When a singer can passionately unleash a fraction of any feeling you may have once, or currently feel, in a way that you simply cannot do.
I dislike current musicians that claim to be Folk, when really they’re just someone with a guitar. They spew out lyrics that hold no meaning; no one can relate to the pretentious mess that pours out of their mouths. I’d happily name them, but that’s not very nice is it. Still, I dislike them. However. HOWEVER, there is one guy who could be classed as Folk, if you wanted to play that game- that’s if you don’t really pay much attention to his music. If you listen intensely to Jenson Tagg, you will hear someone who has been influenced by the Blues. His music sounds like how Jack White would sound if his music was slightly stripped back. Jenson has so much power in his voice- he’s just a brilliant musician.
His music is an infusion of Rock music and the Blues. He merges them in a careful way that keeps a genuine tone in his voice; why he isn’t known by EVERYONE is beyond me. I really don’t get it. But I guess if you look at the Top 20 you’ll see why. His lyrics are perfect, and his debut record Scream shows just how beautifully talented he truly is.
Scream is a stunning debut that causes you to drift off, in a way that means you aren’t paying attention to anything or anyone around you. As you listen to him your thoughts are sort of aimed at something or someone who once happened. There’s a lot of longing on this record (Come Home pretty much sums it all up.) But, my favourite track on Scream is I’m Done! It’s a song with attitude, although when you listen to Jenson’s lyrics, you get the feeling his a real gentle soul. Those kind of people are the best.
Honesty is lacking in people. You’ll never meet an honest sales person or politician, you just won’t. People tell lies to keep you around, I guess we are fools for believing them. Or maybe we’ve fooled them by making them thing we believe them. I suppose the latter makes us as bad as them. But in music, you will always get honestly. Scream is a record that is a creation of honesty,I’m Done is the song that just expresses all of that fury in a few minutes. A few glorious moments that exposes being fed up and uncomfortable. Two things which I can probably relate to more than I wish to.
Over the past few years Jenson has toured up and down the UK, written two records worth of material and has played for the athletes for the Olympics 2012. His music is for anyone, you don’t need to be a music snob on this one. He has this magical way of tugging at your heartstrings, but at the same time just offering you a blanket of comfort with his open lyrics. The fact that his words at times are vulnerable means you connect more. To connect to lyrics/songs is a beautiful feeling, because we live in an age where everything is summed up by how many “friends” you have on social networking sites to how many photos you upload to that bloody awful Instagram shit. STOP HASHTAGGING. Sorry, it gets me angry. Anyway. The fact that Jenson is so open with his words means you can take them in a way that fits you. Whatever mood you’re in, his music can either heighten it or soothe you. An equal balance done in such a way that means you cannot help but treasure his music.
When you wait a hell of a long time for a band you like to put a new record out, you desperately don’t want it to be crap. I’ve had this disappointment thrusted upon me a few times; more recently it was MBV. I don’t even know if I made it through the whole record, I sort of just..gave up really. Typical, I know. I got so far and thought better of it. As I listen to Seasons Of Your Day by Mazzy Star, I’m slowly realising that this disappointment doesn’t have to be a frequent thing.
Yes everyone loves Fade Into You. Yes it is one of the best love songs of all time and yes I cannot listen to it without wanting to cry. Let’s move on from that, because their debut record, She Hangs Brightly will always be my favourite thing they’ve ever done. I also love the songs The Jesus And Mary Chain featured Hope on. I think it made their record, Munki alright. When you can accept weak albums from your favourite band, you know you’ll love them for life. Thing is, I don’t just love The Jesus And Mary Chain. Religious people have their scriptures and the like; I just have music.
Seasons Of Your Day pretty much sounds like Warpaint meets Beach House meets Cat Power’s Myra Lee record. The opening track, In The Kingdom sounds as if it was an outtake from Beach House’s last record, Bloom. Seasons Of Your Day just oozes love and devotion. It is, to put it simply; a pure and delicate piece of art that makes you feel as if no time has passed at all since their last record, which was actually 17 years ago. I feel really old now…
It is obvious that Hope Sandoval is a painfully shy character, most of us are. Sometimes it gets a bit frustrating because you want songs that have a bit more bite to them, but this is what makes Mazzy Star so distinctive. They still have that ethereal atmosphere to their music with beautiful psychedelic sounds. You close your eyes and you feel as if you are on some trip. I’ve never done drugs, but I can go dizzy if I stand up too fast. Old age..it is sure creeping up. The bastard.
I was quite young when I first heard of Mazzy Star, and as I got older I read their lyrics intensely and I sort of learnt the true meaning of devotion from their songs. When they delve into the hypnotic and captivating throes of love, you cannot help but place yourself in that situation that Hope is singing about. Somehow I don’t think Mazzy Star are capable of doing something as aggressive as say, Violet by Hole. I love Courtney Love, and no one can do honesty like she does; she exposes ugly feelings and makes you feel alright with feeling them. Sometimes, it is a bore to feel completely clean.
I’d imagine a lot of people would bake to this record whilst wearing an awful jumper. Don’t wear a jumper when baking; you’ll get too hot. Don’t wear an apron either. You’ve not successfully baked or cook unless you’ve made a mess and got half the ingredients in your hair.
I’m aware this is probably the worst record review EVER, but who cares? My point in this is that, unlike some bands- Mazzy Star have been away for 17 years and they come back sounding as gorgeous and as gentle as they did back then. It is a style that I don’t think will ever leave them. I hope it never leaves them because they have created something to just shut your eyes to, and dream away life and everything in it.
One of the things I really really adore about Seasons Of Your Day is that there is an obvious Blues influence here. The bottleneck effect on the guitars is just stunning on this record. Anyone who dismisses that genre is denying themselves of some of the most heartbreaking and honest songs ever. Taylor Swift isn’t echoing your thoughts about heartache; Bessie Smith is (well not anymore obviously..but back catalogue, you’ll see!) The Blues was a genre that my mum was obsessed with; she’d play Muddy Waters to me, and it was such a comforting sound. She had a tape of him that I pretty much took ownership of. Without the Blues you really wouldn’t have a large chunk of the music you have now.
Seasons Of Your Day does not disappointment. It is perfect for long-term fans of the band, and for those that have never heard of them. Or have only heard THAT song. Yes THAT song is beautiful, but there are beautiful songs on Seasons Of Your Day. The sincerity in Hope’s voice is nothing short of divine, she lives up to her name (sorry…)
17 years was obviously a long time to wait, but things do take time. Usually things of greatness. Seasons Of Your Day was recorded between 1997 and 2012, and as you listen to it, you can sort of tell that these songs were done this way as there are certain changes in the sound. There are leaps into a solid sound on Seasons Of Your Day, and this solid sound they have created here makes you hope that they don’t wait another 17 years to release a record. Mazzy Star are a band that are secure in their own sound. They don’t need to change their sound drastically in order for you to listen. You love them because they have a relaxed and (I hate to use this word) dreamy feel to their music.
Seasons Of Your Day is 50 minutes of bliss, something we should expose ourselves to more often rather than want to rush everything. Take your time, because there are beautiful moments in this record that you will miss if you preoccupy yourself with other matters.
For some, 14th September is just a normal day- but for others they know that today is a pretty sad day. If it wasn’t for that horrible day two years ago, today would have been a special day for one person and her family. Sadly it isn’t. A loss is a loss, regardless of who experiences it.
Today would have been Amy Winehouse’s 30th birthday; today is also Nas’ 40th birthday. A rapper she really loved, and spoke beautifully about it in her song Me & Mr. Jones. She even sampled Made You Look by Nas on her song, In My Bed. Both songs are incredible, and probably the two I can sort of listen to without this weird and awful feeling just hitting me.
If Amy wasn’t so open with her lyrics, if you thought she didn’t mean every word- then I guess her music is probably easy to listen to. I remember hearing her many years ago on Trevor Nelson’s radio show he had on a Saturday afternoon on Radio 1 and he played Stronger Than Me. I then saw her on Jools Holland and she had this baby blue guitar and leopard print trousers on. She looked a little vulnerable but an element of control was around her. Anyone who saw that performance knew that they were witnessing something that would become such a vital performance. More importantly it was one of the best performances on that show. Ever.
Of course we must not be sad, but there will always be an element of sadness when her name is mentioned. Or when we think about Amy Winehouse. Her music, her words..they made you feel as if you knew her. Of course we didn’t but she was so open with her words- you couldn’t help but feel something like, she was your pal. Her music got you through heartbreak. So many have leant on her record, Back To Black to get through emotional pain. It was a raw record that exposed the ugly and haunting feelings we have in a way that we never could. That no one else may ever do. She was a phenomenal song-writer; the sheer honesty in her songs was just absolutely beautiful. The way in which she sung them made them what they were; perfect.
Since her passing, Amy’s family have set up the Amy Winehouse Foundation. You can learn more about who they are and what they do: http://www.amywinehousefoundation.org and all through September they putting on events to celebrate her 30th birthday. Get involved.
Today is a sad day, but it..happens. She died far too young, and it is so easy to think of what could have been. But what we have is what we should treasure. There will never ever be anyone else like her. She will always be the Queen Of Camden, always.
We have moments of clarity and realisation in really peculiar moments. The worst is when it happens when you’re stuck on train or whatever, and you cannot get out to do something about it. Or you have pen and paper near you to write anything down. I have a shit memory at times, so I just forget anything that could be of use to me. Sometimes though; I manage to cling. More people should learn to keep secrets, and keep their own. But sometimes we are given an insight into a world that’s a billion times better than our own. You know where you can find a better world? Right inside the depths of SISU’s debut record, Blood Tears.
SISU is fronted by Sandra Vu who is the excellent drummer in Dum Dum Girls. If I could drum, I’d want to have the talent she has. She adds something a bit aggressive to a band that are wonderfully delicate. So what kind of music does she make in SISU? Well, if you’re looking for a Dum Dum Girls clone don’t bother. SISU are quite synth focused which adds a really dark and reluctantly I say this, a “goth” vibe to it. If Bauhaus merged with say, Depeche Mode- this is what you’d get. SISU’s music has a wonderful New Romantic feel to it also. Blood Tears is a record you need to play whilst walking late at night with a heavy mist looming. There is something quite sinister about this record, and that’s why I love it. The song Electronic sounds like it should be featured in a horror or thriller film- as the bad guy approaches his next victim. The record is gorgeous and creepy; it makes you want to put a cape on and go deep into the night. Or you could just stay at home and play it. I’d go for the latter, it is much safer.
I’m not going to make any comparisons to Dum Dum Girls as I think that’s quite unfair. They are separate bands with completely different sounds. Different is always good, especially in music. The structure to this record is just perfect; every song flows perfectly into the other. It flows majestically even if it feels like a haunting soundtrack to a dream you once had. The darker the sound, the better. SISU’s music was made for those creepy basement bars where you are surrounded by people who just “get” you. Without words, but a knowing nod- they just get you. Blood Tears is a debut record that I know I am going to hold very close to my heart for some time. I think this is how my brilliant stepdad felt when he heard Siouxsie And The Banshees for the first time. You know you are hearing something incredibly inspiring here. I hope they play the UK, because there are some brilliant venues here that were made for bands like SISU.
I could happily praise this record for as long as words fall out of me. I’ve noticed something in the song Let Go that reminds me of Garbage’s debut record. There is an attitude to SISU’s music that is found in Garbage, and although I said I wouldn’t compare them earlier- you find this in Dum Dum Girls’ music too. But you probably knew that. Shirley Manson is an incredible force that has evidently influenced so many. I have no idea if Sandra is influenced by Shirley, but her voice has the same “I’m going to make you listen to me” feel to it. It’s bloody empowering.
I believe music is probably one of the few things in life that can give you a real sense of pleasure and freedom. Blood Tears feels like it could strengthen the weak ones. That it can find those who truly need to be found. The dark atmosphere that is in this record is nothing short of divine and you never want it to end. Ten songs just isn’t enough, but you can always hit repeat can’t you.
I sincerely hope Sandra and the band are proud of this record because it is honestly unlike anything else I’ve heard all year. SISU are on that Dirty Beaches level (who they are currently on tour with and I really wish I lived in America right now because of it!) They aren’t conventional with their sound and you can just sense a lot went into the music. I think when you pick up on that, you gain a different insight to the record. I’m not for conventional anyway, which is why bands such as SISU mean a lot to me.
A debut record can have a massive impact on the fan/listener; you fully get that with Blood Tears. It is a passionate and bold record that I cannot wait to have in my possession and play on a daily basis. That eerie bass-line in Sharp Teeth is enough to make The Cure go to the studio and make something as ethereal as Seventeen Seconds. It may be 2013, but SISU truly take you somewhere else. I don’t know where, but being found doesn’t matter.
Blood Tears is out on Mono Prism Records on 17th September. Even if you are on poverty row, go buy this record. I have so much more left to say about Blood Tears, but I’ll stop here….for now.
Chillwave was a style that was apparently set out to bring out hipsters and pretentious oiks in full force. Music is music, and you cannot be a snob about it. I’ve been called a “music snob” more times than I can remember, it used to offend me but I’ve learnt not to listen to people. I’m just massively passionate about music, and to be honest I think it is the only thing that validates my music. Writing about music is one of the very few things that make me feel like I’m doing something of use. I do it for no one but myself, and I think if I did it because I had to/for others- I wouldn’t care. If you’re not going to put your everything into something, then please just leave it alone. So you can say Chillwave is only for certain people, that’s fine- but that makes YOU the daft one. I know to an extent a lot of it sounds the same, but you can find that in any genre. I’d rather listen to hundred of bands that sound like Youth Lagoon than be told Katy Perry is one of the best singers around. (I’m still mad at her UR So Gay and I Kissed A Girl songs.) So I should probably leave this rant alone and move on to what I intended to write about.
LUUUL is one guy who makes music that makes you feel like you constantly have the sun on your back. He makes you feel as if nothing in the world right now matters. For the most part, I guess not much does matter. It depends on your outlook. But as I listen to LUUUL’s music, everything feels like a dream and nothing really matters. Music can help you create beautiful moments in your mind. It doesn’t matter what they are, because no one can take them away from you. The Morning After is the perfect song to listen to as the morning sun hits your tired eyes. As sleep falls away from you, LUUUL’s music is the hope you find a new day. Everything in the moments his music creates is just perfect. His music is the picturesque sunrise you wish you could paint. It stays locked in your head, and gently falls down to the depths of your heart. The moments are kept safe for as long as you wish.
I’m not someone who seeks hot climates and wishes to laze about on a beach, but LUUUL has this gorgeous way of making you wish you were on a beach staring at the sun’s rays hit the glistening sea. What song by LUUUL is perfect for this? Beach of course. The beautiful moments never stop with his music. The bass-line to Beach sounds like how Warpaint would sound if they went in this direction. Both make entirely dreamy music to just lose yourself in, and it never felt so good. The best thing and the most beautiful thing about music is the feelings it gives you. Feelings you probably thought you couldn’t feel or would ever feel. Certain key changes in the songs you love or that one line in your favourite song of all time can just make your heart beat quicker and can just cover your body in goosebumps. Your favourite song is like looking at the person you’re in love with- nothing matters, just that moment. That’s how LUUUL’s music makes you feel. But of course, this is just my personal opinion.
For any emptiness you feel inside, there is always a band or a song to make it alright; you can find it in LUUUL for sure. His music is the sun on your bones, warming you up and just making you feel alright.
True love is found and felt in weird places. I think I experienced it this morning at its strangest. I saw two grey hairs on my head (I’m 26!!) so I whinged about it, and my girlfriend pulled them out before she went to work. I was being dramatic, but I don’t think I’m ready to go grey just yet. Nor do I fancy colouring my hair, that’s not for me.
True love can also be expressed in music, and the band I’m listening to right now express love and everything around it in such a delicate manner. To the point where they break your heart just slightly. Only slightly. I feel no connection to singers who just stand with an acoustic guitar singing songs that just oozes ridiculousness. It isn’t for me; I cannot connect to it. I want ethereal gems that surround me with a feeling nothing in this world can probably give me; a feeling that goes beyond words. A feeling that is extremely delicate and one you can only treasure.
I’ve found a similar feeling in the band, Woman’s Hour. If you look them up, you might get some stuff about that brilliant Radio 4 show, but that’s okay. Both are good, so it’s fine.
Woman’s Hour have a song called To The End which is exceeds the word “stunning.” I wish I could describe how good this song is, but words for the most part, do fail me. The singer, Fiona has such a delicate voice (think Jessie Ware meets Aaliyah meets Sade- it is that beautiful.) Their music is much like what I listen to, perfect for the night-time when no one else is around. If they are around, tell them to go away or stick some headphones in and just get lost in this captivating world they have created with their music.
They have this haunting way of just soothing your soul in the way Say Lou Lou do- if you’re looking for reassurance, then Woman’s Hour will give you that and more. They are like a comfort blanket for the days where you just want to say no to everything and everyone (I have them more times than I should.) What instantly formed my love for them was that, when I listened to them all essence of colour slipped away. You see things in black and white when you listen to them, with hints of grey. There is a lovely dark atmosphere to their music that quite simply, makes them easy to love. And love them I sure do.
With the daylight appearing less now (it’s not a bad thing) bands like Woman’s Hour are the perfect sound for the crispness of Autumn and the fragility of Winter. Woman’s Hour are perfect to listen to as everything just passes you by. But try holding the one you love as you listen to Our Love Has No Rhythm, and just let everything carry on as normal; ignore it all and create your own moments that no one on this earth can take away from you. Their relaxed sound is good for the soul. Think Beach House meets Sade, then you’ll have it. Every insecurity or feeling of doubt just swims away as you listen to Woman’s Hour- they make you take it easy on yourself, they fill you with this heightened feeling that goes beyond words. But you feel it in your soul, and that’s how you know you are listening to one of the most exciting bands around.
Their single, Darkest Place is going to be released via Luv Luv Luv Records.
When I first wrote about London Grammar in January, I said they reminded me of Imogen Heap meets Youth Lagoon; this was based on just one song. I wasn’t sure if they would keep something like that up, that maybe Hey Now was just a taste of how ethereal they were going to be.
As I listen to their debut record, If You Wait it becomes more obvious that they evidently have made a bloody strong debut. If You Wait sounds like a record you’d expect from a band that are at least 5 years or so deep into their career. It goes beyond all expectations of a debut record.
At its best, If You Wait is a haunting catharsis. Everything about it feels like some kind of release and Hannah’s voice is just so so sad. There’s so much sorrow in her voice, and the fact that the lyrics are as equally as vulnerable as her voice just breaks your heart a little bit more than you anticipated. Wasting My Young Years makes me hate that I’m getting older. But hey, free bus pass! Although by the time I’m 60 I suppose they’ll have scrapped that idea. As I listen to If You Wait, I start to feel everything that London has eventually come to mean to me. Maybe it’s because I’m with the one I love (finally) but London feels like home. There’s so much security in London Grammar’s music, it feels like home. Hannah’s voice is as delicate as the likes of Anthony Hegarty and the music is as soothing as my personal favourite, Deptford Goth. London Grammar are London. They are that awful night bus journey home, they are that last tube home journey. As you gaze out into the night with nothing but the street lights acting as stars to guide you home. For me, I think Sights sums this feeling up more than most. Although it is pretty much constant throughout.
I’d imagine those that listen to London Grammar, and I mean TRULY listen to them will pick up on feelings that those who just skim through will miss out on. There’s innocence and fear on this record- two of the things that make us human. Having these vulnerable characteristics will cause you to pick up on every tiny detail on If You Wait.
As someone who is more delicate than tough (I’ve reached the stage where I no longer wish to try to change this) If You Wait is sort of like..well, it is almost as if London Grammar are telling you that it is alright to be a bit of a coward. To be a little lost, to be a little troubled. If I wasn’t so tired, I think I would have cried listening to this record. This is tugging at the heartstrings at its finest.
If You Wait is made for the shorter, dark days. It is made for solitude. It is made for inner peace. It is made for you to find pieces of yourself that you daren’t share with others; because they’d deem it as ugly. Music will never call out your traits or make you feel ashamed. That’s why I love music. That’s why I believe that If You Wait could possibly be one of the most ethereal records I’ve heard in a long time.
As the sky is now dark, I urge you to click on this link: http://www.londongrammar.com/ifyouwait and close your eyes. Close your eyes and go somewhere where nothing and where no one can disturb you. Find your inner peace and do not let go of it. Cry if you want; better out than in. Let Nightcall be the song that breaks your heart. Let this record be the record that breaks your heart in the most angelic way possible.
Those who struggle with their own reflection and for those who constantly feel uncomfortable in the skin they were placed in; there is an outlet for all of these ugly feelings. Sometimes you are not the one who gets them out, sometimes it is someone else with not just a gift, but a blessing to unleash everything you feel because sometimes, you just physically cannot do it.
At the start of 2012 I wrote about a singer that I accidentally found, proving that sometimes accidents are no bad thing. I became fascinated with Willis Earl Beal’s music because there was nothing about him floating around on the internet. Nobody knew who he was. Nobody knew really where he was. Those that found him were more than likely feeling the same as me; lost. And those that listened to him immediately felt as if they had found some kind of home in his music.
Willis posses the soul of Sam Cooke and the gnarly,raspy drawl of Tom Waits. Willis has soul, and it is infectious. It is the most beautiful thing. Willis had nothing before his debut record was released. He was homeless. He made posters with his number on for people to call just to hear him sing. Willis took it back to how it should have been done, how it always should be done. So what has he done a year on from his debut?
Well, his music is still as raw. His music is still as heartbreaking. Nobody Knows is a phenomenal record, and I sincerely hope this is labelled as a record of the year because it is seriously unlike anything else we’ve had in such a long long time. Chan Marshall (Cat Power) features on Coming Through; with her distinctive voice and Willis’ heartbreaking (it is the only way to describe his voice) just sounds so perfect. I can only hope that this is the start of something musically beautiful between the two. I hope they make a haunting Blues kind of record; enough to make you feel like you’ve experienced the worst kind of pain possible, but tough enough to pull through it.
Whilst his debut, Acousmatic Sorcery seemed to focus on dealing with isolation and despair- Nobody Knows seems to have slightly more positive tones to it. Yet, Willis has a voice that is just made to break your heart mainly because of how much soul is there and how you can tell every single word he is singing means the world to him. And because of this, his words mean everything to you.
I’m too young to have experienced the likes of Howlin’ Wolf first time round, but I can imagine those that were fortunate enough to do so felt like I did the first time I ever heard Willis Earl Beal. Nobody Knows is the kind of record you play when you’re searching for answers that nothing nor no one can seem to give you. Too Dry To Cry is a wonderful example of how strong his voice is. The production on this record is just as raw as Willis’ voice. I think if you listen to his music and you don’t believe him, you’re not listening to it right. I know I’m being entirely biased, but I really cannot understand how anyone could not fall hopelessly and helplessly in love with Willis Earl Beal.
One thing I’ve noticed (amongst many) is that Nobody Knows fits perfectly after Acousmatic Sorcery. Acousmatic Sorcery is the thunderstorm and Nobody Knows is that much-needed sunshine. Nobody Knows is another raw record that serves as a beacon of hope. Sure it may be a bit more positive than his debut, but there are songs on this record that will just bring you to the brink of tears; the song I have in mind that may possibly ruin you is What’s The Deal? It’s a song that resembles being the only person left in a bar and consuming too much alcohol. It is the realisation of being alone, even if you are pathetically told over and over again that you aren’t.
Willis sums up the best and worst feelings a person can have in his music, and that’s what makes him a source of comfort and an ounce of strength for when you really have nothing left. He’s my generation’s Townes Van Zandt, and I am so proud to be a fan of Willis Earl Beal.
The best bands do not have a distinctive sound. The best bands don’t want to sound like anything else you’ve ever heard. The best bands are fearless. The best bands posses a gang mentality to their music that makes them tougher than the rest.
The Savage Nomads are quite frankly, one of the best bands around. They’ve been around for quite a while and they undoubtedly one of the best bands in London right now, but let’s just ignore how big London is and say they are one of the best bands around, end of. Their sound is like nothing else, and I’m aware how horrifically clichéd that sounds. But I’ve really not heard a band like The Savage Nomads in a long time. Cole Salewicz’s voice is pure and angelic, but there’s a taste of urgency in the way he sings. His voice can break your heart and make you want to dance all at once. A charismatic front-man for sure.
The Savage Nomads are a band that are destined to be around for decades to come. With their unapologetic sound and unified stance on how they make music; you can tell it just means everything to them. When a band have this quality, it is so easy to believe in them. They’ve come so far in the past few years, and honestly there is no denying they are going to go further. A lot of bands seem to sound quite similar. I’m not knocking them because I’m a fan of some of them; it’s just how it is. Certain styles are more “known” than other. What sound do The Savage Nomads have? I have no idea. All I know there is a real essence of soul in each member of the band. Take the song An Empty Seat. It’s one hell of a song with a Funk based bass-line flowing through it. If you don’t feel the urge to dance to this, then you’re not listening right.
For those who are fans of Television, there’s a bit of a resemblance here. I can’t pin point exactly what it is, maybe it is the sheer genius of The Savage Nomads that’s really close to Television. I’ll go with that, it’s as close as I can get. I’d love to hear The Savage Nomads take on a song by Television. The relaxed and cool vibe within their music is freeing and just an absolute delight to listen.
I’d like to talk about their new single, Jaded Edges which is a glorious anthem of a tune. This is made for sweaty venues where your standing so close to strangers, you cannot help but move with them in a unified fashion. There’s something beautifully seductive about this song; for anyone who’s never heard of them before and this is your first time- this song is going to be the one that lures you. Head to those pretentious Indie clubs, and ask for this to be played. You’ll soon see those oversized spectacle wearing “bored” fools get up and dance. If they don’t, then they’ve probably bored themselves to death. The Savage Nomads are one of London’s finest and I can only hope that they just take the rest of the country over. The world is next, but start at home first.
Get on board with one of the UK’s most exciting bands; with a Psychedelic aura and a Soul backbone, The Savage Nomads are just made to be your favourite (new) band.
“I don’t have the time for a graveyard of the mind that they call shame.”
“Don’t meet your heroes” they say. Balls! I say. Meet them, and let it be known it’ll be the greatest moment of your life. I don’t want to say Crocodiles are my heroes, they are more like a guide. They are a solid music connection that in short, saved me from lord knows what a few years ago. I found their music as I was hopelessly walking around a music shop. I needed something to cease the aches and find my soul. Summer Of Hate changed my world. Yesterday I got to speak with the band who changed my world, for the better. Music is my guide and I guess it is my teacher. It is my everything. And the main reason as to why I never have money. I wouldn’t be able to live with it any other way.
Luke, their tour manager walked me over to Brandon and Charlie as they were having their photos taken and being interviewed. I watched and I had a brief moment where I thought my questions were shit. Maybe they were, but I told myself I was asking what I wanted to know. Turns out, I want to know a lot because I like to write a lot. I watched their shoot, and Brandon looked over and winked in what seemed like a reassuring way. I didn’t mind waiting at all. I’m the least confident Music Writer, so I had this panic inside that my Dictaphone wouldn’t record. Let it be known that Brandon and Charlie are the most genuine and loveliest guys you will ever meet, if you’re lucky enough to do so. If you want passionate conversation about books and music- go to these guys. They’re on the same level my uncle is on, which is why the interview immediately didn’t feel like an interview but just laid back chat with pals. Let’s get into it.
For anyone like myself, who grew up in a small place that just exhausted you of anything good/positive, you need to find something to be your outlet. You have to believe there is something better out there, or you will be stuck in a rut during your entire existence. I asked Brandon and Charlie if the frustration of being in a small place made it easy for it to be placed into their music:
“It’s apparent on our first record, but I guess that changed a bit with touring and that same frustration of kinda being stuck there was pretty stifling. It’s not to say that San Diego is a bad place you know. A lot of people we know and love are still there, so its nice to go back to. But in terms of spending every day there (especially when you’ve travelled) would just get a little bit old.”
I think to fully understand this, you must have lived somewhere which in a way sucked you dry but gave you the fight to find something to work for. Those that are familiar with the likes of Dirty Beaches, Cold Cave and Crocodiles will get this straight away from their music and in a way, inspires you to do the same. There’s always a way out.
Brandon lives in New York, and Charlie lives in London. Their bond is beautiful. The friendship they have is wonderful to witness. It is obvious by the way they are on stage, their sense of humour and generally how they look at each other. You can tell the other knows what one is thinking as they answer questions- it’s the ultimate bond. So with such a gorgeous friendship yet living miles apart- how do they go about writing songs?
“If we’re together in person, we might write a few things from the ground up. But more often than not, one of us will have a skeletal idea like a verse or a chorus. And we get together when we can, it’s expensive. Maybe once or twice a year I’ll come over here (London) or Charlie will come to New York and we’ll spend a couple of weeks or a month working on songs.”
By nature, I’m not a nosy person. I don’t care what someone does. Or who someone does. I don’t care for personal lives and things, but with musicians- the one thing I always want to know is what influences them, but for the most part I don’t want to know which bands influence them because I think sometimes that can get in the way of how you listen to them. You can sometimes pick up on other bands, and it drives you away. All too often I’ve heard Crocodiles be compared to The Jesus And Mary Chain. As someone who had The Jesus And Mary Chain played to them at a very young age, I really don’t hear it. I really don’t. The only thing I can pick up on is the fact they have dark lyrics at times and portray certain subjects such as love in all its dark and haunting glory. But musically? Not at all. If you pay attention to Crocodiles lyrics you can pick up on literature being a huge influence. Touching on this was really cool because we spoke about the sordid literature of Marquis de Sade. If you’ve never read anything by him, you’re missing out. But his work is pretty twisted.
“I think on this record, Jean Genet and Marquis de Sade. We like a lot of poets like Arthur Rimbaud, Charles Baudelaire, Patti Smith, Leonard Cohen. Richard Brautigan’s surreal take on things works its way in too. Sometimes it’s the spirit of a certain book, like, ‘how can I replicate that in the discipline of art that I do.’ Obviously we’re not trying to be as filthy as Marquis de Sade!”
There’s so many things we can take inspiration from, and I don’t think literature is given the credit it deserves when it comes to influencing music. Many want to hear the bands that influenced bands. Books are equally as powerful because they can set your mind off in so many ways. You are given a scenario by the writer, but you paint the picture in your mind with their words. Sometimes the darker the sound, the more apparent the literature influence is. Take Zola Jesus for instance.
Have you ever listened to a band and immediately could tell where they are from? Of course it is easy with the likes of The Fall, Morrissey, Arctic Monkeys- you can hear their accent in their music. Is it easy to cancel out where you are from so you don’t sound like you are obviously from there? Do Crocodiles try to not sound like a “typical” San Diego band? Do they feel they made a conscious effort to not sound like where they are from?
(At this point the interview was moved to an alleyway. It seemed pretty fitting to interview them in this spot!)
“San Diego has a weird music identity, the stuff its famous for is like Blink 182. It does have a really cool history of underground music too, and there was a point there was a San Diego sound that we didn’t want to sound like. We just write tunes we like.”
It’s good that Crocodiles never took inspiration from fellow San Diego residents such as Blink 182 or that one called Jason Mraz. Crocodiles, if you excuse the pun, have bite. They have a genuine raw sound that has that Punk DIY ethic firmly instilled in them, making them one of the hardest working bands around, Just looking at their UK/Europe tour schedule over the next few week, and also their tour of the states; but you can tell when they play live, that it is everything to them. And for the fans, it is everything to us too.
I was really interested to speak to them about this tour particularly because they are playing some really small venues and in some places where you wouldn’t think would know what to do with a band like Crocodiles with their delightfully rambunctious sound.
Their tour started in Chester. A quiet Roman town where I suppose nothing really happens. I’ve only been a handful of times. So how did they find it?
“There wasn’t many people there. I mean, I wouldn’t call it a turkey. There wasn’t that many people there but it was also our first gig so it takes a few you know. We played Manchester last night. And we wanted to play a few small places first. Chester is a beautiful place. We’ve played Wrexham before, and that was really good.”
Purely from a selfish point of view here, I got to speak to them about playing Italy. Crocs will be playing Turn soon, and that’s where my stepdad is from. A beautiful city that I think everyone needs to visit at least once in their lifetime. I wanted to know what made them want to play somewhere like Turin (why not of course!) And also, Brandon knew I had an Italian last name (my dad’s side.) Not many pick up on this/pronounce my name correctly. You give up after a while, ha!
“We’ve played Italy a few times. We’ve spent a lot of time there, and a few of our shows are there on this tour. Our main shows on this tour are England and Italy. And also it’s the first city you come to if you’re coming in from the North. We get chance to have a look round too, we come back for vacations. I got to spend some time in Naples which was really cool and different to other parts of Italy.”
FORZA ITALIA dear reader, Forza Italia!
What I love about Crocodiles is that they make it easy for you to just feel so free. When you listen to their music you can’t help but sing along and move your body about in a questionable fashion (it’s exactly what I did at their show at Sebright Arms.) It is like they just set something off inside of you. I looked around when I was at their show, and there were people who had come to watch them on their own but they didn’t hold back. It was like a sense of freedom just took the crowd over. It was truly beautiful to be part of something like that, you don’t get a band like this often, which is why fans of Crocs just treasure them. I wanted to know if they act the same way their fans do when they go to shows because they make their fans feel free with how raw their sound is.
“You’d be surprised, we played Norwich and they stood still! I would assume we have similar tastes to a degree to our fans. I’m a music fan first and foremost. It depends. Naturally..a bit shy.” -Brandon.
“It depends on how drunk you are. I saw The Stone Roses and of course I was cutting loose. You have to when they’re playing some of the best songs ever.”- Charlie.
“Big cities in general people are bit more reserved. New York crowds are similar to London crowds. The cities are quite similar anyway.”- Brandon.
Some people are afraid to let go at shows, some will just go for it. Sometimes though, it is the band you are seeing that just go for it. I mentioned seeing Alex (Dirty Beaches) a few months back at Bethnal Green Working Men’s Club, and when watching him it was like seeing someone unleash a wealth of emotion and also healing at the same time. I asked them if they have a similar way of performing, and sort of just letting go. I mentioned their set at Rough Trade last year where I first saw them, and it seemed like they had to hold back a bit because it was in a store.
“That’s what I love about him. His whole presentation is a complete 360; it’s just amazing. In terms of someone who has a record label, that’s the kind of thing I’m attracted to. We put out a record for a band called Punks On Mars, it wasn’t that successful. But they had their own look. They looked like oddballs but they just did their own thing. We love playing at record stores because they support us, but it feels weird. It’s bright and in an awkward environment. It does feel pretty cathartic on stage. Going forward and letting it all out.”
I asked Brandon and Charlie was about two of my favourite songs off their new record, She Splits Me Up and Me And My Machine Gun. I mentioned they had a “dreamy” feel to them, which I apologised for using that word because it is overused. I wanted to know what was behind these two songs (when I really love a song I do like to know what inspired it.)
“She Splits Me Up started with a chord production. It came together in bits and pieces. Charlie had the riff; and in soundchecks we played round with it.” – Brandon.
“We collaborated on the lyrics and one of us had the idea, about a girl who is mean to you, but you like it. Kind of like Marquis de Sade.”- Charlie.
“We wrote some of it in Mexico City and finished it in New York.”- Brandon.
The last question I asked was about I Like It In The Dark which sounds quite like early Primal Scream and possibly Happy Mondays. Was it an influence?
“The song came out with a Baggy influence, a lot more than we intended. We were really thinking like Hey Bulldog by The Beatles, the piano part. And soul music too. We started to do it, and it didn’t sound complete without a Gospel kind of sound. The song is about Atheism and we thought, how are we going to find a Gospel singer who’ll sing on a song about Atheism. My brother plays in a Soul in LA, so I asked him ‘Do you think Aphrodite will do this?’ Her full name is Aphrodite The African Goddess Of Love.”
So there you have it. I could have happily spoken to them about their music, music in general and dissected Marquis de Sade’s filthy literature with them in-depth. It was an absolute pleasure to spend some time with them; in an alley discussing what we did.
At the end of the show, as I was leaving outside I saw Brandon and he gave me a hug goodbye. I always said my interview with Warpaint was my favourite, but I think Brandon and Charlie surpassed that. This felt like talking to old friends, and as someone who is a bit awkward and shy; I felt perfectly at ease in their company. As I’ve said before, they are truly two of the most humble and genuine people I’ve ever met.
Meet the bands/singers you love and the next time you’re at a gig, let it all go.
I’d like to thank Nita and Luke for arranging this. And also to Brandon and Charlie for their time.
Beat In My Bones. 