L.A. WITCH: Octubre

2 11 2018

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Writing about L.A. Witch for me, is just as great as listening to them. If I ever made a list of my favourite bands of all time, they’d be in my Top 5. I love how they take every type of music I love, take every element of music I love and make something that blows my mind every single time. There isn’t a song by them that I am not obsessed with. Every single song is like sweet poetry to my ears. I just absolutely love them, and I love how they have grown. I first wrote about them in 2012 and I’ve seen them become the stars they deserve to be. When they played their first ever London show- I was there, and I knew it was a love I would have for life. Get this- they’ve supported The Kills AND The Distillers. How cool is that? I’m just so proud of them. Anyway, we’ve got a new EP from them and it’s incredible. Obviously.

These five songs are vintage and typical L.A. Witch. They don’t really play these songs live anymore, but the band have let us know that these five songs need to be put into the world. Something extra cool about the record- Gregg Foreman produced it. Gregg is one of the greatest musicians you’ll ever hear and see. Him working with the band is everything I could ever hope for. The EP is just a pleasure to listen to, and the heavy moments will have you moving in no time. It’s just the coolest EP you’ll ever hear.

Hearing the songs in a new setting is so great, and my god Sleep is one of those songs you cannot get enough of. Ellie has this style of drumming that throws you way back to the 60s Girl Group era, Irita has this slick bass style that sends you off into a trance. Then Sade comes in and smacks you upside the head with her guitar. Each of them are nothing short of brilliant. Let it be known that they are some of the best musicians you’ll ever listen to. If you’ve ever seen them live, then you’ll know just how insanely amazing they are. The way they craft these songs just leaves you in awe. I can’t pin point one thing in particular that I adore about them. Each of them have something that just makes you want to pick up and instrument, and make your own noise.

BB’s Momma is my favorite right now. I love Sade’s vocals on this, and how Ellie and Irita give us this aggression in their drums and bass. Then the keys kick in (is this Gregg playing? It sounds like it) and the keys just add something to this whirlwind, and Sade’s guitar encourages the madness towards the end of the song. The instrumental break just makes you lose your shit.

Heart of Darkness has always been a song I’ve adored, and to hear it in a new way is so beautiful. There is an extra dose of darkness added to these songs on the EP, and I think Heart of Darkness is the song that possess the most. I love the eeriness in Outro. No words are needed on this one; it feels like you’re wandering round a California wasteland with the hot and unforgiving Autumn sun beating on your skin, and the warm breeze directing sand into your hair and eyes. The sun blinds you, but the heat is on your bones. You can’t help but zone out when listening to this gorgeous instrumental song, but as soon as it is over- you start the EP up all over again.

With every single song I’ve heard by L.A. Witch, I can safely say each one just shows why I love them so much, and why I can’t get enough of their sound. There are a few bands that I always have this constant need to write about, listen to and buy all their music- L.A. Witch are definitely one of them.

If you’re looking for something to still give you the heebie jeebies, then listen to this EP. If like me, you’re an old fan- hearing the songs like this will just fill you will unfiltered joy. If you’ve never heard their music before, then be prepared- you’re in for a lifetime of love, respect and admiration.

Buy the record, go to their shows and let the music completely and utterly take you over.

Stay weird x





L.A. WITCH: L.A. Witch

8 09 2017

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Just so you know, this is going to be hugely biased. I have been waiting YEARS to finally do this and I honestly couldn’t be happier about it. This is my version of Christmas and my birthday all in one. I am so excited to play this record and to write about it. Note: I wrote most of this on the train into work this morning at 7:20am.

What you need to know about L.A Witch is not only are they one of the greatest bands ever (there’s proof, just go to their shows) they are also one of the most hard-working bands around. They never ever seem to have any time off. Whilst touring can be hectic and tiring, L.A. Witch always put their all into their shows and each show is played with sheer devotion to what they do. And what do they do? They blow our minds, of course!

If like me you are obsessed and in love with their music, you’ll know pretty much every song on their debut record. From dodgy YouTube recordings, to the demos and to seeing their live shows- these songs are familiar but at the same time, absolutely brand new. On record, these songs are louder and the drums. Oh lord, the drums!

Sade has a voice unlike no other. She sounds like she’s been catapulted into us from the future with a nod to Ronnie Spector (who is probably the most underrated singer followed by Aaliyah.) Sade is a phenomenal vocalist but her guitar skills are equally as fantastic. She makes you want to pick up a guitar and annihilate everything in your way. There’s so much determination in what she does, in what they all do. A band entirely focused and it truly shines through on this record. Drive Your Car is her moment on the record. She just destroys it. The goosebumps are prominent. Play it loud.

Next up, I want to write about Irita. The best bassist you’ll ever know. She’s got this slick tone and when you see them live, you find yourself totally taken by how she gets in this zone. The music takes her where she takes you. Does she do this on record? Damn right she does! For me, You Love Nothing is her strong moment on the record but to be honest, it’s every single song for all of them. This is a band that know what they want to do, go with them.

On this record, each of them sound louder than before. There are times on the record where you try to work out which sound is moving you the most. That’s why we need to talk about Ellie. The coolest drummer around. I love when you can hear, on record, the drums ruling over slightly. However, this doesn’t happen on this record. It happens for all of them at the right time. Perfection exists and it is on this record. Ellie is such a brilliant drummer to watch and she truly, truly shows this on record. Get Lost has ALWAYS been a favourite of mine, and Ellie’s drumming on this song is insane. The speed picks up near the end of the track and it’s this ferociously glorious sound that makes you feel so alive. Record of the year. I was always going to say it.

I’ve been a huge fan for so long and to finally here the songs I’ve adored come together like this is just amazing. Every little detail justifies why they are the best band around. L.A. Witch will make you want to get in a car and just take off. Anywhere. Just far. They make you want to hit the West Coast, and never want to leave. Laze about at the beach, in skate parks, record stores- whatever you so desire. It is such a beautifully intense record that will just ease the mind, body and soul. It’ll take you somewhere, trust me. If Heaven had a sound, it would probably be this record. It is loud in all the right places, it is eerie, it makes you feel like you’re lurking in a graveyard and it’ll make you want to make your own noise. It’s a beast of a record, and as far as debut records go- this is just simply up there with the greats. Only a fool would find fault in it. LA. Witch just make you wish you could join their band. That’s all there is to it. They just make you want to join in and go along for the ride. They’re the ones taking the wheel though. I’m cool with being the passenger.

I could go on forever about this record and how brilliant it is, and how it means everything to me to finally hear it. Hopefully when you’ve played it you will see what I mean.

The band is currently on tour in Europe with some UK dates in the next few weeks. Buy the record, come to the shows. Have the time of your life.

L.A. Witch- thank you. You should be immensely proud of this record.





L.A. WITCH: The Lexington, 18th February 2017.

20 02 2017

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If you’re a fan of the phenomenal L.A. Witch you’ll have seen that some low life decided to steal some of their gear after their show in Bristol last week. For some, they may have just packed up, cancelled the tour and headed home. Not L.A. Witch. They’re doing this tour until the very end and putting their all into every single show. The kindness and love from fellow fans and musicians has been overwhelming and just beautiful to see. I don’t think I’ve seen a bunch of people rally round like this, and it’s just a wonderful thing to see. For every shitty situation, there’s always some good. It’s the kindness of others that gets you through in instances like this.

I saw their first ever show in London in November at the Shacklewell Arms. A bunch of us crammed into a small, sweaty room to finally witness one of the best bands around. I’ve been going on and on about their music for 3 or 4 years now, and to have finally seen them last November was just a real highlight for me. To see them on Saturday? Oh man, it towers over that show for sure.

Their show at The Lexington was nothing short of divine. You could tell that they were playing with slight caution at the start, especially Sade as she was borrowing a guitar and pedals. However, the nerves slipped away with ease as she held that guitar as if it was her own. The way they played had no indication of what had happened a few nights before, but I noticed there was something about them this time that really hit me. They played with this unbelievable force and passion that made you just want to jump on stage and join in. They made you want to be part of their gang. It must be said that Ellie is a fantastic drummer and the way she basically annihilates the drums during Kill My Baby and Ain’t Comin’ Home is insane. For the most part she makes you wish you could play the drums, but for the remainder you just stare in awe of her beating the shit out of the drum kit.

Hearing songs like Good Guys and You Love Nothing was so great, especially as I don’t think Good Guys is really played much, or maybe at all. Heart Of Darkness closes the set. Irita really owns the set with her bass on Drive Your Car, and Sade rips into the song, Brian with this fury that is so wonderfully captivating.

As I gazed upon the stage, no part of me could think of a band that they reminded me of. I really cannot think of anyone or anything I have heard before, and I was instantly shot back in time to when I first heard them in 2013. It just smacks you blissfully in the face. I love being able to hear songs like Get Lost live because these early songs are the ones that had me hooked completely. Get Lost is a real highlight of the set because at the end, they just really let rip. It’s such a raucous song and they just do it so perfectly well in their set.  I guess part of me really loves them so much because if I had any musical talent, I’d want to sound like L.A. Witch. I stood with my eyes closed a lot and swayed during a few of their songs, just letting the music take me wherever. I’m having a really shit time at the moment, and I just wanted to hear something that would take me out of my mind and body. They most certainly did that, and for that hour or so- nothing in the world, nothing in my head mattered. I remember vividly closing my eyes during Ain’t Comin’ Home and just being covered in goose bumps. Most definitely one of the best shows I’ve been to in a long time and easily one of the best bands I’ve ever seen live.

Each song is played with this way of just leaving you stunned, there is simply no denying just how great this band is and with their debut record FINALLY coming out this summer- I think everyone is finally going to realise just how brilliant they are and I have every ounce of faith that their debut record is probably going to get played to death by me, easily.

I managed to get the set list from the show, so if you’re interested they played:

Intro

You Love Nothing

Kill My Baby Tonight

Brian

Untitled

Ain’t Comin’ Home

Sleep

Feel Alright

Drive Your Car

Baby In Blue

Get Lost

Encore:

Good Guys

Heart Of Darkness.

 





L.A.WITCH. The Shacklewell Arms, 18th November 2016.

21 11 2016

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Much like last night with FINALLY getting to see The Vacant Lots live after waiting for what seemed an age- I started it off with L.A. Witch on Friday at The Shacklewell Arms. There’s something truly moving about seeing a band you’re really into, in your favourite venue.

I first wrote about L.A. Witch in 2013, and since then I’ve just been waiting and waiting to see them live. When I heard they were supporting The Kills on their US tour this year, every part of me wish I had a lot of money and wasn’t scared of flying so I could go see them. There’s really no better band to support The Kills, that’s for sure. When I heard they were playing London I bought myself a ticket the second they went on sale. I didn’t care if I was the only one there or if it was going to be rammed- I was going. Nothing and no one would get in my way.

They opened their set with the insane Kill My Baby Tonight and ended with Get Lost. What happened in between was a mind-blowing affair and something I wish I could experience all of the time. It’s a high, a sensation that stays with you and you find yourself comparing every show to it. This was their first ever London show, and I kept thinking, “Is this how people felt when they saw the Sex Pistols at the Lesser Free?” Maybe. Maybe not. I’m going with a firm yes on this one because it was THAT good.

The band are fronted by Sade who projects this captivating voice that makes you feel as if Ronnie Spector has picked up a guitar and listened to some Garage Rock. Maybe that’s what drew me in this first place all those years ago. Everything about L.A. Witch is just so effortlessly brilliant and the right kind of cool. Yeah, I know the word “cool” is so redundant but certain people are worthy of it. L.A. Witch most definitely are.

I’m pretty sure that the venue was filled over capacity but who cares? Our crammed and sweaty bodies were too busy falling in love with the band. Nothing mattered. The outside world wasn’t getting in and rules weren’t not being applied. And rightfully so. If you’ve ever formed an attachment to a band and just wanted to go to every show they do, then you might understand my love for L.A. Witch and why one show just doesn’t feel enough. If I had the holiday time and the money, I would have happily done the whole tour.

I was in awe of their performance and how much everyone loved them. When a band you’ve backed for so long come to the place where you live, it just means so much to you. And I am not ashamed in stating that I felt like a proud parent as I gazed at the stage at these 3 wonderfully talented people. Some people spend their Friday nights getting wasted, but I’ll take seeing a band like this any day. I always thought that when I finally saw L.A. Witch live, it would have to be in a cramped and sweaty setting. My wish was granted. This is how they should be heard.

Irita makes you wish you could play bass, Ellie makes you want to beat the shit out of the drums and Sade makes you wish you could make a crowd swoon and sway with your hypnotic guitar grooves and vocals. Three is truly the magic number, L.A. Witch completely and utterly back this theory.

I’ve said it many times before but there really is something special about seeing a band you’ve loved for so long live. It’s a feeling that stays with you, it’s a feeling you constantly crave. Once is most certainly not enough here, so here’s hoping they come back soon!





“I don’t have the time for a graveyard of the mind that they call shame.”

7 03 2014

 

 

“Sometimes I fantasise
When the streets are cold and lonely
And the cars they burn below me
Don’t these times fill your eyes
When the streets are cold and lonely
And the cars, they burn below me.”

 

People will always want to change you. They can be people who are insignificant to you (in the long run) or they can be people who claim to “know” you. They will want to change the way you cut your hair to the way you are. At what age does this stop? Does it ever stop?

Self-acceptance is hard for most people. We all have things we cannot stand about ourselves, and they are usually the things we cannot change. The things we can change, we put off because we know we can deal with it “later.” It is always later isn’t it. Not today, but tomorrow. I’m not criticising those who do this, I do it myself. I probably do it more times than I should. I should wear more colour, but I won’t. I should probably not just wear band t-shirts and jeans, but I know I always will. I’m comfortable in the clothes I wear. The person I am? That’s not for here. People can make you feel utterly terrible about yourself, and something happened a few weeks ago that, with me being too sensitive for my own good- I took it to heart.

I had a job interview a few weeks ago, it was my second one for the same job. I was good enough for a second interview. That’s a positive right? I take my piercings out (I took my lip piercing out for good a month ago so all I have is a nose piercing) and I cover up my tattoos. I wear smart (and clean) clothes to interviews. We live in a world where we pretend things are accepted, but they rarely are. A lot of people still do think those with tattoos and piercings are bad people. Hitler didn’t have his nose pierced. Myra Hindley didn’t have her lip pierced. They are bad people; without piercings. You see my point right?

So I went for my second interview. I thought it was going well, until  was asked a question that made me feel so uncomfortable and so small, I just wanted to go home. I was asked, “If I gave you the job- could you change how you look and would you?” I know I’m a sensitive person, and I know I’m not attractive at all- but does it need pointing out in a job interview of all places? Job interviews are terrifying enough, but come on now.

I’ve been trying to work out what made them ask such a question, and I really don’t understand. I didn’t think they could. If you must know, I went against everything I stand for and said yes to their question.  I said yes because I really really need a fucking job. I said yes because every day I am sat at home applying for a job is another day of self-loathing. I have friends, if I can call them that, who refer to people as being on Job Seekers as “scum” amongst other things. I’m scum, apparently. To me, scum are those who harm children, those who rape and those who kill. Not people who need help with getting by. I’m aware there are people who play the system, I’m not totally stupid. But everyone has their own struggle- so don’t judge.

I’m sick of being asked “what jobs have you applied for? Maybe you should aim lower.” I’m 27 years old; shouldn’t I have a career by now? I’ll never be paid to write, and I find myself compromising myself when I apply for jobs. I disregard the fact that writing and music make me happy. I lie and lie just to get somewhere. I’m getting nowhere. And I am so tired. I am so fucking tired.

I have no point with this, I really don’t. I don’t want to be a fraud. I can’t keep going back and forth with having a job to being on JSA again. I really can’t.

But then again, maybe I’m just too sensitive.

Have some songs:





6 Years.

21 02 2014

“If you ever get lonely, just got to the record store and visit your friends.”

Six years ago in a classroom at University I set up this blog as part of an Online Journalism module I had to take. As someone who cares far too much about writing and music, I decided to keep at this for longer than I probably should have. There have been times where I am supposed to have done something “important” but decided to write about a band instead. I’ll always do that, and I don’t see anything wrong with it.

Over the past six years I have done the ridiculous (met Patti Smith) and the relatively sane (standard record reviews.) I don’t find writing about music I love exhausting, but Writer’s Block can sometimes smack me in the face leaving me feeling entirely frustrated and annoyed with my abilities, or in that case- a lack of. Everyone has something that they truly care about, something that forces them to wake up in the morning and to keep going.

I decided to keep this blog up because I was annoyed with typical Music Journalists who seem to enjoy slagging off bands in their writing. Sure I dislike boring bands such as Coldplay, Mumford & Sons and the dull sounds of that guy with the poor quiff, Bastille but I’m not going to waste my time writing a thousand words as to why I dislike them. I’d rather write about a band/singer/song/record that has truly moved me because it makes me feel like I’ve done something worthwhile I guess. My words won’t change the world, they won’t make someone else go out and buy a record and they won’t make a band I love become huge. They’re just words. Words some will skim over. Words that may not go read. Words that most won’t agree with. But seeking approval is the worst thing a person can do to themselves because they will lose sight of who they are.

Maybe I’ve got another year in this or maybe I’ll be 90 years old dribbling on the keyboard writing about “that time I saw….” I have no idea. All I know is that you cannot put a price on doing what you love. I’ve never received money for writing about a band.

I wish I could name every single band that has sent me their music, but I can’t. I’ve got a rubbish memory, but everything I’m sent gets written about.

However, I would like to specially thank the following for being exceptionally generous with their music and time:

-Royal Chant

-Savage Sister

-Soft Power Records

-Nita Keeler

-Little Death Machine

-Autumns

-Hana Piranha

-Birdeatsbaby

-The #1s

-The Creeping Ivies

-L.A Witch

-The Long Wives

There’s many more, but as I’ve mentioned I don’t really have the best memory.

Any email or comment left about anything I’ve written means a hell of a lot. I remember when I posted my Warpaint interview and reading the emails I got sent-I felt proud and that maybe someone got the point I was trying to make.

Thank you! xx

The Smiths debut record came out 30 years ago. There’s no other reason really.





L.A. Witch.

23 12 2012

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Sometimes you find a band/song that just takes over you. This year, the person who did that for me was The Long Wives; I play her music every day. It becomes like a ritual. I have to hear Judas Hex a few times a day, for no reason other than it being one of the best songs ever written.

Most probably regard bands from the West Coast of America as being some kind of lo-fi/surfer-pop thing. Making you feel as if you’re going to go to the beach and just stay there for the rest of time. There’s a darker side. A side that doesn’t get as much love and recognition as it deserves. It is a side that is dark and haunting. A side that for some reason, is more uplifting that some jaunty lo-fi band. Not that I don’t enjoy that, but I have a place reserved mainly for the darker side of music. The Long Wives stirred all this up for me earlier this year, and now a band from Los Angeles called L.A. Witch have gone and done the same.

L.A.Witch are brilliant. I know duos own my heart, but this three-piece band are just out of this world. If a band can make you feel this way by only having one song out, then you know you have found something truly remarkable and sacred. I love them for many reasons. One being that they remind me of a darker version of Warpaint. It doesn’t take a genius to realise how much I love Warpaint (I have a tattoo, pretty sure that explains it..for no.) Warpaint make you feel as if you are drifting in and out of sleep. L.A.Witch are that feeling right before you fall asleep. A few times you feel your head drop as you nod off, then you just go. You go so far down; nothing and no one can disturb you. L.A. Witch take you on a journey that you don’t ever want to come back from. Why would you want to?! The places a song can create for you in your mind are much better than the world you see outside with your own eyes. Live in your head, because no one can bother you that way.

I know when you find new bands you automatically try to find a way to label them as something or just throw them into some disastrous sub-genre that appeals to the pretentious kind. I despise that. Music is music. Some you may like, some you may enjoy; regardless of what it is. Whatever you want to listen to, go with it. When you seek out bands that are from one genre, you miss out on so much. But when you cannot sleep at 3am, you find a lot. That’s how I find most of the music I listen to. That and putting off what I should be doing in order to find new music instead. Music is much more appealing.

Sorrow fills you as you hear the last-minute of Your Ways. As the guitar spirals down, you fall with it. They remind me of a slowed-down version of The Kills. They have the same road-trip vibe going on like The Kills do. You get some real Blues influence coming through also. I have no idea if they are influenced by the Blues or not (but aren’t we all to an extent.) This is the kind of band Jack White would love to get his hands on and make the world pay attention. Not that they can’t do it on their own, that’s not what I mean. What I mean is, you listen to them and you think that this is a band you know he would love. Everyone should love them because they sound different and honest.

Not all music lacks passion and heart. You’ve got to keep searching, but when you find it; do you stop? No, you don’t. You can’t. You can never stop. Neither will bands such as L.A. Witch because we truly need them.

You can listen to L.A.Witch here : http://lawitches.bandcamp.com/ and just fall freely into another world.