“I’m feeling shyer and the world gets darker.”


When I first wrote about London Grammar in January, I said they reminded me of Imogen Heap meets Youth Lagoon; this was based on just one song. I wasn’t sure if they would keep something like that up, that maybe Hey Now was just a taste of how ethereal they were going to be.

As I listen to their debut record, If You Wait it becomes more obvious that they evidently have made a bloody strong debut. If You Wait sounds like a record you’d expect from a band that are at least 5 years or so deep into their career. It goes beyond all expectations of a debut record.

At its best, If You Wait is a haunting catharsis. Everything about it feels like some kind of release and Hannah’s voice is just so so sad. There’s so much sorrow in her voice, and the fact that the lyrics are as equally as vulnerable as her voice just breaks your heart a little bit more than you anticipated. Wasting My Young Years makes me hate that I’m getting older. But hey, free bus pass! Although by the time I’m 60 I suppose they’ll have scrapped that idea. As I listen to If You Wait, I start to feel everything that London has eventually come to mean to me. Maybe it’s because I’m with the one I love (finally) but London feels like home. There’s so much security in London Grammar’s music, it feels like home. Hannah’s voice is as delicate as the likes of Anthony Hegarty and the music is as soothing as my personal favourite, Deptford Goth. London Grammar are London. They are that awful night bus journey home, they are that last tube home journey. As you gaze out into the night with nothing but the street lights acting as stars to guide you home. For me, I think Sights sums this feeling up more than most. Although it is pretty much constant throughout.

I’d imagine those that listen to London Grammar, and I mean TRULY listen to them will pick up on feelings that those who just skim through will miss out on. There’s innocence and fear on this record- two of the things that make us human. Having these vulnerable characteristics will cause you to pick up on every tiny detail on If You Wait.

As someone who is more delicate than tough (I’ve reached the stage where I no longer wish to try to change this) If You Wait is sort of like..well, it is almost as if London Grammar are telling you that it is alright to be a bit of a coward. To be a little lost, to be a little troubled. If I wasn’t so tired, I think I would have cried listening to this record. This is tugging at the heartstrings at its finest.

If You Wait is made for the shorter, dark days. It is made for solitude. It is made for inner peace. It is made for you to find pieces of yourself that you daren’t share with others; because they’d deem it as ugly. Music will never call out your traits or make you feel ashamed. That’s why I love music. That’s why I believe that If You Wait could possibly be one of the most ethereal records I’ve heard in a long time.

As the sky is now dark, I urge you to click on this link: and close your eyes. Close your eyes and go somewhere where nothing and where no one can disturb you. Find your inner peace and do not let go of it. Cry if you want; better out than in. Let Nightcall be the song that breaks your heart. Let this record be the record that breaks your heart in the most angelic way possible.

London Grammar; London’s finest.



Writing about a band that have only one song out is quite tough, but if they create something beautiful then it makes life a little bit easier. And more enjoyable. The last time I did this was when I heard Saint Lou Lou last year and everything changed from then on. How I listened to music after hearing Maybe You was different. I paid more attention to the hidden beauty in the music, and how at times vocals can be made to more vulnerable than the words.

London Grammar are three extremely talented souls from London who make you think, “If Imogen Heap did something with Youth Lagoon, then this is how it would sound.” I adore Imogen Heap and Youth Lagoon so this is pretty much going to be an obsession I have zero control over, not that I mind; far from it.

They have one song (so far) called Hey Now which from the very first note feels like the sun creeping out on a dull day. The vocals ease you, like something warm on a Winter’s day. Why go out and play in the snow when you can stay indoors and feel the beauty and heat from music like this. I’d be utterly content with not hearing anything else but Hey Now for a while. This is the kind of song you play when you are making a long, painful journey to somewhere you hate (mine is London to the Isle of Man because I don’t think anyone gets how much I hate coming back to this piss-stain of an Island.) I can imagine playing this song over and over until my rage towards returning is replaced with, “You can leave again soon.”

Hey Now is 3 and a half minutes of purity and ethereal vibes that could tame anyone, that could melt the coldest of hearts. I think the song has been out just over a month, I’m not entirely sure. I’ve only just heard it but I know it’s going to be one of th and gorgeous songs I will hear all year. Every year I seem to find one song during the first few months of the year, then compare everything else I hear over the year to it. I think I’ve found my song. Everything I hear now will be compared to how stunning this song is, and how will every listen to just hear something else to fall in love with. Completely and utterly. I know nothing about London Grammar, but I do know that they are 3 people who make music to just lose yourself in without a care in the world. Hey Now is like a gentle hand on the shoulder telling you it is all going to be alright, even if you feel otherwise. Maybe, just maybe….it will be.