Tag Archives: Music

CLUB LEX.

Posted on by

So, if I was to pin down my dream sound in a band it would be something along the lines of the smoothness of Sade, the energy and style of The Cramps and The Gun Club, the slickness of Ritchie Valens, the essence of the Ramones and the delightful strangeness of Screamin’ Jay Hawkins. Put that altogether and you’d have my ideal sound. I’ve found it in many bands I’ve written about (or not yet written about) and in bands I absolutely adore. In everything, I look for the same feeling I got when I heard Seventeen Seconds record by The Cure and Psychocandy by The Jesus And Mary Chain.

I only heard of Club Lex a couple of days ago where I saw they were playing a show with Divorce Finance (insane band!) and wanted to check them out. I am SO glad I did because I THINK I have found my new favourite band. The capture everything I love about music, everything I’d want my dream band to sound like. They are just perfect. I think the drummer is the lead singer so that’s another cool thing about them! They absolutely do sound a bit like The Cramps which is always a good thing. They have a sound that resembles the A Date With Elvis, which is fine by me! It’s up there as one of my favourite records. Club Lex have (I think) one release out, and it’s an EP from last year called Welcome To The Club.

Welcome To The Club is a perfect introduction to the band, and these 5 songs were made to fry your brain and hypnotise your mind and body. These 5 songs are bloody powerful, and they do make you feel like you urgently need more. We all have to be patient here. It’s such a strong record, and the whole thing feels like it could be the soundtrack to a really twisted film. Shirley definitely feels like it could be on the soundtrack to a questionable and creepy film. The best songs give off that feeling and Club Lex do it so, so well. Although they are a relatively new band, their sound does make you feel as if you’ve experienced this before. You feel like maybe in a past life, you heard this band. Bands like that are so special, and I really cannot wait to hear more from them.

Their music is like a glorious whirlwind. Like you’re in an old Western film and you’re trying to escape far far away from your surroundings. Every song is delivered with such urgency and passion that you want injecting into your soul. I love what I’ve heard so far, and I really cannot wait to hear more and more from them. A sound like this is hard to perfect and to just nail. They’ve made it sound so easy and if they sound like this on record, then I’m pretty sure their live shows will be equally as impressive and intense.

So, if you’re looking for something to throw you back and forth in time. Something that makes you feel like you’ve ended up somewhere you shouldn’t have or you just want something so beautifully weird to adore and listen to- then Club Lex are the band for you. I know nothing about this band and there’s nothing about them online, which is absolutely fine! It just means you’ll always be seeking this band out, waiting for them to appear in a town near you. And when they do, you must simply go see them because they are truly something else. I could write thousands of words on this band and why their sound just speaks to me, but the music does all the talkin’ here. I’m hooked; I’m all in.

They have this sound that I cannot quite describe but I know it’s just got that something I always look for in music. They’ll terrify you; they’ll make you buy whatever it is they are selling and you will thank them for it. Honestly, one of the most exciting bands we will hear all year. I’ve fallen in love. I am HOME!

NOSO @ Band On The Wall, Manchester. 19th February 2026.

Posted on by

Nearly 3 years ago (March 2023) I saw NoSo play their first ever Manchester show at Yes. Last night, they played Band On The Wall and let me tell you, THAT was some experience.

It’s pretty obvious how much I adore NoSo’s music and the way they capture every emotion possible. What leaves me in awe even more so, is how Baek and his band just take the songs to the next level in the live setting. There is only one flaw to a NoSo show- they aren’t long enough. I know we’ve only got 2 records but play them on repeat a few times ha! But in all seriousness, it’s not just the beautiful tone to Baek’s voice, it’s the way they play guitar. I think I spent most of the set just watching them play the guitar and not taking everything fully in. Criminally underrated guitar player and certain songs definitely show you how wonderful they are. I could watch Baek play Sugar and I Feel You ALL day.

The set is a beautiful mix of songs from Stay Proud Of Me and When Are You Leaving? During the set I text my mum to tell her I was out, and I told her what show I was at and she replied with that she had just listened to Nara and loved it. NoSo is for everyone- especially the mums! It was really beautiful to see such a lovely mix of people in the crowd, and in front of me were a (I think a couple) and one of them just danced all the way through and was having the time of their life. That’s what it’s about, and when you can see how much it means to other people and you can see it means the world to them like it means the world to you- you kind of have some hope that maybe it will all be okay.

Baek has a gentle and shy presence on stage and truly lets the music do all the talking. The way Baek and their band play their hearts out and, in a way, mend yours, is just a joy to watch. If I could be at a NoSo show every night I’d be happy and I’d probably be super calm too! There are many highlights of the set but for me it was Suburbia and Let It Die. Let It Die is a sheer euphoric moment from the new record, and I just knew it’d be something really special live. When you see certain songs live, it can change how you feel about them and it just make me love the song a hell of a lot more. I honestly thought I was going to cry at some point during the show just because of what Baek’s music means to me and how their music feels like home, but I was all okay. Or maybe it’s because the one song that would break me wasn’t played! Either way, it was just a beautiful show and to see how loved NoSo is in the UK gives me some hope that we may get more shows and not have to wait 3 more years! But hey, it was absolutely worth the wait, and I strongly advise that if you are ever able to get to their shows- you go. Grab that opportunity and experience something so ethereal and gentle.

For the encore we very nearly got a cover of Hot To Go but settled on Who Made You This Sweet? Lyrically the song will rip your heart out, but when you see it live, you just appreciate the beauty within in. I first found Baek’s music in late 2021 and round about then I was working out stuff and realised I was Non-Binary. It was rough, it was lonely and it was something I mentally had to go through alone. I was using music as a way to navigate my way through, and NoSo’s music felt like someone was holding my hand through it. When you get to see the songs live that were your crutch, it just means a hell of a lot more doesn’t it? You find your home wherever you can, wherever you want and in your own time.

There are certain shows you go to where you feel like you could stay in that moment forever and I absolutely got that last night. I just utterly love NoSo’s music and experiencing it live is something that goes beyond the words I’ve written or could ever write. My words do not do it justice at all but know that once you go to a NoSo show, your heart and soul will never be the same again.

WAVVES @ YES, Manchester. 17th February 2026

Posted on by

Last week over 20 years of waiting, I finally saw Deftones and last night after waiting since 2009 to see them live, I FINALLY saw Wavves. I had tickets for a show in 2015 (I think) but couldn’t make it in the end, I was beyond upset so after YEARS of waiting, it finally happened. Was it worth the wait? It absolutely was. Did I leave the gig unable to hear anything? Again, yes!

Yesterday I wrote about the support act WHTVRMNS, and even though they only have 2 songs up online- I just knew that their live set would be something magical. I wasn’t wrong- they were perfect and it felt like they were playing the headline set at YES. In time (soon), they probably will to be honest because a band like that are destined for it. A gorgeous set which was a real joy to see. The way they play together on stage is a thing of beauty too because you can not only tell they love making music, but they totally adore each other too, and that’s part of why you cannot help but love the band.

Wavves hit the stage and part of me feels I’ve made a daft decision by standing SO close to the speakers- it’s a future me problem. The set was a strong mix of old and very new songs, and every single song was pretty much yelled back at the band. Pints were thrown, cigarettes and glasses (not the drinking kind) ended up on the stage. A bunch of crowd surfing too happened- all of which made this Tuesday night pretty damn special. Now if I’d ever seen Wavves live before, I’d have declared this as the best I’d ever seen them but sadly, I cannot declare that. I can, however, say that this was one of the most exciting shows I’ve ever been to. I knew it’d be rowdy and pints would be thrown in the crowd, but you know what? People weren’t arseholes about it. Everyone here bloody loved the band and was there for THEM and to not be total idiots. I’ve seen it happen a lot, but thankfully people were pretty cool last night.

For me, it was always going to be Green Eyes that would own my heart BUT the band played So Bored which was one of the first ever songs I heard by Wavves and it’s the song that got me hooked. Of course, King Of The Beach got one of the biggest reactions of the night but even new songs like Bozo and Goner were screamed back. Afraid Of Heights was right up there as one of my highlights for sure- lyrically this song has always owned a piece of me, and to see it live was such a great experience. Post Acid was a riot too- and everyone went nuts to this. It’s one of the best Wavves songs but seeing it live makes it mean so much more. Fucking incredible. Demon To Lean On claimed and owned my heart too. Man, it was such a joyful night. I’d love to be at a Wavves show every night. I mean, my body may hate me for it but the energy on and off stage was just beautiful. Definitely one of my favourite shows of any band I’ve seen in Manchester.

Proper Mancunian (or just delightful Northern humour) shone through when Alex was doing soundcheck, a few yelled to him that his fly was undone on his jeans which led to chants of “take it off!” Nathan also commented during the set that the zipper had been causing issues. Fly up or down, Alex is one of the loudest guitarists I’ve heard and is probably responsible for me not being able to fully hear today. Always worth it.

Nathan, Stevie, Ross, and Alex play like a bunch of kids in school who are best friends and living out their dream- and that’s why they are a joy to watch and listen to. For years and years Wavves have been a comfort band for me. There have been shitty times where I’ve used music as a crutch and their music has made it all a little better. Getting to see the songs that got you out of a rut live is always worth it. Especially when you’re stood right by the speaker and can’t hear well the next day. That’s always the sign of a good night! I really hope they don’t leave it so long for the next tour because THAT was some bloody show!

WHTVRMNS.

Posted on by

Writing about bands who have only a couple of songs out can be tough but, BUT when they sound this good- it’s pretty easy to write about how great they are.

I’m on a serious gig comedown from seeing Deftones in Glasgow last week. My heart belongs to Glasgow. I don’t think I’ve ever fallen so in love so fast with a city before. Anyway, pining for a city out of the way- I need to write about a really cool and exciting band called WHTVRMNS. There’s only a couple of songs available online for you to fall helplessly in love with. They’re supporting WAVVES in Manchester tomorrow night, and honestly, there’s no better band to support them.

The two songs they have up on Spotify (yes, I know Spotify is bad) are killer. They’re the perfect introduction to the band and they make you feel like you’ve stepped back and forth in time. There’s no way you can pin a label on this band, and something tells me that their live shows will be just as ethereal as sitting listening to their gorgeous sounds through headphones. I’ve struggled to want to write about music for a little while, but when you find bands like this- something clicks.

Whatever Remains and Silence (Calling Your Name) are the two songs they currently have online, and whatever they grace us with next will also be a treat for the ears. Whatever Remains reminds me slightly of WAVVES which I guess makes them a solid choice for support but that aside, it’s a heavy anthem to blast as loud as you possibly can. I think the band are from Manchester which is probably why they are so good! The North know how to do it. They make the kind of music that makes you feel like you can close the world off for a bit and fall into your own mind and thoughts, then you come up for air, and all is okay again. That’s what I get from Whatever Remains, and I really cannot wait to hear more from them. You know instantly when you’ve found something to truly treasure, and I got that instantly from WHTVRMNS. Silence (Calling Your Name) has this early 90s Grunge feel to it, but not in a way that others have tried to copy. This feels different, and it sounds right. You can’t help but play it loudly, and on repeat. This band are doing something truly special here and if they can do it with just two songs then there is no telling what is next for them. A real joy to listen to.

There’s a lot to love and adore about this band, and I love the heaviness in their sound. I really cannot wait to see them tomorrow night. Always go for the support bands. Always, always make time for them because you may just find your new favourite band.

This won’t be the last time I write about the band for sure. I really cannot wait to hear more from them.

KÜKEN : PALERMO EP.

Posted on by

Part of me was wanting to sort of stop writing about music for a little while, but a couple of days ago a band I am utterly obsessed with released an EP. Now, whenever KÜKEN release anything, I HAVE to write about it, and this EP is definitely worth writing about.

The new EP, Palermo is around 6 minutes long and in those 6 minutes you can absolutely hear why KÜKEN are one of the best around. It was a lovely surprise on Wednesday to get a notification that a new EP had been released and I’m still holding out for a UK tour. Maybe I should start playing the lottery so I can fund my favourite bands to tour! Anyway, enough of the dreamin.’  This EP is wild and it’s a beautiful way to start 2026. Let’s hope it’s better than 2025 because last year as fucking awful.

The 4 songs on the EP are perfect for those who have yet to listen to the genius and wonder that is KÜKEN, and for those of us who are already obsessed with them- well, it’s just bloody great to have the best band from Germany back. The title track smacks you right in the face, and my god it feels GOOD. For me, KÜKEN are a band I just need to see live because not only does their music mean everything to me, but I just also adore the energy their music has. They just have this way of making you feel like you’re watching them record these songs for the first time and it’s just you and them. But you know that their live shows are probably the wildest you’ll ever see. I can only liken that a KÜKEN show is probably like a Bruise Control show. Carnage and a joy to witness.

I’ve played the EP countless of times since Wednesday and although it’s around 6 minutes, having it on repeat is good for the soul and ears. For me, it’s all about Grass Green. This could be up there as being one of my favourite songs by them. The whole record makes you feel like you’re on a road trip with the band. Neither of you know where you’re going or how long it’ll take to get there, but who cares! That element of freedom in their sound is what’s addictive. They have such a distinctive sound and it’s so obvious on this EP, and their sound is one to constantly fall in love with. Split Mind is the band at their loudest and makes you feel like you’re riding a motorbike exceptionally fast (but safe) without a care in the world.

The EP ends with the sensational Ocean Breeze; I love how the EP feels like a holiday with the band. Palermo is the start of the trip, Grass Green and Split Mind are the events in the middle of the trip and Ocean Breeze concludes the getaway. In just 6 minutes, KÜKEN have created a beast of an EP and one I will be having on repeat for some time- they’re a band I always listen to, and sometimes when I want to get that love for music and to write about it, they massively help. If the EP is an indication to a possible new full-length album, then it will definitely make this year truly special.

Some bands right from the jump become a massive part of your life and record collection, and KÜKEN are easily one of those bands. The Palmero EP is the band at their very best and of course, at their loudest. Play it loud, constantly.

Palermo is out now via Alien Snatch! Records.

GIRLTEETH: Paper Hearts.

Posted on by

This is going to be short because I’m pretty much typing with one hand. I sliced my finger right open yesterday when cutting a bagel open, and you know- it could have been a day off work if I put more effort into my injury!

Manchester is home to some incredible bands; we already know the bands from the past but let’s stop looking back for a bit and focus on new bands such as GIRLTEETH. I think there are 4 of them in the band (obviously member amount isn’t important) and they are all exceptional musicians. They only have one song out at the moment, but it’s this one song that will demand your time and ears. It’s meant to be played loud, and to probably annoy your neighbours if you want.

Paper Hearts is delicate and heavy in all the right places (I sound like I’m describing myself) and has this beautiful euphoric build-up; it’s the kind of song you’d play walking home in the pissing rain after a really shit day. The only thing that would make the day better would be listening to music you love and going to sleep. So whilst awake, you should probably listen to GIRLTEETH. This is a dream introduction to what’s to come from them, and to basically become obsessed with them. It’s an actual crime to not love and adore them. I don’t make the rules. It’s truly a gorgeous song, and the perfect introduction to such a divine band. There’s a lot of longing and heartache in this song, but it’s done in a way that could probably break the happiest person around. You can tell they’ve put their all into this song, and that’s part of the reason why they are such a great band to listen to.

The band will be playing The Eagle Inn on the 10th December in Salford, and you can get tickets here: https://eagleinn.co.uk/event/earbleed-inn-vol-2-humongous-fungus-moss-valley-and-girlteeth/

They are also playing a huge gig at the Peer Hat on the 14th December as part of Just Do The Thing presents The Thing: a transfem-centred fundraiser for Trans Mutual Aid Manchester and Yulia Trot’s solidarity fund. The night will have some BIG names playing but if you’ve not got tickets, then you’ve probably missed out because I am fairly sure it is sold out!

Paper Hearts is the perfect introduction to GIRLTEETH and I cannot wait to hear more from Manchester’s finest new band!

jasmine.4.t @Gorilla, Manchester. 16th November 2025.

Posted on by

Anything I write about jasmine.4.t I have definitely written before, but she deserves all the praise in the world, and if that means I repeat myself- so be it!

Her show at Gorilla on Sunday was the last as part of her Tranarchy World Tour, and it was only right it ended in her home city of Manchester. The last time she headlined Manchester was back in May at the Deaf Institute, and it was of course, an incredible show but there was something incredibly special about the show at Gorilla. There was something about the show that made you realise just how phenomenal Jasmine and her band truly are. The lineup was slightly different but that takes nothing away at all. Basically, every single time, her band have been the absolute best of the best. No matter where they play or who is in the band- you won’t find a better group of people.

One thing you take away from a Jasmine show is the importance of community and feeling completely safe at her shows. The front row was full of queer kids having the best time- safe away from how brutal the outside world is. This just shows the importance of Jasmine’s music and the importance of community. Society will try to erase trans and non-binary people and try make you believe they are the ones to fear and hate. But it’s those in power…always those in power that are to blame. Seeing so many young queer kids have the most carefree time on Sunday gave me some hope. Some much needed hope because the world is cruel and cold to us.

What I adore about Jasmine and her band is that you can really feel how much they love being on stage, and how it is important to unleash these songs on stage. They are songs that NEED to be heard- they carry such importance. I wish I had this kind of representation growing up. It may have made growing up slightly easier but knowing that queer kids have someone like Jasmine to look up to is just so beautiful. There were two kids at the front, and I knew at their age I wouldn’t have had the money to buy merch, so I grabbed a set list from the sound desk and gave it to them. I hope they go it signed by Jasmine because you cannot put a price on that. The kids will be alright.

You can really feel it was the last show of the tour, and I think this was pretty much summed up by Emily climbing up the stage and also lobbing her bass across the stage as the last song, Did U No ends (I think the person on the sound desk was questioning their life choices after that.) Emily doesn’t go quietly, and that’s why we love her. Asher and Maxie are two new additions, and they are an absolute joy to watch- you can’t tear your eyes away from the stage, and you cannot help but be in awe of these 4 incredible musicians on stage. They are all remarkable. Obsessed forever.

There are many loud and rowdy moments on stage, but for me, it’s always going to be the tenderness of Roan that gets me. Jasmine’s vocals on this are angelic, but when you witness it live, it is truly something else. It is the most gentle and soothing part of the show. It feels like we are all transcending into something and part of you feels like you are intruding in something so personal, but you cannot help but watch. It’s such a grounding song, and the way Jasmine performs it just makes it so ethereal. She does exactly the same with Kitchen too. Both songs are so powerful and vulnerable. Nobody does it like Jasmine; there is something about her words that just get you right in the gut.

Jasmine’s shows are loud, passionate, the definition of safety and community. If you’re ever searching for those things- listen to her music, go to her shows. I’m pretty sure her and her band are the hardest working musicians this year has seen. They are all such a joy to watch, and they all truly shine on stage. For me, it’ll always be Did U No as THE most important moment of the shows but songs like Elephant (this will never not make me cry) and Woman that show exactly why Jasmine and her band deserve the world and more. To see the crowd absolutely belt out every single word to Guy Fawkes Teso Dissociation (I sing this to my cat) and Breaking In Reverse will never get old. I just want to live at a Jasmine show to be honest. I don’t think I can fully put into words how much her shows and music mean, but I reckon anyone who listens to her or has been to her show gets it.

Jasmine and her band rip right through the bulk of her debut record, You Are The Morning and also play some tracks off the YBT Deluxe version. This version is named after Jasmine’s close friend Yulia Trot who is one of the Filton 24, who are being held as political prisoners in the UK. You can find more about Yulia here: www.freeyulia.com and you can learn about how to support Yulia and the Filton 24 on Instagram: @freethefilton24 and the trial started this week. Free Palestine, always. Free the Filton 24. Free Yulia.

I just also want to mention because it is VITAL. Yulia is being held at HMP Styal. If you’re able, please call the prison on 01625 553000 and demand that they reinstate Yulia’s rights. To find out more, please go on Instagram and find @s_tax and look for the post from 5 days ago, and you’ll have all the info you need there. If you cannot contact the prison, please share the post. Thank you x

TURNSTILE @ Depot Mayfield, Manchester. 3rd November 2025.

Posted on by

I think the happiest place on earth could well be a Turnstile show. Now, I’ve waited a ridiculous amount of time to see them live, and I’m just glad the venue wasn’t the Victoria Warehouse. If you ever make a list of shit venues- that one should be top. Anyway, the venue was alright last night. Stood at the back on a platform with a pretty much perfect view. The sound was solid, but the band were truly something else. Part of me wanted to cry because I was just so happy. But all I could do was stand and stare and just be in awe of one of the best bands around. They could easily sell out arenas over here, and maybe that’s next. But for now, these decent sized venues are it.

Turnstile start the show with Never Enough, and for the next hour and a half- the crowd are theirs. They are ours. Everything is alright in the world. The set is mainly the new record, but they through some gorgeous oldies in there, and it’s pretty much a perfect setlist. In an ideal world, Generator would be in there but who cares?! When you’ve waited what seems like an eternity to see a band you adore live, you don’t care what you see so long as you’re there. Every song played is screamed back from the crowd, and there’s not a still body in the crowd (apart from the person stood next to me for a bit who was with her partner- he was having a great time, but she was having none of it!) As far as crowds go, this one felt utterly safe and just full of love. You could really feel how much everyone loves the band, and every song just meant the world. You’ve got a band right up there in front of you, playing with everything they have and to see everyone around you give that same energy back was just divine.

Much like Amyl and The Sniffers set up- the projector on the screen shows the crowd on stage, and also the band. To see the amount of love and joy on everyone’s faces was just beautiful. I know some have said it was a shit venue, but maybe we got lucky from where we were stood. I think Turnstile may just be up there as one of the best bands I’ve ever seen live, and last night’s show is definitely in my top 3 favourite gigs of the year. It was just such a beautiful atmosphere, and it felt really safe. That’s all you can ask for (although, it should just be a given!)

The energy the band have is beautiful. Brendan leaps around the stage doing leaps and star jumps, and you just feel how much he loves being on stage. Meg is one of the slickest guitarists around, along with Pat. Franz is one hell of a bassist and Daniel is one of the best drummers I’ve ever seen. Turnstile are made up of the best of the best, and the way they play together on stage is honestly such a joy to watch. The just exude pure love for what they do, and for each other. I genuinely miss them right now and wish I was at a Turnstile show. I think I’m going to carry that feeling around for a long time, and I just know I’m going to get that same feeling next year when I finally (finally!!!) get to see Deftones. I’ve waited over 20 years for that; it’s going to be something else- I don’t think I’ve mentally prepared myself for it. But for now, I’m going to stay in the moment of being at a Turnstile show.

The only bad thing about last night was the cost of merch. A hoodie does not need to ever EVER be £100- especially when they are selling them on their merch online shop for £50. It doesn’t need to be that much at all. I got a bootleg one outside of the show for £30. Come on now, £100 for a hoodie is insane, there’s just no need for it.

Back to the show.

If you ever want to experience sheer euphoria and a sense of freedom, go to a Turnstile show. The crowd were just heavenly, and you could see how much it meant to everyone. Seein’ Stars is a billion times better live, and I feel when I listen to it on record now, I’ll just have to sulk because it isn’t live. Blackout and Mystery were a joy to witness. Closing the show with Birds was WILD. The amount of times I probably annoy my cat but picking her up and singing this to her is a lot! Turnstile are her favourite band. I’m raising her well.

Off the new record, Light Design was the one for me. There’s something about this song that just hits me and to see it live meant the world. Hearing old ones like Pushing Me Away was insane too, and it was just a dream to witness. I genuinely don’t think I can fully put into words how special a Turnstile show is. Like, I can try write about it but it’s one of those things where you HAVE to see for yourself. You can watch all the footage online or on YouTube but being there, being right there is something else.

Holiday saw a group of lads in front of us go absolutely apeshit, and it was wonderful. Just to see a band bring so many people together, and to see how happy everyone was….you can’t define that, ever. All you can do is soak it all up and truly be grateful for the band that mean the world, and so much more to you.

BRUISE CONTROL @SOUP, Manchester. 31st October 2025.

Posted on by

I don’t think I can count how many times I’ve seen Bruise Control or written about them or told someone to listen to them but, I can tell you that their show at SOUP on Friday was a sight to behold. It was a night to remember because these angels of the north know how to put on a show.

As someone who believes in the mantra, “If I don’t leave a gig even slightly hard of hearing immediately or the day after, I probably didn’t enjoy it” I decided I had to fully commit to this notion on Friday. Was it a wise move? No. Did my teeth hurt from how loud it was? Yes. Was I stood right next to the massive speakers/amps? Yes. Yes, I was. Would I have stood anywhere else? Probably not. Side view of the stage and had ringing in my ears for a little while after (the morning after) was a dream. The show was a dream.

The band came onto the stage with Tommy (drummer) dressed as Richard O’Brien, and the rest of the band were in delightful jumpsuits, as contestants on the Crystal Maze. As the theme tune came on, I turned to my girlfriend and said “Casualty?!” Obviously, she corrected me and I was convinced both theme tunes sound VERY similar. Imagine if it was Casualty they walked onto the stage to? The costumes would have been wild. Tommy even treated us to a little ditty on his harmonica. Then it was show time. Then everybody in the crowd pushed forward and it was carnage from there. Jim had to call out some dickish behaviour in the crowd a couple of times. But that didn’t take away anything from the show they put on. I think Jim went into the crowd a few times, and the first time was a bit too much. People were a LOT. There’s no need to bash into people or touch people who don’t wish to be touched, y’know?

Every time I’ve seen them, they’ve just blown my mind (and eardrums) and Friday night just showed us all why they are one of the best bands around. I don’t think you can fully appreciate how great they are until you’ve seen them live. The way they sound together is just divine anyway, but live it is something else. Truly. The first few songs were played with NO break in between, and I have no idea where or how they get their energy. I was tired just watching them! Also, Tommy’s commitment to the Richard O’Brien costume was next level. I genuinely thought he was going to pass out from it. Obviously, Jim played in his little short shorts. I think it was a wise outfit choice at this point! But their dedication to each other, what they do, the crowd/fans and yes, Halloween outfits, just shows why they are such a joy to watch and to be a fan of. They mean so much to so many of us because they express the frustrations of daily life. Note- the frustration is with the government, taxman, and HMRC. It’s not the person coming to this country for a better life because where they are from is dangerous- it never was, and never will be. It’s those in “power” that are doing the damage and division. Pricks.

Anyway.

Bruise Control totally rip apart SOUP and blitz right through their set. They play some of their greatest hits, and also new one, Gone To Ground and a couple other from a new EP which should be with us next year. Their sound is distinctive and important. They are such an important band, and I urge anyone who gets the chance to see them live, to absolutely take it. Take some earplugs if you want, but go. You could see just how much the band mean to everyone in the crowd, and that’s been apparent every time I’ve seen them. I remember them supporting Amyl and The Sniffers at the Albert Hall a few years ago, and it could easily have been their headline show. One day, they will sell out Albert Show for themselves for sure. They just have something about them that makes them relatable, easy to love and to pretty much become obsessed with them. They are everything the world needs right now, and they go way beyond being a noisy Punk band. They are so much more than that. You can really feel how much it means to the band to have sold out SOUP, and I think it may be the most tickets they’ve sold for a show? I may be wrong, but let’s go with me being right because it’s such a beautiful achievement for them. The love they have and how much it means to them makes it that more important- hometown gigs always are, and that’s the beauty of seeing Bruise Control in Manchester. The crowd just get it more, and we’re all just really, really proud of this beautiful band.

Songs like Taxman and Useless are screamed back to the band, and that just shows the love and dedication Bruise Control fans have. They’re a band that you want to constantly see live because the environment they create at their shows is just beautiful. My hearing is back, and my love for this band remains great. I cannot wait to hear the EP in the new year, and for any shows that follow. They are easily Manchester’s fines

NoSo: When Are You Leaving?

Posted on by

Sometimes you hear a song, you find a band or singer and you immediately feel like you’ve found your version of home. You’ve found someone who says everything you wish you could and maybe that person is all you wish you were brave enough to be. You find this piece of music, and everything that had been missing is right there. Something clicks, and maybe you were absolutely fine all along. You just needed something like this to pull you through or to essentially, be a mirror. When I first started listening to NoSo a while ago, that’s exactly what happened. Then I saw them live, and my world got flipped and everything clicked. Those feelings have come back around this morning as I listen to the new record, and I absolutely could not love or be more proud of NoSo.

In 2023, NoSo’s debut record came out and it felt like my brain had been rewired. That same feeling happened a year later when I heard jasmine.4.t and it’s smacked me between the eyes again with When Are You Leaving? With just 10 songs, Baek Hwong has yet again created a masterpiece for the ears and heart. It’s a beautiful record, and I honestly didn’t know what to expect going into this. I didn’t know if something so perfect could be done again. I was silly to even have a fragment of doubt. There’s no second record curse or whatever here- far from it. Every single song on this record feels like home. There’s so much vulnerability in Baek’s songwriting, and it is so obvious on this record. They are a sensational songwriter, and it’s the way he truly gets to the core of every emotion possible and makes it beautiful. This record is a thing of beauty- even when touching on difficult themes. It’s everything you could want, and more. The way Baek writes about race, gender, the way the world is- it will break your heart because of the sheer honesty, but we need it. We need to hear it, and the way he does it is sheer poetry.

I’ve played this record about 3 times so far, and with every listen I am finding more and more things to love about Baek as an artist and as a writer. This record was entirely self-produced, and you can feel the grandness in it all. It’s such an open record and you feel there’s a lot of healing within the record. And I think the title alone shows the power in walking away from something or someone that is damaging. The relief you feel from walking away from something or someone that’s harming you can feel daunting but when it clicks, you know it’s the best thing you could have done. It’s also a record that feels like self-growth and becoming the person you knew you could be but still knowing there’s more to do.

Every single song on the record is just a work of art. I couldn’t pick a favourite at all and trust me I’ve been trying to work out which songs speaks to me the post, but I can’t do it. With the debut record, it was so easy. There’s a line on You’re No Man that got me in the gut, “And she’s gloating about being a gold star, you won’t break the spell.”  I don’t want to go into detail, but it absolutely got me. I think it perfectly sums up how Baek can write something so heartbreaking in a way no other could. There’s no one else who could write something so painful in such a careful way. It’s just beautiful. I love the urgency throughout Don’t Hurt Me, I’m Trying. It feels like it could be in a film or something- it’s got a speed chase feel to it.

For me, NoSo’s music is sacred and honestly if I could listen to his music without crying then I’d be fine, ha! The way he can just pull these feelings out in such an effortless manner leaves me in awe. It’s the way he just manages to portray such fragile feelings that make you feel like he’s writing about you or puts you in his position. It’s such a glorious record and it really does feel like the next step from Stay Proud Of Me. If you listen to NoSo’s debut first then go right into When Are You Leaving? you’ll hear the growth in the words, the music, the production and all in between. It is truly a perfect record, and it feels like home.

Baek has such a distinctive voice and it’s a voice that can soothe, and I think everything beautifully comes together on the last song on the record, Let It Die. And I think after playing the record on a loop for the past few hours- this could be my favourite on the record. It has such a big and euphoric feel to it. It feels like letting go, a massive sigh after the damage is done and relief takes over. It’s the perfect way to wrap up such a divine record.

I feel I may not have said enough about the record in the way I wanted, but maybe it’s because I feel the words so personally, I want to try not get too into it. All I know is that if I was a 13/14 year old queer kid listening to this record- I’d feel like it’s going to be okay. As queer adult, I think I’m still trying to find that reassurance, ha! That’s why artists like Baek are SO important and why his words and his experiences need to be told. The record defines survival, escaping and being okay. It isn’t an easy journey but it’s not one you always have to do alone.

When Are You Leaving? is a record to treasure and to love. It’s one of those records that you play for someone and say, “this is everything I cannot say just yet, but it’s all in here.” Like a diary entry I suppose, but deeper and with more care. The honesty and the way the songs just feel like home mean the world. I feel I’ve just made zero sense in all I’ve written so I’ll leave it here. In short, one of the best records of the year. Easily.

Thank you Baek for creating something so open and beautiful.