Joshua Hayward.

Everything I felt about music changed just before the summer of 2006. I heard something that just reignited my love for music that is perceived as dark and a bit creepy. I’ve always loved bands such as Bauhaus, The Jesus And Mary Chain and Count Five. I never thought I’d find a band to give me the same feeling those acts did. I never thought it would exist again. At the time it was so groundbreaking, so there was really no reason it could ever happen again. Or could it?

What drew me to The Horrors was not the same reason most were. I did not care for how they dressed or how big their hair was. I was drawn into Joshua’s guitar playing. How could someone so you make a sound like this? How could someone who was practically my age play like one of the greats? I will never know, but I will ALWAYS be in utter awe of it. Tom, Rhys, Joe and Faris are ALL extremely talented guys, you cannot deny that at all. In time, I will probably have written about each member. Trust me, it’s going to happen. With Josh, it’s something else. When you see them all play on stage you can see that they feel exactly what they are playing. Faris doesn’t move like a man possessed on stage anymore, instead he stalks the stage like a panther. He’s so majestic with his moves.

Then you have Josh. He moves around in the completely opposite way Faris does. He loses himself not just in mind; but in body. He flails around so wonderfully. You are transfixed on the way he holds the guitar and how his long hair sticks to his face and in his eyes. Anyone else would probably fall over and not be able to play. Josh, however, is one of a kind.

Josh is EASILY the most exciting guitar player around. He has a degree in Physics, and you can tell the way he plays the guitar comes from more than a musical place. There is so much science going on in the way he plays. Just look at his pedal board. It is fucking CRAZY. His approach to playing is unlike anything I have ever heard before, and I listen to some weird and wonderful music.

The way Josh plays sends you into a whirlwind. It throws you off completely. It isn’t safe for me to go for a walk and listen to The Horrors because I just lose myself and fall into a trance.

The guitar on Mirror’s Image sounds like a train approaching. When Josh plays guitar, it doesn’t sound like he’s playing the guitar. He turns it into something else, something that changes in every single song. Although he has a different sound on every single song, Josh still maintains an eerie feel to it; something which cements what is The Horrors sound.

What fascinated me about Primary Colours was that Josh BUILT the pedals himself, he actually made them. It’s fucking mind-blowing. He’s the mad scientist of music. If you listen to a lot of bands now, yes some are quite good but The Horrors have something else. That something else that they posses comes from their approach to the music.

The first thing I bought to do with The Horrors was their EP in 2006. I remember skipping my uni lecture (first year doesn’t count) and going to buy this EP. I sat in my room and played it extremely loud. I knew nobody was in. I played it and I just lost myself in what I was hearing. I did exactly the same thing when Strange House was released, skipped a lecture just to go buy a record. Personally, I feel it was worth it.

Their sound on Strange House is what I suppose you would call Garage Rock. I hate giving bands a label, I can’t do it. It’s just wrong, but it does give off a Garage Rock vibe. It smacks you in the face; the songs are short and fucking brutal.

Move forward to 2009 and we are again blessed with a new record. Primary Colours was immediately declared as that year’s best album. I agree, fully. The songs were longer, the sound was less aggressive but it still had that raw edge. It still had a sound that no other could do apart from The Horrors. The guitar still sounded vicious yet it sent you off into a trance. What I’m trying to say is, Josh’s guitar skills just hypnotise you. That’s what he does, you listen to him and you cannot do anything else. You become so enthralled in what he is doing. You watch him sway whilst he is on stage or you just drift off into another world as you lay on your bed listening to the guitar dominate your mind.

The fact that Josh built his own pedals caused The Horrors to create a sound that nobody had ever heard before. The production was big, grand and full (think Joe Meek and Phil Spector.) All three of their albums have an indescribable sound. Recently Josh stated that it was Sonic Youth that inspired him to pick up a guitar, I can only hope that the generation below me listen to The Horrors and feel inspired to pick up an instrument and create something that hasn’t been heard before. There’s so much reverb and distortion in his guitar. An obsession with a feedback sound is evident, and with a lot of guitarists it can sound quite desperate. With Josh it sounds so clear and brutal. Oh and a wee bit fuzzy.

It’s only right that I mention this year’s release, Skying. Skying was produced by the band, and what is so amazing about this is that you can feel the freedom in the album. They haven’t made an album that you or I are proud of- they have made an album that they, as a band, are proud of. As much as I adore the brutal sounds on Strange House, the sound that they have created on Skying is stunning. It’s just a shame that people who know fuck all keep comparing it to others. It does NOT sound like Simple Minds at all, the fuck you on? Skying is masterpiece, a work of art. Just like all their records. If they can create an album like this, 3 albums into their career, then it is fairly obvious that The Horrors are a bad will be the ones to constantly evolve in ways you could never imagine with every record. Josh’s guitar sound on this record is not as fuzzy as it was on Primary Colours, on Skying it has a more delicate feel; not as intense. It still grabs you in ways you never thought a record could, but not in an aggressive manner.

John Peel once said, “I just want to hear something I haven’t heard before.” Something tells me that if he was still alive, The Horrors would probably be his favourite band around.

Uh Huh Her-Nocturnes.

Here we go, another contender for album of the year. I honestly didn’t think they could top Common Reaction. I didn’t want them to; I didn’t want to love this album as much as Common Reaction because when that came out it was basically my life. Now I have to feel this way about their new album. I’m joking, I honestly don’t mind. It’s a bloody brilliant album. The second album can be a bitch to make; a lot of bands just fall apart. Then they make a decent third album and call it quits after that. I doubt Uh Huh Her will do that. If they do, I’ll just write them an emotionally charged letter. I honestly never want to feel the way I did about The Long Blondes ever again. It was worse than being dumped, seriously. Fucking awful. The wound hasn’t healed; I just want them to get back together.

Right, I’ve gone off on one. Sorry, partially.

Nocturnes is fucking brilliant. I probably won’t be able to find anything else to say apart from that, but I will try. They use a lot of synths BUT, don’t let that put you off. You see, a lot of bands use synths to compensate for the fact that they are shite and have no talent. Its like, “Oh well….we can’t play an instrument so let’s faff about with some synths.” NO! Just NO. Camila and Leisha has genuine talent, they use synths with addition to other instruments. The synths don’t carry their sound at all. It doesn’t sound like a ridiculous 80s tacky pop record swimming in synths at all. This is the real deal dear reader. Nocturnes is a fantastic record, and yes it is just as brilliant as Common Reaction. I think I’m going to ramble whilst talking about this record.

What I love about Uh Huh Her is the way they compliment each other’s voice. You’ve got Leisha’s delicate voice and Camila’s powerful tone, its bloody amazing. One doesn’t overshadow the other at all. In duos, this sometimes happens. However, it isn’t the case here at all. They’ve got this beautiful chemistry in their music, and you can tell just how passionate about the music they really are. As you can really feel that passion, you are drawn further into the record.

I remember hearing Same High a while back (I sometimes exaggerate time because I have no concept of time. I hate knowing the time, the world would be better if we never had time. I am bursting to have a deep, philosophical talk about this.) Same High is a euphoric track. You’ll probably want to dance when you hear it. The whole album will make you want to dance. As someone who isn’t much of a dancer (I usually throw my limbs about and hit myself/others) to say that it makes me want to dance is a bit of a big deal. The whole record makes you want to pop it in your car CD player and just drive off. No destination in particular, just bugger off somewhere. It’s a good job I can’t drive, because the amount of songs that make me feel this way is ridiculous. I’d be constantly driving places and getting lost. That said, I can get lost on the bus or by foot anyway so.

Human Nature is easily one of the standout tracks on the album, I say this but every single song is astounding. Literally in love with this record. I honestly don’t think I could be friends with someone if they didn’t love this band. See, I say Human Nature is my favourite- I’ve immediately changed my mind. It’s all about Disdain right now (Disdain is one of my favourite words you know; my biased opinion has drawn me into this song.) I’m not going to be able to pick a favourite and stick to it, but for arguments sake, I will stick with Disdain.

I’m going to leave it here, if I continue I will just ramble and sound more mental than I already probably do. I can still say at the end of writing this, Disdain is my favourite. As soon as I publish this, I may change my mind.

Go out and buy this bloody wonderful work of art. If you’re someone who buys records based on the artwork (I’ve done this a few times) then you need this record in your life. If you’re someone who loves music that gives you that flipping of the stomach, then you need this record. Look, you just need this record in your life. Trust me on this one.

Oh, I think Marstorm is my favourite now…..

Fidlar.

Los Angeles, I think you’re slowly taking over my heart with all this wonderful music you are pouring out.

If it makes me feel like I am being punched in the face or if it scares me- I will more than likely fall in love with it. Only music based though, I think. I wouldn’t like to be punched in the face again. That shit hurts.

Fidlar are mind-blowing. If you like your music to sound brutal, then you need Fidlar in your life. They have a lo-fi mixed with Ramones feel to their music. It’s amazing. They’ve got the true essence of garage rock in their music. It’s something to believe in, something to just put your all in. Why? Because you can tell they put their all into their music. The utter passion in their music steals your heart away. I don’t care if you don’t want to have your heart stolen, sometimes it just happens. Don’t be a fucking coward.

 

2:54-Scarlet.

Dear any bands I have declared my love for over the years, you are seriously going to have to compete for my affections starting….NOW! 2:54 are a band I’ve had a LOT of love and admiration for over the past year and a bit. Creeping blew my mind last, and they’ve gone and done it again with their new one Scarlet.

If you love The Cure (I want to be your friend), Beach House, Warpaint- then you SHOULD fall in love with 2:54. If you don’t, then hey- can’t like everything can we.

The video to Scarlet fits the song perfectly. It is dark, intense and creepy. I love anything that is dark, intense and creepy. I’ve never claimed to be normal, mainly because normal does not exist. If it seems a bit odd, I’ll probably enjoy it. 2:54 are EASILY the UK’s best band right now (along with some others. I know, I know.)

I can safely say that this is my favourite video of the year. It’s just brilliant. I love how it is shot, it’s just perfect.

Beautiful isn’t it? A hint of strange with a touch of sheer beauty.

Korn & Skrillex.

I’ve not listened to enough of Skrillex to form a proper opinion of his music, but going by his collaboration with Korn- he’s not bad at all.

Is it actually Dubstep? That depends on who you ask. Everyone has an opinion on this genre. Some will say it is, some will say it isn’t. I guess it comes down to personal opinion. Do I think it is? I’m not entirely sure. I’m a stupidly HUGE fan of Korn, and I will never say a bad word about them at all. Ever. Would this track be shit if it wasn’t Korn? Ahh…well, that’s a completely different matter.

Ethan Ash.

I know a lot of these folk/acoustic acts are mainly bland and a bit cack, but once in a while you find one that is actually decent.

I love music that has some kind of passion in it. Something that makes you feel something. Music that just conjures up weird and wonderful images in your mind. Music that goes beyond what it is, what it is meant to be. Allow me to introduce you to a lovely fellow named Ethan Ash.

His self-titled debut album was released last year, and since then he’s supported an artist I respect a hell of a lot; Seth Lakeman. He has also played a headline show at the prestigious Edinburgh Fringe Festival. This summer Ethan has played at festivals such as Secret Garden Party and Bestival.

His music tells wonderful stories, basically the guy is a poet. He’s more than just a typical singer/song-writer. He’s not typical. He’s got a wonderful way with words. As someone who is slowly starting to dislike all this acoustic stuff, I can safely say Ethan Ash is one artist worth giving your time and attention to. He offers something else, something grander. He’s been labelled as soul/folk, and you know what; it is a pretty damn good description.

You can grab a free download of his new single All I Need HERE.

Covers.

I hate covers, but every so often I hear a cover and my hate fades away. Hate is a bit harsh isn’t it. I don’t hate many things. But I really don’t understand why you’d want to take another song and possibly ruin it. However, sometimes a cover is better than the original. In short, I have mixed feelings about cover versions. I get a bit upset when a song I love is covered and just destroyed. There’s no need for it. But, there are some covers that I have grown fond of. I am partial to making an exception sometimes. I’ve attempted to pick 5 covers that I adore a hell of a lot. I will probably want to change my mind as soon as I’ve posted this.

Lykke Li has easily put out one of the best albums this year, and I’d say it’s been highly underrated. Her voice always breaks your heart. However, when she goes acoustic you really really feel her words. They hit you right in the gut. Many have covered Unchained Melody, but none have captured the pain within as much as Lykke Li does. A cover should mean the artist puts their own personal touch on it, she really does. When she holds the note around 2 minutes in, it just covers your body in goose bumps and you tremble. It’s such a gorgeous cover but at the same time, causes you to ache.

Apart from The Smiths, The Walker Brothers are my favourite band of all time. With one listen of this cover, it’s pretty much easy to see why. Scott Walker is like a god to me. His music is pretty much everything to me. A stunning singer who should be regarded as the greats. Let’s be honest, he’s probably the greatest. The Walker Brothers are one of the many that have covered this song originally by Jerry Butler (written by Burt Bacharach and Hal David.) The Walker Brothers add huge drums to this giving it a Wall Of Sound feel to this cover. Of all the break-up songs in the world, this is probably my favourite. It’s just a beautiful that, although it may pain you to listen to it- it comforts you too.

Cat Power is a strong vocalist. Her music always moves my soul, it goes beyond the heart. Her music has got me through some times I hope I never ever have to go near again. Her music is a lifeline. Seeing her live was one of the best gigs that I have ever been to. I’d waited years to see her, and I was right at the front. It was just perfect. Cat Power has covered a lot of songs in her career. She’s even released a covers record. I could’ve picked the obvious such as Sea Of Love or I Found A Reason, but I had to go with one of her Bob Dylan covers. I fully understand Cat Power’s love for Bob Dylan, I feel exactly the same. I hate it when Bob Dylan’ssongs are covered, I firmly believe the only person who should sing a Bob Dylan song is Bob Dylan- that was until I heard Cat Power’s version of Stuck Inside Of Mobile With The Memphis Blues Again. My mind was blown, my heart beat double time. I fell in love with her music and Bob Dylan all over again. It’s a truly wonderful cover, quite possibly her best cover she has done.

I love Wicked Game. I used to be obsessed with this song when Iwas younger, I had a bit of a fascination with Chris Isaak, I loved his music. What I love about this song is that it just oozes the need to fight how you feel. As someone who does that more times than they should (I’m starting to get a bit better) this song is just perfect. I’ve always loved the line, “This world is only going to break your heart.” It just sums up the whole feel of the song. Don’t bother, you’re just going to get your heart broken. However, getting your heart broken will always happen. There’s no point trying to avoid it. Shit happens, you’ll be fine-carry on. I love the way she sings, “I never dreamed that I’d meet someone like you.” We’ve all felt that way. You meet someone you thought you’d never in a million years meet. I don’t wish to make my take on this any more personal than I have, so I will now move onto my final cover…..

I love The Kills as much as I love the Velvet Underground which is probably close to an obsession. I don’t call it that, I just call it a passion for excellent music. Pale Blue Eyes is my favourite Velvet Underground song (closely followed by Run,Run,Run.) The Kills are influenced by Velvet Underground, and have covered a few other songs by them; but this is my ultimate favourite. It’s my favourite cover EVER. I love Jamie’s guitar on this, it’s just so emotional and powerful. Then you have Alison’s voice. Her voice ALWAYS sends me off some place else. Don’t ever try to have a conversation with me if The Kills are playing near us- my attention will be elsewhere. And I’ll probably start singing and be in some kind of trance for about an hour. Pale Blue Eyes has some of the most wonderful lyrics ever. The opening verse is so haunting, “Sometimes I feel so happy. Sometimes I feel so sad….baby you just make me mad.” We’ve all got someone we care about, but they just make us mad. You can’t say why, but they just do. I love this song so much, and there was a time when this song was too much to listen to due to it being so bloody apt. But, that’s been and gone now; and I can safely say this is my favourite cover of all time and I can listen to it being, and just be in awe of Alison and Jamie’s talent. I did want to choose their cover of I Put A Spell On You by Screamin’ Jay Hawkins but I’d just rant forever.

I know I’ve missed out some brilliant covers, and as I’m a decent person (depends who you ask I suppose!) I’ll link you to some others:

Siouxsie & The Banshees- This Town Ain’t Big Enough For The Both Of Us.

Warpaint-Ashes To Ashes.

Patti Smith- When Doves Cry.

The Horrors- The Best Thing I Never Had.

Foals-Everybody Wants To Rule The World.

 

The Weeknd-Initiation.

My biggest musical obsession this year has been mainly directed at The Weeknd. I’ve tried to work out why I love his music so much, but to be honest you don’t always need to explain it do you? You like what you like. You hate what you hate. You don’t always need to justify it.

When I heard his first mixtake this year, House Of Balloons, I was instantly blown away. I remember hearing Timbaland’s music in 1996 and the production was so good. So fucking good. The music he made with Aaliyah was instantly timeless. One In A Million will ALWAYS be one of the greatest albums ever, on so many levels. The Weeknd has created a sound that makes me feel the way Timbaland did in ’96. The futuristic feel in his music is unlike anything else around right now. His sample of Siouxsie & The Banshees Happy House is easily one of the best samples I’ve heard in a long time.

His new track, Initiation has a chopped up sound to it. Normally I’m not a fan of the chopped up sound, but this is RIDICULOUS. It is amazing. It fucks with your head and you just zone out. That’s pretty much what you get from The Weeknd’s music. His last mixtape, Thursday is astounding. I just can’t get enough of his music. It’s perfect to listen to when you’re on a bus or train late at night and just need to go some place else in your mind.

The Cure-A Forest.

When you’re young, you sometimes think “My parents record collection is AWFUL.”  I was one of the lucky ones. My mum and stepdad have amazing music taste. My mum loves Bob Dylan and my stepdad loves The Cure. Both of which have played (and still do) a massive part in my life. These two artists got me into so many different artists of all genres.

I remember sitting the living room going through a load of CDs and tapes, most of which belonged to my stepdad. I was in awe of what I found. I must say, he’s seen some of the best bands ever live and has some amazing stories to go with it. He’s seen The Clash, Bob Marley, Siouxsie and The Cure. Kind of shits on my first concert I went to being the Backstreet Boys doesn’t it. Although, they did fly through the crowd. I doubt Robert Smith would do that.

I have a borderline obsession with The Cure. It’s hard to put it into words sometimes, but they’re just such an important band to me. However, there is one song of theirs that changed my life. I was going through the CDs and my stwpdad handed me an album by The Cure and told me to play A Forest. I did. I played that song over and over. I then proceeded to listen to the rest of the album. Seventeen Seconds instantly became my favourite album by the band. I’ve heard most of their records, but Seventeen Seconds is by far my favourite. Closely followed by Wild Mood Swings.

What I love about A Forest is how wonderfully haunting it is.Simon’s bass playing on this song just blows me away. Robert’s voice as ever just amazes you and his guitar playing, bloody hell. The lyrics, oh god the lyrics. Chasing a girl into a forest then realising she isn’t there. Pretty sure most of us can relate to that. Not chasing someone into a forest, that’s quite odd and creepy (and frowned upon I think.) but what it stands for. It’s easy to relate to.

I could post you the original 3 minute version of the song, but you need the 8 minute live version. It’s a song that just needs to last longer than it does. It is so perfect, and you can easily see how this band and this song has influenced so many. And you know what? I still think it does. Proving that The Cure will always be one of the most influential bands of all time. If I had to list the songs that changed my life, there is no doubt in my mind that A Forest would be in there.

Death In Music.

Death. A subject most fear and refuse to ever talk about. A subject that no matter how hard you try to avoid, it’s still going to happen. Anything that starts will always end. Friendships, relationships, life. With most things in life we go through with others. We share certain moments with others such as love, laughter, tears, joy, pain- everything. Aside from death.

What fascinates me about death is that nobody can tell you what happens when your body leaves this earth. We all make our own assumptions. Some choose a religious stance, others may take a spiritual approach and some just have no opinion on the matter. Personally, I’m on the spiritual side of things- but this is not the time or place for me to put across my personal views.

With death, it is a one person thing. Just YOU feel it. YOU’RE the one that is aware of what is happening to you. Nobody else can feel that emotion. A person that has died cannot come back and tell you what it is like. Nor can they tell you what happens afterwards. This may be daunting for some, but I just find it entirely fascinating.

I’m not someone who sits and thinks about how I will die or how I wish to die. I’m not that morbid or curious. Nature can deal with it. One thing I find interesting are songs about death. Regardless of genre- death is a subject that is frequently touched on. Some may hide it better than others. Certain genres go more in depth with it. So, I’m going to choose a selection of songs that touch on the subject of death. I’m not going to make it insanely depressing; just focus on the creative side of it and how an artist expresses their views on the subject.

The first song I’m choosing to write about is one that I feel is one of the most heartbreaking songs of all time by one of the greatest bands of all time. Treasure by The Cure is quite simply, breathtaking. The fragility in Robert Smith’s voice here always hurts to listen to. It’s such a sad sad song. It is taken from the album Wild Mood Swings which was the first album I heard by The Cure. I remember finding it amongst my stepdad’s music collection, I was only 10 years old- I took the CD and was just fascinated by what I was hearing. Treasure stood out for me more than the other songs because it just sounded so dark and vulnerable. I was always an odd one, so I guess its no surprise I was fascinated with such a dark song. I suppose you could take it as a breakup song, but I honestly wouldn’t understand why. It’s got such an aura of death and dying surrounding it. The way he sings, “She whispers, “Please remember me. When I am gone from here.” She whispers, “Please remember me. But not with tears.”” It just instantly crushes you. Robert Smith sings it so delicately, like an Angel or something. His voice just sounds so pure and innocent. I love The Cure because they just hit this part of you that no other band could get to. I love The Smiths/Morrissey with all I have, but The Cure hit a part that no one else could reach. They’re a lifeline, a crutch at best. When I listen to Treasure, I can’t help but feel for the person who is telling the loved one not to cry. Knowing you’re about to leave someone forever is just as crushing as being the person left behind. You suddenly find more things you want to say to them, the time you had with them seemed to have been too short- more needs to be said. But what can you say? What can you prove? “Remember I was always true. Remember that I always tried. Remember I loved only you.” Not only is this enough to make you breakdown, it’s just so apt. You want the person to know that you were always theirs; you always tried your best for them. More importantly, they were your everything. You loved them, always. You always will. In life and in death.

If one song sums up the solitude found in death it has to be Waiting Around To Die by Townes Van Zandt. If I had to list my favourite songs of all time, this would be in my Top 5. I love the pain, frustration and anguish in his voice. A lot of his songs were just riddled with loneliness. Anyone who claims to have never felt lonely is a liar. Being alone and feeling lonely are two very different things, and to deny ever feeling that way just makes you a liar. If it hasn’t happened to you yet, well, there’s still time. Waiting Around To Die for me, just cries out someone waiting for death because means nothing; that ending it would just give it more meaning. It oozes boredom and addiction. Some may say there’s a link between the two; I say it’s all down to strength of character. The last verse ALWAYS cuts deep into my heart. With all his songs, you can hear and feel he means every single word he is singing, but this song just grips you so hard. It’s a painful grip because you can sense his pain, but for some reason you just cannot let go. Do you want to? I doubt you could.  “Now I’m out of prison, I got me a friend at last. He don’t steal or cheat or drink or lie. His name’s Codeine, he’s the nicest thing I’ve seen. Together we’re gonna wait around and die.” Everyone has done him wrong, so he turns to a substance, in this case Codeine- it’s all he has, they’ll wait it out and die together. To feel that low and desperate must be such an exhausting feeling. I think it’s something that we all work hard to never ever feel. You cannot control what happens; you cannot control your emotions. Some things you just cannot fight off.

I cannot write an article on death in music and ignore The Smiths can I? It has to be Asleep. Morrissey’s gorgeous voice over the haunting piano is so comforting. It’s comforting in a way you never thought a song like this could be. It’s evidently about suicide, but the way Morrissey has written it is so clever. He regards death in this song as basically just being asleep which makes it a less painful concept. “Don’t feel bad for me. I want you to know, deep in the cell of my heart. I will feel so glad to go.” I think anyone who has felt so alone and has felt that awful feeling of just wanting to leave will truly feel that part of the song more than most. You don’t want any loved ones to feel sorry for you because it is what you want. You just cannot carry on anymore. Some people that have felt this low manage to pull through. Some sadly however, succumb to this horrible feeling and just call it quits. It isn’t right, it isn’t wrong; it is just a shame. As a massive (understatement) fan of The Smiths and Morrissey, this song just shows Morrissey at his most painful, darkest and articulate. The loneliness that pours out of Moz’s music is astounding. He makes you feel lonely even if you don’t feel it. That’s the beauty of music; it can make you feel things you never thought you could feel. Sometimes they are horrible feelings, sometimes they are wonderful feelings. What I take from music is the ability to no longer be scared of having feelings. It’s okay to feel like utter shit, its okay to be happy. There is no right or wrong, ever. Asleep is like a lullaby, an extremely dramatic and aching lullaby. You feel as if you’re floating away from all you hate as you listen to it. When you wake up, well that’s an entirely different feeling altogether.

One of the first Hip Hop records I remember buying was Ready To Die by Notorious B.I.G. His debut record is not for the faint hearted or those who have never possessed a deep thought in their life. It isn’t for those who cannot take pain and honesty. One song in particular, Suicidal Thoughts is one of the most intense and darkest songs I’ve ever heard. Not just from the Hip Hop genre, but in general. Biggie was a poet, you cannot deny that. The greatest Hip Hop artists SHOULD be regarded as poets; it’s just a shame most of them aren’t. A lot of people are always like “BIGGIE OR TUPAC?!” No. It is so easy to see that both artists were as astounding as each other, both fantastic poets who could make you really feel what they were saying. They made you feel part of the stories they were telling. They were so much more than Hip Hop artists, but the media, as ever just labelled them as thugs. The opening line, “When I die, fuck it I wanna go to hell. ‘Cause I’m a piece of shit, it ain’t hard to fuckin’ tell” The harsh feel of self loathing in this line is painful, the brutal honesty just takes you back. You can’t help but think, “How can someone feel so low?” Quite easily, sadly. This line is nothing compared to the rest of the song. Suicidal Thoughts is just brilliantly dark. It keeps you on edge; if you aren’t left feeling tense after listening to this you probably don’t have a soul. Certain lines make you squirm because the honesty hits you so hard. The whole song is one big dramatic build up. It doesn’t read like a suicide note. If you read the lyrics, you just get a sense of what goes in someone’s mind when they feel so low. He states that the mother of children would be glad he was dead, no one would miss him. It’s horrific that a person could feel like that, but it happens. The song is a phone call between Biggie and a friend. The end of the track ends with the line, “Matter of fact, I’m sick of talkin’” followed by a gunshot. Then his friend calls out for him. I swear, if this doesn’t make you feel uncomfortable then something is up with you. It’s a difficult song to listen to- you could be the happiest person in the Universe, but this song will destroy your happiness for a while after hearing it. It’s so deep, so harsh.

The song I want to finish this on is on a different level of beauty and perfection. The artist is easily one of the greatest artists ever. I remember when I first heard this song, I just cried. I cried because it was so frail, haunting and accurate. I know I said at the start that death should not be feared, but a level of uncertainty should be kept and questioned. We need to question what happens to keep us going, and to ease the fear. The song is of course, Hope There’s Someone by Antony And The Johnsons. This isn’t a song you just casually play in the background whilst cooking your dinner, oh no. This isn’t a song you play whilst getting ready to go out. This is a song you play by yourself when you just feel something that is beyond words. I don’t listen to it often because it just crushes me more than any other song. The whole song is just fear and uncertainty, but there’s one part of the song that just sums up what every single person must feel as they approach death. Whether they know it is going to happen or not, this line must be something similar to what they feel: “Oh I’m scared of the middle place, between light and nowhere. I don’t want to be the one left in there, left in there.” I think that is exactly how someone must feel as the end approaches. The piano build up in this song feels like the person leaving the world in body, becoming free. Flying away from this life and into the next. It is so euphoric. This is the kind of song you listen to with your eyes shut, and as you open them- the tears just fall. Antony’s voice is so beautiful on this song, his voice trembles and you can feel his fear. “Hope there’s someone who’ll take care of me. When I die.” We all want someone to meet us on the other side. I’d love it if John Peel and Lester Bangs greeted me on the other side with records and a cup of tea. The way Antony sings that line just makes you want to cradle him, and tell him that someone will be there; that he has nothing to fear. But can we be so sure? Personally, I believe there is someone.

So there you have it, probably the most morbid thing I will ever write. Thing is, I enjoyed writing this more than previous articles. I know there are so many songs that touch on the subject of death and dying. I just picked the ones that I feel portray the subject in such grand ways; whether it be intense or just heartbreaking. Like I said at the start, it’s something we go through alone. However, music again just proves that we are never alone with how we feel. Remember, it is okay to be scared and unsure; but do not focus on it. Make the most of what you have, for when it is over; it is only over in this lifetime. You can start over again in the next one.