PIGS PIGS PIGS PIGS PIGS PIGS PIGS + MERYL STREET @ The Crescent, York 14th May 2026.

On Thursday night, I saw Pigsx7 play one of their finest shows in one of the best venues I’ve been to. There is no denying that The Crescent is one of the most important venues not just in York but in the country. It has everything you could want and enough space to move your body in a questionable fashion without hitting anyone by accident. Before I go into how amazing Pigsx7’s set was- I have to tell you about the support act; Meryl Streek. Meryl Streek is a crucial artist and is someone that HAS to be heard. He’s also proof that you must ALWAYS watch the support act if you are there on time.

A few weeks ago, Meryl Streek played on the Isle of Man and two of the most important (and best) bands from the IOM supported him- Half Naked Headline and Croteau. At the end of the night, I thanked him for playing there and for having those two bands support. Both bands are destined for greatness and deserve the world, and we spoke a little bit about how odd the Island is but also how important it is to have people like him play there. Not only was his set incredibly moving, but as a person, you can absolutely tell that he cares a hell of a lot about those around him, what he’s creating and being heard. He’s a credit to the music industry, and although the crowd seemed a bit reserved for his set- for some, the words truly hit home. Songs like Paddy (this broke me), Kelly and of course Death To The Landlord were so moving to hear and the way he puts his all into his performances is truly captivating. You leave feeling like a different person and also, angrier at the world. He’s a real inspiration and this definitely won’t be the last time I see him live. Music should always move you in any way, and I think if you see his performances and you don’t feel more rage at the world then you’re probably part of the problem.

Pigsx7 play 12 songs. No encores. No prisoners. No timewasting. No love for Download Festival. They limber up during the opener The Wyrm and you know you’re about to witness over an hour of chaos, magic, and the inability to hear for a few hours after. At their previous shows I’ve been to, I’ve always stood near the back but this time- the front (or a row behind from the front.) Not too close to the speakers but close enough to know that I would have a ringing in my ears for a few hours at the end. Bliss. I knew the show would be magical, but when you see a band, you love play in a venue that’s as special as this- it makes it something else. The setlist is perfect (although I still want to hear their cover of Hot Stuff live) and although 12 songs isn’t enough when it’s a band you adore with all you have- those 12 songs are delivered in a way that transcends how you hear them on record. Pigsx7 are my gym band, and their music has enabled me to lift heavier than I thought was possible but they’re a band that lyrically get me right in the gut. There is something so special about this band, and you know what? Fuck Download Festival for ignoring greatness for 16 years in a row. However, as the band did mention- playing venues like The Crescent means a lot more. It’ll always mean more.

As always, Matt introduces the band as 80s/90s Wrestlers but also mixes it up with 80s/90s Pop Stars too. We were joined by not only Rick Flair but also Rick Astley on a Thursday. In York. How lucky were we!? When you watch a band like Pigsx7 you have no idea where to look because every single one of them on stage is the best at what they do, each of them are the heartbeat of the band. Each of them plays with this urgency. The way Matt moves on stage is similar to how my cat psyches herself up to chase her little draft excluder toy. Focussing and moving in a way that shows she isn’t someone to be messed with. She then plays for 10 minutes and has a lie down. Matt doesn’t do this, none of them do. They all stay firmly focussed on stage and play as if their lives depend on it. Their sound is distinctive and vital. They aren’t just a great band on record, but live they take it to a different level- and they cannot be touched. They blitz through the set, and they play 4 songs in a row with no break (I cannot remember which 4 they were but at the end I did think they all needed a little rest because it was so intense in the best way.) Adam was able to go for a piss whilst Headbanger of the Evening was awarded so that’s always good!

The setlist was a dream, and the venue was perfect for them. I’ve seen them play the Ritz in Manchester and also New Century Hall but there is something really special about seeing them in a venue like this to really make you appreciate their sound even more. Stitches into GNT then into World Crust is just chef’s kiss. Collider into Toecurler? A DREAM! Was it the best I’ve seen them? Yes. Will this go down as one of my favourite gigs I’ve ever been to? Hell yes.

PIGS PIGS PIGS PIGS PIGS PIGS PIGS: Death Hilarious.

Here we go. Record number 5 from the North East’s loudest band- Pigsx7. What can they do on record number 5 that they haven’t already? Like, what is left to be done now?! Haven’t they burst our eardrums enough?! No. They haven’t. There’s more to do, more damage to our ears to be done.

Death Hilarious is a masterpiece, that you can be sure of. Again, Pigsx7 are a band who do not make bad records. Everything they release is so exciting and different- but always beautifully loud to the point where you may need medical attention (not the best kind of attention you can get, but still.) If you’re wanting a record to drown out the noise and to make you feel like every bone in your body is being crushed- this is the record you need. It’s the band at their peak. They’ve done it. They’ve made something that defines their sound in a new way, and I love how with every record they are unafraid to push the person who listens to it. It may be us old fans or it may be new ones; either way they push you and it’s wonderful.

If you’ve been lucky enough to see Pigsx7 live, then you’ll know that it’s an experience that goes beyond anything else you’ve seen or felt. For me, bands like this are the ultimate comfort band. Their sound feels like a secure grip around me, and I can’t get free from it- I guess it feels like home and it’s calming. Others may hear something utterly dripped in chaos and pure noise, but for me, that’s my version of calm. I never claimed to be “normal” because none of us are.

The record consists of 9 songs and is around the 45-minute mark- that’s enough time to let a record utterly consume you. Every song deserves its spot here, and the way it ends on the 8-minute wonder that is Toecurler is magnificent. It’s a grand record, and the ending does not mean the band are going quietly at all. If anything, they get louder. Matt’s screaming on this song is next level, you can really feel how healing it is. It’s like getting every ugly and painful feeling out. It’s the kind of song you’d want playing in a sketchy Slasher film where the killer loses it towards the end.

This is their most experimental record to date, and they won’t lose fans over it at all. If anything, they’ll gain more. Welcome to the cult of Pigsx7! I’ve played the record a lot this morning, and with every listen I’m getting a new appreciation for the band. You can hear the growth on the record. I remember first listening to them and I had NO idea what was going on- all I knew was that I was instantly hooked, and I found a band that were going to change how I listen to music and how I take music in. Turns out, that feeling has stood very firm with every record they released since. Death Hilarious is no exception. If anything, it heightened it.

I started writing this a week ago, with the intent of putting it up by the day had ended. But I felt with every listen of the record, I found something else to cling onto and relate to. So, for once, I let the record stay with me. For a week solid, this has been the only record I’ve listened to. I’ve played it at the gym on a loop, played it to and from work, listened to it at work- that’s a lot of hours. Have my feelings changed? Not in the slightest. I still think this is the best record Pigsx7 have done, and it explores the brutalness of anxiety and everything that comes with it, in a way I’ve not felt before from a record. The way Matt screams some of these lyrics will rip right through you. I know for a fact I cried when I played it the first time. Some lyrics just get you in the gut, and with more listens I feel less alone with whatever goes on in my head. Someone else gets it, and they are expressing it in a way that is a billion times better than I ever could. That’s the power of music- it makes you feel less alone, and less of a burden too.

If you’ve seen Pigsx7 live, you will know how big their sound is in that environment so when you listen to them on record- it can feel different. They’ve managed to capture that huge live sound and put it beautifully on record. They’ve done it. This is THE record they had to make and tonight I get to witness it live. It’s going to leave me hard of hearing tomorrow- it did last time, and I cannot wait.

Death Hilarious is a record I’ll keep going back to for different reasons. This week it’s helped me focus at work and the gym. Maybe next week it’ll feel like a hug, and the week after it’ll be my comfort record. All I know is that it will be one I keep going back to constantly. I don’t think it’s a record you play and just forget about. You don’t do that with a Pigsx7 record, it’s impossible.

Every song on the record does feel like a smack in the kisser and a punch to the ribs, and you just cannot get enough of it. Stitches has a Glam Rock feel to it, and you’ve got the ripper of a song, Toecurler that just sums up the whole record as the closer. In 45 minutes, Pigsx7 give the listener all they want and deserve.

The record feels like an exorcism of sorts and that powerful release is felt on every single song, and I think that’s why you cannot help but feel hooked right from the start. But that’s Pigsx7 all over.

PIGS PIGS PIGS PIGS PIGS PIGS PIGS: Detroit.

The best Geordie lads are back! Pigs Pigs Pigs Pigs Pigs Pigs Pigs (I have to count every time!) are thankfully back with a beautifully heavy number, Detroit.

Detroit, in their words is about, “a ghastly, needy and controlling man.” And the world knows we have plenty of them- especially at the moment! This is Pigsx7 at their loudest, at their utter best. If a new record is coming (let’s be honest, it must be because a tour’s been announced too) and this is the sound they’re going with, then I think we’ve found the record of 2025 already.

To quote the band, “Detroit’ is massive slab of striking noise rock about a hideous man with even worse behaviours. Better we let Matt take it from here: “Detroit reflects on the worst manifestations of male jealousy and resentment, and the ways in which the deliberate avoidance of accountability can lead to deflecting responsibility in exchange for blaming external forces like fate or God for perceived injustice”.  And if I couldn’t love this band anymore, all the money the streaming of Detroit generates will be donated to domestic abuse charities prior to the tour. THAT is how you do it.

The new song is heavy and rowdy. You can feel the aggression and the story-telling really makes it, you feel the rage too. You almost feel as pathetic as those types of people who behave this way, and that’s what makes Pigsx7 such a bloody incredible band- they put you in the position of others, even when that position is really unsettling in every way possible. For me, Pigsx7 are a comfort band. I love nothing more than just being on my own, wandering round or at work with their music blasting worryingly loud in my ears. I find the whole sound just makes me feel really safe. I cannot explain why, it just does. I’ve only seen them live once, and I remember being stood at the back but I could see EVERYTHING and even though the room was packed- I felt like it was just me in the room. Easily one of the loudest and best bands around, and the gig was definitely up there as being one of my favourites.

A new tour for 2025 has been announced, and the dates are:

UK – APRIL 2025:
03 – Brighton, UK – CHALK
04 – London, UK – KOKO
05 – Bristol, UK – SWX
07 – Nottingham, UK – Rescue Rooms
08 – Birmingham, UK – The Castle & Falcon
09 – Birkenhead, UK – Future Yard
11 – Manchester, UK – New Century Hall
12 – Leeds, UK – Brudenell Social Club
15 – Edinburgh, UK – La Belle Angèle
16 – Glasgow, UK – St Luke’s

EUROPE – MAY 2025:
17 – Paris, FR – La Maroquinerie
22 – Cologne, DE – Gebäude 9
23 – Düdingen, CH – Bad Bonn
24 – Munich, DE – Strom
26 – Leipzig, DE – UT Connewitz
27 – Berlin, DE – Säälchen
28 – Hamburg, DE – Knust

So, if record number 5 really is on the way then I think it’s safe to say it’s going to be nothing short of divine!