GLAARE: To Deaf And Day.

4 11 2017

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There are a handful of bands that make a massive impact with their debut record, and it leaves you wondering how you’ve got this far without them. How music could have got this far without them, and how on earth can they create perfection instantly. These thoughts and more come trickling in as I listen to the absolutely gorgeous debut record by GLAARE. To Deaf And Day is magnificent and it is one of those records that makes me want to head out to L.A. and obsessively go to all of their shows. Spend my days listening to their music and being in a state of bliss. Sounds ideal. In my head, I’m doing that right now.

GLAARE are a 3-piece from Los Angeles, and their music makes you think you are listening to a band from Berlin in the 70s with their glorious Goth sound. They’ve been labelled by many as being Goth. Sure, but if you don’t give a shit about genre (I’m with you) then you’ll probably just call them amazing and other praise-like descriptions. Their sound is so freeing and so wonderfully romantic. Rachael’s voice is absolutely haunting and comforting. The way she can sing over such eerie sounds and relax the mind is nothing short of admirable and powerful. Some have resembled her voice to Zola Jesus. I’m a MASSIVE fan of Zola Jesus (true story: I nearly set my kitchen on fire whilst listening to Stridulum because I wasn’t paying attention to the cooker.) Rachael’s voice is lighter and the power in her voice is different to Nika’s. Both possess voices that I wish I had, and voices that are just incredibly underrated. Imagine if they did a song together! I’d be in heaven.

To Deaf And Day is one of the best moments in music this year, no contest. Everything about this record gives me that same feeling I got when I heard Seventeen Seconds by The Cure for the first time. I always look for music that will give me that feeling of hearing that record for the first time, and GLAARE have done exactly that, and more. To Deaf And Day is meant to be heard in a setting that will not have any interruptions. I recommend drawing the curtains, turn off the light, hit play and shut your eyes. I think this is how I’ll fall asleep tonight.

For me, this record is the kind of record I’d never ever shut up about. I think it is going to be one of the records I continue to play probably every single day for the rest of the year, and beyond. It is effortlessly beautifully. It is elegant and timeless. A true testament to how great this record is comes out on the song Isky which is 5 minutes and 44 seconds of euphoria and beauty. Every song on this record shows how brilliant they all are, but there is something about Isky that really hammers it home how great they all are. Right after Isky is the one I’ll probably keep on a loop- Suffer. Again, there is something about Rachael’s voice here that just makes me feel at ease. We are then hit with the possibly most heavy sounding song on the record- Surrender/Control. This is such a strong song (I don’t mean it in an annoying hipster sense, I mean actual weight of the song) and it feels like you’re watching everything around you just fall to the ground and crumble as you listen to this song. Maybe if/when the world ends this is the song that will be playing.

For sheer sentimental value, the opener My Love Grows In Darkness is probably my favourite. The lyrics are gorgeous, and possibly lyrically, one of my favourites this year.

There is no denying just how phenomenal this record is. It may be their debut record but it feels like something a band with decades of records would make. Everything about To Deaf And Day defines perfection. It has this glorious darkness to it that will comfort anyone and become their safety net. It just oozes this heavenly sound that simply makes it one of the best records I’ve heard in a long, long time.


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