Tag Archives: New Music 2024

DRUNK MUMS: Beer Baby.

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Those Punk rascals from Australia are back. The ever rowdy and always delightful Drunk Mums have new record out in a few weeks, and that 4 year wait will soon be over thank god!

Beer Baby is Drunk Mums at their best and fully explodes in your ears, and makes you think about how you made it through the past 4 years without them. They are one of the most exciting bands around, and they’ve got that effortlessly slick sound that’s found in the likes of The Chats and Amyl And The Sniffers. Put ‘em all together and you’ve got the holy trinity of Australian Punk. Beer Baby is made up of 10 non-stop drunken party anthems that will have you throwing furniture around in no time. The band are also hitting the road at the end of March, and I reckon those shows will be equally as wild as this record. They make the kind of music that needs to witnessed live, even if it’s just to see the utter carnage afterwards. You’ll be covered in cheap beer and sweat almost immediately. Total bliss!

The first two songs on the record hit you right in the kisser, and honestly the first half of the record makes you feel like you are listening to a brand new band but the further into the record you go, the more you realise “ah shit the boys are back!!” It’s a real ripper of a record, and I think their time away (as painful as it was!) has truly helped them develop a sound that grips you even tighter than before. The lead single Livin’ At Night definitely shows their rowdy side at its finest, but don’t even think for a second that this is the best song on the record. Every song on this record could have been the lead single, but this one is the perfect “We’re back fuckers!” anthem they needed to hit us with. Honestly, this is one of the most exciting records you’ll hear this year and yeah, it’s only February but there’s nothing wrong with calling it early is there.

Livin’ At Night has a HUGE Ramones feel to it- especially the chants towards the end, that remind you of Blitzkrieg Bop. It’s just a joy of a song, and the whole record is just a real pleasure to listen to and to let deafen you as you play it as loud as you can. I think I first wrote about the band back in 2018, and I still stand by everything I wrote about them- they’re just so effortlessly cool, and I know cool is a redundant term to use but this band are the exception and I think that’s also part of the fact that they are probably a band that you HAVE to see live rather than just listening to the record. The atmosphere they give on record can clearly only be heightened in a live setting, and those are the bands that we need.

I adore how lairy songs like Magazines, Mutants and Saturday are. They make the kind of music that makes you feel alright with doing nothing at all- because there is absolutely nothing wrong with doing nothing at all. I do it most of the time and I don’t feel bad for it anymore. I just really love this band, and Beer Baby is just a great record. It’ll make you feel good and you’ll feel like you’ve finally found the band you were always meant to love in Drunk Mums.

Not My Dad is one of the best songs on the record- it is a really gnarly and gritty one, and even though it’s not even 2 minutes long you will have it on repeat because the way it’s played and the way the vocals remind you of Dead Boys is perfect. The speed, the snarly vocals, that raw Punk feel is truly alive on this one and it’s easily one of my favourites. Obnoxious Punk at its finest. Hook it up to my veins please!

Drunk Mums make the kind of music that regardless of your mood, just listening to them will always make it better. What they’ve done on Beer Baby is really show us fans that the time away was worth it because this record is pure magic. Every song was clearly made to be screamed back at them and for you to join in with their rambunctious ways. A dream of a band, and a dream of a record yet again.

The record comes out on the 7th March, with a UK tour starting on the 29th March. Buy the record, go to the shows and become obsessed.

THE 13TH PILLAR: Pieces Missing.

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Disclaimer- my uncle is in this band. He plays guitar, and in my biased opinion; he’s probably the best guitarist you’ve never heard. He’s full on responsible for my love for Punk and for my obsession with certain bands. Especially my love for Nick Cave.

Hailing from the middle of the Irish Sea (the Isle of Man) The 13th Pillar is a killer Garage Rock/Punk band that in a previous life, probably would have taken over the world. I mean, they still can. We don’t kill dreams here.  For the past 25 years, my uncle (Karl) and his buddy Selwyn have been making music together. Pieces Missing is their heaviest sounding record to date, and you can hear just how beautiful and strong their creative partnership is on this record. Their last release was an EP 10 years ago- proving that good things come to those who wait. The theme that is constant throughout the record is dysfunction and it is wonderfully prominent on the opener, These Are Strange Times. A 5-minute anthem that Iggy Pop would probably happily sing his heart out to. In fact, the whole record has that same energy as Raw Power but with something even more weird and wonderful thrown in.

The sounds on Break My Bones feel like an acid trip (I’ve never taken acid but I have taken a fair amount of CBD oil to calm my mind and that’s enough) and the guitar on this is ridiculous. If you’re looking for something to really blow your mind and brains- that’s the song you need to get familiar with, and play as loud as you can. There are tender moments on the record, and it shows just how bloody great the band are. The bass on How Much More To Make You Smile? is absolutely glorious; it sounds so ethereal, and that flows all the way through the song. It is a beautiful song and has everything you could want from a summertime anthem. It is divine; the kind of song you play whilst the sun is setting and you have a can of lukewarm Red Stripe in your hands. There’s hints of loss and longing on this one, and it is done in such a beautiful way. A really different sound for the band, but is still entirely perfect beyond words.

I can hear influences of bands my uncle got me into on this record, and I think hearing something not as heavy by the band is really surprising. I love the gentleness on the record but at the same time there are these gorgeous sun-kissed sounds on the record which you really get on the likes of Who Knows What We’re Gonna Find, and it reminds me so much of The Stone Roses. That beautiful sun-drenched sound that feels like a sunset hitting you all over. It is such a stunning song, and every song on this record was made to be heard live and loud. I cannot tell you how proud I am of them and how much I just adore this record. You can hear the years of work going into this, and the connection that Karl and Selwyn have is just out of this world.

There are many influences flowing through this record whether it be the sounds of The Velvet Underground to The Stone Roses and beyond. Pieces Missing is such a heavenly record and is entirely trippy in the best way possible. It’s like falling in love with the person you’re supposed to, which kind of fits the theme of dysfunction on this record. The diversity of Selwyn’s vocals on the record is just a delight to hear. One of the biggest moments on this record has to be Waiting For The End Of The World; it feels like it should be played at the end of a film. The kind of film you’d have found Harry Dean Stanton in- something weird, lucid, and poetic. Just like this song. You can imagine the end of the film turning to black as this song plays out. Utterly beautiful.

The record ends with the title track, and is 8 and a half minutes of something I have yet to find the words to. Everyone truly shines on this record- Selwyn’s vocals, Gyp’s bass playing is unreal. Brian beats the shit out of the drums in the most majestic way possible and you have Karl creating some serious magic on the guitar. Put this all in an 8 and a half minute song, and you get this dream of a song. It’s phenomenal. They truly saved the best till last with this one. The production on this record is just exceptional, and you can really hear it on this one. It is the perfect way to end such a glorious record. From the 5 minute mark, you get The 13th Pillar at their heaviest and at their best. It kicks off and it is a joy to hear. It’s one of those moments where you just feel like you’re being transported into a different world. Top tip- play this one through headphones to really feel every element of this song.

Every single song on this record is beautiful and put together in such a captivating way. I think my heart may belong to the title track- the last 3 and half minutes of this song will just blow your mind. Oh, and another fun fact- my uncle also did the artwork for the record.

Biased love for the band aside, this is truly a phenomenal record that deserves your time, ears, and love.

You can buy the record here: https://the13thpillar.bandcamp.com/album/pieces-missing

CREEPCAVE: The Greatest Form Of Resistance.

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I’ve decided to use my lunch break at work wisely for once and write about a new record from a band who quite frankly- should take over the world.

If like me you have a soft spot for bands like Hole, Bratmobile, Babes In Toyland- then you will fall madly in love with CreepCave. Their EP, The Greatest Form Of Resistance is the kind of record you hope kids hear and go on to start their own band. We need more bands like this- pointing out the wrong in the world, offering self-acceptance and just a brutal take on how fucked up the world is. In the midst of this, they’ve created a safe space with their music. It’s beautifully loud and a divinely raw record. I don’t feel like I’m in 2024 listening to this record- I feel like it’s the early 90s and Riot Grrrl is taking over. I feel like it’s 2003/4 and I’m discovering it for the first time myself and adjusting internally to who I am.

Alex’s vocals on this record are something else- if they sound this perfect as a recording, then my god you can only imagine how powerful they are live. Bessie plays the guitar in this captivating haunting way giving off this fuzzy sound that lures you in. Then you have Amy doing some otherworldly shit on the bass that grips you in ways you probably didn’t think the bass could. Shivi’s drumming brings it all together in the most euphoric way; everything comes together in the most perfect way, and I think this really shines on the (just under 6 minute mark) song Educate. A song that evokes the urgency of educating how boys see girls and how they treat them and starting young to educate them on respect and listening is so vital. We all need to be like that.

The sheer heaviness of this record really gets you in the gut, and you can hear this beautiful and infectious confidence in the band on every single song. You just want to be part of their gang. That addictive Doom/Sludge sound mixed with something we’ve yet to name is just so pure and just everything I want from music. I want the loudness. I want the lyrics that could make someone feel uncomfortable. Speaking of feeling uncomfortable- if you’re not left feeling uneasy when you hear You Took It, then listen again. And again. Until it clicks. That song needs to be heard from everyone and anyone.

I want to touch on the song Float which may be my favourite (at the moment) and I love the subtle temp change for the last minute and a half of the song. It reminds me of A Senile Animal record by the Melvins- especially the drums. The lyrics are peaceful, but the sounds are the opposite, and this is exactly why this record is so easy to fall in love with. The clash of sounds works so well, and you just can’t help going back to listen again and again. Only a fool would find fault in this record.

CreepCave make such important music; the lyrics are vital and deserve to be heard and they deserve the world. They are one of the most exciting bands around, and I just love that they combine everything I love about music and have made their own sound accessible for all. They touch on topics many shy away from and make it so easy to relate to. From the second the record opens with Bucket Season; you just know you’re about to listen to something truly magical.

The record ends on Fairytale- the shortest song on the EP, and the second it stops all you can do is go back and play the EP all over again. This record oozes some serious raw and real power that will speak to so many who are forced to be quiet. Sometimes, even the quiet ones speak up and the way CreepCave take these subjects and make it so you can easily connect with is so beautiful. There is so much heart on this record and it’s so refreshing to find a band who TRULY mean what they say and live it.

ANGEL FACE.

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There are so many records that have been released by Slovenly Records that are just incredible, and one of their most recent is debut by one of the best Japanese bands around- Angel Face. This is a proper rowdy and loud record that will totally annihilate your eardrums.  A glorious Punk record and a solid debut record.

The record kicks you in the kisser with You Ain’t My Angel and immediately you can hear that snarly tone that Stiv Bators had on this record. This is everything I could possibly want from a Punk record and so much more. They make the kind of music that would have your neighbours making noise complaints about. I’m pretty sure it’s scared off my cat too but to be honest, she’s scared of the spray mop I bought so I won’t trust her judgement here.

This record is something else. If you love bands like Bruise Control, Pancakes, Dead Boys- I could go on. If you love them, then you’re going to love this. Angel Face will make you want to sell whatever you own that’s of worth so you can fly off to Japan and immerse yourself in the Punk scene there. This is some rowdy shit that you cannot get enough of. I want everything I listen to to be as loud as this.

They’ve only been making music together since 2021, but this record sounds like something from ’76 or ’77- it’ll make you feel like you are discovering Punk for the first time, and you’ll wonder how you made it this far without it. How did I make it this far without this record? Every song on this record will make you feel like you’ve snuck into somewhere you shouldn’t have. Bad Feeling and I Can’t Stop are the ones that’ll have you waving your limbs about the most. Then you’ve got the ferocious Bring Me Back; the vocals on this are SO good. That proper gritty and menacing style; it’ll make you feel super tough when you listen to it, even if you’re just a delicate little flower.

Everything about this record screams PLAY THIS LOUDLY. There are no quiet or dull moments on this record; and it just makes you want to unapologetically lose your shit. This is the kind of band that you just know will destroy their live sets- the crowd will leave feeling bruised all over in the most pleasing way imaginable. They make the kind of music that has to be witnessed live. The urgency on this record is nothing short of vital and divine- you cannot help but get caught up in it. How else can you tell that this band are something else? The lead singer is called Hercules- that alone should sway you into digging this band.

Angel Face is anything but angels, and that’s part of the charm. Their sound is dark, raw, and loud- you cannot get enough of it. One casual listen just isn’t enough- you want to just let it consume every part of you, and when you find bands like that you have to hold onto them. Even if they are on the other side of the world and they’ll probably never end up where you are! But hey, we live in hope, don’t we?! It’ll get us through, as always. They make the kind of music that makes you think you’re part of a motorcycle gang or something. I honestly can’t think of a band who are making noise like this right now, and if this is what one record can do, then the world is theirs.

HARSH SYMMETRY.

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Spooky sounds make my little world go round; and the perfect example of this is the effortlessly slick Harsh Symmetry. I only discovered their music the middle of last year, and I added them to a list of bands I needed to write about. On a cold, icy night here in Manchester- now is the perfect time to write about Harsh Symmetry.

My love for bands like Cold Cave, VR Sex and Drab Majesty knows no bounds. They’re like a holy trinity of mine, but my god you through Harsh Symmetry in there and you’ve got a pot of exceptional musicians that make music that just elevate the soul. I initially was going to treat this as a review of sorts of the record from 2023; Imitation but I feel I have too much to say about Harsh Symmetry to narrow it down to that.

You just know when you hear something that it’s going to leave a lasting imprint on you. You know it’s going to do something, but you haven’t quite figured it out yet- that’s where I’m at with Harsh Symmetry. I feel like I’ve found something truly sacred, and something I may never be able to explain. It’s like that rush of love or infatuation that hits you in the face. There’s something here that I don’t think I’ll ever find in another band or singer, and I’m absolutely okay with that.

Harsh Symmetry is Julian Sharwarko. One person making a beautiful noise that I simply cannot get enough of. His dark vocals over eerie sounds is glorious; his music was made to be heard by any and everyone, and even though that’s a typical cliché it is one that I firmly stand by. For me there’s hints of early Depeche Mode, slight hints of Killing Jokes and a bit of The Cure. The record Julian released last year (Imitation) is made up of 9 songs that to truly get the best of- you need to listen to with the lights off- in total darkness. You can use headphones or you can blast it out as loud as you want. The important thing here is to be in total darkness and with no room for interruption. It’s like meditation but without the urge to start yelling or bursting out laughing (it can’t just be me, right?!) Imitation is Julian’s second full length record but it honestly sounds like someone who has been doing this for decades. It is just a perfectly crafted record. I have ZERO musical talent but it sounds like something I wish I could make. That creepy graveyard cloaked in fog feel lights up the whole record. If you’re looking for something with an intense and atmospheric feel- then listen to Harsh Symmetry.

Before I move onto Julian’s debut- I need to tell you about his exceptional cover of Open Your Heart by Madonna. Early Madonna is divine- we cannot dispute that. The desperation in the original is painful and so vulnerable. It is just beautiful; so how on earth will it sound like when a bunch of synths and eerie vocals take over it? Perfect to be honest. It took a bit for me to realise it was a cover, and I think when someone covers a song it is so important, they make it theirs, and bloody hell Julian does exactly that. It feels like it’s his song. His take on it is beautiful, and you’ll keep going back to it because your brain won’t quite click that it’s a cover right away.

Display Model came out in 2022, and I wish I got into his music then but I didn’t and it’s an error I must live with. His debut record is just the perfect mix of everything I love about music and just makes me want to zone out in the dark and listen to his music. As much as I love loud and rowdy Punk bands; my heart belongs to this style of euphoric music too. I couldn’t possibly call it anything but heavenly. Display Model is a stunning introduction to how talented Julian is, and as far as debut records go- well, if I could go back in time, I’d go back to 2022 and declare it as the best debut of the year. He makes music that goes beyond anything I’ve heard before, and that ethereal and delicate yet melancholic sound is dramatic in all the right places. His music would be perfect for an obscure black and white film that leaves you part terrified and part inspired. I don’t know when I was last truly moved by something. Normally when I play music, my cat usually goes into another room to take a nap but she’s sat next to me on my bed gently drifting into sleep like the little angel she is. Mary’s got good taste!

I feel that the words I have written do not do Julian any justice at all, but I hope if you read this- you listen to his music and you love it as much as I do.

In a few weeks’ time Julian will be playing a few dates here in the UK- London, Liverpool, and Manchester. I cannot wait to see these songs played live, and to hear them in the way they should be heard.

HOORSEES: Big.

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Record number 3 by the finest Parisian band is finally here. Big by Hoorsees was released Friday just gone, and it is one of those records that just makes you instantly feel good. Their previous releases have done exactly the same, and record number 3 somehow has a grander feel to it; you can really hear the progress and passion on this record. It may only be the start of the year but this record has the potential to be the soundtrack to the Summer.

The record opens with the blissful Movie’s Architecture; a 5 minute breakdown into the minds of Hoorsees, and it seems like a safe place to be. It’s the kind of song that would fit perfectly at any point of the record, and it is just the most divine way to start the record. Hoorsees are a band that are so easy to love. If this is your first time listening to them, then Big is a beautiful record to start with. Or, you can go back and play it in order- whichever way you choose to listen, all you need to do is sit back and close your eyes and let the band take you on the purest journey imaginable.

What I adore about this band is that you cannot liken them to anyone else. I fell in love with Alexin’s voice when I first heard his previous band Dr Chan a few years ago- I loved his style and the roughness to his vocals. His vocals with Hoorsees are much more delicate, and captures you in a different way. There is something so therapeutic about this band, and a large part of it for me is the vocals and lyrics. The sound they have is nothing short of perfect, and the way they have grown with their sound in just 3 records is exceptional.

I cannot drive (thank god) but the song Artschool makes you want to take a road trip and play this full blast; that’s the general feel of this record- a way of escaping for a while and just being absolutely fine with being by yourself. Artschool feels like it might be the anthem of the record- the one where fans scream this song back to the band the loudest. Every song makes you feel that way on this record, but there is something about this one that has a slightly stronger grip. Indie kids will eat this one right up.

Every song on this record is easy to relate to and treasure. From the relaxed sounds of New Career to Charming City Life; this record is Hoorsees at their finest. They’ve got better and better with each release, and it just makes them one of the most exciting bands around. Big is such a joy to listen to, and honestly if everything feels a bit overwhelming at the moment- take some time out for yourself, and play this record. It’ll calm your mind for a little while and will give you what you need and deserve. Alexin and  Zoé’s vocals work so well together- both have this gentle tone that just makes you feel so calm- you cannot help but take it all in.

At the moment, I’m calling No Vacation as my favourite but I’ll change my mind many times as I listen to the record more and more. I love the simplicity of it, and I love the vulnerability in the lyrics. That’s another thing I adore about the band- the lyrics are so honest that you cannot help but feel and really connect with every word. This is also the kind of record you play as dusk starts kicking in, and you feel this wave of peace takeover- it is just a gorgeous record in every way.

This is Hoorsees at their finest, and I feel with every record they release they will just keep getting better and better. I really hope that this record gives them the opportunity to tour the UK because everyone needs to really experience how wonderfully talented the band are.