PIGS PIGS PIGS PIGS PIGS PIGS PIGS: Detroit.

The best Geordie lads are back! Pigs Pigs Pigs Pigs Pigs Pigs Pigs (I have to count every time!) are thankfully back with a beautifully heavy number, Detroit.

Detroit, in their words is about, “a ghastly, needy and controlling man.” And the world knows we have plenty of them- especially at the moment! This is Pigsx7 at their loudest, at their utter best. If a new record is coming (let’s be honest, it must be because a tour’s been announced too) and this is the sound they’re going with, then I think we’ve found the record of 2025 already.

To quote the band, “Detroit’ is massive slab of striking noise rock about a hideous man with even worse behaviours. Better we let Matt take it from here: “Detroit reflects on the worst manifestations of male jealousy and resentment, and the ways in which the deliberate avoidance of accountability can lead to deflecting responsibility in exchange for blaming external forces like fate or God for perceived injustice”.  And if I couldn’t love this band anymore, all the money the streaming of Detroit generates will be donated to domestic abuse charities prior to the tour. THAT is how you do it.

The new song is heavy and rowdy. You can feel the aggression and the story-telling really makes it, you feel the rage too. You almost feel as pathetic as those types of people who behave this way, and that’s what makes Pigsx7 such a bloody incredible band- they put you in the position of others, even when that position is really unsettling in every way possible. For me, Pigsx7 are a comfort band. I love nothing more than just being on my own, wandering round or at work with their music blasting worryingly loud in my ears. I find the whole sound just makes me feel really safe. I cannot explain why, it just does. I’ve only seen them live once, and I remember being stood at the back but I could see EVERYTHING and even though the room was packed- I felt like it was just me in the room. Easily one of the loudest and best bands around, and the gig was definitely up there as being one of my favourites.

A new tour for 2025 has been announced, and the dates are:

UK – APRIL 2025:
03 – Brighton, UK – CHALK
04 – London, UK – KOKO
05 – Bristol, UK – SWX
07 – Nottingham, UK – Rescue Rooms
08 – Birmingham, UK – The Castle & Falcon
09 – Birkenhead, UK – Future Yard
11 – Manchester, UK – New Century Hall
12 – Leeds, UK – Brudenell Social Club
15 – Edinburgh, UK – La Belle Angèle
16 – Glasgow, UK – St Luke’s

EUROPE – MAY 2025:
17 – Paris, FR – La Maroquinerie
22 – Cologne, DE – Gebäude 9
23 – Düdingen, CH – Bad Bonn
24 – Munich, DE – Strom
26 – Leipzig, DE – UT Connewitz
27 – Berlin, DE – Säälchen
28 – Hamburg, DE – Knust

So, if record number 5 really is on the way then I think it’s safe to say it’s going to be nothing short of divine!

CREEPCAVE: The Greatest Form Of Resistance.

I’ve decided to use my lunch break at work wisely for once and write about a new record from a band who quite frankly- should take over the world.

If like me you have a soft spot for bands like Hole, Bratmobile, Babes In Toyland- then you will fall madly in love with CreepCave. Their EP, The Greatest Form Of Resistance is the kind of record you hope kids hear and go on to start their own band. We need more bands like this- pointing out the wrong in the world, offering self-acceptance and just a brutal take on how fucked up the world is. In the midst of this, they’ve created a safe space with their music. It’s beautifully loud and a divinely raw record. I don’t feel like I’m in 2024 listening to this record- I feel like it’s the early 90s and Riot Grrrl is taking over. I feel like it’s 2003/4 and I’m discovering it for the first time myself and adjusting internally to who I am.

Alex’s vocals on this record are something else- if they sound this perfect as a recording, then my god you can only imagine how powerful they are live. Bessie plays the guitar in this captivating haunting way giving off this fuzzy sound that lures you in. Then you have Amy doing some otherworldly shit on the bass that grips you in ways you probably didn’t think the bass could. Shivi’s drumming brings it all together in the most euphoric way; everything comes together in the most perfect way, and I think this really shines on the (just under 6 minute mark) song Educate. A song that evokes the urgency of educating how boys see girls and how they treat them and starting young to educate them on respect and listening is so vital. We all need to be like that.

The sheer heaviness of this record really gets you in the gut, and you can hear this beautiful and infectious confidence in the band on every single song. You just want to be part of their gang. That addictive Doom/Sludge sound mixed with something we’ve yet to name is just so pure and just everything I want from music. I want the loudness. I want the lyrics that could make someone feel uncomfortable. Speaking of feeling uncomfortable- if you’re not left feeling uneasy when you hear You Took It, then listen again. And again. Until it clicks. That song needs to be heard from everyone and anyone.

I want to touch on the song Float which may be my favourite (at the moment) and I love the subtle temp change for the last minute and a half of the song. It reminds me of A Senile Animal record by the Melvins- especially the drums. The lyrics are peaceful, but the sounds are the opposite, and this is exactly why this record is so easy to fall in love with. The clash of sounds works so well, and you just can’t help going back to listen again and again. Only a fool would find fault in this record.

CreepCave make such important music; the lyrics are vital and deserve to be heard and they deserve the world. They are one of the most exciting bands around, and I just love that they combine everything I love about music and have made their own sound accessible for all. They touch on topics many shy away from and make it so easy to relate to. From the second the record opens with Bucket Season; you just know you’re about to listen to something truly magical.

The record ends on Fairytale- the shortest song on the EP, and the second it stops all you can do is go back and play the EP all over again. This record oozes some serious raw and real power that will speak to so many who are forced to be quiet. Sometimes, even the quiet ones speak up and the way CreepCave take these subjects and make it so you can easily connect with is so beautiful. There is so much heart on this record and it’s so refreshing to find a band who TRULY mean what they say and live it.