TALL JUAN.

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With everyone ramming their opinions at everyone else with regards to what is the best song/video/record of the year, I’ve decided to stay on the prowl with finding something new to listen to. I know at this time of year I’ve written about my favourite records of the year (if you want to know, it is Boys by Crocodile closely followed by Carly Rae Jepsen.) But this year, I don’t really care for it. I’ve spent this year seeing bands I love and buying records instead of food. Records last longer. I’ve found record labels that have ended up funding my habit of buying records and I’ve adopted All Ages Records in Camden as my second home. I hate lists so god knows why I wasted so much time on making them previously. Give me chaos but organisation is a bag of shite.

Tall Juan is someone you need to get to know. Are you bored of life? Are you sick of being forced to enjoy Christmas? It’s alright, get into Tall Juan and you’ll be okay. He’s a one-man version of the Ramones and that’s probably why I am absolutely in love with him. His handsome looks and belly-flipping vocals will make everyone regardless of age, gender and sexuality swoon.

Juan was born and raised in Buenos Aires and is currently based in New York. His sound is part Ramones part something we’ve never ever heard before. Some people just have this ability to create something so beautifully immediately and he’s one of those who has this ability. He makes you want to pogo but at the same time, when you listen to the lyrics you just want to have a little cry. I’d opt for dancing. Next month he is FINALLY embarking on a tour of the UK/Europe. He’s doing TWO dates in London in two venues I love (The Lock Tavern and The Shacklewell Arms.) I’ll do my best to get to both, but I’ll for sure be at the one on the 21st January. You get the feeling from his music that he’s one you need to see live in order to really get into the music. I’m not saying on record something is lacking-far from it. But he plays with such urgency you can’t help but think that this NEEDS to be seen live in order to really appreciate it.

Juan seems like the kind of person you could walk round discussing everything the Ramones ever did whilst eating pizza. That’s an ideal conversation for me. He makes the kind of music I wish I could so therefore he makes the kind of music I really really love. He incorporates everything I love about music and everything I look for in music, and has created something we should all get behind. He’s got a solid following in New York (and probably in the States in general) but now it is time we all got turned onto his sound. Play his music loud and do whatever you feel like doing. I could happily write thousands and thousands of words about why I really love his music, but it pretty much speaks for itself. He’s an incredible musician and he makes you feel as if you’re taking some crazy trip with him through his music.

His UK January dates are as follows:

20th Brighton,UK – The Green Doors
21st London,UK -The Lock Tavern
22nd London,UK -The Shacklewell Arms

You can listen to his music here:

https://talljuan.bandcamp.com His cover of Chinese Rocks is excellent. Pretty sure Joey Ramone would be into it.

 

DRY HEEVES.

 

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Possessing a bloody excellent name for a band, you immediately think you’re going to listen to a band with a dirty (not in a porn sense) and rugged sound. You expect something quite menacing and unruly. Chaotic yet easy on the ears. If this band was a woman, I’d date her. Or you know, I’d stare awkwardly in her direction then wander off because I didn’t feel adequate enough. That’s a bit extreme but Dry Heeves are fucking perfect and I’ll try unleash a coherent reasoning behind this notion.

For me, I can only seem to listen to music that makes me feel something a person (regardless of who they are) can’t. Music always should give you a heightened feeling. This sense of elation is sacred and can’t always be felt and you should by no means ever try to force it. Dry Heeves make it easy. They are all fearless bands who evidently don’t care what anyone thinks. They’ve got their own sound and their own way of doing it. For me, that’s how it should be. They have a true essence of Punk about them. Sure enough they sound like a typical band I’d be into, but don’t let that trick you into thinking you’ve heard it all before- because you haven’t. Their sound is part smack in the face, part swaying on your lonesome in your bedroom to the easy grooves. Some may deem it as far too simplistic, but I just think they’re a bunch of guys who know what they are doing and know how they want to sound.

I think they’re still a relatively new band but they make you feel like you’ve known about them forever. As I listen to them, I just feel like I’m meeting up with a friend that I’ve not seen in ages. Sure they sound rambunctious but they feel familiar, as if they’ve always been there. I guess it is like meeting your soulmate. This is getting far too soppy now. They make you want to break stuff too. In reality, you’ll probably break some bones as you lob your body about in time to the drums and thrash to the guitar in crucial moments. There’s an element of urgency and such passion in their music that makes you immediately become their biggest fan. I won’t fight you for that title- no part of me is competitive. Do what you want, pal. I don’t care.

Their record, Boogie Till Ya Puke came out last year, and myself included, failed to acknowledge it at the time for being so great. I was too busy playing The Other I by my beloved 2:54 on repeat. I’ve tried to tame that, but I can’t but it’s alright. Boogie Till Ya Puke is not only wonderfully titled, it is also a bloody great record. You feel like you’re listening to something that has been around for decades. I know some would label it as as “fun” record but calling anything/anyone fun or nice is just weak. Language is there to be used in all its glory- don’t settle for mediocre spiel!

Boogie Till Ya Puke is a record that I sincerely hope in 10 years from now, some kid in the middle of nowhere gets hold of, skips town and starts their own movement. Or they could do it now, that’s fine. What I’m getting at is that this record and this band have their own approach and it’s not something that should be overlooked in any way. I could be alone in my praise but I don’t care. I love this band a hell of a lot and if they ever make it to the UK, I’ll be at the front boogying until I puke.

VIVA DRY HEEVES!

Listen: https://dryheeves.bandcamp.com/

THE AR-KAICS.

 

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I don’t really agree with sharing weaknesses with anyone, but when it comes to music I’ll gladly unveil the kind of music that sends my heart fluttering and my legs to go like jelly. I like to listen to all kinds of music, but what really grabs my attention is something that sounds like a mixture of 60s Garage with something passionately aggressive. Something that moves you emotionally but also makes you want to slam your body into the nearest drum kit. With everyone else reeling off the bands that got them going with their indulgent end of year list, I’ll just ramble about a band that are relatively new (but probably aren’t.) Let’s not dwell on the past, let’s head into the unknown listening to a band that are everything I want from music.

The Ar-Kaics are 4 pals from Virginia. They sound like The Vagrants and The Gruesomes. They are my idea of a great time, my concept of a great band. The kind of band you’d hope someone would listen to and be inspired to go out and make their own kind of noise. They’ve got a basement band sound, you feel like when you listen to them you’re spying on a band rehearsing. The rawness in their sound is unlike anything I’ve heard recently, and it gives you some much needed faith in modern music.

 

Their songs are short. But part of you is wanting them to last a little while longer, but the other part of you knows that it would just ruin the moments in your mind if it was stretched out. These are the songs for kids in cold, desolate bedrooms to throw their body around to. For those who are uncomfortable in their skin and are attempting to thrash their way out of their hell. The Ar-Kaics are one of those bands that don’t happen all too often, and I’m such a fool for not finding them sooner. I just believe that music should leave you feeling something. It doesn’t matter what, but it’s always useful when it is something positive. The Ar-Kaics have that teenage lust/wonder in their music that is so important to hold onto. When you lose that as you head into adulthood, you cling onto the feelings of youth wherever you can.

If like me you are wishing to escape everyone lobbing Christmas songs your way, The Ar-Kaics are the dream band to listen to whilst you escape it all. Go back in time, or forward a couple months. The Ar-Kaics could be anyone’s favourite band, so let it start with you.

You can listen to their gorgeous sounds right here:

https://thearkaics.bandcamp.com/

 

 

 

FLESH RAG-S/T 7″

 

 

 

Canada as I’ve mentioned before is the home to some great music, but for me there is one band that have massively blown me away with their appealing rage and passion. I discovered Flesh Rag a few months ago whilst in All Ages Records. A brilliant record store in Camden that stocks some of the best music around. It’s ran by guys who know their stuff and are just a pleasure to talk to. I’ve spent many lunch breaks in there forgoing buying something to eat because I’d rather my ears fed than my belly full. I was immediately hooked by Flesh Rag because they reminded me so much of Dead Boys, who I highly regard as one of the greatest bands ever.

Their new 3 track EP consists of songs that do not reach the 3 minute mark but that does not matter. The fury and urgency are put across in a way that doesn’t require any more time. The songs are for the hopeless, helpless and those who are fed up. To feel these emotions all you need to do is put the news on and see how the government are bending us all over and having their way with us, without any say so. I mean Flesh Rag aren’t really political, but it’s easy to apply songs that stir something in you like this and apply it to what you see on the TV etc. If you’re not fed up and you’re all okay with it all, then you’re just part of the problem.

I got home when I bought it this week and played it pretty loud. Nobody was home and I doubt the neighbours were home. I played it and off I went to Punk paradise. I was front row at their show in my mind. Bodies covered in sweat moving around in timely and untimely fashion. What I get from the music of Flesh Rag is that it is made for a live show. The day they come to England will be a bloody great day, but until then I live with the images in my mind that I have created. The power of music greater than we know, and that’s one of the many reasons as to why I adore the music that Flesh Rag make.

I wasn’t born when Punk first came around, but it’s always been the one style of music that owned my heart more than anything or anyone else could. I remember falling in love with the Ramones for the first time, I remember hearing Horses for the first time, I remember hearing the Sex Pistols and knowing that this was IT. Flesh Rag have brought up these feelings that I got the first time with those I’ve mentioned, and more. I feel like I’ve gone back to the 70s and been thrown into a world of chaos and fury. As someone who cannot settle into a daily routine, Flesh Rag are the perfect band to help me adjust. I’d take better care if I knew how. Panic attacks bring on migraines and migraines bring on panic attacks- music is the thing that eases it all out. Unless it’s a really bad migraine and all I can do is just sleep. You sometimes find yourself delving into thoughts and feelings when a band hits you in the gut for the first time, and with Flesh Rag I know that feeling is going to happen each time I listen to them. I’m pretty sure I got the last copy of the 7″ from AAR, so I’m sorry if you were looking for it- but to know that there’s a place for these guys makes it all worth it. Their music is the opposite of how I am, and I think that again, is part of my attraction to their music.

Matt’s gritty snarl on It Ain’t Enough is one of my favourite music based moments of the year. You can keep what the mainstream radio shoves down your neck and shove it up your you know where- I’d take a band like Flesh Rag over them any day. The sheer grittiness in the vocals and the angst in the drums, bass and guitar makes you want to start your own kind of noise. Some are adamant that Punk is dead. But for me, Punk is an attitude, a way of being not just the music. Bands like Flesh Rag are keeping it alive. Ignore all that “Pop-Punk” shit, that’s nothing. You need bands like Flesh Rag. Let them help you get through daily life by creating music for you to lob your limbs about to, sweat it out and throw your body into a wall as if your possessed. I’m fairly sure anyone who has seen their live shows are super lucky, so I’ll wait my turn. Live in my mind until it happens.

There have been many great records released this year, but as far as 7″ EPs go- Flesh Rag undoubtedly are the winners this year for the best release.

The self titled 7″ is out now on It’s Trash Records, and details for picking up a copy/streaming the release are here:

https://fleshrag.bandcamp.com/

CHEAP RIOT.

Do you ever listen to a band, and proceed to question what you’re doing with your life? Or what you aren’t doing? We plan our mental escape routes through things that we can’t touch such as music and films. I listen to certain bands, and I’m filled with this urge to pack up my records and go somewhere else. Certain places are romanticised in music. I guess real life shows how ugly it is. For me, London is at its best at night. Then again, anything and anyone looks half decent in the dark. For the most part I do love London. I just don’t like how cold some of the people can be. I know we’re all trying to get to and from work like everyone else, but just be fucking nice you know? Have some manners.

Cheap Riot are a band to make you get rid of your mundane tasks and to just go somewhere else. We all know that somewhere else is always better. My mum and stepdad are currently in Turin, and the photos make me see how soulless London is in comparison. Anyway, I’m projecting. I’m just annoyed that in a few weeks I’m 29, then next year I’m 30 and what have I done? Nothing. A lazy escapist with no sense of bravery. It’s alright, because the world clearly needs another idiot with a music blog (sarcasm.) Cheap Riot bring out this frustration and sorry, you’re getting the brunt of it. All sense of hopelessness and feeling bored just come out of their music. It’s the kind of music to do a load of nothing to whilst roaming the streets with office workers looking at you like you’re scum, “Get a job.” Whatever. (I have a job, I really like my job and it feels weird to feel that way at times.)

https://vimeo.com/120963556

Cheap Riot have proper short Punk-ish songs. Declaring themselves as “part-time Punks” should not deter you. It lured me in, I wanted to see if they were what they said they were. Punk can be seen as quite redundant. There’s nothing more offensive than the style of music called “pop-punk.” Fortunately, Cheap Riot aren’t pop-punk and I doubt they are part-time Punks. Sure they sound like all the bands I love, but if I hated them I wouldn’t listen to them or write about them. Their snotty and bratty sound is a tamer take on the likes of Dead Boys and Black Flag, but the aggression is there. You can’t tame this kind of aggression and these Parisian guitar slinging noise makers are where it is at. Maybe Lester Bangs wouldn’t spit out his drink out over these guys, but I love them. I love how they are unapologetically loud and at times woeful in their songs. They could sing in obscure dialect and I’d still be moved by their music.

As mentioned previously I do love songs that last over 5 minutes, but sometimes I just want a 2 minute track and being made to feel like I’m being smacked in the face (fully aware that there are people who would gladly smack me in the mush, but you get my point.)

Friday sees the release of their debut record, Ballroom Portraits. It is loud, it is passionate and it is a record that makes you wholeheartedly believe in this band. It is instant love with Cheap Riot and I hope they hope on the Eurostar and play some shows over here. Again they are a band that I reckon you need to see live to really get their sound. Everyone needs a new band to fall hopelessly in love with, and for me Cheap Riot are exactly that band. They make you want to find some like-minded folks and make your own noise.

You can stream the record here: http://cheapriot.bandcamp.com/album/ballroom-portraits

You can buy it from Friday.

GIRLS NAMES- Arms Around A Vision.

With it finally getting colder, it’s important to find music that makes it easier to deal with dark mornings that make you question why you’re leaving the house. I like my job, so for me it’s just the effort of having to deal with rude people on the tube every morning. Stop pushing people out the way and PLEASE brush your teeth before you leave the house, or have a mint. Coffee breath just makes me want to vomit. Awful. Gentle rage aside, I’m now going to write about a band who I love (obviously) and why their new record is (again,obviously) a stroke of genius.

Girls Names are one of those bands that managed to merge everything I love and look for in music into one. They sound like Mark E Smith in a fight with Edwyn Collins, with a bit of Josef K thrown in. For me it is music heaven. I’m not really sure what anyone else thinks, but I’m not fussed. Arms Around A Vision is a record that much like what I’ve written about recently, doesn’t make me feel like I am in 2015. Which let’s be honest, isn’t really a bad thing. Everything now revolves around how many people “know” you via social media sites rather than who actually gives a fuck about you. We’re all deathly scared of being lonely or being unlike our peers that we try too hard to be like them and losing any sense of a personality we once had. In short, Girls Names make me forget how awful everything is and how I feel like I am always on the outside looking in. I’ve never felt part of anything or like I “belonged.” This isn’t in a “woe is me” way. It’s just my interests don’t revolve around being drunk or taking a photo of myself whilst making everyone believe I am having a nice time. I’m sat in bed, listening to a band I love. Occasionally I look out the window, and I can see the lights of planes above my house. For me, that’s a nice time. I’m a bore to most. To myself? It doesn’t matter. Girls Names have this power in their new record to make you see things for how they are and taking you away from it.

Arms Around A Vision is made up of brilliant moments that show you exactly how great Girls Names are. I’m fully aware that’s a mundane statement. but it is entirely true. It’s a record to really gush about. It’s a record to fall in love with, and tell all your pals about. It’s like meeting someone who changes your life in a way no one else will understand, but you still want to tell everyone about. You get that instantly with the record, and records like that are hard to find. Some may struggle to “get” this record and dismiss it for what it isn’t. But as someone who absolutely adores this magnificent Belfast band, it is fair to say that it is a massive music highlight of the year. The songs make you feel like you’re in dark pub watching characters go about their business as you tuck into a stale bag of crisps. This is a record to listen to as you let the day pass you by. It’s a record to vent your frustrations out to. Sometimes I struggle with writing about music because the words don’t seem to want to come out, but Arms Around A Vision has triggered something.

What I love about Girls Names is their poetic and industrial atmosphere in their music. It feels like a grey day, for some that’s an insult but it’s so far from that. It is one of those records that you have to listen to when it is either night-time or the sky is a menacing grey. It’s the kind of record that sounds mighty fine now as it would in the 70s/80s. It’s got the guts of Punk and twinges of others. It’s like Suicide messed around with The Fall. I’m sure they’ve had every comparison under the sun lobbed at them, but I’m just mentioning bands I love and picking up on possible influences. It’s a hypnotic record from start to finish. Each song follows the other in a careful manner, and this effortlessly brilliant record should be high on everyone’s lists come the end of the year. I don’t like lists, but it’d be in my top 5 easily. It feels like you’ve been gripped by some unknown yet magnetic force. It doesn’t let you go, like a chokehold and as you gasp for air you start to struggle less and fall under the spell of Girls Names. Stunning.

I’ve been listening to Arms Around A Vision most evenings for the past week, and I’m trying to pick a song out as my favourite. It’s impossible. Each song fits perfectly into the other, creating something quite poetic in the mind. It has this haunting feeling of The Cure’s Seventeen Seconds. That’s a record I’ve used a reference for so many. What I mean is, if a record or song moves me in the same way that Seventeen Seconds does, then I know I’ve found something I’ll be listening to for a long long time. Girls Names have easily created something influential with this record. They make you want to make your own noise, on your own terms. The dark and eerie atmosphere on this record is heavenly and it is quite easy to shut everything off around you and just play this over and over. Lose your mind over this record.

UK tour starts next week:

15/10 – Liverpool – The Shipping Forecast
16/10 – Leeds – Beacons Festival Headrow House
17/10 – Leicester – The Musician Pub
18/10 – Bristol – START THE BUS
19/10 – London – The 100 Club
21/10 – Brighton – The Hope & Ruin

Followed by European dates. If I had the £££ I’d LOVE to see them in Brussels. I adore Brussels and I’m pretty sure they are a band that would sound perfect there.

Arms Around A Vision is out now. Buy it.

COKE WEED-Mary Weaver.

Everyone has their own take on what makes a band great or what makes a band mean the world to them. I enjoy hearing why someone loves a band or a song. I’d rather discuss the ins and outs of a song with someone than hear about their political stance. It’s too personal and it can make people turn into arseholes.

Mary Weaver has a David Bowie feel to it. By that, I mean a lot of songs sound like Let’s Dance. I’ve never been into Bowie, but I can appreciate certain songs. Does that mean I hate this record? Not at all. If I hated it, I wouldn’t write about it. Coke Weed not only have a brilliant name that provides questionable search results, but they’re so underrated it hurts. Their sound is part elegant, part rebellion. They have this way of transporting you to and from where you are, and making you feel as if you are anywhere but where you are. Mary Weaver is made up of laid-back grooves mixed with blissed-out vocals. Everything about Mary Weaver feels like a summertime road trip. It’s still a bit warm here in London, I guess that means the world is going to end soon. The seasons are fucked up. Run to the hills, hide underground. I don’t know.

If I could dissect every song and tell you about them, I would. I used to do that. I know. Sorry, but I don’t want to bore you anymore than I have. I’m always looking for bands that sound a bit like The Cramps or Fugazi with a bit of Captain Beefheart. I basically want unlistenable noise. Coke Weed are nothing like that. They are the calmer part of my brain that loves the likes of Beach House etc. Where does Mary Weaver leave us? Is it the best thing Coke Weed have done? I don’t want to be that person and be utterly lazy, but it truly is their best record to date. Next one, and I’ll probably say the same. The thing is, when a band improves each time it isn’t a band thing. Prime example, I love The Kills and Crocodiles and they are two bands that ALWAYS sound better with each record. Every record sounds different, and that’s part of the charm. I don’t want to keep hearing the same sound. I hate routine and order, so for the bands I’m into to always sound different, that’s something I can really get behind. It makes them believable, you can sense the passion and the love for what they are doing.

Coke Weed have made a truly exceptional record here, and for me The Chill is my personal favourite. It’s one of my favourite songs I’ve heard all year. I love All The Shades and the depth of the lyrics. The record requires a lot of attention, but only with the second listen or so. First listen is all about falling in love with it. It’s an instant love. Then it becomes clear with the lyrics and how they are sung that this is a record with high importance. New Jive is one of the many key moments of the record. It’s the rebel of the record. For the most part Mary Weaver is a laid back work of art, but New Jive has this feel to it that The Stooges would be into. You can hear many influences in the record, and I can hear bands I love flowing in and out of certain songs. They’ve done it in an excellent way, and some bands are clear rip-offs of what has come before, but with Coke Weed it is subtle influences, and it just sounds so perfect.

If you want, you can sit back and dream away to this record. You can play it sky high and turn your neighbours onto it. The last 3 tracks on the record are again moments that stick out. For the most part you can listen to this record in any order, but the last 3 have to be played in order. You’ll know when you’ve heard it, trust me. It will sound out of place if you play them in a different order. I know I said I hated order and routine, but this is okay.

Mary Weaver is out on Friday, and you can stream it over the next few days here:

http://www.self-titledmag.com/2015/10/06/stream-coke-weeds-new-album-and-read-the-stories-behind-their-art-rock-songs/

FLESH RAG.

I got paid on Monday, so I decided to treat myself to a new record. I didn’t know what I wanted to buy, but I was going to buy something anyway. I went to All Ages Records in Camden. It’s my new favourite place in London. The bus from work stops right by it, so obviously it was fate. Sometimes in record stores the staff can be proper grumpy and a bit pretentious. This isn’t the case with All Ages. The guy who works there was one of the loveliest chaps I’ve ever met. Totally nuts about music and played a record at the wrong speed. My kind of person. Ever played Sex Pistols slowed down? I have. Sometimes by accident, other times because I’m easily amused. Another customer comes in, and by this stage I have a record in my hand. Suddenly, he plays something. I’ve convinced myself it’s Dead Boys. It isn’t. I’m told the other guy is after the record and there’s only one in the shop. A lunchtime brawl in Camden? I’ve not eaten so I’m unsure of the challenge. I’m a friendly Northerner, so I accept defeat without saying anything. Turns out, the guy was after something else and I end up with the record (a badge and a zine. I know how to live!)

Flesh Rag are brilliantly named and are as mental as they sound. They’re on the same level as Dead Boys. For snotty, obnoxious brats who don’t give a toss what you think. They’re loud and they are coming to deafen you. The louder you play them, the better. And if you can crank it up louder, then make sure you do it. You want this shaking the walls and scaring your neighbours. Again I reckon these guys are a band that you need to see live to really appreciate the music. They’ve got a proper Punk feel to them. It doesn’t feel forced or anything like that. It’s a genuine sound that needs to be heard. They aren’t for everyone. I’m pretty sure if I played them to certain people they’d think I was a bit mental, but I live in hope that there’s someone out there who digs this. I’m 100% sure my uncle would love this band. He got me into Punk, he’s to blame for my many music based obsessions.

Flesh Rage are the band that Lester Bangs would piss himself with excitement over. The kind of band The Stooges would have taken on tour and left a trail of destruction and mayhem. It’s chaotic bliss that leaves you feeling bruised all over. I feel like that anyway because I’ve got some cold/flu thing going on. Night Nurse is a lifesaver. I’ve had excellent sleep by taking this recently due to feeling ill. When I wake up I have no idea where I am (no more than usual.)

Each song feels like a glorious punch to the face. You feel as if someone is launching punches at you, and you just take it because, what else is there to do? These three guys are ferocious beats and are out for blood and guts. They’ll make you squirm- as if you can’t take the thrashing, but the thing is, these guys are making some of the rawest music around. You’ve heard Flowers Of Evil, right? You’ve heard Young Boys, right? On that level but a little more aggressive. Loud, powerful and a brutal attack on your general being.

The growling in the vocals, the rage in the drums, the electric shock in the guitar and the boldness of the bass are incredible, and they leave you wishing you could make noise like this. There’s nothing stopping you,

The songs don’t really last longer than 3 and a half minutes, so all you can do is keep it on repeat. Take what you can from the music. Invest in this band. They’re bloody great and someone needs to bring them to the UK. Urgently. Many great things have come from Canada, but Flesh Rag are probably the best band to come from there in a long, long time. They don’t hold back and they gnaw at your skin like a rabid dog.

LAME.

In my biased opinion, many great things have come from Italy. However, the music from there is something I’ve always had slight reservations about. There’s more to Italian music than Litfiba (they were kind of good so it’s okay.) I can only apologise for Eiffel 65. I’m so sorry. Italy has more to offer than that.

LAME come from the same beautiful city as my stepdad. Torino is one of the best cities in the world, and is also home to LAME.

LAME make a lot of noise, and their most recent release The Lame Shall Enter First is probably one of the year’s most underrated records. I don’t even know how many people have heard it or are even into this band, but the record is an angry piece of work that cannot be played quietly and privately. I’m writing it whilst listening through headphones but I know the ideal setting for it is to be played so loud until the walls shake and pictures and mirrors fall down. It’s effortlessly brutal. Cold Night feels like a maniac losing their mind late at night, when they probably should be asleep.

Known for the bluesy but Punk sound, they don’t fail to live up to that notion. Half the time you feel like smashing shit up whilst listening to the record, the other half you just want to sit with a bottle of something and watch the weary world go by. Like most bands I’ve written about, and write about, LAME are a mixture of strange and wonderful kinds of genres and noises into one and end up creating something really weird and passionately brilliant. I always want to listen to something that makes me want to start a band, even though I never will (too old and I have no musical talent) but if it can leave me feeling this way then surely it can cause some lost teen in the depths of Cleethorpes to pick up an instrument and make some noise of their own. That’s all any of us can hope for.

Another thing I love about LAME is that they feel like you’ve invaded a nightmare. You’re looking in and LAME are providing this menacing and eerie soundtrack. You want to be part of it somehow- so you start feeling as if you’re being chased through some creepy forest with some local loon close behind you muttering delirious words, brushing branches out of their face to grab a closer look at you, and to probably grab you. You’d run a lot faster with LAME blasting in the background. This feeling of being lost in the wilderness could drive anyone a bit nuts, but LAME are the perfect soundtrack to losing your marbles slightly.

Sounding like a band possessed by something greater than any of us could imagine, LAME are just a rowdy lot with something brilliantly sinister in their music. Much like Bikes who I wrote about last night, they make you want to leave where you are and go explore somewhere new.

You can listen to their recent record here: https://aliensnatch.bandcamp.com/album/lame-the-lame-shall-enter-first

As far as first LPs go, this one is nothing short of excellent, and it leaves you wanting more and more from them. Favourite new band.

Play it as soon as it gets dark, unless you’ve got a weird imagination like mine- if so, sitting at your desk on your lunch break whilst listening to something weird like this will probably give you equally mental images in your head.

FORZA LAME!

KINGSLEY CHAPMAN AND THE MURDER- The Old Blue Last. 21st September 2015.

Sometimes a band can fully justify all you feel, and when you see said band on stage it is like all you’ve built up inside has finally come to life although said feelings may be better off away from you. But these are the things that make us who we are, regardless of what others may think.

Kingsley Chapman And The Murder are made up of some of the most talented musicians this country has to offer. The way they play as if their lives depend on it makes you fully believe in every word and every note. You feel each song was created just for you and in a whirlwind of emotions, you can’t believe that such talent is playing a tiny venue for free in London.
Over time we have witnessed great frontmen in bands. From Moz to Joey Ramone, if they’ve got something that grips you instantly, then you just become a fan for life. As I watch in awe of the band and Kingsley’s brilliant ability to scare the crowd shitless with his deathly stare and astounding delivery of lyrics, I can’t help but think I am truly watching one of the greatest bands I’ve ever seen. I’m not just saying this because Kingsley’s a pal, but because friendship aside, this band are what I look for in music. They are dark, romantic in the way that isn’t typical, they make you feel like you’ve been adopted by the devil and you don’t feel like some weird fucker who doesn’t know what the hell is going on. Sure they’ve had the Nick Cave comparison thrown about, and their last song of the set Kill That Man is on a par with Stagger Lee. If you were there, you will hopefully know exactly what I mean. It was like the devil came out to play and we all joined a cult. It was bloody brilliant.
The song they played before Ghosts,Second Best Man was powerful. Did I cry a little? There was something in my eye, shut up. With a lot of the singers I love, it is the way you can hear their accent in their vocals that grip me. The way you can pick up the way certain words are pronounced make you click with the music more. Of course, as this band are from the North makes me love them even more. They don’t make music like this in London. Last night felt like home you know. I was seeing a band I adore in my favourite London venue, it just felt right. As I was watching the band I really had a hard time working out why they aren’t signed, but I guess in a way that’s what makes you treasure them even more.
I’ve been to some memorable shows in my time and a few have left a lasting impression on me. Some have made me get my shit together and others have made real life make some sense. What have I taken from the show last night? A wealth of things. Some that I really don’t want to share, but the main point is I was just really really proud of my friend. When I first saw Kingsley he was in a band called The Chapman Family. Their shows consisted of him wrapping the mic chord a little too tight around his neck. Last night, he did the same but the grip was a little less tight. The urgency in the songs could make the most dubious a believer.
The crowd was nothing short of gorgeous. Apart from the few behind me who felt the need to talk throughout (surely you’d go somewhere quiet to talk?) This was their first headline show in London, and I sincerely hope next time the venue is again packed with sweaty bodies screaming along as if their lives depend on it. Last night I could have gone to see my hero Morrissey, but I opted for the same level of genius but in a smaller setting. It was the kind of show that made you see everything a little different, maybe more clearer. This is a band who work hard to sound as great as they do, but to be honest it probably just comes natural to them. I couldn’t get tired of watching them live or listening to their music. Lost souls can be found to Kingsley Chapman And The Murder.
If all Monday nights consisted of seeing bands like this, the world would probably be a better place. Whatever music drags out of you, please make sure you cling onto it. I’m not entirely sure how to write this in a non biased way, but I can honestly say that this is one of the best gigs I have ever been to. I felt like I was watching a bunch of mental sailors lost at sea singing songs of love, lust, loss and desperation in one last plea to be heard before the sea takes them. It was dramatic and full of this built up passion that comes around very rarely from a band that are just as rare as the talent they posses. It was just absolutely brilliant, and I’m going to struggle to see a better show than this.
If you’re lucky to live in the North, you can catch Kingsley and his men support the equally wonderful Nadine Shah on the 30th of this month. If I had the funds, I would be there. It’s an ideal line up and I sincerely hope these shows drum up a wealth of interest who will make the world aware of Kingsley Chapman And The Murder. They’re the kind of band that make me wish I had my own label so I could put out music like this for everyone to hear. Some bands are just destined to be heard, and these guys are one of them.
If you are against conventional and tradition, then invest yourself in this band. The humour on stage and in the lyrics are glorious, and obviously Kinglsey’s comments about our pig face-fucking Prime Minister were welcomed with cheers. With the bore and doom of living in Tory country, it’s good to have bands like this who ease the wounds and make you feel human.