FONTAINES D.C. : O2 Ritz, Manchester 19th November 2019.

 

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“A sell-out is someone who becomes a hypocrite in the name of money. An idiot is someone who lets their education do all of their thinking. A phony is someone who demands respect for the principles they effect. A dilettante is someone who can’t tell the difference between fashion and style. Charisma is exquisite manipulation, and money is a sandpit of the soul.”

 

Recently crowned by Rough Trade as being their record of the year, Dogrel by the mighty Fontaines D.C. is a record that you need to witness in a live setting. If like me, you’ve been playing it almost religiously since it came out this year you will know just how powerful this record is. It’s romantic, it’s brutal, it’s honest and it is powerful. There’s only one way to play it, and that’s loud. In a live setting, it becomes something else. I knew it was going to blow my mind, but my god it exceeded everything and anything I thought about this beautiful band.

Their set is basically Dogrel in full, and every song is performed with this ferocious energy that makes you believe in every single word that comes out of Grian’s mouth. He’s a poet yet he delivers the words in a way of a preacher, it’s absolutely hypnotising and such a great thing to witness. As I watch the band, I can’t help but feel that they have the same energy and presence that The Birthday Party had. Grian stalks the stage like a young Nick Cave; Carlos and Conor are like Rowland S. Howard and Mick Harvey/Blixa.

 

 

Fontaines D.C. are unapologetically loud, and they touch on subjects that most tend to shy away from. Their songs touch on the sexism in the workplace to dreaming of being big to black cab drivers. There is so much reality in their songs, and this reality is something that many would fear or try to shy away from. No one at the Ritz last night was shying away from any of this. Pints of beer were flying; middle aged men were screaming the songs at the top of their lungs and the kids at the front were no doubt soaking up everything Fontaines were giving us to create their own noise in the future. I sure hope they do.

Songs like Too Real, Sha Sha Sha and Liberty Belle see the venue absolutely erupt in euphoria. We all know that this is one of the greatest records of the year and beyond, but trust me it all changes when you see it live and when you are surrounded with people who love this record, and this band as much as you do. You feel at home and oddly secure. Chequeless Reckless was my highlight for sure, but I’m going to touch on the set closer Big shortly which was equally as powerful. So, Chequless Reckless goes beyond being a song; it is a vital piece of poetry that should be studied. I honestly wouldn’t be surprised if, in the future their lyrics find their way onto syllabuses in schools. Fontaines are no doubt our future and are showing us a side that we need to be exposed to. You can see their world anywhere, but so many chose to ignore it. Don’t. Just don’t. I love the way the band just play with this urgency and dedication to make these songs be heard. Grian’s vocals takeover the venue, but when you see the sheer devotion in the way Tom beats the living shit out of the drums and how Conor treats his bass like a machine gun not to forget how Carlos and Conor thrash their guitars about with this sheer Punk energy that would make even Johnny Ramone proud if he was here. If you were at this show last night, chances are that like me, your love and obsession for Fontaines has gone through the roof.

The band end with Dogrel’s opener, Big. In a way, this has become a bit of an anthem. All their songs have done this. Fontaines could easily sell out arenas there’s no denying that, and maybe this will now be the last time we get to see them in a venue this size but their songs and the way they perform them do create a sense of intimacy and sheer devotion between the band and the fans. Big is THAT song that will inspire many to get out of their current town and to make it elsewhere. Anyone can do it, and the self-belief that Fontaines have, and had got them where they are now. Big is the song you play to pump yourself up or to just give yourself reassurance that you can make something of yourself, even if your beginnings aren’t grand.

 

 

If you’re looking for a band that will blow your mind, burst your eardrums and leave you covered in other people’s drinks- then go to a Fontaines show. It was most certainly one of those shows that you know people will be talking about in decades from now; it was memorable for so many reasons, and as time goes on those reasons will evolve. People will start bands because of this show, people will create their own poetry because of this show, this band and Dogrel. There is no denying just how brilliant Fontaines are and of course, they deserve to be big. Last night’s show went beyond proving that. Definitely one of my favourite shows of the year.

 

BANKS: O2 Ritz, Manchester. 1st November 2019.

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Last night was only my third time seeing BANKS, but to see her perform the songs from her new record III was a completely different experience from the past two shows.

Her voice is stronger than ever, her confidence has grown, and she is easily one of the best performers you’ll ever see. I can safely say this morning that my voice is a bit fucked. I sang my little heart out last night, something which I rarely do. I guess I felt I needed to get everything out. Her music is soothing, it is healing and just makes everything alright. She’s is nothing short of phenomenal.

 She opens her set with Til Now, which is a powerful anthem. It’s a solid ‘fuck you’ and BANKS does this so well. On stage all she needs is Derek, Ben, Nadine and Allison. Nadine and Alison, along with BANKS move in ways that make you feel like you are at something that is more than just a concert. There is something so ethereal and magical about watching the three of them move together. Of course, I lose my mind when Stroke starts. I told my girlfriend we should have brought red bandanas or something to recreate the moves but luckily, we improvised (nearly smacking each other!) During the set I was stood near a guy who was absolutely having the time of his life; moving in ways we all should at shows and screaming every word back at Jillian. That’s how you do it. I think I spent more time watching him! Something I love seeing at BANKS’ shows is just how passionate her fans are. Everyone just screams the words back, as if we have been waiting our whole lives to just get this all out. She is a phenomenal writer, and like I mentioned above her vocals have become even stronger.

 

 

There are so many perfect moments during the show, but for me it came from the most tender and vulnerable part- when she recited her poem, Ode To The Grey Zone, that’s when it all fell into place for me. I was one of them who filmed the whole thing- I just had to. It is such a gorgeous and vulnerable piece of art, and it is something that is so comforting. I needed it. There are so many highlights from her new record that came to life last night. One of the most important ones was If We Were Made Of Water. Did I expect to hear it? Hell no. I lost my mind. It is such a strong song, and on record her vocals on this are insane but when you witness it live, you take on a different meaning. That’s what I love about Jillian- when you see her perform these songs after religiously playing them at home, they really do take on a different meaning. They become a bigger part of you, and that’s the part you cling to. Always.

 Seeing everyone lose their mind to Gimme was brilliant. I think this, and Underdog are the ones that caused me and my girlfriend to absolutely ruin our voice and wake up with sore throats this morning. Completely worth it. Drowning and Waiting Game were as always, a joy to witness. I love that she’s switched up the set, and even though I wanted to see This Is What It Feels Like again- seeing If We Were Made Of Water just completed it all for me. Poltergeist was ridiculous. I love the choreography to this. I think for me, the best part of the show choreography wise was Contaminated. It is such a heartbreaking song, but when you see it performed it takes on a new life almost. The way it is performed is so heartbreaking, and you feel slightly voyeuristic watching it- seeing something so fragile. But even in BANKS’ tender moments, there is so much strength and I love that about her so much. Alaska caused everyone to lose their mind as did Underdog. The whole set was a delight, and I’m just so excited to watch her keep evolving as a performer and writer. She truly is a Goddess. Also, the songs playing before she came on stage made me love her even more. My girlfriend, who is a huge Lil’ Kim fan left her place in the drinks queue to run up to me and recite the lyrics. I fucking love her. Before BANKS came on stage Where My Girls At by 702 was playing- pretty sure I was treating everyone to a nice rendition of that. She played so much Missy too, which is a given!

As someone who has been a fan right from the start, seeing Jillian grow and become the performer she is now is truly beautiful. The chapter of III is her showing us how she has grown and blossomed into this confident performer. I’ve always loved how you can see how much she loves playing shows on her face. When she performs Beggin’ For Thread, and hands the mic to the crowd this beautiful smile takes her over and the dimples shows us just how much it means to her. Maybe because she sees how much it means to us too. Seeing Godless and Propaganda live were out of this world too. Definitely a highlight for sure.

With just three records she has become this vital part of music, and so many people’s lives. I loved seeing so many people from our LGBTQ+  community in the crowd. It felt like home, it felt like a safe space and given the state of the world right now- this is what we need. Her music is a safety net, her shows make you feel like you finally belong and being who you are is enough. The world puts us down enough, we don’t need to do it to ourselves.

 

 

Last night was the first night of the UK/EU III tour; so, if you are lucky enough to be going, you are in for a real treat. If you’ve never seen BANKS live before, prepare to have your mind blown. If you’ve seen her before, you’ll truly see how she has grown, and you’ll just be so proud of her.

THE VOIDZ: O2 Ritz, Manchester. 7th November 2018.

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If you’re ever wanting to see some of the world’s most talented musicians put on a show, then for your own sanity- go see The Voidz. Everything about the show last night was just utterly mind-blowing. It’s 7:40am and I’m going to try explain why this was one of the most inspiring and earth-shattering shows I’ve ever seen.

Let’s get it out the way first; The Voidz are fronted by the coolest person in the world, Julian Casablancas. However, if you are thinking it’s all about him then you’re dead wrong. The band is unreal, and left you wishing you could be as cool as them. So there you have it; it isn’t about Jules- it’s about the whole damn band. Oh and please stop assuming they are going to play a bunch of songs from The Strokes. Ain’t happening, kiddo. The Voidz have records that are eccentric and mind-blowing. They’ll fuck with your head, and that’s why you love them so.

They open the set with Leave It In My Dreams, and to be honest that just sets the tone for the whole set. It is full of this raw emotion that Jules conveys so well in his voice. His voice is so distinctive, and you just know it is him when you hear it. The way he can project it so it fills up the whole room is pretty damn spectacular. They blitz through the show with M.utually A.ssured D.estruction and Permanent High School most certainly being my favourite. But there’s something that needs touching on- Amir and Beardo.

If you’re ever looking for two guitarists to be left in awe of, then open your mind up to Amir and Beardo. The way they sound together is just nothing short of guitar heaven. I swear Beardo is the happiest person I have ever seen on stage. His smile and stage presence is a thing of beauty. He totally hams it up on stage, and you cannot help but grin like a total buffoon back at him. He’s absolutely mesmirising. Amir too, has the same quality. They both bounce off each other, and as Jules steps back from the stage- you truly notice what this band are about. They are loud, the songs are important and the way they sound together is just stunning. If I could think of my dream line-up, I’m pretty sure these guys would be it. The Voidz are the body of Punk, the soul of Punk and the heart of Punk. But they’re not a Punk band- they’re out there, and they aren’t afraid to truly push themselves.

There’s an improvised song early in the show when Jules spots a young kid in the audience. His concern for if the kid is old enough to be there, and if they have headphones on causes him to suggest that the kid shouldn’t be so close to the speakers. Anyway, if it was the first show that the kid had been to then they are pretty damn lucky.

For some of the shows they’ve mixed up the set which is pretty great, and the show last night was just a perfect set. The show ended on Human Sadness. But we were also treated to Black Hole and Dare I Care. Songs like Wink were greeted with such rapture. In fact, every song was.

There is something really remarkable about The Voidz and it truly comes to life at their shows. Alex is such a ferocious drummer, and you have Jeff and Jacob who add a calmness to the set. But don’t let that fool you. The Voidz, like I said, are made up of exceptional musicians. Musicians who know exactly how they want to sound and aren’t afraid to experiment and push themselves, and for me that’s what makes a band great. On record they are obviously perfect, by my god their live shows are out of this world.

The Voidz are loud, passionate and brutal. They aren’t coming for your blood, but just your undivided attention- which is pretty easy to give.