PINS @ Oporto, Leeds. 10th October 2025.

Last night, I think I may have been in the world’s hottest venue. It was also one of the most cramped venues ever too. Was the sweat and small space worth it? Absolutely! PINS are currently touring the 10 year anniversary of their record, Wild Nights. I remember being at the album launch for it 10 years ago, and to hear the songs a decade later and them still feel brand new was so cool! It just shows how great the band are.

Now, I’ve seen PINS play about 10 times over thew years and last night as my first time seeing them play in a venue in the north. Location isn’t everything, but Oporto was a great place to see them. PINS have a sound that’s unlike anything else, and when you see them live you really feel the music and can really appreciate their sound. Sadly, there were the usual pervy men in the front zooming in on body parts and filming the band- especially during the last song when a few of the crowd were on stage. I used to see this happen years ago in London, so it looks like this breed of human sadly occurs everywhere. It’s just wrong, and it makes me so mad. Imagine if someone was doing it to their daughter? Idiots. Anyway, back to how solid the show was!

I honestly don’t think I’ve ever seen anyone on stage with as much energy as Lois. It was so cool to see that same energy from years ago is still there. I really don’t think anyone loves being on that stage as much as she does; a real joy to see. Faith’s voice is as powerful as ever, and on delicate songs like Got It Bad you can really hear the power in her voice. The addition of Abbi on the drums adds some extra loudness to the sound and Kyoko may be one of the slickest bassists around. Is it the best PINS have ever sounded? Of course. The tightness of the band is there and hearing how Wild Nights has developed and got stronger over the past decade is a real joy to witness.

Every song off the record is played along with new single, I’ll Be Yours and the classics- Serve The Rich and of course, Girls Like Us. For me, hearing Dazed By You (which in my humble and biased opinion, is one of the best modern love songs around) live again just made me so happy. I genuinely thought I was going to cry out of happiness hearing it live again but instead, I just sang along and had a lovely time. There is something about a PINS show that leaves you feeling like you can take on the world. There are delicate moments in the set (Got It Bad and If Only) but there are these sensational ferocious parts where you know you are absolutely in the presence of one of the best bands to have ever come from Manchester. I love the rage in Too Little Too Late that I just love so much. You can proper shout a long to this, and I think it’s partly why my throat hurts today! House Of Love and Oh Lord are divine live too. The whole record is just timeless, and I’m so glad they have celebrated it by putting on these shows.

Although this was my possibly 11th time seeing PINS, it really felt like I was seeing them for the first time last night. It’d been too long, and I hope they play more shows now because they are one of the most exciting bands to see live, and I just adore them so much. I love how when you’ve loved a band for so long, you can really hear how their sound has grown- especially in a live setting. The celebration of Wild Nights was a thing of beauty, and hopefully we can celebrate it again in another 10 years. Although, I’ll probably need to be seated for that!

The shows ends with the anthem that is, Girls Like Us. Faith brings a number of people onto the worlds smallest stage for such a big moment. Seeing the love and happiness of everyone on the stage summed up exactly what PINS are about and why, although they are criminally underrated, they are one of the best around. No one will ever do it like PINS and last night totally proved it.

One final thing- they are selling posters on the tour for Kinder Relief to support the people of Palestine. Go to the show and buy a poster or two. Anything left over will be up on their Bandcamp page after the tour.

WORMBOYS: Smalltime.

The North of England is home to some wonderful bands and musicians. Too many to mention, but today I’m going to focus on Leeds based Wormboys.

How do you describe their sound? Can you pick up any influences? What makes them standout? There aren’t enough hours in the day to describe them, but I’m on my lunch break at work so I have limited time but I’ll do my best to make this make sense!

Smalltime only has 3 songs on it, but don’t let that small detail put you off. There are hints of 90s Grunge on this record (the song Worm reminds me a little bit of Something In The Way by Nirvana in some parts) but Wormboys are a band that are confident in their sound and know exactly how they want to sound. There are 4 of them in the band, and each of them are just remarkable at what they do. It may only be a 3 track EP but those 3 tracks show you exactly what this band are made of.

There also elements of the Riot Grrrl movement on this record, and I think it’s most apparent on the euphoric Tree, which closes the record. I don’t feel like I’m listening to a band from 2023 when I listen to this record. I feel like I’ve been thrown back to the early 90s in the midst of all the greats such as Garbage (best band of all time), Bikini Kill, Hole, Babes In Toyland. Wormboys have such a solid sound and with one listen of this record I can confirm that the chorus of Tree will be stuck in my head for the rest of the day.

Wormboys are the noisy Queer band I’ve been looking for; there’s no other band out there that sounds like them. Now, I know this contradicts what I’ve said above about the 90s sound but there’s no current band around that has this sound like this. I just love how care free the sound is and you really pick up on this on Something Pretty. They make the kind of music I wish I had when I was in college and secondary school- trying to find my way. I made to adulthood but god knows how! You’d definitely expect to hear their music in a Student Union bar that has a questionable sticky floor along with questionable drinks on offer. There’s a lot of fun in their sound and a lot of depth. You can’t help but be in awe of Jake and Ruth compliment each other on the drums and bass. You’ve got Sop and Harry on vocals/guitar, and their vocals together are nothing short of heavenly and again, you really feel this on the song Worm.

This is only their second EP but it sounds like a band who have been at this for decades. Everything about this EP is worthy of your time and attention- the songs are just effortlessly slick, and that lo-fi sound, and that DIY ethic attached to it really comes across. If this record moves you, then go back and listen to their other stuff- it’s as equally mind-blowing. When you play the songs through headphones, you can really hear the sound fully and truly appreciate the lyrics and songs in general. I highly recommend playing Tree as loud as your ears can stand through headphones; just so you can really pick everything that’s going on in this song. There’s a lot but by no means is it overwhelming. If anything, it’s comforting. The loudness and the tender moments on the record are exactly why I love this band, and why I’ll probably be obsessed with this EP. The shifts in moods on the songs and the way the band just compliment each other with their own styles and sounds is just an absolute joy to listen to.

The band are heading out on a small tour starting this Friday: (please come to Manchester!)

Jan 27 Wharf Chambers Cooperative Club, Leeds
Jan 29 The New Adelphi Club, Hull
Feb 06 Little Buildings, Newcastle Upon Tyne
Feb 07 The Hug and Pint, Glasgow
Feb 10 Rad Apples, Dundee
Feb 11 Wee Red Bar, Edinburgh

The EP also comes out this Friday, and I’ll end this with a gorgeous quite from Ruth about touring, which I think is so important: “It’s been life-affirming to headline shows around the country, consistently warmly received by crowds of queers and weirdos who are angry and upset about all the same shit as us.”