rehearsal space. It feels very personal but not intrusive. Once you see them live, you simply don’t stop. I feel as if I am missing something with knowing I won’t see them again until they come back down here. Warpaint live is a salvation for the soul. It is escapism and discovery. They are everything a band should be. They way they perform together is such a joy to watch, you sort of can’t imagine music without them. What did we do before them? The band formed on Valentine’s Day 10 years ago and are evidently one of the strongest bands around. My record collection would have been lonely without Warpaint.

I found myself listening intensely to them last night with my eyes shut, but when I looked around I saw a lot of people were having the same reaction as myself. There was one guy in the crowd who had enviable dance moves. If anyone knows him, he was the guy with a white t-shirt near the middle with a beard and tied up hair- if he’s your pal, I do hope you go out dancing with him and you learn from him because he’s amazing!

Warpaint fans know just how special this band truly are. Their music is treasured and adored for all the right reasons. It is pure and uplifting. It is everything music should be. The way Jenny and Stella laugh with each other on stage, the way Theresa carries herself on stage and the way Emily seems to lose herself the most in the music is what makes them a sacred. Of course they all lose themselves in the music, and that’s how it should be. They just make you want to go home and learn to play an instrument. There is no doubt that they are the best at what they do. And I’m always left in awe of the way Stella plays the drums and sings at the same time. Same with Sandy from Dum Dum Girls and Sophie from PINS. Maybe if my name began with an S I’d be able to do the same.

There are many bands that everyone should see live, but I urge you to see Warpaint wherever and whenever you can. I just wish I was a billionaire so I could pay Warpaint to sing to me everyday. There was something about last night’s show that just left you without words to describe it. You just left in awe knowing you had seen something remarkable.