“I can’t get enough of you
God gave me strength and I gave it to you
I’ve got sticks in my spine but what can I do
I can never never never get enough of you.”


I’m probably a rubbish fan of The Jesus And Mary Chain because for as long as I can remember, Darklands and Psychocandy have been the two records I have constantly played and always related to. The amount of sentimental value I hold towards those two records is beyond an explanation. There’s one person who understands it, and will only ever understand it. I don’t know what I would do without those two records, and them. However, there is obviously more to TJAMC than just these two records- I own them, I just never gave them as much attention as I should. I’m going to start with Honey’s Dead.

Honey’s Dead opens with Reverence, a song that held a wealth of controversy in it due to its lyrics. If you’re searching to be offended, you’ll be offended. Sure the lyrics are dark but you’re not going to get sunshine and rainbows with TJAMC are you? I wouldn’t want to ever hear that, from anyone. Their songs like Nick Cave, touched on themes of lust and love in a way I want to hear and can relate to regardless of how brooding and heavy it may sound. The title of the record references the end of the sound they were known for previously, but I’ve learnt from each record is that they all sound completely different. I always toy with what my favourite record by them is, and right now I’m in favour of Darklands. Tomorrow it could easily be Honey’s Dead. I love the artwork to Honey’s Dead and how beautifully morose the front cover is. Even if I wasn’t aware of TJAMC the cover alone would lure me in.

I love the way Jim conveys such desperation and pleading in his voice in a lot of the songs. It’s done in a way that not many can do without sounding so clingy and overbearing. He does it in a way that releases this sense of pain that smacks you right in the gut. At times it overwhelms you because of how strong and intense it is, but nothing else can come close to it. I picked this up especially on Reverence and Teenage Lust.

There are a couple of songs on Honey’s Dead that have the same sentimental value to me as the likes of You Trip Me Up and April Skies have. Good For My Soul and I Can’t Get Enough are the kind of love songs I can relate to, and fully appreciate. The lyrics to both are extremely open and show this vulnerable side to the band that I have always adored, and I think that’s what drew my to them in the first place. Honey’s Dead is not that much of heavy record, but the weight is in the vocals and to an extent maybe that could be said for their previous records. It’s not what you say, but how you say it. Or so they say.  Besides, I just find this from Good For Soul to be one of the most beautiful lines I’ve ever heard: “She can take the world on another journey into her soul.” When you adore someone greatly, you’ll see yourself in this song.

Sundown is one of those songs you play when everything seems a bit wrong and tormented. The sorrow in William’s voice is heavy and easy to empathise with, and it will make you want to leave where you are in the search of something better for your soul. Sooner or later, we are pushed to do so. Maybe it isn’t so much about having guts but enough patience to see it through. It’s the longest song on Honey’s Dead and I find it to be the one I like to hit repeat on before I carry on with the remainder of the record.

There’s a handful of bands I love that I thought I always had a solid favourite song and record by, and I always thought that The Jesus And Mary Chain were one of them. But after delving into Honey’s Dead more, I’ve realised it isn’t the case/ Maybe I’ll never be able to choose, maybe I don’t even need to. I’m content with them being one of the most important bands to me and a band that have been a massive lifeline for me.