The Smiths-The Smiths.

“Reel around the fountain. Slap me on the patio, I’ll take it now…”

Manchester, Manchester- you beautiful city. Look at what you have given us. John Cooper Clarke, The Fall and of course The Smiths. On a damp and dreary (I’m going to assume it was, I was born just under 3 years later) an album by one of the world’s most influential bands was released. A debut record is a record critics will thrive off picking about and throwing away. That didn’t happen with The Smiths debut first record. If I have it in me, I’m going to attempt to put my all into writing this. Expect sentences that ooze frustration because I cannot say what I want to say. I’d like to mention I am writing this drinking tea out of a Morrissey mug.

I want to delve right into the very core of the album’s opening track, and one of my favourite songs by the band EVER. I want to go into detail about how gloriously sexually charged the lyrics are. Thing is, Morrissey’s lyrics have always had this wonderfully subtle sexual connotations that click with certain kinds of people. The shy ones, like myself who lack charm and anything to offer another (Moz has the charm, we all know that.) The Smiths made the outsider feel part of something. They made you feel as if you had found a home, a safety haven. All your desires and longing came true in this band. They also voiced them because you couldn’t do it. Can you do it now? I know I can’t. If only it was okay to say to someone you liked, “I like you but I cannot sum it up..so listen to this song by The Smiths.” Reel Around The Fountain has a verse that I just adore. It makes me want to cuddle that young, shy Morrissey and say, “It’s okay lad, you’re better than everyone anyway.”

“I dreamt about you last night. And I fell out of bed twice.  You can pin and mount me like a butterfly.  But “take me to the haven of your bed.” Was something that you never said.”

I, like most fans of the band can relate to nearly EVERY lyric and this is just utterly divine and accurate. Moz says the things I seem to have on the tip of my tongue, no exceptions.

Not a band to shy away from negative criticism from the press and anyone in-between, The Smiths felt the brunt of their open music when Suffer Little Children was placed as the B-Side to Heaven Knows I’m Miserable Now. I love The Smiths more than I can put into words, but this one song that I’ve only listened to..not even a handful of times. It is far too painful and to the core. Personally, I don’t find it distasteful so for certain shops to pull the record from the shelves was too much. If anything, it was a tribute to the victims of one of the most horrendous and brutal crimes ever committed. It was also one of the first songs that Morrissey and Johnny Marr wrote together.

You really do not need someone like myself to tell you just how important this record is. From the lyrics to the music to the excellent production that is present on this record. Anything and everything The Smiths ever did was nothing short of perfection. Even the imperfections and glitches were beautiful. Sometimes I am asked “The Smiths or Morrissey?” And, I usually do say Morrissey for many many reasons. I guess I can relate more to his solo work, but this debut record is just one of the greatest records ever made. Of course being released through Rough Trade wasn’t a bad thing either.

The debut record is exquisitely honest and vulnerable. Morrissey just pours out all the frustrations you can possibly handle. 28 years on since its release, and it undoubtedly still is as important and apt as ever.

I cannot write this in a way that reads as something critical. I’m just throwing these words out as a fan, that’s all I can do. The first song I remember hearing by The Smiths was Hand In Glove. I just loved the sounds I was hearing, I was far too young to understand the lyrics but as I hit my teens..I paid full attention to the lyrics. The Smiths and Morrissey didn’t only just put out music that saved my life, they BECAME my life.

It angers me when people say “Oh they HAVE to get back together.” They don’t. They really bloody don’t. When a band splits, that should be it. It’s like getting back with an ex isn’t it? Royally pointless and a dumb thing to do. The Smiths will always be one of the most influential and best bands ever. The music and the memories we have are more than enough. It all started 28 years ago today with this record. I’ve loved them for so long, and I couldn’t imagine my life and record collection without them. It’d be awful and dull (both my life and music.)

Listening to this record again, to write this- there is always one line that has forever stuck out for me. A line that I constantly have flailing around my heads causing me to probably overthink :

“Does the body rule the mind or does the mind rule the body? I dunno…”

It has been many many years since I first heard this record, and I am still trying to work out what rules what. Maybe it is just safer to say that the heart rules everything, but at the same time probably cocks everything up. There is a song on this record for every point in one’s life. Miserable Lie will help you get our something or someone. Hand In Glove will help with acceptance. What Difference Does It Make will help you see that people are sometimes, not worth the hassle. Reel Around The Fountain will make you pine for that person you cannot get out of your head. It described life for so many 28 years ago, and it still does the same now.

It is obvious just how vital this record is, and what it for music. Time may drag and drain us all, but with records like this, it makes the whole process less painful.

The Chapman Family-Everday Is Like Sunday.

It takes a LOT for me to like a cover. It takes even more for me to even listen to someone cover The Smiths or Morrissey. Dum Dum Girls are the only ones to have covered a song by The Smiths that I love as much as the original. I try to not listen to covers of songs I love, that I have such an emotional connection with because I really don’t want the song that means the world to me, to be royally fucked up and enitirely ruined.

Did I think that The Chapman Family would ruin a Morrissey song? No. Far from it. I knew that they would make it their own. However, I didn’t expect it to make me instantly cry because for some reason or another, I felt it more than I did compared to when hearing Moz sing it. Maybe it’s because Kingsley’s voice is so haunting on this cover. He sounds just as perfect as Nick Cave and Leonard Cohen. He’s made the song less witty- and more frustrated, and dark.

You see, Morrissey makes you listen to the song and take it in a comical manner. You sort of ignore how frustrated he seems. The way in which Kingsley sings it, my god, it just breaks your heart. Today, during my lunch break I walked on the beach. The cold wind challenged my ability to walk without the odd wobble. The grey sea had seagulls bobbing along, probably freezing to death. Everyday Is Like Sunday never seemed so fitting. I always associate this song with the Isle of Man (please someone take me away from here.) and after hearing Morrissey sing it here this year, it just meant even more.

For some reason, The Chapman Family’s version of this song touches my heart in a different and maybe deeper way. If I could put it into words that could make sense- I would. However, I don’t think I can. Easily one of my favourite covers I’ve ever heard. A truly underrated band, no doubt.

http://www.youtube.com/watch?v=FLUUmvibISU&feature=youtu.be

 

“Round my heart, and runnin’ round my brain.”

I cannot stand songs that go on and on about being in love or how wonderful the world seems. I can’t relate to it, so I don’t really care for it. I love songs and artists that drag out the ugly, and dark feelings we are conditioned to ignore. The feelings we are told to never speak of. I love it when an artist has the guts to sing the songs that reach for your soul and just crush you. It crushes you in a way that leaves you crippled with so many painful feelings; you just don’t know what to do with them. I don’t mean songs about having your heart broken by someone. That isn’t the only bad feeling in the world. There is more to life than being in love and losing love. However, again; we are conditioned to seek love from another so we can justify our existence. Personally, it’s utter bollocks. You validate your existence in your own way. It doesn’t have to mean you have to be in love to do so.

http://www.youtube.com/watch?v=nzzf44HkFw8

Although I love songs that rake out the harsh and brutal feelings we are meant to push aside, this doesn’t mean I walk around hating life and everyone. I’m an average human being; nothing special. I hate no one, I hate nothing. I don’t have it in me to have that feeling at all. There’s good and bad in everything, and in everyone. I’m not someone who is against being in love; I’m sure it’s a delightful thing when it goes right. I just find the darker side, the things we are told to not go near much more interesting.

There is something romantic and comforting about hearing a song that just oozes pain and despair. Heroin by Velvet Underground is one of the most gut-wrenching and heart breaking songs ever written. It isn’t about a lover. It is fairly obvious what it is about. Every single time I listen to it, it just delves into a part of me; I cannot imagine a cheery song doing this to me. Don’t get me wrong, I do listen to a lot of music that someone could pass as “happy.” However, bands such as Velvet Underground make me happy because of what they mean to me. It doesn’t matter what song I play by them, it just  goes to a part of me that, although the lyrics can be quite sad- it still makes me happy. It makes me happy that I have a band like that in my life, that mean so much to me. The same can be applied to The Jesus And Mary Chain, Spiritualized and Townes Van Zandt.

One of the first songs I remember hearing by Spiritualized was Broken Heart. If anyone was to ever list the songs that could break a person in so many ways- this should be at the top. Jason Pierce has this way of projecting such frailness and vulnerability into his lyrics that make you connect so deeply with what he is saying. He takes you right down to rock bottom with him. Thing is, you don’t want to get back up from it. He was one of the first artists I really remember feeling this way about. Just instantly connecting with every word. Clinging onto it with all I had. Much like The Cure and of course, The Smiths. A band can really make you feel less alone when you think you’ve hit the lowest point. I guess sometimes, you can always go lower. If you’re scared of hitting it- you’ll probably get there quicker than you planned to. If you’re not scared, it’s up to you how you deal with it. Some things you can fight off and avoid. Some things just happened. You cannot plan a thing.

Townes Van Zandt (aside from Morrissey) is my favourite male solo artist of all time. What I loved (and still do) about his music was the honesty and how you could easily feel every single word he sung. You knew he meant every single word when he mentioned feeling so low. Songs such as Waiting Around To Die, Cocaine Blues just really made you feel for him. I will always stand by Waiting Around To Die as being one of my favourite songs of all time. I could listen to it over and over, and not get bored of hearing his breaking, powerful, trembling voice. He was well and truly the most underrated singer/song-writers of all time. If you want pain and aching lyrics- Townes Van Zandt is the one.

http://www.youtube.com/watch?v=hjJePtPVquM

All these reasons I’ve mentioned (and more) are probably why I love The Drums so much. I love how they have such sadness surrounding their songs but it is disguised through the electrifying guitars and upbeat drums. Songs such as Book Of Stories, Best Friend, What You Were, I Felt Stupid are so heartbreaking- but so utterly perfect. You know, I don’t think I could look at someone who didn’t enjoy at least one song by The Drums. I remember first hearing them in early 2009 and, I felt how someone must have felt when they first heard The Beach Boys, The Ronnettes, The Smiths- it was so exciting, and so needed at the time. I do believe that if they ever called it quits- I would cry. Just like I did when The Long Blondes split up. When you feel such a strong connection to a band, they become your life. They say everything you cannot say. I love Marina And The Diamonds because she can write songs that make you feel less alone about having bad days and disliking yourself. She makes you feel okay about not being as strong as you think you should be. I love Florence + The Machine because Florence can express such dark feelings in a way that just blows me away and can make you feel less troubled about carrying around certain feelings that probably bug you a Hell of a lot.

You see dear reader, it is quite easy to tell a person something so positive and charming. Yet when you have to attempt to say something quite dark and hurtful about what is whirling on in your head- it can be quite daunting. There’s a song for every occasion. There’s a lyric to describe everything you feel- whether it is joyful or horrendous- someone has already said it for you. Someone has already felt that way and made it more eloquent than you could even try to do. This isn’t a bad thing. It’s bad enough feeling like shit, so when someone else can sum it up in a song for you- it takes the added pressure of expressing yourself off.

Just remember- it is okay to feel like shit. It is okay to be happy. Never feel bad for how you feel, whether it is good or bad. You cannot switch yourself off, but you can always, always-restart.

Reality Killed The Artist….

Part of me is reluctant to write this, but then the intelligent part of me realised I shouldn’t care if anyone agrees or not. I’m fully aware no one will- good job I write for me and not to please other people. If it offends, I’m not sorry.

It’s that vile time of year again where the TV is polluted with talentless folks clinging onto their sob stories in hope of becoming a signed recording artist. Little do they know that their shelf life will be at least 2 years, then its someone else’s turn. How can people watch this show and think, “THIS IS GOING TO CHANGE MY LIFE! MY DOG HAS DIED! I MUST ACT LIKE I CAN SING!” Oh just fuck off. For the love of something, just take yourself away. Far far far AWAY.

These reality shows make me angry at the best of times, but after reading an article written by someone who I regard as a highly influential musician and person; my level of angst reserved for these talentless shows proceeded to rise.

A lot of music I listen to comes from artists that are either on a small label or unsigned. I don’t listen to them because I want to be different. I listen to them because they have heart, passion and meaning. These artists have worked themselves to the bone to put a single out. They will play bus shelters just to make a few pounds so they can eat. They work 2 jobs just to pay for studio time- but do you know who they are? No you don’t. But you could probably list the last 5 winners of X-Factor couldn’t you? How can a 13 year old declare “I’VE WANTED THIS MY WHOLE LIFE.” Child please, you’ve not gone through puberty yet and your mum still dresses you. Your only struggle in life was choosing what cereal to have.

I read JD Samson’s article last night, and I couldn’t believe what I was reading. How can someone, who was part of a band that was a huge part of my life for so long, be so utterly broke? I completely sympathise with JD about being broke. I currently can’t afford to buy a loaf of bread. Although, I guess cutting it out of my diet will cause me to stop being chubby. But seriously, how can an artist so talented and inspirational- have nothing at all? This isn’t right. It’s beyond disgusting that someone with so much talent has nothing to show for it. Yet these fools that prance around every weekend on stage and get praised or shot down by people who claim to have some kind of talent/knowledge of something musically related will end up making millions.

Why does someone get excited every weekend to watch this shit? Go on, go read a book- I dare you. I dare you to listen to something with heart such as Clara Engel or Doll And The Kicks. Go on, fuck what you are told to listen to and consume. For once, think for yourself.

The thing is, with me feeling this way I’m probably going to be labelled as wrong, a pretentious piece of shit who has no idea what they are on about. Truth be told, I’m just someone who is beyond passionate about music and it kills me to think that people regard what they see on X-Factor as “good.” When it really isn’t. Good music will outlive you. When you die, your grandkids and their grandkids will not be talking about who won X-Factor in 2010. They will still be talking about how influential the Rolling Stones are. They’ve been going for fucking decades. Their energy is inspiring; they have more energy and charisma than those who twat about on stage for their 15 minutes of fame.

When you see something you adore just fall to pieces, you feel compiled to pour your heart out expressing your worries and frustrations.

It’s basically a cattle market. They are lined up, told to sing. They then break down on stage. Told they aren’t good enough. Told they are good enough. Told to go away. Start crying. Tell a story about a dead gerbil. It’s the same old dire sequence every single time. You know what’s worse? When people who more than likely have a mental health problem go on stage and are just mocked by those who watch it.

How would YOU feel if you stood on a stage and everyone just laughed at you? How would YOU feel if a relative of yours was being exploited like this?

A lot of the people that appear on this awful show look like they’ve just stepped out of Topshop, stand as if they have shit themselves and warble for two minutes. There is NO personality. There is NO depth to them. Come on people, wise up to this shit. You do not have to buy into it. Save yourselves, save music. Believe in GOOD music from the heart.

A band that I’ve adored for years, Doll And The Kicks have toured with Morrissey and put out an (self funded I must add) album. They’re not signed, but they are so fucking talented. They could easily be this country’s biggest and best band. As they are not signed, nobody pays them any attention. It’s heartbreaking and it is so wrong. Their music is different from anything else around. They have something so bloody good to offer- but does anyone care? No. Because if they did, they would be signed by now. However, I guess they’ve done something an X-Factor contestant will never do. Support the greatest male singer of all time, Morrissey.

I’ve frequently had emails from artists that are unsigned email me and ask if I would write about them here, I always do. Last night after hearing Clara Engel’s voice whilst reading JD Samson’s article, I knew that I was listening to something so precious. I was listening to someone who may never be as “famous” as the idiots on these reality shows, but its okay. It’s okay because I felt something in her music that just left me in awe. It made me believe again. When you can find an artist that makes you feel that way, you can shut off all the shit around you that you are apparently supposed to enjoy.

When these contestants put their music out, they are depriving real musicians of being recognised. I urge you to find an artist that is not signed or not well known and just promote the shit out of them. Start a blog about them, bombarded radio stations with their songs, make a Facebook page about them, write to magazines about them- help them out. We need them; we do not need manufactured drivel that has no worth.

Being a fan/obsessive-Is there a difference?

I’m not aiming to make any sense with this. I never make any sense. Maybe I’ll write stupidly short sentences or I’ll just rant with poor punctuation. Thank fuck for spell check. I’ll just get excited about mentioning certain bands and lose any sense of intelligence I have. It happens a lot, be grateful you don’t know me; you’d probably want to punch me. Most want to anyway, I fully get it. It’s okay.

Everyone has a band or singer that when they listen to them, a wave of emotion just takes over. They lose their mind, their body goes into some kind of fit and their heart beats double time. I don’t care who it is for you. I don’t care if Converge make you just lose your shit, if Ace Of Base make you so happy you piss yourself or if The Cure make you feel so fucking alive. I don’t care. This isn’t about the artist, it’s about the feeling you get from the music. It doesn’t have to be everything a band has done, it can just be one song that sends you into some ridiculous frenzy that you can only express by making noises only dogs can understand and flapping your arms about like a person trying to rid themselves of a wasp.

This year, I’m sure it was the start of February, I heard a song. Since hearing that song on that dull February day, I have played it every day since. No day goes by where I do not play I Want You by Summer Camp. It’s vital that I play it every day, I have no idea why. It’s just the best song I have heard this year. You know what it does to me? EVERYTHING. It makes me feel so fucking happy inside and out. I’m not the world’s most cheerful human being, but then again; who is? Nor am I total misery guts. I have good and bad days, I’m not afraid to feel disgustingly low. It doesn’t scare me. When I hear I Want You, I am just overcome with joy. So much joy. If I ever heard it in a shop or wherever, I think I’d have to sit down….or have a nap. I’d be uncontrollable. I love the synths; I love when it kicks in and just smacks you so hard in the face; but in a pleasurable manner. I adore Elizabeth’s voice, it’s stunning. I’d probably slap someone if they said they didn’t like this song. However, I’m not a violent person so I’d end up slapping myself in the face by accident. I’m book smart, not street smart. I Want You is just one of the many songs that cause me to react this way. Some eat cake to make themselves feel better, I just listen to music. Especially this song. Hand on heart; I can say it is my favourite song of the year. NO DOUBT.

I’ve always said I could never love a person as much as I love Morrissey. Obviously, I welcome the challenge. No ones challenged how I feel about this, so I’ve come to the conclusion that one is unlovable (yes that is a Morrissey based pun, it’s also true.) For me, Morrissey is THE ONE. The ultimate one. My lifeline and my life saver. Everything about his music and just him makes everything worthwhile. I know sometimes it is hard for us humans to carry on, but when I listen to Morrissey; I can’t help but feel okay with how I feel. I could feel so awfully low, but then I play one of his songs and I feel, “someone gets me.” He says the things I cannot say. He says the things I wish I could say. However, I know people who do not allow you to have an opinion so I just keep quiet. It’s the quiet ones you should watch, that’s what people say. I’m not a menace, I’ll stay quiet. Morrissey’s live shows feel like coming home. They make me feel like I can do anything. His live shows are like an epiphany. Anyone who has seen him live knows exactly what I mean. I don’t believe you can like just one or two Morrissey songs. I believe that once you hear a Morrissey song, that’s it for life. You become hooked. You don’t just like him, you love him. You love him unconditionally.

When you love a band, they become part of your life in a way you could never imagine. You think you’ve reserved this kind of love and emotion for your significant other, it overwhelms you. The love you have for the band or singer is on a completely different level. It’s the definition of love, respect and loyalty. You won’t let anyone say a bad word about them. You form friendships based on mutual love for them. If I wasn’t so shy, I’d probably attempt to form friendships in record shops. Then again, I can’t even chat up girls so I’d be useless at making friends. I mean, I do have friends but I didn’t mean them in record shops. Ranting now aren’t I.

When I was in secondary school, a section of my life I wish I could erase, all my work books were covered in band photos and lyrics. To this day, I still decorate my lyric books with lines from songs I love and writing the names of bands I love. The feelings a piece of music can give you can really take you aback sometimes. You wonder if the artist had the intention of having such power to do that to the listener when they made the record. Did Bob Dylan ever think he would be such a huge influence to people? Did Patti Smith ever think she’d inspire people to stand up and say something? How do they feel about it? It must be overwhelming for them too. Imagine walking on stage every night and having thousands and thousands of people sing your words back to you. Words you broke your heart to write and the audience feel every single word. I just don’t think there is any greater feeling in the world.

So what is it exactly that draws the line at “regular” fan to someone who is just obsessed? I’d never sleep outside my favourite singers’ house and present them with oranges when they opened their front door. You hear about people breaking into singers’ homes, casually taking a bath or whatever. Why would you do that? Bathing is private- USE YOUR OWN BATH. Are these people registered as mentally ill or do they actually love the singer? Only they know. I don’t condone such behaviours. There is nothing wrong with losing yourself to the sounds of your favourite band and/or at a gig; but don’t bloody follow them home. They’re people too, they are entitled to privacy. We all are.

I’ve always been obsessed with music. I remember dancing to Kraftwerk and Dee-Lite when I was a baby in the living room, in my nappy. I had moves dear reader, I had moves. Now? I don’t like to unleash them. I don’t want to threaten anyone; they’re not ready for them at all.

The best thing about feeling a song so deeply is when you meet the ones responsible for creating the sound, and just seeing what it means to them. I will always say interviewing Warpaint is my greatest achievement. I took so much from that interview, just being in their presence meant so much. If you watch their interviews or performances; you can truly see that they feel the music. It is their live. As it is their life, you fall completely and utterly in love with it; and it becomes your life. When a band or singer gives you their all, and they believe in their words- you can’t help but believe it too.

Everyone has a singer or band that they give themselves over to. They skip school to buy the record on the day of its release (I’ve done this, I’m not sorry.) They decorate their rooms with posters, name pets or children after the singer they love, have tattoos in honour of them. You follow a band everywhere on tour; you spend all your money on seeing them live. The best conversations are had whilst waiting in line to see your favourite band live. It just takes over, people call you obsessed. Don’t listen to them. We all need something or someone to believe in. It’s easier if it’s a singer because they cannot hurt you. All they do is project your nagging insecurities, your weaknesses, your joy, your pain, love, tears- everything. They do it all. They are there for you at 4am when the world is asleep. They provide the comfort no other can or ever will. Music is a crutch; it’s up to you how you use it.

There’s one thing that expresses the true meaning of being a fan. It isn’t in a song, it’s in a film; Almost Famous. I watched this film during my first year of University. I was full of self doubt, and didn’t know what to do. A relative told me to watch the film. I watched it, and it changed my life. It made me realise that all I want to do with my life is write. I may not be any good, but music and writing are my passion, I just have to do it. I don’t want to do anything else. My role models aside from my mum are two people who I believe changed music- Lester Bangs and John Peel. They fuelled something inside of me that caused me to love music as much as I do. It’s more than just a passion for it, it’s my life. Everyone has that one thing that is their life, mine is music. When I listen to The Kills first record, it makes me feel so fucking alive and like I can do anything. When I listen to the Velvet Underground, I fall in love with their raw sound and just want to create something wonderful.

When you truly love something like this, you are made to feel like you can do anything and be whatever you want. And you know what, you really can.

2011- Songs.

I know I’m doing this too early in the year, but if I do it now- maybe I won’t change my mind. I know I’ll change my mind as soon as I publish this. I’ll hear a song and think, “SHITTING HELL. THAT NEEDS TO GO ON MY LIST!” Hopefully I will gain some self control and not do that. I’m not doing this in any order, however the last song I mention is my song of the year. It’s pretty obvious what song it is. I’ve got a cool story to accompany it too, it’s just given it so much more meaning to me and I love it more than I did before.

Let’s begin :

Dirty Beaches- Lord Knows Best.– When I first heard this, I honestly didn’t think it was something from this year. I just thought it was an old old song being re-released. I was stupidly wrong. Lord Knows Best is taken from Alex’s album Badlands which was released in March this year, it’s such a beautiful album. What I love about this song is how old it feels, the sample on a loop and Alex’s vocals. His voice sounds so desperate, which is what drew me in straight away. I love anything that sounds dark, angry, frustrated and painful. This doesn’t mean I’m some morbid wanker, far from it. I’m just someone who is always drawn to the dark side of things- it just means more to me than hearing something cheerful. However, this is lyrically, not a dark song. It’s about loving one person and nothing/no one else matters. Just this one person. I guess you could call it a love song. Whatever it is, it’s one of the best things I’ve heard this year.

Wye Oak-Civilian.– You know when you hear a song, and you give all your attention to the lyrics? That’s what happened when I first heard Civilian by Wye Oak. The album is just stunning. This song means so much, “I am nothing without pretend. I know my faults, can’t live with them.” It just screams out fragility. The whole song does. It’s almost as if, you can use this song to admit to all your faults- you’re human, and it is how you feel. I adore the build up in the song. Their musicianship is so strong and so inspiring, it’s just so stunning. It’s one of the songs that make me wish I could write something as powerful as this. As far as duos in music go, Wye Oak are one of my favourites.

Widowspeak-Wicked Game.– I know it’s a cover, but it’s so good. I love how haunting they have made it, but at the same time still has the same feel as the original. I usually hate it when a song I love is covered, but this is just stunning from start to finish. The way, “This world is only gonna break your heart” is sung is damn hypnotising. The song makes you feel like you are in some kind of trance. It’s just perfect. If you’ve never listened to them before, start with this cover.

The Pains Of Being Pure At Heart- Heart In Your Heartbreak.– I know this came out late last year, however the track is taken from their second album which came out in March this year. So, I’m going with that. Their album came out at a time that I wish to never go through again. This song was my crutch for 2 months. I used to listen to it to stop myself from feeling like shit and realising…well, I don’t want to make it too personal. Basically, when you think you can’t get over having your heart broken- you actually can. And when you do, you becoming strong and nothing can touch you no more because you have felt so shit, you’ve experienced rock bottom and you will do anything to never feel that way away. I cannot pick out a lyric that I love, because I just adore it all. This song was around when I didn’t know what to do with myself or what to do with how I was feeling.

Novella-The Things You Do.– When you listen to Novella, you wouldn’t be alone in thinking you were listening to a band from LA. They have that gorgeous lo-fi/sufer pop feel to their music. They formed in Brighton and are now based in London. If you love Dum Dum Girls and Best Coast, you are truly going to fall in love with Novella. I hope next year beings them great success because they really do deserve it. This song causes your head to spin and your body to float. It’s so beautiful.

Zola Jesus-Vessel.– I am going to struggle putting this into words because the music Nika creates owns a large part of my heart. Her music is so enthralling and haunting. Everything about her music just makes my soul shake and my head swim. I am constantly in awe of her talent. She’s only 21 years old, she’s so bloody gifted. Hopefully I’m seeing her in November. I’m oretty sure it’s going to be like some kind of religious experience. I have every confidence that her album Conatus is going to be one of the best albums of the year. Her voice is so distinctive and powerful. I love the dark feel in her music. I love how her music can make everything better. I took a walk today and just played her music. It was like I was drifting off into another world. A dreamland. I honestly cannot praise Nika’s talents enough. I really don’t trust anyone who doesn’t like her music. She’s a massive credit to the music industry, I just hope they realise that instead of obsessing over pop stars that contribute nothing.

The Horrors- I Can See Through You.– I could pick any song of theirs, but I Can See Through You is my favourite off Skying lyrically. The album is beautiful, but more on that when I write about my favourite albums of 2011. Faris’ vocals on this song are so strong. The band sound as perfect as ever. So captivating and hypnotising. I know a lot of people are getting into The Horrors based on Still Life. What pisses me off is that they dismissed them during the Strange House era. That album will always be one of my favourites. The raw, brutal sound to it is amazing. The garage rock vibe it has is stunning. However, those that are only just getting into The Horrors have missed out on many years- their loss.

The Kills-The Last Goodbye.– It was close to impossible to pick which song by The Kills I wanted to include. I toyed with the idea of putting Satellite in because I love the reggae electro feel it has. Then I wanted Baby Says because I love it like someone would probably love their child. Then it was Nail In My Coffin. I went through the whole album, until I chose The Last Goodbye. Why did I choose The Last Goodbye? Well, it has the best and my favourite lyric from a song I’ve heard this year. This line describes me better than I could. This line owns my heart. This line makes me feel okay with being a sensitive bugger. The line is of course, “How can I rely on my heart if I break it, with my own two hands.” I read an article about the album before it was released, and they spoke about this song and mentioned the lyrics. When I read that line, I was instantly blown away by the honesty and vulnerabilty in the lyrics. Then I listened to the song. I cried. It was like finding the piece of you that you had missing for so long. I have no idea what will happen when I see this live. I’ll probably want to get on stage and hug Alison. When she sings this, you can see she puts all she has into it. It is so heartbreaking and so perfect. You can take what you want from this song, that’s what I love about The Kills- you can create your own meaning to their songs. If I could thank them personally for this song, I bloody well would.

Florence And The Machine-What The Water Gave Me.– I guess anyone else would pick Shake It Out, but I like to be difficult don’t I. I’m choosing What The Water Gave Me because I love the darkness around it. Shake It Out is beautiful, and it feels like Flo is taking you to Church. The lyrics are haunting and gorgeous. Much like What The Water Gave Me. I love how the song builds and builds, when she sings “Let the only sound be the overflow. Pockets full of stones” it sounds and feels so enchanting and euphoric. All her songs are euphoric. Her music makes you feel free and weightless. That’s why I love her. I cannot express it in a way that you will understand, but that’s as close as I can get right now. Pretty sure Ceremonials will be the best album of the year. October 31st cannot come quick enough.

It’s honestly no surprise what I’ve picked as my favourite song of the year is it? I said it in February and pretty much every other day since. You ready?!

SUMMER CAMP-I WANT YOU. – This is the only song that I have heard this year to have such a grip over me. It’s done something to my brain. I have to listen to it every single day. If I don’t, I get the shakes (I don’t really….) Elizabeth and Jeremy have created the best song of the year EASILY. I know I love Flo and The Kills but this is honestly the greatest thing I have heard this year. No other song has had this hold over me. The lyrics, oh jesus, the lyrics. So true! It states exactly being in love is like- cruel, intense, dark and grand. Being love can turn you into a dickhead sometimes can’t it. However, if you listen to I Want You, you can see it isn’t always the case. Some have said it’s the stalker anthem of 2011. I don’t think it is. I think it’s quite simply, intensely liking/loving and wanting someone; and you just want them to feel the same. You believe you can make them feel the same. The synths, the guitar and the drums…oh lord. When it drops and kicks in it is like a glorious kick in the face. I’ve only been in love for real once. It’s more than enough isn’t it? If I was to ever feel that way again, I’d use this song to clarify how I felt. I’d play it and think “Does this person make me feel like this?” And if the answer was yes, it’d be love. If the answer was no, then I’d go back to my books and records to save myself disappointment. If any of you listened to BBC 6Music yesterday morning, on Lauren Laverne’s show. They played Better Off Without You and I Want You. I tweeted them saying it was amazing, and Elizabeth replied with, “I was thinking of you when we played I Want You. Not in a weird way.” HOW AMAZING IS THAT? Seriously, so fucking cool. It made my year, no doubt. I’ve decided, if I ever decided to inflict my presence upon a girl and start a relationship, when we split up- I’m going to play Better Off Without You to drag me through it. Oh, I’ve not heard Summer Camp’s album yet but I can tell you it’s the best album of the year. It’s right up there. Trust me. Now, get your ears around my favourite song of the year. If it doesn’t cause your bones to move, heart to skip several beats, your head to spin and your soul to feel reignited- then I think you have no braincells left. Cheers Summer Camp, for making the best song of the year!

I do feel bad for leaving out some songs that I fell in love with this year, so have a few more :

Blood Orange-Sutphin Boulevard.

Marina And The Diamonds-Fear And Loathing.

The History Of Apple Pie-You’re So Cool.

The Weeknd-House Of Balloons/Glass Table Girls.

Lana Del Rey-Blue Jeans.

Seapony-Where We Go.

Best Coast-How They Want Me To Be.

Wavves & Best Coast-Nodding Off.

Morrissey-Action Is My Middle Name.

Youth Lagoon-Montana.

I got carried away….I’m not sorry though.

 

 

 

2011- Musically, you weren’t that bad.

I know it’s only August, but I feel I need to write this down now. Was 2011 awful? For music? No. For other things? More than likely. Yes this year was shit due to Gaga putting an album out, Amy Winehouse’s tragic death and ITV still allowing X-Factor to exist. Why it exists, I have no idea. But it is does, for those who don’t know any better.

I’m going to attempt to think of 10 reasons (in NO order because I will want to change my mind if I do that) as to why music this year was not shit. I may rant, I may not be able to think of 10 reasons.

-The Kills : Finally my favourite duo EVER released the flow-up to Midnight Boom. Blood Pressures is probably my favourite album of the year. However, come 7th November and I will say Florence’s album is. The Kills are a band that I will always love. They could (I know they won’t) make the most wankiest record ever, and I would still find something to love about it. Blood Pressures has a bluesy feel to it but still has the same raw vibe No Wow and Keep On Your Mean Side have. The Last Goodbye is the saddest song I’ve heard this year. If a song could break your heart, that would be it. The lyrics to Baby Says are stunning. I just ove how Jamie and Alison’s voices fit together. I think their bond is one of the greatest things ever. Everyone needs a friendship like that. “Send your love on a rampage, give her everything you’ve got. And when you come to hate her, show her more than just a spark” is one of the best lines off the album. However, not just from The Kills but my favourite line from a song that I have heard this year is easily, “How can I rely on my heart if I break it, with my own two hands.” The way Alison’s voice sounds on this is so beautiful but it just tears you up so much. I’m just happy to have another record by The Kills in my collection.

-The Horrors: I still want to slap people who dismiss The Horrors. Just like I want to slap those that think Skying sounds like Simple Minds. I think those that are saying these things are actually deaf. Or just extremely fucking stupid. Skying is the best album put out this year by an English group. I am still in love with the sound they had wth Strange House. But, I love how they have developed with each album. You cannot deny how much of a masterpiece Primary Colours was and still is. They’re just everything a band should be. They don’t justify what they do to anyone. They make music for them. That’s how it should be. They haven’t bought into a gimmick and gotten famous based on that. They are ALL fantastic musicians. Joshua is genius on that guitar. There aren’t enough words for me to describe my love for The Horrors.

-Zola Jesus: Quite simply one of my favourite female musicians ever. Her voice is so haunting. It takes over you and before you know it, you have been thrown into a world that you never thought existed. I love how dark and eerie her music is. I have every faith that her new album, Conatus is going to be nothing short of amazing. I love that her music just blows me away with every listen. I listen to songs such as Trust Me and Run Me Out, and this wave of amazement just takes over me. She has this force within her music that I’ve never heard in anyone before, she’s only 21 years old! I love the build-up in all her songs. It’s like this intense and euphoric takeover. Why didn’t this year suck because of Nika? Well, just listen to Vessel.

-The Weeknd: Of all the artists I found at stupid o’clock in the morning due to not being able to sleep, The Weeknd is hands down, the best thing I have discovered this year on the internet. I love his voice so much. So soulful. I love that he’s sampled Aaliyah’s voice on one of his songs and he’s also sampled Siouxise & The Banshees too. His Mixtapes are utterly mind-blowing. Trust me, you need this guy in your life. Head over to his wesite and get his Mixtapes. You’ll here amazing songs such as THIS TRACK!

-Cults: Okay, so I heard about this duo last year but their debut album came out this year so it’s allowed. What I love about this duo is their 1960s feel they have to their music. Never Saw The Point means so much to me, “I never saw the point in trying, ’cause I would only let you down. And I just couldn’t take you down there with me, I couldn’t stand to see you drown.” It’s just such a gorgeous and fragile song, I suppose that is why I adore it so much. Since its release lat year, Best Coast’s debut album has been played every day- I’m clearly going to do the same with Cults. I love that it doesn’t sound like anything around now. A fantastic debut album.

-Seapony: Seapony make me want to leave everything and everyone behind and just go live on a beach. I can’t swim, so I guess it’d be boring after a day or so. However, there is nothing more peaceful than looking out to a strectch of water listening to your favourite music. I’d love to do that to Seapony. I love the summer vibe they feel. Is it chillwave? I don’t know, I reckon they fit under the dream-pop genre. They remind me of The Drums mixed with Beach House and a hint of The Raveonettes. I just adore the whole sound and the gentle vocals. Especially on ongs such as Dreaming and Late Summer.

-Blood Orange: This year Dev Hynes released the first album of his current project, Blood Orange. I love everything he does. Whether it’s for others (Solange Knowles), as Lightspeed Champion or Blood Orange. Coastal Grooves is a MUST-HAVE in your collection. It’s such a strong album. It feels like New York City must have felt in the 1980s. It has a brilliant feel to it. It’s music you can just relax to and walk round the park  in the sun to. There is no denying the genius that Dev is. He kills the guitar, he’s got such a distinctive voice. I just love love love him. Anything he does is just perfect.

-Summer Camp: Another duo that have won my heart over this year. I love everything about their music, however it is one song in particular that since first hearing it in February this year I have played every day. Not a day has gone by where I haven’t played it since. The synths kick in during this song and it is is SO good. Elizabeth’s voice is stunning. The lyrics to I Want You are so dark, and slightly brutal. But hey, all comes with liking someone, right? I don’t know. I like to think I don’t know. “You’re so smart, you break my heart” if someone said that to me, I’d be so flattered. It’s probably my favourite song of this year. If I was a DJ I’d play this all the time, and if no one danced to it- I’d bar them from the club.

-Morrissey: I could write an essay on this man until my hands were numb from typing. I’ve probably done it before to be honest. This year on Janice Long’s show, she played three new songs by my god, Morrissey. Every single song was perfect. For me, I fell more in love with Action Is My Middle Name. The lyrics are typical Morrissey- witty and oh so bloody charming. People Are The Same Everywhere- well, the title speaks for itself really. So true. What I love about Moz is that he has always done what is real and honest to him, he’s never answered to anyone. It’s something I admire and love about him. It’s why I love him. We should ALWAYS do things for us, that makes us happy- because the day you let others rule you, you are no longer a person. I saw him twice this year- and yes as soon as he walked on stage, I bawled. I’ve seen him 4 times so far, and each time I have gone with my mum. She loves him as much as I do. I could never ever go to a Moz gig with anyone but my mum, it’d be wrong. I told her this, and she agrees. Hopefully he wil release his new album soon. “Biting my initials into your neck. You are my possession, you don’t realise yet. Am I moving too fast for you? Am I begining to confuse you?” Only Morrissey could say such a thing. Hero. Absolute hero.

-Florence & The Machine: I really couldn’t make this list without mentioning Florence could I. After hearing What The Water Gave Me (studio version) I cannot ait for 7th November. I just know that her second album will blow my mind. My last article on Florence just sums up my love for her, so I won’t bore you with another essay. Her album is out in time for my birthday (HI MUM!!!!) and I am hoping there’s a tour. The sound has a more soulful and gospel feel to it which I love so much. I’m beyond happy that the album is out this year, some said that it would be out the start of 2012, I guess it’s too good to make us wait. Besides, she’s worked with Paul Epworth on it- you just know it is going to be THE album of the year.

As I feel like I have missed so much out, here are some tracks by artists that have made 2011 less shittier than it was:

Yuck.

Washed Out.

Anna Calvi.

CocknBullKid.

Marina And The Diamonds.

Love Inks.

Sleigh Bells.

Youth Lagoon.

Warpaint (Video Of The Year.)

Widowspeak.

I’ll stop now because I could carry on with about 50 more artists.

Please Please Please Let Me Get What I Want.

There is always one specific song you hold so close to you. There’s that one song you cling onto with all you have, even when you think everything and everyone has drained you of all you have and all you are. This one song is your absolute life-line. It is your crutch, it has saved your life. Without this song, you have no idea where you would be. Or maybe you do, but you don’t want to think about it. Because if you think about it….well, who knows. This song means the world to you, and more. It is part of you. Maybe it defines you. Whatever it does to you, nothing and no one else ever will.

For me, the song is Please Please Please Let Me Get What I Want by The Smiths. I’ve never heard a song so bloody apt. It seems this song, is my constant crutch. And currently, well let’s just say it means more to me than it ever has done before.

Attempting to put into words what this song actually means to me is probably impossible. Ask any genuine fan of The Smiths or Morrissey (I mean the ones who know there is more to them than This Charming Man, First of the Gang to Die and How Soon Is Now) and they will have the one song by The Smiths or Morrissey that is their utter life line. Some may choose I Know It’s Over, which to me, is on a par with Please Please…”Oh Mother I can feel the soil falling over my head.” Have you ever heard a line so fragile? “It’s so easy to laugh, it’s so easy to hate. It takes strength to be gentle and kind.” Never a truer word spoken, When you feel so low, being kind and gentle is so exhausting. Being good to people who aren’t worth it takes so much from you. So, let them go. Always let them go.

Lyrics have always been a huge thing for me. When you read the lyrics to anything Morrissey has written, you can read it as poetry. He is quite possibly one of, if not the greatest songwriter of all time. What fucks me off a lot is when people dismiss him and just call him grumpy or a depressive twit. He did suffer from depression in his early years, that is obvious in some of his work. However, listen to songs such as Bigmouth Strikes Again and you will hear humour in his words. He’s so bloody intelligent and witty- if you overlook this, you lack intelligence. Harsh? Possibly,but still true.

“So for once in my life, let me get what I want. Lord knows it would be the first time.” Anyone who cannot relate to these words is quite possibly a robot. However, I think the person with the coldest and hardest of hearts can really feel these words, this song. Everyone at some point in their life has felt, “Just give me a fucking break.” I feel it most days, probably far more than I should. I dislike how honest I’ve been writing this, but no one ever reads what I write so it’s okay. I’ve never seen this live. Seeing I Know It’s Over broke my heart in June and August this year. I just never thought I’d witness it, but I did. It’s something I hold so very dear to me.

Please Please Please Let Me Get What I Want means more than the world to me. The sadness that comes out of Johnny Marr’s guitar is heartbreaking, the way Morrissey emphasises certain words just pierces your soul. It crushes and comforts you all at the same time. Listening to The Smiths and Morrissey can, at times, be like an emotional rollercoaster. With others, it’s never worth it- but it is with them. Always.

The below clip is one of the best things I have seen Morrissey do. He breaks down, which just makes the song that much more hard-hitting and personal. You feel it even more because you see him feel it. When his voice trembles a bit and he kneels on the ground, you just want to hug him and say, “I know….I know.” Watching this performance is highly emotional.

Everyone has a band that changed their life. A band that found them when every part of them as lost- The Smiths are my band. Morrissey’s lyrics made me feel less daft for being sensitive. At worst a coward, at best just unsure.

Morrissey. Royal Hall, Douglas. Isle Of Man. 1st August 2011.

There is nothing I can say about Morrissey’s live shows that haven’t been said before. You’d think after seeing him 4 times I would be able to write something semi-decent about what I saw. It’s a struggle to put perfection into words. It is hard to write down the beauty you have just witnessed into sentences that make sense.

However, I shan’t be shy, I’ll give it a go….said the Nun to the Bishop (I’m not sorry for that.)

Morrissey strides onto the stage. Greeted by cheers, screams, smiles and tears, Launching right into I Want The One I Can’t Have, the words burn right through me. Every word is relatable. Every word means the world. He greets the audience, “Hello Monte Carlo.” His humour is priceless. He’s mine and many others saviour. The songs we have all heard tonight are quite frankly, the songs that have saved and shaped my life.

I thoroughly enjoyed the new song, Scandinavia. Matthew’s drumming on this is astounding. So loud, so perfect.

What I love about Morrissey’s shows is when Boz walks to the front of the stage, playing the guitar as Morrissey backs away as he’s stopped singing. It’s a small gesture, but at the same time- entirely wonderful to watch.

Apparently Julia couldn’t be here tonight as she was sick. Moz handed the mic to the crowd and asked what Julia was missing. A girl asked if she could come on stage for a hug. Of course he said yes, “but be quick about it.” As she climbed onto the stage everyone cheered. The unity at his gigs is glorious. Whenever someone manages to get on stage or touches his hand, everyone claps and cheers. It just means so much. It means the world to the individual, and quite rightly so.

You’re The One For Me Fatty always makes me smile. It’s not exactly the most sensitive title for a song- although I know there are worse. But the sentiment in the song is just lovely. Seeing it live was something I always wanted to see, and now I have.

Of course it is songs such as There Is A Light, Irish Blood, Everyday Is Like Sunday that cause the crowd to go a wee bit more mental than usual. I firmly believe Everyday Is Like Sunday is written about the Isle of Man. The dirty sea, battered seafront, dirt ridden sand. It could be about any of these coastal towns that time forgot- Blackpool, Morecambe etc. It’s grim up North as they say. But I wouldn’t have it any other way.

I Know It’s Over always always ruins me. It takes me back to a place I hope I never ever have to go back to, but at the same time-makes you realise how strong and better you are now.

His words just mean everything to me. I don’t want to divulge into such personal details but certain things he says on stage make me realise a lot. People are too quick to think and feel like everyone else, but when someone doesn’t- they are called every bad name under the sun. It’s awful. Have an opinion and make it known. Choose your words carefully and be cautious with some of your actions. However, you must always be true to yourself. That’s what I take from a Morrissey gig. I wouldn’t have it any other way.

Personally, it is Speedway that really touches me this time. “In my own sick way, I’ve always been true to you.” You know when you feel a line is just written for you, and you alone? I feel that away about the line. The whole song just speaks volume right now. If I could personally thank him for all he has done for me, I would. Instead, I just write these words down and publish them on my blog.

Just before the encore he said, “As you now know, music today is now shit.” Never a truer word spoken. Was it in reference to Amy Winehouse’s tragic passing recently? Who knows. I like to think it was Morrissey’s way of paying tribute to such a beautiful, talented yet fragile human being. If it wasn’t? Well he’s still right isn’t he.

I grew up on the Isle of Man (fortunately I don’t live here anymore) and for someone like Morrissey to play here, it is quite easily the best thing to have happened here. For some, this may have been their first gig tonight. Future gigs they attend now have a lot to live up to.

Morrissey, I thank you. I thank you for your words and music. I honestly have no idea where I would be without them.

Punk And Poetry.

A couple of years ago, I was in my last year of university. Struggling to think about what to do my final project on. I was heartbroken and I was consolling myself by getting drunk and watching The Wire. I went to the occasional gig to attempt to pick myself up again. So, I had some kind of brainwave one night as I was listening to Morrissey. I decided to do my project on lyrics. One article in particular was on Punk and Poetry. The link between the two has always owned my heart. Punk music and poetry are two of my greatest loves and throwing myself into an article where I got to express my love, and just listen to music in such great detail meant a lot to me. We had to send the articles off to get published, and as ever- I was rejected. So, I might aswell put the article here :

When you think of Punk, what is your first thought? That all Punks were not educated and spat in the streets? That all Punks beat up folks and started riots just for the hell of it?

If it is, then I wish to enlighten you. Punk music was one of the most influential genres of music. The passion, the angst, the love, the despair- everything about it seemed so raw and beautiful.

One of the biggest influences of artists such as Iggy Pop, Patti Smith and Richard Hell was the French 19th Century poet, Arthur Rimbaud. After reading a lot of his work, it is plain to see as to why he was such an influence.

His words had love, hate, disgust and despair. As I am quite crap at reading French, I managed to stumble across some (accurate) translations of Rimbaud’s work. This is poetry that should be studied in schools. This is poetry that comes straight from the heart. Reading his work, it’s plain to see as to why he is such an influence on the mentioned artists.

Take, Night In Hell for instance, “I have just swallowed a terrific mouthful of poison. –Blessed, blessed, blessed the advice I was given!” It probably reads better in French, but how great is that? A Season In Hell is probably Rimbaud’s best work, it is so good

Richard Meyers became Richard Hell. However, the influence did not just end there, oh no! His band mate (and front man) from Television, Thomas Miller became Tom Verlaine, after Paul Verlaine whom Rimbaud had an affair with.

Labelled as the “Godmother Of Punk,” Patti Smith has mentioned Rimbaud numerous of times in both songs and poems. Land is one of her greatest songs. The way it is free flowing is just magnificent, it is a truly remarkable song- and poem. Throughout the song, you can hear “Go Rimbaud, go Rimbaud.” Reading through Patti Smith’s song lyrics, it is easy to see why and how she loves Rimbaud’s work.

Without Rimbaud, would there Patti Smith? Who knows, regardless of who has influenced her- she is still a motivation force to many female singer/songwriters today, and not just songwriters, poets too.

Godmother, or Goddess of Punk- whatever you wish to call Patti Smith, you cannot deny just how relevant she will always be. Her words, whether in song or poem, hypnotise you and send you to another world.

Although Because The Night was originally by Bruce Springstein, he couldn’t find a place for it on his album. Luckily Patti Smith took it and made it not only one of the best love songs ever, but it reads as a beautiful poem.

Imagine someone being so in love with you, that they recited this song to you. Astounding.

She has influenced a vast amount of people from Shirley Manson to Morrissey, who is known to occasionally cover Redondo Beach at some of his concerts.

If Patti is the Godmother of Punk, then who is the Godfather? Lou Reed or Iggy Pop? Everyone has their own opinion on it, maybe there’s no right or wrong answer. Both are equally as influential as each other.

Lou Reed’s Heroin is punk at its poetical best. Not moved by it as a song? Then read it, you will see just how heartbreaking it is but at the same time, it is a fine piece of poetry. Picking out a standout line from Heroin is hard, every line moves into another perfectly, so to just pick one is probably going to cause me another headache! I think, “I have made the big decision, I’m gonna try to nullify my life” may just sum up the whole song. It’s so sad, especially that line.

Some may say Lou Reed’s music is an acquired taste, if that’s the case then I urge anyone who dislikes his songs to just read the lyrics. Read the lyrics and you will see that this man is a poet, and not many can compete with his writing ability- especially nowadays.

Say what you want about Iggy Pop (would you buy car insurance from him?!) but the guy is timeless.

The Stooges were THE best punk band, and the opening riff to I Wanna Be Your Dog will always be the best intro to a song ever! God Bless you Ron Asheton.

Iggy Pop may not have created poetry in the same sense as Patti Smith or Lou Reed, but the guy has given us a lot of one-liners that just take you by surprise, like “Did HE just say that?!” His on stage (and off) antics may have caused some to immediately dislike him, but Iggy is charming. You can tell just by reading his lyrics. I will declare my love for I Wanna Be Your Dog for the rest of my life, so I won’t bore you right now with it. The Passenger as a song is Iggy at his best, read it lyrically and you’ll see just how good a song writer he is, a flawless piece of music and words.

I’m Sick Of You is the perfect “leave me alone, I can’t stand you” kind of song. For the angst side of punk, Iggy And The Stooges blessed us with a number of songs releasing their frustrations and disappointment with every day life. In a few weeks Iggy will be putting out a new album which is like nothing he has done before- it’s self described as “quieter album with some jazz overtones.”

There will never be another genre of music quite like punk, just like there will never another Patti, Lou or Iggy- and that’s just fine. They’re all in their 60s now and still going, something tells me they will still be an influence to so many regardless of what they do, and the type of music the ones they influence do.

Punk may be dead, but it’s still relevant.