DEATH INDEX: Civilized By A Lie.

I swear I thought I was dreaming when it was announced that there’d be a new record by Death Index. I thought we’d only ever have their 2016 release and that would be it. Fans yearning for more and not getting it. 7 years later- it’s here. It’s been here for a few weeks but my ability and want to write anything has kept passing me by. Zero interest, but I think I’ve got there now so I’m going to try tell you why the new record by Death Index is every level of perfect, but maybe you already know why.

Death Index are Carson Cox and Marco Rapisarda. Both have been/are in bands that are brilliant in their own way, and different to what Death Index is. Death Index is a different level to anything you’ll have heard before. Civilized By A Lie isn’t as brutal as their debut but that hardcore Punk energy is definitely there. They’ve not made a soft record- far from it. They’ve made the perfect follow up to their debut and yes, 7 years is a long time to wait but it is totally worth it.

The lyrics are Carson’s work and, in the lyrics, you can hear the frustrations of life in his part of the world in America. All kinds of discrimination have been flooding news outlets all over the world and it’s so exhausting reading about it, and when you hear it painted the way Carson does- you know you’re not alone in how frustrated you are.

No Cure For Madness echoes how messed up everything is and that maybe it won’t get better- just yet. Maybe it will. I don’t know. None of us do. Then it slips into Spirit. A song that sounds like a machine gun going off with words ringing out the awfulness of the world. Of course, there is good in the world, but we can’t create an illusion that everything is great can we. Music is an escape but it’s also home. This is the kind of record that you know needs to be witnessed live. To hear the loudness, to feel the chaos and to soak up every word on this record in a live setting would just be out of this world. The talent Carson and Marco have separately and together means that Death Index is always going to be a work of genius, regardless.

Another Hero initially feels like a motorbike picking up speed heading deep into the unknown. Into a world that may be better than what we currently have. It goes full throttle this song, and it touches on the despair of killing and the ending of a life. You can hear the despair in Carson’s voice, and the whole record just evokes so much in you when you listen to it. At times you feel you are listening to a band that have taken notes from Depeche Mode, Nine Inch Nails and New Order but then it shifts to a real hardcore political sound which is unique to them. Some may dance to these songs all carefree but some may just be in awe of the content and find something to really connect with. Or both. There’s no right or wrong.

It’s a heavy record, and some may feel uncomfortable listening to it but every ounce of this record is honest and open. For some, that’s uncomfortable but Marco and Carson have created a thing of beauty here, and it’s the kind of record you stick on when all feels a bit too much and you need something to sit down with and reassure you. It’s in songs like Shadows At Dawn (personal favourite) and it’s in songs like Ego-Dance.

11 songs in half an hour. 11 songs to fill a void. 11 songs to feel a connection with. 11 songs that fully justify why Death Index are brilliant. If we have to wait another 7 years for a record that is at this level again, then so be it. Worth the wait.

Play it loud. Play it alone. Play it through headphones. Play it whilst you take a walk. Play it to anyone who will listen. Play it loud.

POP.1280: Museum On The Horizon

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Pop.1280 will release their new record Museum On The Horizon next month, and I am so excited for this. With one listen down so far, I can promise you that it is one of the most brutal and passionate records of the year. For me, they are a band that bring everything there is to love about music together so effortlessly, but they can probably also scare you shitless. That fear they bring in their sound is so hypnotizing; and if you’ve ever been to a Pop.1280 show before, then you’ll know just how they bring that feeling in a live setting also.

There is something really dark and beautifully sinister about their sound, and that’s what has always drawn me in. They are one of the most powerful bands I’ve ever heard, and they just capture everything so well in their music. I can’t help but be in awe of every single record of theirs. They are just remarkable.

Museum On The Horizon is a combination of pure Industrial noise, Punk and something that is yet to be discovered/named. This is the case with all their records, but there is something about this new record that sounds like it has a stronger purpose. It was made to move the listener, made to scare them a little and also expose you to a different world. One better than the one we’re stuck in right now. There’s this beautiful like 80s Synth tone on Not Too Deep but the vocals add this roughness to it that just get you hooked. If you’ve never listened to Pop.1280 before then you’ve been missing out but this new record is a great place to start. For me, it’s just like listening to them for the first time. I think I first heard them in 2010/2011, and what I heard just blew my mind. Some bands come into your life at the right time, and Pop.1280 are one of those bands for me.

The new record reminds me of Suicide mixed with Nine Inch Nails; that heaviness is just divine and you feel like you’ve stepped into a world that is so sacred and so unheard of. I adore how menacing the record sounds, and one song in particular that gives that feeling off a lot is Two-Body Problem. It’s like chainsaws hacking at your brain but getting nowhere near the skin. It’s fucking frightening and done so effortlessly. I’ve never taken drugs before, but I’d imagine it would hit like a Pop.1280 record. I love how there is this sound on this record that you know will go over some peoples’ heads when they first hear it (think The Birthday Party) but in a few months or maybe years’ time, people will listen to this record and just be stunned by what they are hearing. It’s such a joy to listen to, and as heavy as these songs are- they are perfect to listen to when everything feels off.

The intro to Brennschluss sounds like it could be in some dark Thriller film that was shot in Berlin in the late 80s, with nothing but grey skies and rain for comfort. It’s such a slick song, and one you can’t help but gravitate towards even after playing the record over and over. At the moment, I’m calling it as my favourite on the record but I will have changed my mind by the time I’ve played the record again. That’s how you know when you’ve found a solid record. You can’t pick one favourite song but every song can fit your mood or be a comfort to how you are feeling.

I just love this record, and I really thought I couldn’t love anything as much as I loved Imps Of Perversion (best record of 2013 and one of the best records to have ever been released on Sacred Bones no question!) These songs are made to be heard live, and to be played as loud as you can stand. Imagine hearing Mission Creep live and just losing your mind to it. There is something so freeing about Pop.1280’s sound, and I think that’s a big part of why I love this band. There are many reasons, and with every record they put out- I find a new one.

Pop.1280 have never sounded like a band that are now. They’ve always sounded like something from the distant future- something we just aren’t ready for yet, but my god we need them. The songs on Museum On The Horizon are so beautifully crafted, and manic and just a joy to listen to. Human Factor, Right Hand Man and Noncompliant are just masterpieces. The whole record is a work of art, and insanely brilliant. Again, it’s one of those records that when you hear, it just makes you wish you could make something like that. The production on this record is perfect. Is it their best produced record so far? There’s no doubt about that. Everything on this record is just so enthralling. You notice so much from the way the songs flow into each other, to the rage in the vocals. Everything on this record sounds exactly how you’d want your favourite record to sound. It’s one of those records that should be studied- it is such an intense record, and all you can do is just keep on playing it and let the band take you on this euphoric ride away from your own daily dullness.

Something to really notice on this record is how all 3 of them have pushed each other to experiment more on this record. Pop.1280 have always gone beyond, but there is something about this record that just really leans into the band pushing themselves. It is a real joy to listen to, and there’s no way on earth you could ever get tired of this record let alone the band!

Nothing has been held back on this record, and that boldness is what keeps you constantly hooked. I never score records, but if I did this would be a solid 10/10 and even then, that wouldn’t be enough.

Museum On The Horizon is out on 24th September 2021 via Profound Lore Records.