With a wealth of sadness covering those who adored, admired, loved and treasured Lou Reed, to find anything good right now in the state of music is difficult. It is obvious who has been influenced by him, and as I go through the musicians I love it is fair to say that most of them would not have existed if it wasn’t for Lou Reed. For some reason now, listening to any music I am starting to pick up on Velvet Underground/Lou Reed influences in their music. His music is going to live on in those who truly loved him.

This leads me onto a band I’ve adored for many years now. I had the honour to interview them three years ago, the day before their debut record, The Fool was released. I’ve never sensed that level of passion of music before from a band. The way they spoke about how they make music to how they are with each other was truly inspiring. To finally hear something new by them, given what has happened in the past 24 hours has truly eased the loss of a man who was nothing short of a poetic genius.

Love Is To Die is yet again, an ethereal gem from Warpaint. It is melancholic but utterly tranquil. Much like songs such as Lissie’s Heart Murmur and Stars, Love Is To Die is a song to escape to. What I immediately noticed about Love Is To Die is that it STILL has that floating on water feel that is found on all of The Fool. You always feel as if you are dreaming when you listen to Warpaint. Theresa’s vocals on Love Is To Die sound so divine and vulnerable. The way she trembles as she sings just makes you really really excited for the new record. I guess you start trembling too.

Warpaint are a band feel very comfortable writing about because they have this brilliant ability of transporting you elsewhere, and it makes you feel free. When you feel free you can unleash everything you feel. Sure it may not be coherent at times, but you still manage to get it out.

On Wednesday I’m FINALLY seeing Warpaint live, PINS are supporting too which makes me even more excited. I’m pretty confident that every feeling I’ve had from listening to Warpaint on record is going to be heightened when I see them live. Love Is To Die is probably going to be one of those songs that just make you close your eyes and sway your cares away. It’s so easy to do it in the comfort of a room with no one present. But to do it in front of the band who set every part of you free, well of course it is going to be intense yet liberating.

Everything is so clear on Love Is To Die. The way Stella drums is perfectly merged with Jenny’s haunting bass playing. Theresa’s vocals flow in and out of you as you sway to Emily’s captivating guitar melodies. I’ve only been home a few hours, but I’ve not really listened to anything else.  Love Is To Die is like a dreamy gaze into the unknown. Pure and gentle. As I listen to Love Is To Die I find myself being reminded of that feeling that hit me when I first heard Warpaint, when I heard Elephants. Elephants is more chaotic than Love Is To Die, but I knew I was hearing something truly special. I wear my Warpaint tattoo with love, pride and respect.

I’ve exhausted every feeling imaginable in past writings about Warpaint, and I know I’ll never get tired of expressing my admiration for them.