Category Archives: New Music 2023

HEMI HEMINGWAY: Strangers Again.

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Sometimes we like to torture ourselves by listening to heart-breaking songs. Making up scenarios in our minds so we really feel every word, and cry because we feel that the song was made for us. I’ve done this a few times, and I’ve also experienced it in real life. I’ll take the dream version though ha.

I’ve written about Shaun Blackwell aka Hemi Hemingway before including previous bands he was in. There is no denying how gifted he is and what a wonderful storyteller he is. He’s got something about him that just makes you really connect with every song- with or without the hurt, you feel it. You feel every emotion. This is debut full length record as Hemi Hemingway; I’ve stopped myself from listening to anything he put out on the lead up to this record being released. I wanted to hear everything in full, and brand new.

The record opens with Alone in the Morning Alley, and it sets the tone for the record. A dreamy 60s Girl Group feel mixed with Nick Cave imagery all mixed together to create one of the most yearnful and vulnerable records of the year. Every song on this record could break your heart. There’s something about Dreamin’ of You that reminds me of Leonard Cohen mixed with Ezra Furman. What I’m trying to say is that Shaun/Hemi is an exceptional songwriter who can really put you in the midst of his songs.

Every song on this record is perfect for a lonesome dive bar at 2am when you’re debating if you need to go home because there’s nothing there. These songs would be perfect in a film, or maybe a film could be set to this record. That would be something else! At the moment, the song I’m hooked on is Green Envy. There’s something about this one that’s gripping me- it’s the way his voice just soaks up the sorrow and lets it all out in a way that you feel right in your gut. Every song on this record you feel right in your gut. This is the kind of record that makes you wish you could create a masterpiece, but could anything really top this? Probably not.

Strangers Again has beautiful whispers of 1950s/60s singers like Johnny Tillotson, Del Shannon and Bobby Vinton. The greats. The singers my mum would play to me when I was a baby, and I grew up to love and cherish. What Hemi has done here is truly create something that takes you back in time but not in a way that sounds intentional at all. It’s just natural for him to create something so thrilling, emotional and nostalgic. It’s honestly such an honour to listen to this record and hear how far he’s come with all elements of this record. I hope he finds a way to play these songs on a UK tour because we need it (mainly Manchester!)

When you find a record that causes your heartbeat to race, that’s when you know you’ve found something truly divine. There are so many beautiful songs on this record and the vulnerable moments you can’t help but eat right up. For me, the mood on Now That You Know (We Can’t Pretend You Don’t) is stunning- there’s a slight hint of bitterness, loss, and disappointment- especially in the line “This is happening because of you” just really sticks with you. Absolutely perfect and to the point. Hopelessly Dependant On You will rip you apart, and the intro to it sounds like the Twin Peaks theme tune (again, another reference to my childhood that I have my mum to thank for!) It’s soothing from start to end. When Hemi sings this way- in a crisp and fragile way, you really feel like he is stood next to you singing his heart out. It’s just such a gorgeous song, and the whole record feels like some kind of divine intervention.

When you’ve lost love, you feel you won’t ever find it again. Sometimes you do, sometimes you don’t- and it’s records like this that will make everything easier. There’s a harsh reality to the songs, and it’s that reality that makes you feel less alone and so connected to such a beautiful collection of songs. There is one truly special moment on the record, and it’s the song January Lake #3, and is sung in Te Reo Māori. To hear Shaun sing this is a real honour; it’s such a beautiful language and this song is so soothing. I could write a book on how beautiful the record is, and how much I love Shaun’s words. He’s something else.

As far as debuts go, there is no denying how magical this one is and how gloriously poetic it is. It will feel like a knife through your heart at times, but for the most part- you’ll know you’re not the only one to have ever felt that way. Feel those lonesome blues as much as you want and let Hemi hold your hand throughout.

BODY MAINTENANCE: Beside You.

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I think I may have found one of Australia’s most exciting bands around right now. Before I get into why I’ve fallen in love with them, I just want to let you know that the band are currently on tour in Europe and will be in the UK from this Friday- starting in Bristol.

Body Maintenance are one of those bands that make you feel like you’ve discovered The Cure, Bauhaus, Sisters Of Mercy- all that good stuff, for the first time. Honestly, if I could do the band justice with my words I absolutely would but all I can do is reiterate just how brilliant they are. I haven’t been to a gig in a long time, and I hope I can make the Manchester show next week because I feel they are a band that you just HAVE to see live. There’s so much to love about their music, but I’m going to focus on their debut full length record, Beside You. It’s what Post Punk dreams are made of. I’m besotted. Nothing and no one is going to come even remotely close. My god what a dream they are.

This is the kind of record you put on as the nights draw in. When daylight fades away quicker. A crisp Autumn day, stick this record on and go for a walk to wherever makes you happy and free. However, Summer seems to have passed the UK by so you’ll probably get the same feeling if you do this now! Why wait hey!

These 9 songs are perfect from start to finish- no filler here. Just pure Post Punk joy. Songs that’ll make you feel like a grey mist has cast itself over you, and you wander off into the night. Into the deep unknown. You remain a mystery, like everything and everyone around you. For me, the band remind me a little of Cold Cave- especially more recent Cold Cave sounds. That comforting Goth/Synth sound- it’s just out of this world. I cannot pick one song on this record to single out as my favourite. Every single song is a pleasure to listen to; and I think the best way to listen to this record to start with, is in order but then just let shuffle do it’s thing and let it throw at you these dreamy songs and let it take you up and away.

It’s Theatre is one of the most hypnotising songs on the record, especially the last minute or so- that instrumental ending is something else. Truly. You know when you hear a record for the first time, and you just want it to utterly consume you? That’s how this record will get to you. It’ll get under your skin, into your bones, your blood. Wherever it can go- it will. Let it. It’s one of the most exciting records I’ve heard so far this year, and it just perfectly combines everything I love about music. The production is something else too.

In just 9 songs, Body Maintenance show us exactly why they are one of the most thrilling bands around, and why you need to pay close attention to them. They have a rare sound, and that sound is one that will totally possess you, and you probably won’t mind. Their music would be perfect in a creepy Horror/Thriller where you are constantly on edge, but at that same time there’s this adrenaline that kicks in. The whole record is made up of moments in songs where you’re just taken aback in what you are hearing. I know I compare everything I listen to Seventeen Seconds by The Cure, and honestly to compare this record to the debut record by The Cure- I think it’s a fair comparison and compliment. Both records are so atmospheric, ethereal, creepy in the most beautiful way possible and gripping. There is something about this record that will stick with you for days on end, and I think again, that’s how you can tell that a band have created something so special and huge.

Body Maintenance just have this sound that you cannot get enough of; you feel like you’ve truly found something special when you listen to them. For me, it’s all I could want from a band. There’s this kick to their sound that just makes you feel like you’ve not heard anything like this before. Unreal, divine and perfect.

DEATH INDEX: Civilized By A Lie.

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I swear I thought I was dreaming when it was announced that there’d be a new record by Death Index. I thought we’d only ever have their 2016 release and that would be it. Fans yearning for more and not getting it. 7 years later- it’s here. It’s been here for a few weeks but my ability and want to write anything has kept passing me by. Zero interest, but I think I’ve got there now so I’m going to try tell you why the new record by Death Index is every level of perfect, but maybe you already know why.

Death Index are Carson Cox and Marco Rapisarda. Both have been/are in bands that are brilliant in their own way, and different to what Death Index is. Death Index is a different level to anything you’ll have heard before. Civilized By A Lie isn’t as brutal as their debut but that hardcore Punk energy is definitely there. They’ve not made a soft record- far from it. They’ve made the perfect follow up to their debut and yes, 7 years is a long time to wait but it is totally worth it.

The lyrics are Carson’s work and, in the lyrics, you can hear the frustrations of life in his part of the world in America. All kinds of discrimination have been flooding news outlets all over the world and it’s so exhausting reading about it, and when you hear it painted the way Carson does- you know you’re not alone in how frustrated you are.

No Cure For Madness echoes how messed up everything is and that maybe it won’t get better- just yet. Maybe it will. I don’t know. None of us do. Then it slips into Spirit. A song that sounds like a machine gun going off with words ringing out the awfulness of the world. Of course, there is good in the world, but we can’t create an illusion that everything is great can we. Music is an escape but it’s also home. This is the kind of record that you know needs to be witnessed live. To hear the loudness, to feel the chaos and to soak up every word on this record in a live setting would just be out of this world. The talent Carson and Marco have separately and together means that Death Index is always going to be a work of genius, regardless.

Another Hero initially feels like a motorbike picking up speed heading deep into the unknown. Into a world that may be better than what we currently have. It goes full throttle this song, and it touches on the despair of killing and the ending of a life. You can hear the despair in Carson’s voice, and the whole record just evokes so much in you when you listen to it. At times you feel you are listening to a band that have taken notes from Depeche Mode, Nine Inch Nails and New Order but then it shifts to a real hardcore political sound which is unique to them. Some may dance to these songs all carefree but some may just be in awe of the content and find something to really connect with. Or both. There’s no right or wrong.

It’s a heavy record, and some may feel uncomfortable listening to it but every ounce of this record is honest and open. For some, that’s uncomfortable but Marco and Carson have created a thing of beauty here, and it’s the kind of record you stick on when all feels a bit too much and you need something to sit down with and reassure you. It’s in songs like Shadows At Dawn (personal favourite) and it’s in songs like Ego-Dance.

11 songs in half an hour. 11 songs to fill a void. 11 songs to feel a connection with. 11 songs that fully justify why Death Index are brilliant. If we have to wait another 7 years for a record that is at this level again, then so be it. Worth the wait.

Play it loud. Play it alone. Play it through headphones. Play it whilst you take a walk. Play it to anyone who will listen. Play it loud.

GRIAN CHATTEN: Chaos For The Fly

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It’s easy to feel a bit nervous when the singer from a band you adore releases a solo record. You immediately assume the worst and think it’s all over. You wonder why couldn’t they just make this record as a band. Why. Why. Why. Then you stop being an overdramatic idiot, and listen to the record. Then it clicks. It clicks that they had to make a different kind of masterpiece. Something brand new, something so mighty important.

The record opens with a sentiment that is always evident in Grian’s lyrics- openness and vulnerability. There’s no denying he’s a poet. He paints the world in a way that makes you feel safe and seen. He takes the greyness of the world and turns it into something beautiful, and full of life. The Score has an understanding within it that most can relate to, then it gently goes into Last Time Every Time Forever, and it’s got a slight folk feel to it but at the heart of it all- it’s something so pure that Grian has created. It’s unlike anything else you’ve ever heard. His voice is so distinctive, and the clarity in his voice makes you connect with the lyrics even more. Fairlies sounds like a 90s Indie song but lyrically it feels like something I can’t quite work out. It has a protest feel to it, and it has depth to the lyrics that you’ve probably heard in the likes of Bob Dylan or Leonard Cohen. I honestly wouldn’t be surprised if Grian’s name is mentioned in the future in a list of the best songwriters ever. I’d put him there now, but in 10/20 years his art will be even more mind-blowing.

Bob’s Casino tells the story of a gentleman who is obsessed with the casino but loses everything. You can hear the sorrow; you can feel the sorrow in the lyrics. It’s such a gorgeous song, and the sadness in it still warms you because Grian’s way of singing this just makes you feel comforted. I’ve been solidly listening to this record since Friday, and I’m currently going between two songs that I’m just in love with- it’s between All Of The People and East Coast Bed.

The lyrics to All Of The People may be up there as my favourites of the year. There’s something solemn about it, but at the same time this darkness feels like a safety net. There’s a line that just hits me right in the gut, and it’s one of those lines that you wish you could have tattooed on you: “They just wanna get close enough to take the final shot. They will celebrate the things that make you who you’re not.” The violin and piano on this just adds this extra emotion. As someone who will take loud Punk music over most, this still speaks to my heart. Lyrics are so important to me, and a record like this fully shows why. Grian- you are a bloody genius. There’s a lot released in this song, and you can really feel it.

I’ve read the meaning of East Coast Bed, and I don’t think I can ever listen to it without crying. In essence, it’s about death. It’s about the death of Grian’s hurling coach who was like a second mother to him. Songs about grief and death can be heavy and traumatic to listen to, but this feels lighter. I’ll never be at the stage where I feel lighter about my Gran’s death, but there’s some reassurance in this song that maybe it’ll be alright. It is such a gorgeous song, and the way it makes you feel like you are floating off into a gentle sleep is so soothing. It’s still one of my favourites, even if it makes me bawl like a baby!

I’ve unintentionally written about six of the songs on the record, but that doesn’t mean the remaining three mean any less. They mean just as much. I love the way Salt Throwers Off A Truck sounds like it could be the name of a novel. The song itself sounds like it could be the foundations of a novel or film. I Am So Far is a haunting and melancholic one, and it is heavy but as Grian has described it, the song sounds like water. I think I understand what he means here. There is something safe about water and watching it from afar (I can’t swim so….) Open bodies of water feel really calming for me, and maybe that’s due to growing up on the Isle of Man and having access to beaches easily, and just being able to breathe in the sea air and feel somewhat calmer. You really get this from this song, and the whole record feels like you’re slowly attempting to calm down. It’s music for the soul, and it hypnotises you in the most enthralling way imaginable.

The record ends with Season For Pain- a title that Rimbaud himself would love. It’s a perfect way to end the record. It’s about moving on, and you can hear the relief in Grian’s voice on this especially at the end where you feel that he’s at the right head space to move on. When you get to that place, it is the most freeing feeling. It’s shite beforehand but when you get there, you feel lighter and better.

Nine songs in just over half an hour. You want more, of course but this record is perfection. Every song flows beautifully and perfectly into the next. Everything is in its right place, and it’s just one of the most honest and captivating records of the year. It’s the kind of record you’d give to someone and say, “Listen to this…everything will make sense and feel better.” There’s reassurance and understanding on this record, and to be honest, what more could you want.

BEIGE BANQUET.

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I’ll never get why chaotic sounds seems to calm my mind. The louder a band is, the more relaxed I feel. Don’t get me wrong, I love quiet moments but sometimes you need to listen to something that just messes with your head and throws you into another dimension. Finding a band like this is such a thing to treasure and appreciate with all you have, which is why I’m writing about a mighty fine band called Beige Banquet.

They’ve been around for a few years now, and they recently went out on tour with Die Verlierer around the UK. I was meant to be at the Manchester show but I forgot I was still visiting home. There will be other times, I’m sure. Beige Banquet have a solid Post-Punk sound- if you’re into genres. There’s a very slight nod to VERY early Joy Division here. There’s a charming darkness to their sound, and I think their S/T record is such an energising record. You get to know their sound, and you fall in love with it.

Songs like Control, Hotel Room and Welcome To Rock Music are essentials for any music fan. This sound is infectious, and it’s hard to believe that Beige Banquet initially started as a solo project by Tom. Band members were added, a pandemic happened, excellent music was released- that’s all you need to know. With 5 members now in the band, there’s a loudness to the band’s sounds that lures you in. That loudness mixed with how divine the sound is just has you hooked.

There’s a dark 80s feel to their sound, and the debut release Beta nails this. It’s such a strong record and it’ll leave you crawling for more. You’ll be comparing everything you hear to their sound- a mighty fine distinctive sound that will have you dancing like Ian Curtis rugby tackling Iggy Pop. Is there really any other way to move? I hate how I have blips of where I don’t write about music, but bands like Beige Banquet make you want to do something. Anything.

In some respects, you can easily say there is a heavy influence of The Fall on the band, and by that I mean the delivery of lyrics and how you can sense how carefully crafted every element of the songs are. It’s like Mark E Smith joined Kraftwerk- perfect! The Beta record is a dream of a debut release- the level they are at on this record is something else. It’s been nearly 2 years since it was released, but with every listen, you feel like you are hearing it for the time. I also have this feeling that when I listen to the record, I’m not listening to a band from current times. They’re out of this world and in their own league for sure.

There’s heavy Krautrock influences here, and everything in between. The build up on the songs (especially on Cold Yoghurt) have this tension that makes you feel like you’ve walked in on something you probably shouldn’t have done. A truly exceptional record from a band that deserve all the praise possible. You can’t help but get excited for what can potentially happen next for this band and when a band can do this in a short amount of time- that’s when you know you’ve found something to keep very  close to you.

See this band live whenever and wherever you can. Buy their music and become obsessed with them- you won’t be the only one.

BRUISE CONTROL: Useless For Something.

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Ever heard a record and it immediately makes you so excited you just want to run around and tell everyone about it? Course you have! For me, that record is THE DEBUT by Manchester’s finest Punk band- Bruise Control.

Bruise Control blew my mind when I saw them support Amyl & The Sniffers at the Albert Hall. That gig was something else. The crowd went nuts and it felt like a joint headline show to be honest. Let’s bring it up to present day, and talk about why Useless For Something may just be the best Punk record of the year and to be honest, it dicks all over a lot of records and it is such a joy to listen to.

As someone who feels uncomfortable listening to music that is tame/quiet, Bruise Control speak to me on a level I feel I’ve been in search for for what seems like an eternity. I feel like I’ve heard Black Flag and The Birthday Party for the first time when listening to this record. The rage, the passion and the energy this record has it huge. You can’t just play this once and go about your day at all. You have to just keep on listening and by the second listen you’ve nailed down the lyrics and you’re screaming them right back.

What I adore about Bruise Control is that they make their songs so easy to relate to- songs like Taxman are just *chef’s kiss!* perfectly summing up how us working class are constantly being dicked over by scummy Tories and the like. They have such a big sound, and this being their debut is remarkable. It’s a record you’d expect from a band decades into it- they’ve perfected their sound. It was obvious from the jump that Bruise Control were going to be special and Useless For Something goes above and beyond what anyone could ever have expected.

Dead On Arrival may be my favourite at the moment, but the more I listen to this record (yes, it is daily) the more I find different parts to fall in love with and become obsessed with. There’s this really tight sound on the record, and Dead On Arrival smacks you with hints of Fugazi and Jerry’s Kids. Absolute monster of a record and I don’t say that lightly.

The record was produced by Niall (guitarist) and that truly keeps in with that effortless DIY Punk sound that Bruise Control have- every song is a beautiful smack in the kisser. HMRC is a prime example of that, as is Useless and Bottom Feeder. Every song is an anthem and by that I mean- every song is so important and NEEDS to be played as loud as you and your neighbours can stand. If you are looking for something to blow your mind, burst your eardrums- then this is the record you desperately need. You know it is going to be a riot of a record right from the start. Useless is the perfect way for the record to open- Jim’s vocals on this are so snarly and raw. A beautiful and brutal way to start the record. I was listening to it whilst on the tram to work this morning at 7am- it bloody woke me up!

Manchester will always be one of the best cities in the world for music- Bruise Control utterly back this up. Their energy, their message and their talent has an immediate grip on you- a bear hug, a chokehold. Whatever you want to call it. That grip they have is so rare and so enthralling. I just absolutely love them and this record. This band are the future. Our future. The world is theirs and all that’s left to do, is to play the record loud. Then louder. And maybe touch louder just to make sure.

CASUAL DRAG: Revolution Will Eat Itself.

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This should have been written weeks ago but we’re here now and that’s all that matters.

I’ve written about Casual Drag before, and my love for them is ridiculous. Now I get to write about their new one, Revolution Will Eat Itself and it’s a proper DIY Punk work of art. Do you need to play it loud? Yes. Will it make you want to trash your room and throw shit out the window? Absolutely. I wouldn’t expect anything else from them. They are one of the most exciting bands around and they are totally feral with their sound. This beautiful and passionate aggression in the songs is just a delight.

This record is one of those that make you wish you could immediately catch the band live. I know that they are well adored in their city of sweet, sweet Glasgow but the rest of us really need to experience the joy of a Casual Drag show. Until then, we play the songs as loud as we can and on repeat. Is there any other way to do it? Nah.

The record is made up of 5 songs to melt your face and ears- and you’ve got to remember that there’s only 3 of them in the band making this stunning racket. You can’t help but instantly love them with your first listen, and this record was so easy to love. Every single song is an anthem. An anthem for those of us who are fed up- and I’m sure there’s a lot of us out there! This record has a lot of attitude but you cannot compare it to anything else. The only other band I can think of that have the same bite are Bruise Control. Some of the songs you can scream along to, but don’t let that borderline Pop feel fool you at all- this band know exactly how to hit you between the eyes.

When you listen to the record, it’s hard to believe that this is their debut EP. They’ve nailed this sound, they’ve figured out their sound so easily and it just makes you so excited to hear more from them. Every single song on this EP deserves it’s place- no fillers here! Every song will move you and make you want to immediately go to a sweaty Punk show and throw yourself about whilst covered in your own drink and probably someone else’s!

Have a fun fact: Casual Drag were formed over a cigarette break by Richard and Dominic. They share a love for the Amazing Snakeheads (Dale Barclay forever) and IDLES; and you can hear it in their music- there’s this same ferocious sound that others may fear but it sounds SO good. It’s such a comforting sound. See, some people take comfort and safety in quiet and peaceful songs- I can’t do it. I’ve tried, and I can’t. When it’s as loud as Casual Drag- then all is okay. I feel I can focus. The songs are made to be blasted out live- those snarling and gnarly vocals, the slick bass and guitar and drums adding fuel to the fire- pure heaven.

I Like It is the one you probably have to play the loudest- the drums on this are wild. Matt is one incredible drummer, the way they play the drums is so wild. All 3 of them have this raw style and approach and I think I Like It is the song that really shows this. It’s just a perfect record all the way through, and sure you’ll want more- but we’ll get it soon enough!

This is one of the finest and loudest records you’ll hear all year; treasure it and let’s all hope they do a tour soon because lord knows we need it! I know I do!

CROCODILES: Upside Down In Heaven.

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I feel like I’ve waited a lifetime for the new Crocodiles record. They always seem to release a record at the right time. This is record number 8, and every record makes you feel like you are listening to the band for the very first time.

Their first record came out in 2009, and if you’ve never listened to their music before- I urge you to spend some time and listen to everything in chronological order. You’ll hear growth but you’ll also fall in love with their distinctive sound. It’s in Brandon’s vocals, it’s in Charlie’s guitar playing- it’s in the bond they have with each other. It’s unlike anything else. 8 records in and there’s nothing and no one quite like them.

Usually when a band I’m a fan of release a few singles before the record comes out, I listen to them over and over. I’ve done it differently with Upside Down In Heaven- prior to the release today, all I had listened to was Degeneration. I wanted everything I heard today to be brand new, and spend my day off work playing it over and over. I’ll be spending many days like this, and just soaking up this record because it’s just unreal.

Could I ever pick my favourite record by Crocodiles? No, but it may depend on the circumstances. I mean, if you threatened to take my cat from me, I definitely could choose. But a passing choice? I have no idea. BUT! Let me tell you, Upside Down In Heaven is a masterpiece. 10 songs and half an hour of unfiltered bliss. The record opens with Love Beyond The Grave and ends with Rock ‘n’ Roll Graveyard- what happens in between is a thing of beauty and pure joy. This record feels like pure joy to me; it’s all I could want and more from a Crocs record. I think Rock ‘n’ Roll Graveyard may be my favourite at the moment, but in a few days’ time I’ll have changed my mind.

I’ve Become What I Fear Most is like a Bukowski novel in song form. It’s lyrically one of my favourite songs ever by Brandon and Charlie, and easily up there with being one of the best songs by them and I could happily play it over and over, all day. This whole record feels like seedy stroll down the backstreets of NYC in the late 70s; it’s incredible. I think it’s one of those records that you’ll turn to for comfort but also, I think these songs are going to absolutely rip when performed live. Every song is just under the 3 and a half minute mark, and of course you’ll want more and more but the wait is definitely worth it with this record and it picks up where Love Is Here left off. That’s something I’ve always loved about the band- every record is a step up from what came before but at the same time you know it’s Crocodiles.

Forever Walk Alone is one of those songs that you’ll play and just instantly connect with; there’s something about Brandon’s vocals on this that you just connect with. They’ve both got this way of making you instantly connect with what you’re hearing. Lovers Of Nothing is a perfect people watching song, then you’ve got this glam rock feel of Magic Trash which reminds me a little of New York Dolls and their gorgeous flamboyant sound. Dead Beat sounds like it could be in a straight to video horror film and you cannot help but become addicted to it.

When a band you love and adore put out a new record it just makes your day, your year. Crocodiles have done it again and I’m just so proud of them and I’m so happy that a label like Lolipop Records have put it out. What I love about Crocodiles is that everything they put out is on their terms- it’s THEIR sound. They don’t compromise or stick with a certain sound in order to be heard. They grow with every record and I hope they continue to put records out when they are pensioners. I can’t imagine them ever stopping. I don’t ever want to.

Upside Down In Heaven is a record that is good for the mind, body and soul. Stick your headphones on, play this record and go for a walk. Absorb every single song and every word, and you’ll hear just how perfect this record is. 10 songs and half an hour of sheer bliss.

NoSo- YES, Manchester. The Pink Room. 10th March 2023

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I think NoSo’s show last night may have been one of the most, if not THE most welcoming, most safe and most full of love show I’ve ever been to. Being in a queer friendly environment, as I’ve got older, becomes more and more important to me. Being in these safe spaces makes me feel less conscious of myself- knowing that there are people around me who probably feel the same. Whether it’s the Non-Binary part of me or the Queer part of me; when these parts of me can exist like this in one place, together- it just makes me feel happy and safe. Given how shitty the world is right now, especially to the LGBTQ+ community- these safe spaces are much needed.

This was NoSo’s first ever time playing Manchester and with only other UK date of this little tour being in London- you could definitely feel how much this show meant to everyone in the crowd, and of course to NoSo. Every song off their debut record, Stay Proud Of Me is played. The night ends way too early. I think we’d all have welcomed hearing the record 5 times over. Every single song sounds just like the record- perfect, dreamy and soothing. This show made me feel at home. A feeling I’ve not had in a while at a gig, and it came back fully last night.

Songs like Everything I’ve Got, I’m Still Embarrassed I Think Of You and Man Who Loves You really hit you in the gut. There are several times during the show where I nearly start crying like a baby- Suburbia is the one that nearly breaks me (the chorus, my god that chorus.) When NoSo talks about their journey about being Trans; it is just the most vulnerable and beautiful moment of the show. To have someone be so open in front of a bunch of strangers is something truly powerful to witness. It spoke to so many in the crowd, and it was such a beautiful moment. The show felt quite spiritual and just so freeing- the whole set is made up of ethereal moments that you want to stay in forever.

For me, it was wonderful to see people at the show who see themselves in NoSo. Being able to connect like this with music is something I feel can be quite rare. Sure I love music that’s a bit rowdy, but being able to find something that gives you a sense of home or a community- that’s rare. Hearing songs that really speak to you. The songs that act like your crutch because nothing else cuts it like this is just something to truly treasure. The number of times I play Stay Proud Of Me a day, well, I’m pretty sure my cat knows all the words off by heart now.

After each song, NoSo gives this beaming smile and nod. This reassuring reaction makes you really connect and feel like this moment means as much to you as it does to them. You can’t put a price on that. This show was initially meant to be in the Basement at Yes but deservedly got moved up to the Pink Room. Who knows what venue they’ll play next here- Albert Hall would be stunning as would The Deaf Institute- hell even in a bus stop NoSo would sound heavenly. My point? If you weren’t there last night, you truly missed out on something truly special and life-changing.

Everyone went wild as soon as the intro to Honey Understand kicked in and of course, when NoSo said every song is about being homosexual  but in a different tempo, well, they weren’t lying. That’s why it felt home.

THE MEN: New York City.

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I completely forgot that this record came out very recently- I thought it was coming out in the Summer. I am a fool! Anyway.

The Men’s new record- New York City is their best work. Did I ever think I’d say something was better than their debut? Nope. Their debut owns a chunk of me that no other record ever could, but their new record is something else. It’s a Punk record that takes you back to NYC in the 70s. Aptly titled record, right?

Over the past few days this has been the record I’ve been listening to religiously. Every song feels like a time capsule of Punk. At times you feel like you’ve found an old Iggy Pop record that no one else has ever heard. Then you feel like you’ve listened to the New York Dolls for the first time. This is hugely prominent on the record opener Hard Livin’ which has Johnny Thunders style guitar and a real New York Dolls feel to it. Most of The Men’s records have been released via Sacred Bones but this one has been put out by the equally influential Fuzz Club. Both labels have backed so many exceptional bands and the cause of me rarely having any money!

New York City is the bands ninth record, and they’ve been going just over a decade or so. To me, they are one of the most important bands of my generation and they’ve just got this unique style that expands on every record. Sometimes when a band changes labels they can maybe lose who they were or badly flip their sound to fit the style of their new home- The Men don’t do this at all. If you listen to their records in chronological order, you will hear that this is the sound that was destined for record number nine- regardless of which label was to release it.

There are so many wild moments on this record and every song is just a delight to listen to. At the moment, Echo is the one I keep playing the most. I love the raw feel to it and how urgent it sounds. I love how the vocals are so gnarly and rough. There’s nothing delicate about this record- it’s unfiltered carnage and I can’t get enough of it! Every song flows perfectly into the next, and the production on this record is so tight- but they still maintain a strong DIY feel to it. The sound still feels brand new, and that’s one of the many reasons as to why I love this band. I love how they always go a step further and this record shows this in all its glory.

New York City is a record that you need to play in order for the first listen or so; but after that- go whichever way you want. Eye is the slickest song on the record- that’s the one that throws you off because musically it’s tamest on the record but vocally it’s probably the best. Honestly, the vocals on this are snarly as fuck and you can’t get enough of them. This record is the band at their best, and I’ve probably said that about their previous records but, with this one- there’s something truly magical about it. You feel like after being a fan of the band for so long, you’ve been on this journey with them and the journey has finally led to this record. The Punk record the band needed to make. The Punk record we all need. It’s a masterpiece and I could happily spend hours and hours listening to it. It’s a record that with every listen, you find something else to appreciate and fall in love with. Listening to this record, I feel like I’m listening to The Men for this first time but also reinforcing why I love them again and again. Every listen of this record is so precious.

I have no idea if the band will ever tour the UK with this record, but I hope with all my heart that they do because it just HAS to be heard live. And for purely selfish reasons, I’d like to finally be able to see a band I’ve loved for so long live! Every song on this record is full of this energy that you can’t get enough of. Songs like God Bless The USA, Anyway I Find You and Round The Corner are just so intense and honestly, this record will make you feel battered and bruised after hearing it. It’s a fistfight, it’s a riot and it’s so important. If you’ve never listened to The Men before, I’d normally tell you to play their debut, Leave Home first- but I think I’d now tell you to start with this one! It’s incredible, and I feel it just may be one of the best records we will hear this year.